National Galleries of Scotland – Page 2 – The NEN

Opens tomorrow: Take a voyage of discovery with Glasgow Boy Sir John Lavery

An Irish Impressionist: Lavery on Location

National Galleries of Scotland exhibition at the Royal Scottish Academy building

20 July–27 October 2024

Admission £5 – £19

An Irish Impressionist | Lavery on Location | National Galleries of Scotland

Indulge your wanderlust at the National Galleries of Scotland’s summer exhibition, An Irish Impressionist: Lavery on Location, opening this Saturday (20 July) at the Royal Scottish Academy building in Edinburgh.

Dip your toes in the sun, sea and society of the late 19th and early 20th centuries, viewed through over 90 works by renowned Glasgow Boy, Sir John Lavery. Lavery on Location brings together an array of the Irish impressionists most notable paintings, including many works not usually seen by the public and nearly 20 paintings exclusively on display in Edinburgh.

Tickets are on sale now Book tickets | National Galleries of Scotland.

Take a trip through the extraordinary life of the Belfast-born artist, Lavery (1856-1941), from Scotland to New York via Paris and Morocco. Lavery never travelled without his painting kit, and An Irish Impressionist: Lavery on Location explores some of the locations he visited and was inspired to paint.

Move through the exhibition to experience the glamour of a lost era, with visits to the races, tennis matches and the golf course, or simply relaxing on warm days with Lavery’s family and friends.

See sumptuous portraits, impressionistic landscapes and idyllic scenes of leisure against a backdrop of Tangier, St Jean de Luz, Palm Springs and the Venice Lido. Be whisked away to Switzerland, Spain, Ireland and Italy, as well as to cities such as Glasgow, Seville, Monte Carlo and New York.

Indulge in beautiful seascapes of Tangier from the Ulster Museum, as well as spectacular portraits such as Idonia in Morocco from Glasgow Museums and Hazel in Black and Gold from the Laing Art Gallery.

From the highly finished to the swift impressionist sketch and a uniquely personal style, the range of subjects on show is staggering.

Born in Belfast, where his father ran a small wine and spirits shop in North Queen Street, Lavery was orphaned at the age of three, and moved to his uncle’s farm at Moira before being sent as a ten-year-old to a distant relative in Saltcoats, Ayrshire. He first ran away to Glasgow at the age of 15 and went on to take early morning and evening drawing lessons at the Haldane Academy, completing his training at the Académie Julian in Paris.

Along with a number of his fellow Scottish students Lavery worked at the colony of Grez-sur-Loing, near Fontainebleau, which will be the focus of the first room of An Irish Impressionist: Lavery on Location. Then, back in Scotland in 1885 he became one of the leaders of the much-loved group of artists known as the Glasgow Boys. The Glasgow Boys rebelled against the stuffy Edinburgh-based art establishment and challenged the Academy’s emphasis on historical painting. Instead, their subjects were drawn from everyday life, often painted outdoors.

Lavery quickly attained an international reputation in his early 30s when he received a gold medal at the Paris Salon, the most prestigious art exhibition in the world at the time. Enjoying great success after his move to London in 1896, Lavery combined his talents as a portrait painter with an interest in contemporary events and was later knighted in 1918.

As his style developed Lavery began to share some of the principal tenets of Impressionism. The movement was developed in France in the nineteenth century and is based on the practice of painting outdoors and on the spot. Using lively brushstrokes, these artists often produced works of art rapidly in a single sitting. Like Lavery, the Impressionists were interested in capturing the changing effects of light, frequently exploring this through landscape scenes painted in the open air.

With seven themed rooms, An Irish Impressionist: Lavery on Location will allow visitors to immerse themselves in Lavery’s oil sketches for the Glasgow International Exhibition of 1888, where he had his big break and was commissioned to paint the State Visit of Her Majesty, Queen Victoria.

Journey through Lavery’s travels in North Africa, with mesmerising paintings of snake charmers and camps on his adventures to Fez. For over twenty years, his villa in Tangier, surrounded by beautiful gardens, would become a winter retreat.

