Carnegie UK Trust: What’s Next for Wellbeing?

“… by such means as the Trustees may from time to time select as the best fitted from age to age, remembering that new needs are constantly arising”, or “how to solve a problem like improving wellbeing?”

Along with his substantial endowment, Andrew Carnegie left his UK and Ireland Trustees an obligation to undertake regular reviews of the most effective means of securing his mission to improve wellbeing (writes Carnegie UK Trust Chief Executive SARAH DAVIDSON).

This has translated over time into quinquennial strategy reviews and the subsequent production of 5-year strategy documents.  Those of you who follow our work may have spotted that the most recent one (2016-2020) expired at midnight on 31st December. So, what’s next for the Carnegie UK Trust?

For an organisation whose entire purpose is focussed on the improvement of wellbeing, the past decade has been a remarkably fertile one in public policy terms. Across the world, as well as here in the UK, the concept of “societal wellbeing” – everyone having what they need to live well now and in the future – has gathered momentum. The Trust has been at the heart of that debate, bringing accumulated expertise to policy and practice and adding to our own understanding as we went along.

It has been an incredibly busy period, no more so than in the last few years. In our work on digital futures;  fulfilling work; enabling wellbeing; and flourishing towns we have ranged widely across the public policy landscape as well as the actual geographies of our 5 jurisdictions. In doing so, we have enjoyed multiple collaborations and partnerships, developed a diverse playbook of approaches, and invested in the thinking and doing which we believed were necessary to stimulate positive change.  It has been challenging and exhilarating and – at times – exhausting.

As we entered 2020, we knew that it was almost time to draw breath, to look back and to look forwards and to take stock, as Andrew Carnegie asked us to. And then came the pandemic, and the year that was to have been one of review and reflection became the year when we doubled down on the insights and learning we had gained throughout the strategy period and brought them to bear on the greatest challenge to individual, community and societal wellbeing of our lifetimes.

However, we quickly discovered that 2020’s clarity of focus on questions of wellbeing actually acted as a stimulus to our strategy review, rather than a distraction. We added to our existing evidence base about what influences wellbeing, and we worked alongside partners old and new to understand how Covid-19 was affecting communities across the UK and Ireland.

At the same time, the experience of remote working during a pandemic encouraged us to reflect on ourselves. What is our identity as an organisation when we are not working together in our familiar building in Dunfermline? What does it mean to work across the UK and Ireland when you never leave your home?  Faced with immense challenges to public policy and practice, how can a team of 16 FTE reasonably make an impact, and what does “impact” mean anyway, in our business?

In the course of last year, we started to address some of these questions, drawing on the extensive experience and insights of our own team and Board of Trustees, as well as undertaking a thorough stakeholder survey carried out on our behalf by The Diffley Partnership.

We heard some very encouraging and positive things during this process.

People who engaged with our work in 2016-2020 said that they regarded our activities as relevant and influential.  We have strong relationships and active networks across all the jurisdictions where we operate, and across sectors, allowing us to fulfil a valuable convening function.  

The quality of our work, our approach to partnerships and our varied menu of ways of working are all perceived as strengths, as are my colleagues who are highly valued by all who engage with them. As the Trust’s still-relatively-new CEO I am privileged to enjoy the reflected glory of much of that feedback.

However, a period of reflection and review is most useful when it sharpens your ambition and signals future opportunities. So, while we are proud of the work that we have done over the past decade in order to improve wellbeing, we also recognise that in this rapidly changing world we must evolve our approach to build on the work we have done to date and become even more effective in pursuit of Andrew Carnegie’s mission.

This is what we are working on as we enter 2021.

We are exploring how to strengthen the focus on our USP, which is wellbeing. As part of this, we want to invest more consciously in our ongoing learning as an organisation (both at a governance and an operational level), and we intend to become much more explicit about our values and how they shape us and our work.

We need to revisit the sheer volume of activity that we undertake and reflect on the trade-offs between individual busyness and the overall depth, quality, and impact of our output as a team.

We want to understand more fully how the work we do and the way that we present our evidence connects with those we seek to influence – or doesn’t.  Does everyone understand what we mean when we talk about “wellbeing” and if not, how can we communicate that more effectively?

