National Galleries of Scotland – Page 2 – The NEN

The Printmaker’s Art: Rembrandt to Rego to make its mark at the National Galleries of Scotland this winter

The Printmaker’s Art: Rembrandt to Rego

National Galleries Scotland: National (Royal Scottish Academy)

2 December 2023 – 25 February 2024

The Printmaker’s Art | Rembrandt to Rego | National Galleries of Scotland

Woodblock print Thirty-six Views of Mount Fuji; Thunderstorm Below the Summit Katsushika Hokusai Japan ca.1831 Colour print from woodblocks

This winter, discover five hundred years of boundary-pushing artwork in The Printmaker’s Art: Rembrandt to Rego at the National (Royal Scottish Academy) in Edinburgh.

Visitors can explore four galleries packed with around 100 artworks by some of the world’s most iconic artists, including Rembrandt, Hokusai, Pablo Picasso, Andy Warhol, Bridget Riley and Paula Rego. The Printmaker’s Art: Rembrandt to Rego opens on 2 December 2023 till 25 February 2024, with tickets on sale now from the National Galleries of Scotland.

Bringing together the very best examples of fine art printmaking from Scotland’s national collection; The Printmaker’s Art: Rembrandt to Rego includes early woodcuts, such as Albrecht Dürer’s incredible Four Horsemen of the Apocalypse, through to bold, punchy pop-art idols such as Roy Lichtenstein’s Reverie and Andy Warhol’s The Cow. The exhibition also looks to the future, with a range of new artworks acquired through the Iain Paul Fund on display together for the first time.

These acquisitions include work from contemporary printmakers such as Tessa Lynch, Lucy Skaer, Lucy McKenzie and Christian Noelle Charles. Visitors will also have a unique opportunity to see art on loan from public and private collections, including exceptional prints by Katsushika Hokusai, Edgar Degas, Paul Gauguin, Yinka Shonibare and Cornelia Parker, which will grace the walls of the National (Royal Scottish Academy) especially for this exhibition.

The Printmakers Art: Rembrandt to Rego takes a striking visual journey through a fascinating spectrum of printmaking techniques.

From historic trailblazers to contemporary movements, old traditions to new visions, revered artists to the creatively curious, printmaking achieves an array of distinct visual effects which would not be possible in other mediums.

It is also one of the most widely accessible forms of artistic expression; starting with a basic handprint on a page, printmaking has the power to evolve into something daring, bold, provocative and new.

At the heart of The Printmaker’s Art: Rembrandt to Rego is a celebration of the skills and processes which form an integral part of this traditional yet ever evolving and much-loved artform.

See films of printmakers at work and get up close to discover how you can spot an etching from a lithograph, or woodcut from wood engraving. The fundamental processes developed in the 15^th century printing press are ever-present in the bustling print workshops of today.

Artworks on show will demonstrate how this has evolved, including the ingenious ways contemporary artists are developing new and sustainable processes, alongside utilising digital technologies, to secure the future of printmaking for generations to come.

Scotland’s printmaking story is key to the exhibition, not only through the artworks on display, but through a series of films from print studios across the country at the forefront of contemporary printmaking. There is also a unique opportunity for visitors to see the tools and working materials used to make prints featured in the exhibition, on loan from the artists themselves.

Sir John Leighton, Director-General of the National Galleries of Scotland said: “Printmaking is an enduring art form that continues to capture the imagination and ignite a spark of inspiration.

“The Printmaker’s Art: Rembrandt to Rego at the National (Royal Scottish Academy) offers an exciting opportunity to see some of the most popular works from Scotland’s national collection alongside several important loans.

“The exhibition gives visitors a chance to come face to face with many revered artists from the last five hundred years, all while discovering more about this beloved practice.

“This is also a chance to put our homegrown printmakers in the spotlight, proudly displaying work by contemporary artists who are consistently pushing the boundaries of creativity in Scotland and beyond.”

The Printmaker’s Art: Rembrandt to Rego opens at the National on Saturday 2 December 2023.

Tickets are on sale now.

Extended Hours Announced for Final Weekend of Grayson Perry: Smash Hits at the National Galleries of Scotland

Last Chance to See Sir Grayson Perry’s Hit Exhibition

Grayson Perry: Smash Hits

National Galleries of Scotland: National (Royal Scottish Academy)

Open now, closing on Saturday 12 November 2023. 9am-5pm daily.

Extended opening hours on Friday 10, Saturday 11 and Sunday 12 November 2023: 9am-9pm

Tickets available to book online

National Galleries of Scotland has announced extended opening hours throughout the final weekend of its blockbuster exhibition, Grayson Perry: Smash Hits, at the National (Royal Scottish Academy) due to phenomenal demand.

To make sure everyone can see Grayson Perry: Smash Hits, the Royal Scottish Academy will be open from 9am until 9pm on the 10, 11 and 12 November, with tickets on sale now.

Only a few more weeks remain to explore the remarkable 40-year career of contemporary cultural icon, Sir Grayson Perry. On show exclusively in Edinburgh, the exhibition has exceeded all expectations, welcoming over 10,000 people in the first two weeks alone.

Visitors can see over eighty works, including richly detailed tapestries, subversive pots and elaborate plates – some of which are on display for the first time.

