National Museum of Scotland – Page 2 – The NEN

National Museum of Scotland: Cold War Scotland exhibition

13 July 2024 to 26 January 2025
National Museum of Scotland, Chambers Street, Edinburgh
Admission: Free

A new exhibition at the National Museum of Scotland will explore Scotland’s critical position on the frontline of the Cold War.

Over 190 objects, many on display for the first time, will be brought together in Cold War Scotland (13 Jul 2024 – 26 Jan 2025) to tell the stories of the Scots at the centre of this global conflict.

Scotland’s unique geography and topography provided a useful base for Allied military preparations and research during the Cold War, a 40-year nuclear stand-off between the USA and the Soviet Union following the end of the Second World War.

*ERKM4Y Polaris Demonstration at Holy Loch, 3rd Feb 1961*

Atomic power brought jobs and investment to some of the country’s most remote areas, but as global tensions mounted the threat of attack or nuclear disaster became part of everyday life. Opening on 13 July 2024, Cold War Scotland will explore both the visible and invisible legacies of the war in Scotland.

The impact of the war still lingers in Scottish politics, culture and memory. Scots played an active role in the global conflict as soldiers, for example, within intelligence services and as part of voluntary civil defences.

The exhibition will also draw on Scotland’s rich history of Cold War-era protest and activism. Firsthand accounts include a young mother who decorated her daughter’s pram with Campaign for Nuclear Disarmament (CND) badges. A rattle made from an old laundry detergent bottle emblazoned with the CND logo was given to her baby during the Peace Marches of the early 1980s and will go on display in the exhibition.

The exhibition will also reveal the physical remains of the Cold War; the ruined bases, forgotten bunkers and decommissioned nuclear power stations still evident across the Scottish landscape. This infrastructure became part of the fabric of local communities, none more so than the US-controlled radar base at Edzell in Angus, now commemorated with its own bespoke tartan.

Meredith Greiling, Principal Curator of Technology at National Museums Scotland, said: “From nuclear submarines to lively peace protests and observation stations perpetually monitoring for devastating attack, the Cold War permeated every aspect of life in Scotland for decades.

“This conflict is so often remembered on a global scale, but this thought-provoking exhibition will offer a Scottish perspective of the period, allowing Scots from all walks of life to tell their remarkable stories for the first time.”

Further highlights of the exhibition include artwork from Glasgow’s 1951 Exhibition of Industrial Power and a toy nuclear power station, operated by steam and hot to the touch when played with.

Both these examples highlight the spirit of optimism, progress and modernity associated with atomic energy in postwar Britain. In contrast, a Geiger counter used by farmers in East Ayrshire to test for radiation in sheep following the Chernobyl Disaster illustrates the enduring but unseen impact of the Cold War on Scotland’s landscape.

Cold War Scotland is an output of Materialising the Cold War, a collaborative research project between National Museums Scotland and the University of Stirling.

The project explores how the Cold War heritage is represented and how museums can adapt to tell this story in future. Materialising the Cold War is funded by a major grant from the Arts and Humanities Research Council.

Major video game exhibition to open in Edinburgh next summer

Game On

29 June to 3 November 2024

nms.ac.uk/GameOn

Game On, the largest interactive exhibition of the history and the culture of video games, will return to Edinburgh next summer.

The exhibition, featuring iconic characters and games ranging from Space Invaders to Sonic the Hedgehog and Mario to Minecraft, runs from 29 June to 3 November 2024 at the National Museum of Scotland.

Game On, an exhibition conceived and curated by Barbican Immersive, examines the creative and technological advances that have established a new medium and artform. In Game On, visitors explore gaming’s rich history by playing many of the key games produced over the last 50 years.

The exhibition will open over 20 years after the National Museum of Scotland was its very first touring venue in October 2002, after its initial opening run at the Barbican in London.

Since then, over five million people of all ages, have visited this highly interactive exhibition in 24 cities around the world.