It’s also important for us to keep abreast of and emulate the very best practice in assessing impact in the complex world of social change.  We are currently inviting expressions of interest from people interested in working with us on refreshing our brand, and also on a review of best practice on impact. If either of these falls into your area of expertise, we’d be keen to hear from you.

At the same time, we are continuing to assess our own ongoing development as an organisation.

In common with many others in our sector, the events of summer 2020 added further urgency to the challenge we had already set ourselves to examine our policy and practice on Diversity, Equity and Inclusion.  

We’ve started some important conversations, but we have much more still to do here. We were already auditing our environmental practice a year ago, but an 11-month period without travel has shown us what is really possible with the aid of technology and the goodwill of partners.

The realities of lockdown created opportunities for team members to step into new spaces, take on additional responsibilities and demonstrate the power of collective leadership. Our Organisational Development strategy will be founded on our strengthened belief in the capacity and desire of individuals, teams, and the organisation as a whole to learn and grow.

So, that’s what we are up to here at the Trust, while at the same time making sure that we bring any remaining work under the 2016-20 strategy to a positive conclusion. The next six months will be the time when we lay down the critical foundations for successful delivery in the years ahead.

We expect to publish our 2021-2026 strategy in the summer, along with the accompanying operating plan. Between then and now, we will go on sharing updates on how our review is going. We are always keen to learn from others, so if you have experience and learning to share, please don’t hesitate to get in touch.

Lottery cash for Granton Castle Walled Garden

Lottery boost for Friends of Granton Castle Walled Garden

The Friends’ group’s Gillean Paterson explained: “We received £10,000 from the National Lottery to match fund the grant from The Robertson Trust.

“The money is specifically to employ a Community Project Development Officer for one year to put in place plans for the garden.

“These include more community veg growing, a green gym, planting a miniforest to increase biodiversity, longer opening times – and that’s just to begin with!”

A busy year ahead for the Walled Garden team!

New plans revealed for Edinburgh Filmhouse

Edinburgh’s Filmhouse has today revealed a bold new vision to create an internationally significant, fully accessible and environmentally sustainable landmark home for film and screen culture in Edinburgh.

It will provide unrivalled spaces and facilities for everyone to watch film, to make film and to learn about film and filmmaking in all its diversity.

The planned new Filmhouse building has been designed by award-winning Edinburgh based Richard Murphy Architects and will significantly improve and increase the quality and quantity of spaces available to and needed by Filmhouse and EIFF for their audiences, customers, participants and industry partners.

It will create a hub for Edinburgh’s film and broader cultural community to base themselves in, and be a focal point for Edinburgh’s citizens to learn about film.

Filmhouse’s audiences have made it clear what they value and these have been built into the design: location, atmosphere, diversity of programme, education and learning activities, great locally sourced food and drink in the Café Bar, and a safe and comfortable space for people to gather. Most importantly, these will all be delivered to contemporary standards of access and comfort.

Filmhouse has been at the centre of Edinburgh’s cultural landscape for more than 40 years. As well as a year-round programme of inspiring films, creative learning, special events and partnership working, Filmhouse is home to the Edinburgh International Film Festival (EIFF), hosts more than 20 other film festivals, and plays a key role in promoting a vibrant and successful film and moving image industry and culture across Scotland.  The new building will secure Filmhouse’s future for generations to come.

The new Filmhouse will:

  • Provide six new cinema screens allowing Filmhouse and EIFF to programme even more great films, festivals and partnership events.
  • Improve the audience experience with a world-class venue that is fully accessible for all, with comfortable seating and state-of-the-art facilities.
  • Continue to screen film on all formats, including 4K digital, and 16mm, 35mm and 70mm film.
  • Ensure accessibility for all, with a commitment that all public and office spaces are fully accessible for audiences, staff and guests.
  • Increase Filmhouse’s education and outreach activity, with dedicated education spaces to host year-round activity for learners of all ages.
  • House Filmhouse’s award-winning Café Bar, which will be designed to retain the intimate and safe atmosphere of the existing space.
  • Create a brand-new Festival Centre to provide a venue to support EIFF and other festivals and special events year-round.
  • Introduce a new Cultural Industries hub, supporting the Scottish screen sector with much-needed flexible workspace in Edinburgh’s city centre.
  • Create a restaurant and rooftop event space.
  • Keep Filmhouse’s iconic character and atmosphere, in a new building that has been thoughtfully designed to represent its independent spirit and ethos.
  • Reduce impact on the environment by creating a carbon-neutral building.
  • Increase financial sustainability, by creating greater capacity, diversifying sources of income generation, and becoming more self-sufficient over the longer term.