Grayson Perry: Smash Hits has been developed in close collaboration with the artist. Much like Perry, the exhibition doesn’t play by the rules, renouncing traditional chronological displays in favour of presenting Perry’s work as a journey.

Smash Hits leads audiences through the many themes embedded within his provocative art, including masculinity, sexuality, class, religion, politics and identity.

There’s also a chance to tour Smash Hits with the artist himself, through a free audio guide of 19 works, available via Smartify. Let the artwork come to life through Perry’s engaging and witty commentary, as he discusses the wide range of inspirations and stories locked within each object.

The exhibition brings together Perry’s meticulously detailed prints and imaginary maps along with many of his tapestries. This includes the rarely shown Walthamstow Tapestry (2009) which, at a striking 15-metres in length, presents a birth-to-death journey through shopping and brand names.

There’s also an opportunity to encounter the intricate cast-iron ship, Tomb of the Unknown Craftsman (2011). A collection of new works, some completed this year, have been presented to the public for the first time, including the tapestry Sacred Tribal Artefact (2023), and a series of pots and plates exploring themes of national identity.

Perry’s latest pots, such as A Plague of Diaphobia (2022) and Ye Olde English Pot (2023), are presented in the form of medieval beer flagons. Decorated with traditional slipware techniques, they reference subjects ranging from the polarising effect of internet to heraldic iconography.

Sir John Leighton, Director-General of the National Galleries of Scotland, said: “It has been a privilege to see the excitement and enthusiasm shown towards Grayson Perry: Smash Hits since it opened in the summer.

“With thousands of visitors pouring through the doors every week, the demand for Sir Grayson Perry’s inspiring body of work is evident. The National Galleries of Scotland are delighted to announce our extended opening hours during the exhibition’s final run.

“We hope they can allow as many people as possible to see the largest exhibition of Sir Grayson Perry’s work before we must close the doors in November.”

Visitors can take advantage of a bumper three days to say a fond farewell to what has been a truly smashing experience. Don’t miss the final chance to see Grayson Perry: Smash Hits at the National (Royal Scottish Academy).

Book tickets online now.

New Scottish galleries at the National to open tomorrow

The National Galleries of Scotland is delighted to announce that the stunning new Scottish galleries at the National will open to the public this Saturday (30 September 2023).

Ahead of the public opening local children joined National Galleries of Scotland Director General, Sir John Leighton, Chief Curator Patricia Allerston, Culture Minister, Angus Robertson, and The National Lottery Heritage Fund Director for Scotland, Caroline Clark to mark the special occasion in a ribbon cutting ceremony. The children were then among the first to explore the new galleries, before taking time to create their own art, right in the centre of the new spaces.

A free experience for everyone to enjoy, right in the heart of Edinburgh’s city centre, the new Scottish galleries at the National showcase the very best historic Scottish art. With 150 years of Scotland’s art to discover in the contemporary and fresh new spaces, visitors are sure to recognise some much-loved favourites as they travel through the galleries.

Transforming the visitor experience and more than doubling the physical display space, 12 breathtaking galleries allow visitors to dive into dramatic landscapes, encounter iconic images and be wowed by art from 1800 to 1945.

Spectacular views over the city entice visitors to come in and discover the work of pioneering Scottish artists such as William McTaggart, Anne Redpath, Phoebe Anna Traquair, Charles Rennie Mackintosh and the Glasgow Boys.

The new Scottish galleries at the National will bring the nation’s artistic heritage to life – from much-loved Scottish Colourists as well as major works from the first half of the twentieth century to stellar works from the early 1800s onwards.

New ways of looking at Scotland’s natural and built environments will be on offer, with early photographs of Scotland’s capital city shown in the same spaces as grand paintings of majestic Highland landscapes, including works such as Landseer’s Monarch of the Glen.

Reimagined displays of drawings and sketches will celebrate artists such as Glasgow Style pioneer Margaret Macdonald Mackintosh and Alloa-born David Allan, whose depictions of ‘Edinburgh Characters’ will allow visitors to get up close to street life in the Scottish capital in the late eighteenth century.

The new galleries are easier to access than ever before, to ensure that the greatest number of people can discover the fascinating Scottish art on display. They have an accessible path in east Princes Street Gardens, new lifts, a partial changing place facility, accessible entrance, accessible toilets and a pram store.

These fresh new spaces will showcase the nation’s magnificent collection of historic Scottish art in new and engaging ways. With a series of new trails, audio guides and events, there is something for everyone to enjoy.

With even more to explore across the National, there will also be five new international hangs at the Mound level to enjoy, offering in total over 460 artworks to discover.

These galleries feature international superstars such as Poussin, Gauguin, Monet, Chardin and Canaletto. The new Scottish galleries at the National also includes three new areas specifically designed to display drawings and other fragile artworks, which will change regularly throughout the year.

Sir John Leighton, Director-General of the National Galleries of Scotland, said: “With this project we set out to transform the experience of visiting the National and to show the world’s greatest collection of Scottish art with real pride and ambition.

“With the new Scottish galleries at the National, we have achieved these aims and more. The gallery is more accessible than ever before and there is a stunning new display of 150 years of Scottish art in all its richness and depth. From this Saturday, everyone is welcome to discover a brilliant new experience, free, in the heart of our nation’s capital.”