Patrick Moran, Game On Associate Curator, said: “The gaming world has had an undeniable social, cultural, and technological impact. Games transcend the boundaries between art and technology, becoming part of popular culture.

“Game On presents the opportunity to not only see the evolution of video games and how they have diversified, but also lets to immerse yourself inside the gaming world allowing you to play with over 100 playable games.

“The show features the largest playable collection in the world, including original arcade, handle hand, and console games, including Pac-Man, Super Mario, Tetris, Minecraft, Just Dance and FIFA.

“The exhibition also explores new advances in the gaming world. Highly interactive, all action, groundbreaking and popular, Game On is engaging for hardcore gamers and visitors new to the gaming, the show is suitable for players of all ages.”

Dr Geoff Belknap, Keeper of Science and Technology at National Museums Scotland said: “It’s great to welcome Game On back to the National Museum of Scotland.

“As someone in charge of science and technology collections, it’s exciting to see the rapid changes in gaming technologies over the last 20 years reflected in this exhibition through objects which I used to have in my own living room.

“The exhibition has been continually updated at each new touring venue since the early 2000s, when the show was first in Edinburgh, and so we look forward to bringing the story of video gaming right up to date here in Scotland, where the industry today is so vibrant.”

The exhibition is organised in thematic sections, inviting visitors to explore game design and technological parallels across the decades.

The sections explore different types of gaming, from handheld to home console to arcade machines across a range of genres, as well as wider cultural aspects such as the links between gaming and both music and film.

The exhibition will be supported by a programme of public events.

Forum set to help culture and business find solutions to sustainability

Culture & Business Scotland Edinburgh event brings the sectors together to ‘cultivate connections‘

With both climate change and the recent slashing of government funding to the culture sector continuing to make the headlines, Culture & Business Scotland will be hosting a Members’ Forum focussing on how sustainability strategies can be incorporated into culture organisations.

Taking place on Thursday 26October at the National Museum of Scotland, the Forum will unite members for a series of presentations, success stories and sustainability strategies, with the aim of fostering collaboration and initiating a dialogue around environmental issues ahead of the launch of COP28 next month.

The cross-sector event will be attended by representatives from businesses of a range of sizes and geographical backgrounds, facilitating networking opportunities as well as providing a platform for businesses to forge connections with culture sector organisations and secure creative solutions to challenges within their practices.

The event will also feature speakers from across the industry, who will be sharing insights into how sustainability can be embedded within culture organisations’ practices.

Dr Ben Twist, Director of Creative Carbon Scotland, will compare the different ways that arts councils are addressing climate change, while Scott Mackay, Co-Founder and Executive Director of the Scottish Youth Film Foundation, will showcase COP TV, a project aimed at amplifying the voices of Scotland’s youth in the context of the crucial COP event.

Meanwhile Hannah Schlesinger, Director of Development & Marketing at Edinburgh Science, will discuss The NetZeroToolkit, a product of the organisation’s Climate Co-Lab initiative, designed to help businesses reduce their carbon emissions. Ruth Gill, Director of Public Programmes at National Museums Scotland, will also introduce the event and give a presentation on how the museum is progressing on its quest for Net Zero.

David Nelson, Head of Development and Programmes at Culture & Business Scotland, said: “The significance of ‘sustainability’ in the culture sector is huge. Incorporating sustainability strategies within our practices should be at the forefront of all our minds as the climate crisis worsens, and our Members’ Forum is set to create a dialogue around how best to do that.

“With funding to culture organisations under threat, it’s also crucial that we maximise opportunities to build strong and sustainable relationships between the culture and business sectors.

“Amongst the many benefits of membership to Culture & Business Scotland is the chance to access these networks and build innovative solutions to the challenges we’re currently facing, as an industry and as a society”.

Individuals interested in attending the Members’ Forum can find out more about Culture & Business Scotland membership here:

https://www.cultureandbusiness.scot/members/.