Then experience Lavery’s time as an Official War Artist with scenes in hospitals, submarine pens and air raids during World War I. In the final room you can experience the luxurious lifestyle of post-war society, including visiting the Henley Regatta and racing at Ascot.

Lavery experienced enormous social, political and technological change during his lifetime, yet, despite his travels and worldly experience, Lavery’s connections to home – to Scotland and Ireland – remained strong throughout his long career.

Senior Curator Prof. Frances Fowle said: ‘Lavery was a versatile painter who was equally at home in Scotland, North Africa and the French Riviera. “His paintings offer, on the one hand, a nostalgic glimpse of a bygone era and, on the other, a modern world of sunshine and leisure.

“Technically he was a true impressionist, intent on capturing a particular moment or atmospheric effect – perhaps night falling on Tangier, or early morning light, dancing on the crest of a wave.”

Guest Curator Kenneth McConkey said: ‘In a career that spanned over sixty years, Lavery’s output was immense. He saw carthorses become ‘horse-power’, windjammers transform into steamers, and flying machines reborn as air liners.

“Against a backdrop of immense social and political change, in the land of his birth, he witnessed the first cracks in the British Imperial entablature. Visual reporting skills, perfected in Scotland, took him to extraordinary situations and while his works develop in fascinating ways, their basic premises – setting down what was before him – remained constant.

“The same remarkable hand that brought us a Dutch Cocoa House in 1888 takes us to a tea-table in Palm Springs in 1938.”

This exhibition is organised by the National Gallery of Ireland, Dublin, in collaboration with National Museums NI and the National Galleries of Scotland.

For more information and to buy tickets visit An Irish Impressionist | Lavery on Location | National Galleries of Scotland.

National Galleries of Scotland prepares for a sensational year of art for everyone in 2025

Be immersed in Andy Goldsworthy: Fifty Years

Travel back in time to The World of King James VI and I

Celebrate 250 years of JMW Turner in Turner in January: The Vaughan Bequest from the National Gallery of Ireland

Take to the skies with Alfred Buckham: Daredevil Photographer

Discover magnificent works from ARTIST ROOMS

Mark the centenary of Scottish artist Ian Hamilton Finlay

Explore the imaginative creations of young people in Your Art World

National Galleries of Scotland announces an unmissable programme of free and ticketed exhibitions set to take over the National, Portrait and Modern galleries in Edinburgh throughout 2025.

From striking installations in Andy Goldsworthy: Fifty Years to time travelling into The World of King James VI and I, taking to the skies with Alfred Buckham: Daredevil Photographer, a celebration of 250 years of JMW Turner with Turner in January: The Vaughan Bequest from the National Gallery of Ireland and more.

There will be a sensational array of art to enjoy in the Scottish capital next year. Ticketed exhibitions can be booked online now What’s on | National Galleries of Scotland

From 26 July until 2 November 2025, immerse yourself in a major large-scale exhibition by Andy Goldsworthy. Andy Goldsworthy: Fifty Years will take over the upper and lower galleries in the Royal Scottish Academy building for the summer.

Based in Scotland, Goldsworthy (born 1956) is internationally famous for his extraordinary work with natural materials.

The exhibition will span five decades of creation with over 200 works including photographs, sculptures, and expansive new installations. Goldsworthy will also create several major new works onsite at the Royal Scottish Academy building especially for Andy Goldsworthy: Fifty Years.

This spectacular summer exhibition is sure to be one of the most talked-about of the year – and it is showing only in Edinburgh.

Next spring at the Portrait, travel back in time and be immersed in The World of King James VI and I. Son of Mary, Queen of Scots, successor to Elizabeth I and the first monarch to rule over Scotland, England and Ireland, get to know King James (1566 – 1625) and step into the world in which he lived, ruled and changed forever.

Marking the 400-year anniversary of King James’s death, this exhibition will chart his remarkable reign through stories of friendship, family, feuds and ambition.

Drawing on themes with contemporary relevance, including national identity, queer history, belief and spirituality, The World of King James VI and I will be an enriching journey through the complex life of a King who changed the shape of the United Kingdom.