Culture Secretary Angus Robertson said: “The National Galleries of Scotland has the world’s finest collection of Scottish Art and I’m delighted that the new galleries will now have space to showcase this to a national and international audience.

“We have supported this redevelopment project from the start with a significant contribution of £15.25 million and it’s wonderful to see the new galleries open, allowing everyone to enjoy them.”

Caroline Clark, The National Lottery Heritage Fund Director for Scotland said: “National Galleries of Scotland have created a truly world-class facility showcasing Scotland’s distinctive and internationally important artistic heritage.

“This iconic building at the heart of Edinburgh’s World Heritage Site is safeguarded for the future, creating a focus for our cultural and economic renewal.

“We are proud and excited to welcome the world to Edinburgh to enjoy the new galleries. We believe heritage helps us to understand who we are and where we are from; and so, we join with the National Galleries of Scotland in declaring this is a place for the people of Scotland.

“Our support for this project is thanks to National Lottery players and we encourage them to visit as soon and often as they can.”

The total project cost is £38.62 million. This has been funded by major contributions from the Scottish Government (£15.25m) and The National Lottery Heritage Fund (£6.89 million).

An extremely successful fundraising campaign raised over £16m thanks to an extraordinarily generous response in donations from trusts, foundations, Patrons, the National Galleries of Scotland’s Friends organisation, American Patrons and a wide range of private individuals.

Grayson Perry: Smash Hits exhibition opens this weekend at the National Galleries of Scotland

Grayson Perry: Smash Hits

The National (Royal Scottish Academy)

22 July – 12 November 2023

Grayson Perry | Smash Hits | National Galleries of Scotland

National Galleries of Scotland invites audiences to discover a contemporary cultural icon this summer, as it proudly unveils the largest ever exhibition dedicated to the work of Sir Grayson Perry.

Opening this Saturday and taking over the entire Upper Galleries of the Royal Scottish Academy, Grayson Perry: Smash Hits offers visitors a chance to embark on an exclusive retrospective journey through the celebrated artist’s remarkable 40-year career.

National Galleries of Scotland hosts the one and only opportunity to see this exhibition, granting all who pass through the doors of the Royal Scottish Academy an audience with Perry’s lifetime of creation.

This comprehensive exhibition, which encompasses more than eighty works, some of which displayed for the first time, has been developed in close collaboration with the artist and Victoria Miro gallery. Grayson Perry: Smash Hits has been kindly sponsored by the Jigsaw Foundation and Friends of National Galleries Scotland.

Sir Grayson Perry has gone from taking evening classes in pottery to winning the Turner Prize.

He’s renowned for presenting television programmes on Channel 4, writing acclaimed books and commanding audiences far and wide during his live tours. An artist in every sense of the word, his accessible approach to art and engaging public persona has elevated Perry to the status of household name, and more recently, earned him a knighthood.

Always keen to do the unexpected, pottery was Perry’s chosen method in which to indulge his fascination with sex, punk, and counterculture amongst other things, showcasing his interests in the most unlikely and polite of art forms.

Today, he is one of Britain’s most celebrated artists and cultural figures. Grayson Perry: Smash Hits not only includes his most famous works, but also the first pieces he made as a student in Portsmouth. Works that would ignite a passion and pave the way for an illustrious career to be born. One such treasure on display is Perry’s earliest plate, made during his first week at evening class, Kinky Sex (1983).

Much like Perry, the exhibition doesn’t play by the rules, renouncing traditional chronological displays in favour of presenting his work as a journey; one which will lead audiences through the many themes embedded within his provocative art, including masculinity, sexuality, class, religion, politics and identity.

Expect subversive pots, intricate prints, elaborate sculptures, and huge, captivating tapestries – each imbued with Perry’s sharp wit and social commentary.

Grayson Perry: Smash Hits brings together almost all of the artist’s meticulously detailed prints and imaginary maps along with many of his tapestries, such as the rarely shown Walthamstow Tapestry (2009) which, at a striking 15-metres in length, presents a birth-to-death journey through shopping and brand names.

There’s also an opportunity to encounter the intricate cast-iron ship, Tomb of the Unknown Craftsman (2011) which was the centrepiece of Perry’s 2011 exhibition of the same name at the British Museum. The tomb is a memorial to all the anonymous craftsmen of history.

Two rooms centre on the monumental tapestry series: Vanity of Small Differences (2012), which focus on class and are loosely based on William Hogarth’s A Rake’s Progress, as well as A House for Essex tapestries (2015), which explore the life of a fictional Essex woman Julie Cope.

While the breadth of the exhibition offers a retrospective take on the artist’s career to date, it also looks to the future. A collection of new works, some completed within the last few months, will be displayed for the first time, including the richly detailed tapestry Sacred Tribal Artefact (2023), and a series of pots and plates, all of which explore themes of national identity.

Finally, fans of the recent Channel 4 docuseries Grayson Perry’s Full English will come face to face with notable objects featured on the popular series.

Full English followed Perry as he travelled around the country to try and uncover what Englishness means today, inviting interviewees to select personal items which to them represented English identity.

Piqued by the opportunity to show some of these items, alongside his new works which focus on Englishness in Scotland, Perry has included several objects in the exhibition. From a pub sign to a football flag, and a teacup to a letter from the Queen, they highlight not only the individuality and significance of cultural identity, but how artistic treasure can be found in many forms.