Wildlife Photographer of the Year exhibition coming to Edinburgh

Wildlife Photographer of the Year

National Museum of Scotland (20 January to 6 May 2024)

The world-renowned exhibition, on loan from the Natural History Museum in London, will open at the National Museum of Scotland on 20 January 2024, featuring exceptional images which capture fascinating animal behaviour, spectacular species and the breathtaking diversity of the natural world.

Using photography’s unique emotive power to engage and inspire audiences, the images shine a light on stories and species around the world and encourage a future of advocating for the planet.

Wildlife Photographer of the Year is the most prestigious photography event of its kind, providing a global platform that showcases some of the best photography talent from around the world for nearly 60 years.

Launching in 1965, today the competition receives entries from 95 countries all over the world, highlighting its enduring appeal. This year’s award-winning images will embark on an international tour that will allow them to be seen by well over a million people.  

This year’s competition attracted an astounding 49,957 entries from photographers of all ages and experience levels from 95 countries.

During an intense week at the Natural History Museum in London, entries were judged anonymously on their creativity, originality, and technical excellence by an international panel of industry experts. 

The winning images, including the prestigious Grand Title Award winners, will be announced on 10 October 2023 during a glittering awards show hosted by wildlife presenters Chris Packham and Megan McCubbin.

Dr Nick Fraser, Keeper of Natural Sciences at National Museums Scotland, said: “These images taken together tell a powerful story, balancing the wonder and beauty of the natural world with its fragility and vulnerability to climate change and biodiversity loss.

“It is perhaps less well understood how the work of in-house natural sciences teams and external researchers on collections such as ours at National Museums Scotland and those at NHM contributes hugely to global understanding of human impact on the environment, and so we look forward to welcoming visitors to the exhibition and the Museum early next year.”

Dr Doug Gurr, Director of the Natural History Museum says, ‘We are facing urgent biodiversity and climate crises, and photography is a powerful catalyst for change.

“The Wildlife Photographer of the Year exhibition reveals some of nature’s most wondrous sights whilst offering hope and achievable actions visitors can take to help protect the natural world.’

Chair of the judging panel, Kathy Moran says, ‘What most impressed the jury was the range of subjects, from absolute beauty, rarely seen behaviors and species to images that are stark reminders of what we are doing to the natural world.

“We felt a powerful tension between wonder and woe that we believe came together to create a thought-provoking collection of photographs.’ 

The exhibition at the National Museum of Scotland is supported by players of People’s Postcode Lottery, and will be supported by a range of public events and activities.

Laura Chow, Head of Charities at People’s Postcode Lottery said: “The Wildlife Photographer of the Year exhibition is truly stunning and inspiring, helping us discover untold stories of species from around the world.

“Our players have raised more than £3.3 million for National Museums Scotland and I’m delighted their support makes exhibitions like this accessible to everyone, allowing more people to learn about our natural world”.

Exhibition information:

Dates and times: 20 January to 6 May 2024, opening 10am to 5pm

To book tickets: www.nms.ac.uk/wpy

Ticket prices 

	Weekdays	Weekends
Members	Free	Free
Adult	£10* – £11	£11* – £12
Over 60s	£8* – £9	£9* – £10
Student, Unemployed, Disabled, Young Scot**	£6* – £7	£7* – £8
Under 16s†	Free	Free
*Book in advance to save. Advance ticket prices are available up to 23:59:59 the day before.  **Valid ID required. Carers of disabled people free.  †Under 16s must be accompanied by an adult.  Discounts available for groups of 10 or more.  For school group bookings please email schools@nms.ac.uk

Facebook: www.facebook.com/wildlifephotographeroftheyear

Twitter: @NHM_WPY

Instagram: @nhm_wpy

Hashtag: #WPY59

National Museum of Scotland hosts Fashion Tour for visually impaired visitors

Blind and partially sighted museum-goers were in attendance as the National Museum of Scotland in Edinburgh hosted an Audio Described tour of their exhibition ‘Beyond The Little Black Dress’.

The exhibition explores how the little black dress by fashion designer Coco Chanel has changed over time and impacted fashion and culture, from punk and afro-futurist fashions to pieces from hit TV show Killing Eve.