Over 100 objects will be on display, including ornate paintings, dazzling jewels, lavish designs and important loans from galleries across the UK, celebrating craft and visual art from the 16th and 17th centuries.

From 26 April – 14 September 2025 come and be fully immersed in the sights, sounds (and even smells) of the period, connecting the people of the past with the people of today. Tickets are on sale now.

In 2025 the National Galleries of Scotland will commemorate the 250th birthday of beloved British artist JMW Turner (1775 – 1851) with a once in a lifetime, free exhibition. For the first time, visitors will be able to marvel at over 30 Turner watercolours from Dublin.

Turner in January: The Vaughan Bequest from the National Gallery of Ireland at the Royal Scottish Academy building will be one-off special take on the keenly awaited and much-loved annual tradition.

Spanning the breadth of Turner’s career, visitors can roam through sweeping seascapes, dramatic landscapes and spectacular cities, many displayed in their original frames.

As part of this special partnership, the Turner works from the Scottish national collection will go on display at the National Gallery of Ireland allowing visitors in both Scotland and Ireland to connect with works from the Henry Vaughan Bequest they don’t often get to see.

There will be two new and exciting exhibitions making their way to the Modern in 2025. From next summer you can explore your collection at Modern One with a series of new displays showcasing magnificent and diverse works of 20th and 21st century art belonging to the people of Scotland.

Your World celebration day at the National Galleries.

This includes an opportunity to see compelling works from your ARTIST ROOMS collection, cared for jointly by the National Galleries of Scotland and Tate. Explore this exhibition of the nation’s superb contemporary and modern collection from 12 July 2025.

The centenary of revered Scottish artist Ian Hamilton Finlay (1925 – 2006) will also be marked in a new free display of his work at Modern Two from 8 March to 26 May 2025.

A visionary in his craft, Ian Hamilton Finlay harnessed the power of collaboration throughout his career, drawing on the expertise of fellow makers and creators to bring his artistic visions to life.

Hailed as a poet, sculptor, printmaker, gardener and provocateur, his practice covered a wide range of media, reflected in this display through over 30 sculptures, installations and prints as well as extensive archival materials, all from Scotland’s national collection.

Moving into the autumn at the Portrait, take to the skies and see the world from above the clouds through the remarkable work of Alfred Buckham: Daredevil Photographer.

A trailblazer in his field, Buckham (1879 – 1956) soared above the realms of what was thought to be possible in 20th century photography and aviation.

From 18 October 2025 – 19 April 2026, meet the man behind some of the most iconic aerial photographs, marvel at the death-defying lengths he took to capture the perfect image and explore how his innovative techniques paved the way for modern technologies such as Photoshop and AI.

Explore the imaginative Your Art World exhibition at the National, showcasing the inspirational new works of young artists from all over Scotland aged 3 – 18-year-olds. The exhibition is a celebration of what happens when young people are encouraged to be wildly creative.

Discover installations from school and community groups who have worked alongside the National Galleries of Scotland. Or even view the creations of the young people in your own life. With the opportunity to upload artwork online via the website, anyone aged 3-18 can see their own digital submissions on screen in the gallery. Immerse yourself in the imagination of these young artists from 10 May to 2 November 2025.

Anne Lyden, Director-General at the National Galleries of Scotland said “We’re really excited to announce our 2025 public programme, which is packed full of fantastic exhibitions.

“Breathtaking installations at the Royal Scottish Academy, soaring above the clouds at the Portrait gallery, and modern and contemporary highlights from your national collection at the Moderns.

“Whether you want to be inspired, find a moment of calm or share a joyful experience with friends – there’s so much to discover at the National Galleries of Scotland.”

National Galleries of Scotland celebrates acquisition of rare work by ‘Glasgow Girl’

National Galleries of Scotland is celebrating the acquisition of a painting by one of Scotland’s most accomplished female artists, Bessie MacNicol (1869–1904). The Lilac Sunbonnet, created in 1899, joins the national collection and is free to visit in the new Scottish galleries at the National.

This bright, sunny painting acquired for the people of Scotland is incredibly rare. Many of MacNicol’s works were dispersed or lost following her tragic death in the late stages of pregnancy, aged just 34. In recent years there has been strong competition to acquire the precious few artworks by this talented artist which remain in private collections, making this an exciting addition to the national collection.