Sir Grayson Perry said: “I feel honoured, excited and also daunted by the thought of seeing the largest ever exhibition of my work this summer in Edinburgh.

“Honoured to be given such an opportunity in such a fine gallery, excited to share my smash hits with the Scottish audience and the festival crowds. Daunted because whenever I walk amongst a substantial show of my art the same thought floods into my head, ‘oh my god the man hours!’

“Just one of the grand rooms like those of the Royal Scottish Academy could easily hold two, three, four years of my studio life such is the density of my works. These objects contain so much for me, my hopes, my ideas, my lusts, my laughter, my pride, my love. What they contain more than anything is my time. Forty smashing years.”

Sir John Leighton, Director-General of the National Galleries of Scotland, said: “This exhibition, the biggest Grayson Perry show ever held anywhere in the world, offers a unique opportunity for visitors to discover the scope of the artist’s practice.

“It has been forty years since Sir Grayson Perry first started making his pots and plates, and twenty years since he gained international acclaim when he won the Turner Prize; it is the ideal moment to celebrate Perry’s achievements to date.”

Beth Butterwick, CEO of Jigsaw said: “We are delighted to be sponsoring ‘Grayson Perry: Smash Hits’ at the National Galleries of Scotland. It’s an honour to be a part of such an all-encompassing exhibition, showcasing the work of one of Britain’s most celebrated artists: Sir Grayson Perry.

“Along with an unwavering passion for the arts in Britain, and a trailblazing reputation, Jigsaw’s partnership with the National Galleries of Scotland was a natural fit. Dedicated to supporting the arts in many forms, the Jigsaw Foundation is proud to be one of the lead sponsors for the Grayson Perry: Smash Hits exhibition’.

Discover Grayson Perry: Smash Hits at the National (Royal Scottish Academy) from 22 July until 12 November 2023. Pre booking is advised.

Artwork by over 500 talented Scottish young artists is now being showcased in Scotland’s National gallery

Your Art World

FREE

National Galleries of Scotland: National

24 June 2023 – 14 April 2024

Visitors to the National can now explore the spectacular Your Art World exhibition, showcasing the artwork of creative 3–18-year-olds from Scotland. The nationwide call out has inspired over 500 incredible young artists from across the country to get involved.

The Your Art World project aims to engage with young people and encourage them to think and act more creatively. Having uploaded their creations digitally to National Galleries of Scotland’s website, the artwork is now proudly displayed on screens at the National.

The young people could be as imaginative as they liked and use any type of materials for their creations, resulting in a superb collection of artworks. The exhibition is a celebration of what happens when young people are encouraged to be wildly imaginative with no limitations.

Your World celebration day at the National Galleries.

Four community and school groups, from the Scottish Highlands to the Borders, also worked alongside the National Galleries of Scotland to create physical installations. Groups involved included Dounby Community School and Nursery, secondary schools from across the Scottish Borders and Granton Primary.

A group of children and their families from PAMIS, an organisation in Scotland working with people with profound and multiple learning disabilities for a better life, are also featured.

The result is a creation of extraordinary displays ranging from environmentally inspired projects made with rubbish collected from the shores of Orkney to stunning paintings, drawings, and 3D sculptures, along with sensory led artwork by the PAMIS group.

Families and young people inspired by the creativity will also be able to get involved in making their own creations in the galleries this Summer. With a specially created ‘make and share’ area allowing them to produce and upload their own work to the website. There is also the added bonus of having their artwork added to the digital showcase on the screens.

Siobhan McConnachie, Head of Learning and Engagement, National Galleries of Scotland, said: “I feel so excited and proud to be showcasing the artwork of the talented young artists of Scotland.

“The response has been truly inspiring and we have been so impressed with everyone’s creativity. The Your Art World project is incredibly important to us at National Galleries of Scotland as it hands over the creative process to young people and celebrates their work.

“Art has its place in every school, home and young person’s life, whether that be encouraging people to think creatively, use it as an expressive outlet or simply for some fun, this project and exhibition celebrates that art really is for everyone.”

Dounby Community School Head Teacher, Islean Gibson, said: “Being part of such an amazing gallery exhibition has given everyone here at Dounby School such a sense of pride and motivation.

“Sharing our thoughts and ideas as part of a national project has really inspired our whole school community. The power of creation will have a lasting legacy.

“It makes me swell with pride every day seeing just how impactful creativity can be for a wee school and its community. I would wholeheartedly recommend everyone take that step into Your Art World and see where it takes you!”

The exhibition is part of a wider Your Art World project which aims to engage and encourage young people in the world of art. With online resources available for teachers and families to support children in art-based activities, the project encourages everyone to get involved no matter ability or knowledge. By providing tools and guidance, Your Art World demystifies the creative process and makes art accessible to everyone.

The exhibition is made possible thanks to funds raised by players of People’s Postcode Lottery, who have raised more than £5 million awarded by Postcode Culture Trust to support National Galleries of Scotland.

All submissions can be viewed via the online gallery and will also be displayed digitally at the National until 14 April 2024.

National Galleries of Scotland marks Sir Henry Raeburn’s 200th anniversary by welcoming rare portrait to the National collection

Neil Hanna www.neilhannaphotography.co.uk 07702 246823

The National Galleries of Scotland has announced the acquisition of Patrick Moir, (1769–1810), 1785‒6 by the celebrated Scottish artist, Sir Henry Raeburn. Marking the bicentenary of Raeburn’s death on 8 July 1823, this unique portrait is now on display and available to view for free at the National in Edinburgh.