Audio Described tours allow visitors with sight loss to experience museums and galleries with greater accessibility and enjoyment.

Kirin Saeed, a Disability Consultant and Actor, says: “For a visually impaired person like myself, the Little Black Dress exhibition is really brilliant.

“You know anything else you put with a black dress will match because everything can match with the black. It also has that kind of image of feeling sensational and a having lovely evening out, while also being comfortable. So, I was really excited to find out about the whole adventure of why the little black dress came about.

“I think all exhibitions should do an Audio Described tour or at least have a handling box or handling collection, so people can walk around and feel bits of material or what the artist has made the object out of. It brings it to life and makes the whole experience much more exciting, fun and warm and you learn a lot more about the information they’re sharing.

“I think the museum staff learned a lot from doing the Audio Described tour together, as opposed to just sharing bits of information you can read from a plaque. They were having to do a bit of research, think things through and describe the dresses which highlighted the great simplicity of some of the designs.”

Amelia Hilton, a Content Producer at RNIB Connect Radio, says: “This is the first Audio Described tour I’ve ever attended, and I absolutely loved it!

“It was brilliant to pay attention to and discuss the differences in colour and variety of shapes, materials and patterns the designers had used. Listening to the Audio Description of how the exhibition had been presented and organised really helped me understand the themes and the history of the Little Black Dress.

“The touch objects were really useful for understanding how designers wanted the wearers to feel when they had the outfits on, and it was so special to see the original Chanel dress and feel the material of such an important element of fashion history.

“Sometimes people think people with sight loss don’t enjoy or care about fashion, which is so far from the truth – on our radio station we talk to lots of people who love and create fashion, and who take a lot of pride in how they look. I’m so glad the 20th anniversary has helped us break down myths like this and helped us showcase some of the awesome skills and interests blind and partially sighted people have.”

* The ‘Beyond the Little Black Dress’ exhibition runs until October 29, and tickets are available on the National Museum of Scotland’s website:

Beyond the Little Black Dress (nms.ac.uk)

Climate-themed exhibition of Oceanic art to open at the National Museum of Scotland

Rising Tide: Art and Environment in Oceania (12 August 2023 – 14 April 2024) delves into the most important and pressing issue of our time, humanity’s damaging relationship with planet Earth.

This is felt especially deeply in Australia and the Pacific Islands where sea levels are rising due to climate change and the oceans are filling with plastic.

The exhibition hosts the latest version of artist George Nuku’s installation, Bottled Ocean 2123, which imagines the state of the oceans 100 years into the future in an immersive, undersea landscape crafted from single use plastic bottles.

The artwork will address humanity’s unsustainable relationship with single use plastic, highlighting its impact on the natural environment and asking audiences to rethink their relationship with it.

It was created with the assistance of around 400 people including museum visitors, staff and volunteers from youth and community groups across Edinburgh. The opening of the exhibition coincides with the withdrawal from sale of plastic-bottled water at the National Museum of Scotland.

Rising Tide also marks the first display in Europe of a set of five kimono which make up an artwork entitled Song of Samoa, by internationally renowned artist Yuki Kihara, newly acquired by National Museums Scotland with the support of Art Fund.

This exhibition considers our relationship to the natural environment through contemporary responses to climate change and plastic waste by Indigenous Australian and Pacific Islander artists.

Examples include work by master fisherman Anthony C Guerrero, who uses historic weaving techniques to make contemporary baskets from plastic construction strapping that is found littering his local beach in Guam.

The vulnerabilities of Oceanic countries to climate change are highlighted, whilst showcasing the strength and resilience of their diverse communities.

Alison Clark, Senior Curator of Oceania at National Museums Scotland said: “This exhibition takes visitors on an important journey of reflection and action. While Oceania may be far away from Scotland, the issues of rising sea levels and plastic pollution are global and their effects are also felt here in the UK.

“The exhibition presents a diverse range of responses from individuals in Oceania to climate threats that are relevant to our own lives. Whilst the climate change threat is both real and immediate, this exhibition also provides a sense of optimism for the future.”