National Galleries of Scotland is determined to celebrate such pioneering female Scottish artists and in recent years has made a concerted effort to acquire more of their works.

In the lead up to the opening of the new Scottish galleries in September 2023, a significant number of watercolours, drawings and prints by Scottish female artists active before 1945 were added to the collection.

They include important groups of works by Phoebe Anna Traquair and Mabel Royds, and single artworks by Ethel Gabain and Alice Boyd. Pre-20th-century oil paintings by female artists, such as MacNicol’s The Lilac Sunbonnet, are generally not widely represented in museum collections and don’t often come on to the market.

The challenges faced by women wishing to train, exhibit and make their living as artists, have meant that their work has often been overlooked and their histories poorly recorded.

The Lilac Sunbonnet is a joyous painting of a farm girl in the countryside, dressed in light, summery fabrics. MacNicol successfully captures a feeling of spontaneity and playfulness. Her lilac-coloured sunbonnet, blonde hair and light-coloured clothing are skilfully illuminated by bright, dappled sunlight.

The Lilac Sunbonnet joins two very different works by MacNicol in the collection, a small oil painting, Portrait of a Lady (‘Phyllis in Town’) which is also on display at the new Scottish galleries and a fabulous watercolour, Three Ladies of Fashion, which probably depicts a milliner’s shop.

MacNicol may have been inspired by the 1894 runaway bestseller, The Lilac Sunbonnet, by Scottish novelist Samuel Rutherford Crockett (1859–1914). Set in the Galloway countryside, the story tells of the romance between a prim divinity student called Ralph Peden and the golden-haired Winsome Charteris, granddaughter of a local farmer and owner of the lilac sunbonnet.

Crockett’s book was hugely popular in the 1890s and even inspired costumes at the fancy dress parties that were fashionable at this time. It must have captured the imagination of MacNicol, who loved costume and fashion – an interest she inherited from her grandfather, a skilled tailor.

MacNicol studied at the Glasgow School of Art from 1887 to 1893 under the groundbreaking directorship of Fra Newbery.

This is where she met fellow artists Margaret and Frances Macdonald, Jessie Keppie and Katharine Cameron, part of the fascinating and diverse group of women artists and designers that has become known as the Glasgow Girls.

In 1893 MacNicol exhibited at the Royal Academy in London before undertaking further studies at the Académie Colarossi in Paris. Contributing almost annually to the Glasgow Institute of Fine Arts exhibitions, she began to attract attention and also had her own studio, on St Vincent Street at the heart of Glasgow’s thriving art world, in the 1890s.

Her friend, the art critic Percy Bate wrote: ‘Art lovers at once saw that in Bessie MacNicol a new artistic force had arrived in Glasgow’. From 1896 MacNicol made several visits to the artistic town of Kirkcudbright in Dumfries and Galloway, where she became friends with Glasgow Boy EA Hornel.

An established Glasgow-based artist, MacNicol exhibited internationally – in Ghent, Munich, Vienna, Pittsburgh and St Louis – before her early death in 1904.

At the time of her funeral, the Glasgow Herald noted: ‘So brilliant was her work and of such promise that it is felt that her premature death has robbed Scotland of one who would have left a name worthy to rank with the best of her artist sons.’

In 1908 the new director of the National Galleries of Scotland, James Caw, considered MacNicol to be ‘probably the most accomplished lady-artist that Scotland has yet produced’.

Dr Patricia Allerston, Deputy Director & Chief Curator of European & Scottish Art, National Galleries of Scotland said: “Bessie MacNicol’s light-filled painting ‘The Lilac Sunbonnet’ is like a dose of vitamin D on a dreich day.

“It instantly lifts the spirits! We are absolutely delighted to add this lovely painting to our new Scottish galleries at the National.”

Anne Lyden, Director-General of the National Galleries of Scotland, said: “The Lilac Sunbonnet by Bessie MacNicol is a fantastic addition to Scotland’s amazing national collection of art.