This exciting new acquisition joins the most comprehensive and internationally important collection of Raeburn’s work, held by the National Galleries of Scotland on behalf of the nation. The national collection also includes Raeburn’s much loved and incredibly popular ‘Skating Minister’ painting, Reverend Robert Walker (1755‒1808) Skating on Duddingston Loch, about 1795, also on display at the National.

Patrick Moir, 1769–1810, gives important insight into Raeburn’s early development as an artist. The painting depicts a known individual but also owes much to a fashionable type of composition or ‘fancy picture’ – half-portrait and half-genre – which was internationally popular at the time.

This rare portrait was painted in Rome at a key moment in Raeburn’s life and career, and is the only known portrait dating from his one study visit to Italy (from 1784‒6). It will join the National Galleries of Scotland’s significant holdings of art relating to Scots undertaking a ‘Grand Tour’ of Italy, including works by Allan Ramsay and William Aikman. In spite of the great expense involved, many artists aspired to travel to Italy in the 18th and 19th centuries, like the so-called ‘Grand Tourists

During his visit to Rome, Raeburn’s most influential acquaintance was James Byres of Tonley (1734–1817), a well-known dealer in antiquities and ‘Old Master’ paintings. Byres was also a popular tour guide, especially for Scottish ‘Grand Tourists’. Patrick Moir, 1769–1810 is a portrait of Byres’s young nephew, the son of Reverend George Moir (1741–1818) of Peterhead in North East Scotland.

In time, Patrick managed his uncle’s business and became known as the ‘English Banker in Rome’ and a supplier of funds to Cardinal York, brother of Prince Charles Edward Stewart. The portrait is believed to have been commissioned by Byres and is the only known full-scale portrait associated with Raeburn’s visit to Italy. It remained in Rome with the rest of Byres’s art collection during the turmoil of the city’s invasion by French revolutionary troops. Its survival and eventual return to Byres in Aberdeenshire is one of the many fascinating stories attached to this unassuming portrait.

Sir Henry Raeburn (1756–1823) was the top Scottish portrait painter of the late 18th and early 19th century. In his lifetime he painted more than 1000 canvases, despite lacking any formal artistic training.

He was born in the village of Stockbridge, then on the outskirts of Edinburgh and was later apprenticed to a local goldsmith. This is when he began experimenting with portrait miniatures, eventually progressing to full-scale portraits.

From the late 1790s Raeburn established himself in a spacious custom-built studio at Number 16 (now 32) York Place on the eastern edge of Edinburgh’s Georgian New Town. In 1819 he was elected to the New York Academy of the Fine Arts. Three years later he was knighted during George IV’s State visit to Edinburgh, followed by appointment as portrait painter to the King in Scotland.

To celebrate the anniversary of Sir Henry Raeburn, and this new acquisition, the National Galleries of Scotland hosted a free public lecture on Tuesday 4 July.

Available online or in person at the National, Senior Curator Helen Smailes explores the origins and wider cultural context of this rare pictures, together with Raeburn’s fascination with sculpture.

National Galleries of Scotland Senior Curator, Helen Smailes, said: “This fascinating painting has been a cherished heirloom of the Moir-Byres family since 1785 and is a remarkable survivor of the French invasion of Italy in the 1790s.

“Raeburn’s only known portrait painted in Rome, its acquisition has transformed the Galleries’ internationally important holdings of his work. We are delighted to have been able to save Patrick Moir for the nation in Raeburn’s bicentenary year, with the unwavering commitment of the Moir-Byres family and generous support from The Art Fund.”

Jenny Waldman, Director, Art Fund, said: “This rare painting is the only known surviving full-scale portrait from Sir Henry Raeburn’s stay in Italy, a formative moment in the artist’s career.

“I’m thrilled that Art Fund has been able to support this important acquisition, where it will join the National Galleries of Scotland’s world-leading collection of Raeburn’s work for the public to enjoy for many years to come.”

The National Galleries of Scotland acquired the painting through the Private Treaty Sale scheme, which allows private owners to sell items considered to be culturally pre-eminent to national organisations without recourse to an auction process and with prices beneficial to both.

The acquisition was enabled by £54,000 support from Art Fund, together with funds from the Cowan Smith and Treaty of Union Bequests (National Galleries of Scotland).

Hello, Bob!

An inspirational sculpture created by school children in Orkney goes on display at the National Galleries of Scotland: National

Your Art World

FREE

National Galleries of Scotland: National

24 June 2023 – 14 April 2024

A sculpture created by school children in Orkney will arrive at its new home in the National at the National Galleries of Scotland this month. Named Bob, the inspirational artwork has been travelling across Scotland touring to schools and communities to highlight the importance of art for young people.

Bob has become a school mascot, spreading the children’s important message to protect our world from pollution.

Created by Dounby Community School the sculpture will join the Your Art World exhibition, which opens today (24 June).

The exhibition aims to engage with young people and encourage them to think creatively, supporting future generations of artists.

Digital screens will also display the artwork from over 270 incredible 3-18 year olds who uploaded their creations to the website. The young people could be as imaginative as they liked and use any type of materials for their creations, resulting in a superb and broad range of artwork.