A recurring theme throughout the exhibition, these spear points demonstrate that Indigenous peoples in Oceania have always innovated, using materials found in their environment to make cultural objects.

Rising Tide: Art and Environment in Oceania is part of Edinburgh Art Festival, taking place between 11–27 August 2023.

edinburghartfestival.com/eaf-2023/

@edartfest

#EdArtFest

Ocean-themed artwork made from recycled plastic to be unveiled at the National Museum of Scotland

The artwork Bottled Ocean 2123, which imagines the state of the oceans 100 years into the future in an immersive, undersea landscape crafted from recycled plastic, has been installed at the National Museum of Scotland.

The installation, created by the artist George Nuku with the assistance of around 400 people including museum visitors, staff and volunteers from youth and community groups across Edinburgh, will be unveiled to the public next month in the exhibition, Rising Tide: Art and Environment in Oceania (12 August 2023 – 14 April 2024).

The artwork will address humanity’s unsustainable relationship with plastic, highlighting its impact on the natural environment and asking audiences to rethink their relationship with it. 

Artist George Nuku said: “Plastic is a fascinating material. We think of it as new, with all the things we use it for. But, in fact, when you think about how it is made, from material created during the Earth’s ancient processes, that simple plastic bottle is in a way one of the oldest things around.

“And if you think about it that way, like an ancestor, then maybe you can start to think about treating it with respect instead of throwing it in the ocean.

“With the help of hundreds of local people, we’ve taken a pile of trash and made something beautiful.”

Groups involved in creating the artwork included the Welcoming, an Edinburgh based charity supporting migrants, asylum seekers and refugees, as well as students from Edinburgh College of Art and children from Granton Youth, and Pilton Youth and Children’s Project.

Neil Hanna www.neilhannaphotography.co.uk 07702 246823

Dr Ali Clark, Senior Curator Oceania and the Americas said: “We’ve really enjoyed and appreciated working with George Nuku on the installation of Bottled Ocean 2123, and with the many local people and volunteers who have helped with its installation through our community outreach work.

“It makes a fantastic, thought-provoking artwork for the exhibition and we look forward to people’s reactions when it opens next month.”

The exhibition will delve into the most important and pressing issue of our time, humanity’s damaging relationship with planet Earth. This is felt especially deeply in Australia and the Pacific Islands where sea levels are rising due to climate change and the oceans are filling with plastic.  

This exhibition considers our relationship to the natural environment through contemporary responses to climate change and plastic waste by Indigenous Australian and Pacific Islander artists.

It will also host the first display in Europe of a set of five kimono which make up an artwork entitled Song of Samoa, by internationally renowned artist Yuki Kihara, newly acquired by National Museums Scotland with the support of Art Fund.

Examples include work by master fisherman Anthony C Guerrero, who uses historic weaving techniques to make contemporary baskets from plastic construction strapping that is found littering Guam.  

Rising Tide also features historical material from National Museums Scotland’s collections, such as spear points from the Kimberley region of Western Australia made by Aboriginal men from discarded glass bottles. A recurring theme throughout the exhibition, these spear points demonstrate that Indigenous peoples in Oceania have always innovated, using materials found in their environment to make cultural objects.

Rising Tide: Art and Environment in Oceania is part of Edinburgh Art Festival, taking place between 11–27 August 2023. 

edinburghartfestival.com/eaf-2023/ .

The exhibition is supported by a programme of events including a series of morning curator tours in August which take place before the museum opens to the public.