“It’s a beautiful painting by an incredibly talented Scottish artist, and we’re really happy that everyone will be able to enjoy it for free at the National.

“We’re proud to continue to increase representation of works by women across our galleries, and have been making a considerable effort to acquire works by a diverse range of artists.

“These important artworks mean we can not only look back on Scotland’s past and remember our history, but we can also look to the future and the generations that will be inspired by artists such as Bessie MacNicol.”

Bessie MacNicol’s The Lilac Sunbonnet, 1899 was purchased with funds from the Cowan Smith, MacDougall and Treaty of Union Bequests, 2024.

National Galleries of Scotland justifies Baillie Gifford links

A statement from the National Galleries of Scotland on our relationship with Baillie Gifford:

Free events at the National Galleries of Scotland this Summer

There’s something for everyone this summer at the National Galleries of Scotland, with lots of free events in Edinburgh across the National, Portrait and Modern to discover.

Dive deeper into the Galleries exhibitions with ticketed tours from the experts. Explore the fascinating stories behind the art with tours and talks. Be swept away with magical music performances in the Portrait and National. Bring the whole family along for fun accessible events or try your hand at creating your own art in the joyous Drawing Room workshops.

To book your place for an event visit What’s on | National Galleries of Scotland.

Visitors can get an insight into the exhibitions, acquisitions and collections with captivating talks from National Galleries of Scotland’s curators and guest speakers in person at the National and streamed free online.

Older kids Friday after school art session at The National Galleries of Scotland.

Delve into the wondrous imagination and spectacular installations of leading contemporary artist Do Ho Suh with guest speakers Amie Corry, Director of Publications for Do Ho Suh and independent curator Fatoş Üstek.

Be whisked away to the sun, sea and society of the late 19th and early 20th centuries in a special opening talk for An Irish Impressionist: Lavery on Location with Professor Kenneth McConkey. For those fascinated by Scottish history, join Jim Phillips, Professor of Economic and Social History at the University of Glasgow and author of Scottish Coal Miners in the Twentieth Century.

Looking at the Before and After Coal exhibition, he will explore the meaning and relevance of the strike 40 years on. Uncover the new works in Scotland’s national collection with a special look at the rare Encounter by Remedios Varo 1959, the first oil painting by the artist to enter a public collection in the UK.

Be immersed in magical free live music events all while soaking up the beautiful art and surroundings of the Portrait and National gallery. With performances from Live Music Now musicians, including clarinet quartet The Four Keys, Mexican guitarist Morgan Szymanski joins Scottish violinist Roo Geddes and Mexican singer-songwriter Lavinia Negrete.

In July, celebrate American Independence Day with the Phoenix Duo. Edinburgh-based Sangstream Folk Choir perform a programme of songs about the challenging lives which miners and their families have faced over the centuries inspired by the Before and After Coal exhibition.

Experience the galleries with a tour guide and learn the fascinating history and stories behind the art. Get to know the artworks and themes in the new Scottish galleries at the National in the Scottish Art in Focus tours which take place every month on Saturday afternoon.

Learn more about the changing landscape of Edinburgh and Scotland and the people who made it all happen. For those wanting a more detailed look into Edinburgh’s evolving cityscape and how it captivated the imagination of artists, join the Inside Out: Edinburgh Old and New walking tour.

Those taking a trip to the National Galleries of Scotland’s summer exhibition at the Royal Scottish Academy, An Irish Impressionist: Lavery on Location, can join the Sunday Afternoon Tour on Sunday 28 July. The tour travels through the key themes from the extraordinary life of the Belfast-born artist, from Scotland to New York via Paris and Morocco.

Indulge your own creative energy with The Drawing Room workshops. Offering a unique space to playfully explore creativity and drawing, with absolutely no experience necessary to get involved in these hands-on making sessions. These joyous sessions bring fresh, relevant and accessible approaches to drawing from some of Scotland’s most exciting artists

Be inspired by the empowering world of Woman in Revolt! at Modern Two, with the workshop looking at how mark-making can also be conceived as sculpture, installation, video, writing, textiles and more.