The exhibition is a celebration of what happens when young people are encouraged to be wildly imaginative with no limitations.

Families and young people inspired by the creativity will also be able to get involved in making their own creations in the galleries this Summer.

With a specially created ‘make and share’ area allowing them to produce and upload their own work to the website. There is also the added bonus of having their artwork added to the digital showcase on the screens.

Four core groups have created spectacular physical installations for the exhibition, which will be displayed alongside the collection of digital art works.

Dounby Community school’s installation will feature, as well as creations from young people in their final year at Galashiels secondary school and Granton Primary.

A group of children and their families from PAMIS, an organisation in Scotland working with people with profound and multiple learning disabilities for a better life, are also featured.

Touring to schools and communities, Bob has challenged children across the country to make and share their own creations.

Giving them the opportunity of having their own works displayed on digital screens as part of the final exhibition at the National. Bob visited Inverness, Skye, Aberdeen, West Lothian, Dundee, Fife, Stirling, Glasgow and Galashiels along the way.

Even taking a trip to Holyrood to join Orkney MSP Liam McArthur (top), where the school pupils were commended in the Scottish Parliament for their hard work.

The creation was inspired by Dounby Community School’s chosen theme of ‘protect’, with the children making a life size character named Trashy.

Made of rubbish found on the beach, the sculpture is a meaningful representation of their desire to protect the world from climate change. As a friend for Trashy they created Bob as their mascot.

Bob will soon re-join Trashy at the Your Art World exhibition, as part of the wider installation created by the 152 pupils from Dounby Community School.

Dounby Community School Head Teacher, Islean Gibson, said: “Being part of such an amazing gallery exhibition has given everyone here at Dounby School such a sense of pride and motivation.

“Sharing our thoughts and ideas as part of a national project has really inspired our whole school community. The power of creation will have a lasting legacy.

Siobhan McConnachie, Head of Learning and Engagement, National Galleries of Scotland, said: ‘I feel so excited and proud to be showcasing the art work of the talented young artists of Scotland.

“The response to challenges has been truly inspiring and we have been so impressed with everyone’s creativity. The Your Art World project is incredibly important to us at National Galleries of Scotland as it hands over the creative process to young people and celebrates their work.

This exhibition is made possible thanks to funds raised by players of People’s Postcode Lottery, who have raised more than £5 million awarded by Postcode Culture Trust to support National Galleries of Scotland.

All submissions can be viewed via the online gallery and will also be displayed digitally at the National until spring 2024.

Taylor Wessing Photographic Portrait Prize returns to the National Galleries of Scotland

Opening 17 June 2023

Free

National Galleries of Scotland: Portrait

Capturing and sharing emotional, dramatic, or everyday moments in life is the magic of the Taylor Wessing Photographic Portrait Prize 2022.

A truly global affair, the prize celebrates the very best in contemporary photography, drawing on over 4000 entries from 62 countries. Featuring work by celebrated professionals and enthusiastic amateurs alike, the images selected for the exhibition each tell their own story.

Organised by the National Portrait Gallery (London) and now in its sixteenth year of Taylor Wessing sponsorship, the Taylor Wessing Photographic Portrait Prize makes a welcome return to the National Galleries of Scotland this June for the first time in seven years.

Taylor Wessing Photographic Portrait Prize 2022 comes to Edinburgh in style Our wonderful model was Oskar Kirk Hansen AKA Mystika Glamoor. Neil Hanna www.neilhannaphotography.co.uk 07702 246823

With 51 portraits from 36 artists exhibited in the Portrait’s Robert Mapplethorpe Photography Gallery, this prestigious annual competition provides a vital platform for contemporary photographers; bringing the world as we know it, or perhaps don’t know it, to a multitude of audiences.

The Portrait is the only touring venue for the prize this year, offering Edinburgh locals and international visitors alike the only opportunity to see these remarkable works on display outside London.

This free exhibition, which has been generously supported thanks to funds raised by players of People’s Postcode Lottery, will also form a key part of the Edinburgh Art Festival; the UK’s largest festival dedicated to the visual arts.

This year’s prize-winning photographs examine a range of subjects – from queerness, transness and the concept of chosen family to socially distanced glimpses into daily lockdown life and identity and existence in former Soviet states.

The variety of themes explored throughout the exhibition is matched by the high-quality, contemporary portraiture that reflects the shifting world of today. Strength in diversity, pride in identity, wonder in the everyday, this exhibition highlights a shared human connection through the broad scope of humanity itself.

Visitors can expect a personal audience with well-known cultural figures, including renowned footballer and activist Marcus Rashford and popular star of Stranger Things Finn Wolfhard, along with discovering captivating moments in the more familiar of life’s pursuits. From the aspirational to the relatable, the finalists capture our rapidly changing world through their own individual lens.

The winner of the 2022 prize is Clémentine Schneidermann for the series Laundry Day.

The socially distanced portraits of the series were taken during times of quarantine, self-isolation, and national lockdowns. In the words of the artist, they ‘document micro events which deal with the passage of time through the small moments of our daily lives’.

Schneidermann’s portraits are close, but not too close, evoking the memory of socially distanced living, striving to seek pleasure in the mundane and monotonous and capturing small glimmers of light where possible; wholly relatable after enduring the collective experience of a global pandemic.