@edartfest 

#EdArtFest 

PICTURES: Neil Hanna

A concert and a drink

Scottish Ensemble returns to light-filled venues across Scotland for their sophomore Concerts for a Summer’s Night tour

‘A fine mixture of well-known favourites and amazing new pieces all perfect for a summer night’s entertainment‘

‘Please make this an annual event, we loved it so so much. Really wonderful, music to soothe the soul.‘

Audience Reviews on Concerts for a Summer’s Night 2022

Concerts for a Summer’s Night will be performed in Perthshire, Strathpeffer, Aberdeen, Edinburgh and Glasgow from the 19^th – 23^rd June.
Returning after its debut last year, this concert series promises a variety of uplifting and inspiring compositions, selected by Artistic Director Jonathan Morton.
Scottish Ensemble are announcing their 2023-24 season alongside this tour -– audiences will be able to pick up a copy of the new season brochure on arrival, getting first access to next year’s shows.
Audiences are invited to enjoy a welcome drink on arrival at the venue, then sit back relax and let Scottish Ensemble take them on a vibrant and vivid musical journey.

Scotland’s leading string ensemble will be returning to light– filled venues across Scotland in June for their latest Concert’s for a Summer’s Night tour.

Each concert will be presented in an open atmospheric space, where sunlight pours in through wide windows. Audiences will enjoy the late evening sunshine, as the natural light slowly fades throughout the concert, providing an immersive experience of the music that evolves over time.

Performing at Rossie Byre, Strathpeffer Pavilion, Aberdeen Art Gallery, The National Museum of Scotland, and Kelvingrove Art Gallery, Concerts for a Summers Night promises a unique evening of musical delights, in beautiful and inviting spaces.

The concert series made its debut last summer and is a companion to Scottish Ensemble’s annual Concerts by Candlelight tour which visits stunning churches and cathedrals across Scotland in December for an intimate and restorative musical experience bathed in comforting candlelight.

After the success of its 2022 tour, performing to sold– out audiences in Edinburgh and Aberdeen, Concerts for a Summer’s Night is back, with an additional date in Strathpeffer for Highland audiences.

Concerts for a Summer’s Night features an atmospheric programme, curated by Scottish Ensemble’s Artistic Director, Jonathan Morton.

Having led Scottish Ensemble for almost 20 years, Jonathan has forged a trademark programming style that seamlessly combines varied short works of string repertoire into a delicately crafted collage of sound, bringing audiences on a journey through different composers, eras and genres of string music.

This year’s programme includes music by familiar names including Claude Debussy, Frederic Choipin and Maurice Ravel alongside a variety of more unexpected pieces from composers including Isobel Waller-Bridge, Chick Corea and Britta Byström.

This programming style prioritises the atmosphere of the performance and finds unexpected connections between classic works of string repertoire and contemporary compositions, offering listeners an opportunity to be introduced to new pieces, and to discover new favourite composers. Audiences will be swept away by Scottish Ensemble’s skilled musicians on a journey of sonic discovery.

Alongside their Concerts for a Summers Night tour, Scottish Ensemble will be announcing their 2023-24 Season, which goes on sale on 19 June.

With six Scottish tours, as well as festival visits, performances in schools and the continuation of their long running series of Music for Wellbeing concerts in Maggie’s Centres, Scottish Ensemble are preparing for a bold new season.

Audiences, who can arrive from 7.15pm for Concerts for a Summer’s Night, will be treated to a copy of the Season Brochure, and, whilst enjoying a welcome drink, will have an opportunity to discuss the new shows with Scottish Ensemble’s team.

Join Scottish Ensemble this June for a musical celebration of the summer solstice and enjoy a wide programme of contemporary and classical music in beautiful lit venues at Concerts for a Summer’s Night – touring to Perthshire, Strathpeffer, Aberdeen, Edinburgh and Glasgow.

Listings information

19 June, 8pm – Rossie Byre, Perthshire
20 June. 8pm – Strathpeffer Pavilion
21 June, 8pm – Aberdeen Art Gallery
22 June, 8pm – National Museum of Scotland, Edinburgh
23 June, 8pm – Kelvingrove Art Gallery and Museum, Glasgow

Tickets £19, Concessions £9 (plus booking fees)

Doors open at 7.15pm for welcome drinks, concert begins at 8pm.