For those unable to make it to the gallery there is the opportunity to get involved online via Zoom with The Drawing Room Kitchen Table. Exploring some favourite experimental drawing exercises and techniques, aimed at boosting drawing confidence.

There are free family activities for all ages and stages to enjoy, as well as accessible events for visitors with specific access needs. Weekly Family Friday events let your children’s imaginations run wild.

With mornings dedicated to little ones expect interesting textures, lights, sounds and sensory art-fun. Later in the afternoon older kids can get involved in the trails, new play activities and, of course, hands-on making with artists. Sensory-Friendly Sundays for families with children with additional support needs, ensure a quiet, comfortable space is available at all times.

For adults, discover fascinating audio-described and deaf led British Sign Language tours for visitors with a visual impairment.

With events for exhibitions including Woman in Revolt!, Do Ho Suh and Vermeer. With the opportunity to meet other people, see artworks in the gallery and take part in creative activities. All with access to a comfortable quiet space.

To find events or discover more visit: What’s on | National Galleries of Scotland

National Galleries of Scotland events June-July 2024

Tours

An Irish Impressionist: Lavery on Location Sunday Afternoon Tour Sunday 28 July, 3–3.30pm. Academy Building, National. Combined exhibition and tour ticket required.

Inside Out: Edinburgh Old and New | Walking Tour Fridays: 14 & 21 June, 11am– 1pm. Saturdays: 15 June & 22 June, 11am–1pm. £15 (£12). Booking essential.

Workshops

The Drawing Room Kitchen Table #42 (online) Wednesday 10 July, 6–6.45pm. Online via Zoom.

Lectures and Talks

New Acquisition: Encounter by Remedios Varo 1959 Tuesday 25 June, 12.45-1.30pm. National, Hawthornden Lecture Theatre and livestreamed via YouTube. Free but ticketed.

Do Ho Suh’s Public Art Tuesday 2 July, 12.45– 1.30pm. National, Hawthornden Lecture Theatre and livestreamed via YouTube. Free but ticketed.

An Irish Impressionist: Lavery on Location Friday 19 July, 12.45–1.30pm. National, Hawthornden Lecture Theatre and livestreamed via YouTube. Free but ticketed

Window to the West: How a Gaelic Worldview has Shaped Art and Music Tuesday 30 July, 12.45–1.30pm. National, Hawthornden Lecture Theatre and livestreamed via YouTube. Free but ticketed.

Music

Sangstream Folk Choir: A Concert of Mining Songs Wednesday 26 June, 6–6.30pm. Portrait. Free but ticketed.

Live Music Now: Phoenix Duo Thursday 4 July, 6–6.30pm. National. Free but ticketed

Live Music Now: Lavinia Negrete, Morgan Szymanski, Roo Geddes Thursday 25 July, 6–6.30pm. National. Free but ticketed

Family and Accessible events

Family Fridays Every Fri during term time 10am–12noon (ages 0–3) & 2–4pm (ages 4+), National. Free, drop-in

Visually Impaired Programme Online | Women in Revolt! Art and Activism in the UK 1970-1990, Wed 19 Jun 2024 2 – 3:30pm, Online via Zoom. Free but booking essential

British Sign Language (BSL) tour | Vermeer in Edinburgh Sat 22 Jun 2024 11am – 12 noon, National. Free but booking essential

Relaxed afternoons for adults (autism and learning disability friendly) Tue 25 Jun 2024 2 – 3pm, Portrait. Free but booking essential

Summertime Sensory Storytelling (Profound disability-friendly) Sat 29 Jun 2024 2 – 3pm, Modern One. Free

Visually Impaired Programme Live (in gallery) | Do Ho Suh: Tracing Time, Wed 17 Jul 2024 10:15am – 3:30pm, Modern One, Free but booking essential

Relaxed afternoons for adults (autism and learning disability friendly) Tue 23 Jul 2024 2 – 3pm, Portrait. Free but booking essential

New Scottish galleries reach half a million visitors since opening

National Galleries of Scotland is celebrating an incredible half a million visitors to the new Scottish galleries in Edinburgh, just seven months after opening.