Interim Co-Director Collection & Research, National Galleries of Scotland, Anne Lyden said: “This is the first time since 2016 that the Portrait has hosted the Taylor Wessing Photographic Portrait Prize.

“It forms a central part of our summer exhibition programme, showcasing world class photography and documenting impactful moments and individuals. The prize provides a crucial platform to celebrate, question, and highlight cultural identity in many forms.

“I would like to extend my warmest congratulations to this year’s finalists, we are delighted to bring their work to the people of Scotland.”

Shane Gleghorn, Managing Partner at Taylor Wessing said: “Works and artists featured in the 2022 Taylor Wessing Photographic Portrait Prize were exceptional. We are delighted to see the prize returning to the National Galleries of Scotland, enabling this impressive collection of photographs to be viewed by the people of Scotland and its visitors.

“The prize has enabled artists across the world to use their talent and creativity to raise awareness in respect of a number of key issues and that makes for a powerful exhibition.”

Director of the National Portrait Gallery, London, Dr Nicholas Cullinan said: “The entries to 2022’s Taylor Wessing Photographic Portrait Prize demonstrate the outstanding level at which photographers around the world are approaching the art of portraiture.

“The selected submissions are a remarkable collection of images that reflect the competition’s international reach and demonstrate an extraordinary variety of themes and styles within the parameters of photographic portraiture.”

Laura Chow, Head of Charities at People’s Postcode Lottery, said: “We’re pleased to be supporting the National Galleries of Scotland as they celebrate the finest examples of contemporary photography.

“Players across Britain have raised over £1.1 billion for thousands of charities and local good causes, and are one of the biggest supporters of arts, culture, and heritage initiatives. We hope visitors make new discoveries and find this experience inspiring.”

The Taylor Wessing Photographic Portrait Prize 2022 opened to the public on Saturday 17 June until Sunday 10 September at the Portrait.

National Galleries of Scotland acquires work by renowned Glasgow Boys artist Joseph Crawhall

A painting by one of the most outstanding watercolourists of his day, Glasgow Boys artist, Joseph Crawhall (1861–1913), has been acquired by the National Galleries of Scotland.

Now on display at the National in Edinburgh, Cock Pheasant with Foliage and Berries is a superb addition to the national collection. The work is a perfect example of Crawhall’s distinctive and exquisite watercolours of animals and birds. Acquired through the Acceptance in Lieu scheme, it joins a collection of other works by Crawhall, including the incredibly popular, The White Drake.

This spectacular new addition to the collection is one of Crawhall’s most poised works, demonstrating his skill in studying birds. Cock Pheasant with Foliage and Berries depicts a pheasant sitting elegantly among berries, proudly puffing out its chest. Crawhall expertly captures the essence and character of the bird by embracing the quirks of his chosen material.

This includes using the colour, weave and surface finish of the linen to influence the overall effect of the painting. Using bodycolour – watercolour mixed with white pigment to make it opaque – he beautifully plays with light, adding sheen to the berries and the pheasant’s head.

The galleries are currently home to around forty works by Crawhall, including sketches and illustrated letters he exchanged with the other Glasgow Boys.

However, Cock Pheasant with Foliage, a work dating from 1906, truly illustrates the artist’s passion for wildlife. Sometimes studying animals for hours at a time, Crawhall would then return to the studio to produce incredibly accurate works from memory. His stunning artwork was even praised by experts in animals and birds, who testified to the accuracy of his paintings.

An artist hugely admired by fellow artists and Scottish collectors, Crawhall developed his own technique for painting such vivid and beautiful images. It was his interest in Japanese prints and Chinese wash drawings on silk which inspired watercolours like this one, which is painted on linen.

The elongated format of Cock Pheasant with Foliage and Berries and the branches which frame the image, are likely inspired by the compositional techniques of Japanese prints. His use of brush lines to define the bird’s feathers may also have been influenced by the black outlines typically seen in Japanese woodblock prints.

Crawhall was known as a key figure in the Glasgow Boys, a group who rebelled against stuffy Edinburgh-based art establishment, instead painting subjects drawn from everyday life. But unlike the other Glasgow Boys, apart from Arthur Melville, he specialised in watercolours and was the only member of the group to focus on painting animals.

The National Galleries of Scotland is grateful to Sotheby’s Tax & Heritage Department for the role it played in steering this painting to the collection.

Culture Minister Christina McKelvie said: “Joseph Crawhall’s watercolour painting, Cock Pheasant with Foliage and Berries, is a welcome addition to the National Galleries of Scotland’s collection through the Arts Council England’s Acceptance in Lieu Scheme.

“As a prominent member of the Glasgow Boys, Crawhall’s brilliant work is already well-represented in the galleries and this latest outstanding addition will further enrich our understanding of this wonderful Scottish artist and Scottish Art of the period.”

Helen Birchenough, Chair, Acceptance in Lieu Panel, said: “I am delighted that ‘Cock Pheasant with Foliage and Berries’ by Joseph Crawhall has been acquired by the National Galleries of Scotland through the Acceptance in Lieu Scheme.

“This painting is a fine example of Crawhall’s work. It is in brilliant condition and will help to enhance the National Galleries of Scotland’s representation of Crawhall. I hope that this example will encourage others to use the scheme and continue to support our national collections.”