The oculus design reflects the eye on the world that Filmhouse, EIFF and the myriad of festivals, events and learning opportunities in the building will provide, whilst also providing a striking addition to Edinburgh’s architectural landscape.

Its location in Festival Square is designed to be the catalyst that brings to life a currently underused public space and as part of the development would place a responsibility on Filmhouse to manage the curation of activity within the surrounding square.

The architect drawings and visualisations for the new Filmhouse give people a good idea of the thinking on the position and shape of the building, and the spaces it would contain, howeverthe design is still in development.

Due to the significance of this project to Filmhouse and to Edinburgh, the project team are consulting as widely as possible on this proposal. The consultation stage will officially run for 12 weeks from 11th March to 3rd June.

Filmhouse is looking to engage with customers, partners, stakeholders including programming partners, creative learning partners and the Scottish film sector, community councils and councillors, and residents of Edinburgh to gauge support for the plans and further develop the designs before submitting a formal Planning Application to the City of Edinburgh Council during the summer.

Information on the proposed development including architect drawings and visualisations, the background to the development and FAQs will be available on the Filmhouse’s website. There will also be information and images on display at the Filmhouse including a scale model.

People will be able to give feedback through a simple online survey through the Filmhouse and EIFF websites, through comment cards in the Filmhouse, and formally and informally at events, meetings and discussions with Filmhouse staff.

Three all-day (10am – 7pm) public consultation events will take place in Filmhouse on Sunday 29 March, Wednesday 1 April and Tuesday 28 April where members of the Filmhouse team, Richard Murphy Architects and Montagu Evans will be present to answer questions and collect feedback.

There will be two Filmhouse Members’ Events for its more than 5,500 members on Sunday 29 March and Monday 6 April with opportunities for this key group of stakeholders to hear more and ask questions.

An annual Programme Partners’ event in March gives the Filmhouse’s festival and cultural partners an opportunity to focus on this consultation and how they can engage with the proposed development.

In addition, Filmhouse will actively engage with a range of audiences, customers, interest groups and stakeholders, for example presenting information specifically to its Young Programmers and Senior Selections volunteers, and will invite people from organisations or networks representing special interests to attend individual or group meetings to have more focused discussions about the designs.

Full costing of the project will take place later in 2020 to coincide with the formal Planning Application, but the cost is currently estimated to be in the region of £50m.

An indicative timeline, contingent on the Planning Application decision and fundraising success, hopes to start work on the building in 2023 with it opening in 2025.

This project is led by CMI’s Board and Senior Management Team, with support from property consultancy Montagu Evans.

Ken Hay, CEO of Centre for the Moving Image (inc Filmhouse and Edinburgh International Film Festival) said: “For more than 40 years Filmhouse has been at the centre of Edinburgh’s cultural life, and for more than 70 years Edinburgh International Film Festival has been an international beacon for film and film culture.

“This proposed new building will transform what we’re able to do for Edinburgh’s residents and Scotland’s film community, as well as providing Scotland with a physical celebration of the most popular artform.  Through doubling the number of screens and seats for regular cinema-goers, creating dedicated education and learning spaces, and developing an iconic festival centre, all within a fully accessible and carbon neutral building, this really is a 21st century temple for film.

“We are hugely excited about sharing this vision during the consultation period, and are looking forward to engaging with as many people as we can in helping us shape the future for Filmhouse and lovers of film.”

Sandy Begbie CBE, Chair of Centre for the Moving Image (inc Filmhouse and Edinburgh International Film Festival) said: “These are very exciting times for the Filmhouse – the opportunity to create a new home for film in Edinburgh, with a landmark building in the city centre.  

“This will provide a new state of the art home for Filmhouse and Edinburgh International Film Festival, but at its heart this is for the citizens of Edinburgh and Scotland and the entire film industry.

“The building will retain the purpose, values and culture that has served us so well over many years but in a building that will take us forward for the next 50 years.  This will also allow us to continue the valuable work we do in the community and the development of talent for the Scottish film industry.  This is what makes us different and the new building will provide the facilities to grow and develop that work.”