Declaration of Arbroath goes on display for the first time in 18 years at the National Museum of Scotland

Saturday June 3 to Sunday 2 July 2023

Admission: Free

nms.ac.uk/declaration

#DeclarationOfArbroath

The Declaration of Arbroath has gone on display at the National Museum of Scotland for the first time in 18 years.

The display has been organised in partnership between National Museums Scotland and National Records of Scotland, who are custodians of the Declaration. The famous document will be on show from 3 June to 2 July 2023.

The Declaration of Arbroath was last displayed 18 years ago at the Scottish Parliament. The iconic and fragile 700-year-old document, which is cared for and preserved for future generations by National Records of Scotland, can only be displayed occasionally in order to ensure its long-term preservation.

The Declaration was due to be displayed in April 2020 to coincide with its 700th anniversary, but this was postponed due to the pandemic. The new summer date has been chosen to give as many people as possible the rare chance to see one of Scotland’s most important historical documents.

The Declaration of Arbroath is a letter dated 6 April 1320, written by the barons and freeholders of Scotland, on behalf of the Kingdom of Scotland, to Pope John XXII asking him to recognise Scotland’s independence and acknowledge Robert the Bruce as the country’s lawful king.

The letter also asks the Pontiff to persuade King Edward II of England to end hostilities against the Scots, so that their energy may be better used to secure the frontiers of Christendom.

The Declaration was probably drafted at a meeting of the King and his council at Newbattle, then written up in the scriptorium of Arbroath Abbey. Written in Latin, it was sealed by eight earls and about 40 barons. It was authenticated by seals, as documents at that time were not signed. Only 19 seals now remain.

Alice Blackwell, Senior Curator of Medieval Archaeology and History at National Museums Scotland said, “It is great to be able to display the Declaration of Arbroath here at the National Museum of Scotland, the home of our nation’s material history and the country’s most visited attraction.

“We look forward to welcoming many visitors to enjoy the rare opportunity of seeing this hugely significant document in person.”

Culture Minister Christina McKelvie said: “The Declaration of Arbroath is of great historic and cultural interest to people living in Scotland as well as the sizeable Scottish diaspora around the world.

“I hope people from across the country, and further afield, will take this rare opportunity to visit our wonderful national museum to view this iconic document which has played such an important part in the history of our country.”

Dr Alan Borthwick, Head of Medieval and Early Modern Records, National Records of Scotland, said: “The Declaration of Arbroath is one of the most significant documents we have in our collections.

“At National Records of Scotland we are hugely proud of the role we play in conserving it to ensure it is still here for future generations to see and study.

“We hope people from Scotland and beyond will take this rare opportunity to see it for themselves.”

The Declaration was written during the long Wars of Independence with England when, despite the Scots’ success at the Battle of Bannockburn, Robert I had not been recognised as king by either Edward II or by the Pope, and had been excommunicated by the latter.

At this time, the Pope desired peace between England and Scotland, so both could help in a crusade to the Holy Land. The Declaration sought to influence him by offering the possibility of support from the Scots for his long-desired crusade if they no longer had to fear English invasion.

After receiving the Declaration, the Pope urged reconciliation between the warring sides and a truce was agreed in 1323. A peace treaty was signed between England and Scotland in March 1328 and the following year the Pope issued a papal bull permitting the anointing and crowning of a King of Scots.

The peace was short-lived, however, as the Second War of Independence broke out in 1332 and went on for 25 years.

Dino-saur into the Edinburgh Science Festival final weekend with EarthFest

Dino-sauring into Edinburgh Science Festival 2023’s final weekend, the National Museum of Scotland is hosting the second of the Festival’s themed family weekends: EarthFest.

From prehistoric creatures to the cutting edge of climate science, EarthFest is a t-rriffic celebration of the world around us that offers the chance to learn more about our planet, the animals that live here and how we can take care of it.

Families can build their own dinosaur from giant bones in the Grand Gallery’s drop-in activities zone, and adventure through a world of sustainability in Two in a Barrel.

PICTURED: Thane Elders (age 7) getting ready for EarthFest this weekend at the National Museum of Scotland.