Charlotte Topsfield, Senior Curator of British Drawings and Prints at National Galleries of Scotland, said: “We are elated to have acquired ‘Cock Pheasant with Foliage and Berries’ by Joseph Crawhall for the national collection, through the generosity of the Acceptance in Lieu scheme.

“Crawhall’s work was hugely popular with Scottish collectors, notably Sir William Burrell (1861–1958). Both ‘The White Drake’ and ‘Cock Pheasant with Foliage and Berries’ were originally part of the outstanding collection of the Paisley thread manufacturer, William Allan Coats (1853–1926).

“Re-united at the National, these two outstanding watercolours demonstrate the evolution of Crawhall’s technique and his uncanny ability to capture the beauty of animals and birds.”

Video portrait of renowned human rights activist Sir Geoff Palmer enters the national collection

National Galleries of Scotland is delighted to have acquired a fascinating portrait of renowned human rights activist and scientist, Professor Sir Geoff Palmer, created by Scottish artist, Graham Fagen.

The contemporary video portrait is available to view for free at the Portrait Gallery in Edinburgh. Filmed in the building’s impressive Great Hall, the portrait is now on display in the ambulatory. In the compelling 19-minute video, Graham Fagen truly captures Sir Geoff’s story and spirit.

Artist Fagen was inspired by Sir Geoff, after seeing and hearing him speak at public events. Sir Geoff’s warmth and compassion, while expressing his life experiences and views on contemporary Scotland and its historic relationship with the transatlantic slave trade, motivated Fagen to create a contemporary portrait that captured the sitter’s essence and personality.

In this single channel video portrait, Fagen captures Sir Geoff talking about his life, from growing up in Jamaica, to becoming an esteemed academic in Edinburgh. We are shown close ups of a bracelet adorned with the Jamaican flag, which Sir Geoff wears proudly on his wrist showing his connection to his homeland.

Fagen’s portrait breaks the boundaries of what we think of as traditional portraiture. He wanted to show how Sir Geoff can command our attention with his humility and consideration as he engages us in a brutal history with harsh truths.

Sir Geoff’s research experience as a life scientist enables him to evidence, in a matter-of-fact way, the truths of the history that connects Jamaica, the country of his birth, with Scotland, the country of his home, via the experience of the Windrush generation. By working in collaboration with Sir Geoff, Fagen has made a work that expands our perceptions and offers new thought and knowledge on the complexities of portraiture.

From seeing and hearing Sir Geoff speak, Fagen wanted to capture his personality in the portrait – his voice; his autobiography, his thoughts, his hopes – as well as a likeness: his head, eyes, nose, ears and mouth. To bring the soundtrack to life Fagen worked with reggae musician Ghetto Priest, with whom he had previously collaborated on The Slave’s Lament.

Sir Geoff Palmer OBE is a life-long human rights activist and historian of Scotland’s relations with the Caribbean. His story is a remarkable one. After leaving Jamaica for London in 1955 aged 14, he attended school in the city, eventually continuing his studies at Leicester, Edinburgh and Heriot-Watt universities.

As a scientist, his research at the Brewing Research Foundation from 1968–77 led to the discovery of the barley abrasion process – which makes the malting process more efficient. For this research, he was awarded the American Society of Brewing Chemists Award of Distinction in 1998. In 1989, Sir Geoff became the first Black university professor in Scotland.

He is the author of a critically acclaimed book, The Enlightenment Abolished: Citizens of Britishness, in which he argues for maintaining but reinterpreting public monuments associated with the transatlantic slave trade.

Graham Fagen is one of the UK’s foremost contemporary artists. In video, performance, photography, sculpture and text, he creates works which explore how national and personal identity is created by, and is a response to, one’s cultural contexts.

Although his works draw on varied references and embrace all manner of materials and media, they all, in some way, touch on the role of society, history and cultural turning points in the lives of both individuals and communities.

Whether made for a gallery or in the public realm, Fagen’s works are frequently developed over time, involving the collaboration and participation of others. Fagen’s points of departure include the history and effect of the transatlantic slave trade, the cultural influences of music, nature and the symbolic power of flowers, urban planning and regeneration.

Born in Glasgow, Fagen studied Sculpture at Glasgow School of Art from 1984-88, followed by Art and Architecture at Kent Institute of Art & Design from 1989-90. Alongside his own work, he is a Professor of Fine Art at Duncan of Jordanstone College of Art & Design.

Exhibiting this portrait will enable a public sharing of the history, legacy and humanity of Sir Geoff’s human rights work. It will stand as a valuable marker and evidence of the contemporary relevance of the shared history between Scotland and the Caribbean.

Graham Fagen said: “I was extremely honoured to work with Sir Geoff in order to make an artwork that shares his life and work.

“Geoff’s life is one that has profoundly influenced and shaped the world we live in today.”

Professor Sir Geoff Palmer said: “We cannot change the past but we can change consequences such as racism for the better using education.

“I hope my portrait can help bring awareness to these matters.”

Sir John Leighton, Director-General of National Galleries of Scotland said: “We are proud to display Graham’s wonderfully moving portrait of Sir Geoff Palmer.

“This work recognises Sir Geoff’s many achievements and is an important acquisition that we are delighted to welcome into Scotland’s national collection.”

Pictures: NEIL HANNA