The Leckie family were thrilled to be the 500,000th visitors through the doors on Friday 3 May. Victoria Leckie along with Ella, 8, and William, 7, were welcomed to the new galleries with balloons and goodie bags.

Victoria said: “I can’t believe it! I thought you were joking! We have just moved to Edinburgh from South Africa a month ago, so it feels even more unbelievable.

“We came to explore the gallery and take the kids to the Family Friday event, so this is all very exciting and unexpected.”

The highly anticipated new Scottish galleries at the National opened to the public on 30 September 2023 to rave reviews, showcasing the very best of historic Scottish art from 1800 to 1945.

A free experience for everyone to enjoy right in the heart of Edinburgh’s city centre, the new spaces have been a roaring success, transforming the visitor experience and making the National more accessible than ever before.

Prior to the opening of the new Scottish galleries only 19% of visitors to the National gallery made their way to the former Scottish wing. However, since the opening of the new Scottish galleries this has increased to an amazing 62% of people now enjoying the exceptional artworks on display.

With 12 breathtaking galleries to explore, visitors can dive into dramatic landscapes, encounter iconic images and be wowed by art.

Spectacular views over the city entice visitors to come in and discover their national collection of art and the pioneering Scottish artists that created them.

Whether immersing themselves in the highly Romantic paintings of the Scottish Highlands, on a day out with the family, or just enjoying the views, all are welcome to come and discover their national collection.

National Galleries of Scotland and Rowan Alba nominated for award

National Galleries of Scotland has been shortlisted for Community Engagement Programme of the Year by the prestigious Museum + Heritage Awards for its work with Rowan Alba.

The nomination recognises an incredible collaborative initiative that supports people with alcohol addiction. The winners will be announced at a glittering live ceremony on Wednesday 15 May.

Beginning as a one-off photography project in 2013, the much-needed programme has since delivered 42 sessions in the last year in Edinburgh.

Developed in partnership with Rowan Alba as part of its befriending scheme, CARDS, it recognises the wellbeing benefits that art brings. Participants are welcomed into the gallery where they take part in creative activities, designed by the National Galleries of Scotland, Rowan Alba and artist Sam Rutherford.

The artist hosted sessions help people whose long-term alcohol addiction has led to poor health and social isolation, to feel more connected. Each month a different topic is discussed and participants are able to explore the collection and exhibitions of the galleries, as well as make their own art using photography, painting, collage, poetry and more.

The gatherings also support with emotional wellbeing, building friendships and assisting in recovery.

98% of participants reported anxiety, depression and low self-esteem while 25% have long-term mental health issues. However, after participating in the project 83% reported feeling less isolated, 95% felt less anxious and an amazing 95% felt their opinion mattered where they hadn’t before.

National Galleries of Scotland had the exciting opportunity to work with CARDS participants on exhibitions including co-creating audio content for Making Space | Photographs of Architecture and the current exhibition Conversations with the Collection in Modern One.

With one participant, sharing that this allowed them to feel a sense of pride and boost their self-esteem, saying: ‘I can’t believe the National Galleries asked for my opinion on the pictures, I took my grandchildren to hear the audio on the headphones.’

Creating the audio guide was an opportunity for National Galleries of Scotland to work in collaboration with participants to re-look at artworks in the collection and rethink their interpretation.

Following the spectacular success of CARDS, a new group and weekly programme ‘The Guided Self Discovery Group’ was also established after networking sessions for health and social care organisations, run by Rowan Alba at the Portrait.

Led by an NHS Occupational therapist, small groups meet at the Portrait gallery for 8 weeks. This supports people to transition from in-patient rehabilitation hospital, Milestone, back into the community. The sessions aim to ease the process, which can be stressful and isolating.

Both initiatives explore themes around identity and connectedness and the creative activities encourage reflection and self-expression. The groups have also come together for a joint session, helping participants connect with the longer-term support that is available.

The sessions are integral to supporting client’s mental health as they provide new ways to express issues they are facing. Shifting focus to artistic activity enables participants to converse freely, informally, and openly.

Siobhan McConnachie, National Galleries of Scotland Head of Learning and Engagement, said: “The feedback we get from participants is overwhelmingly positive, and we are thrilled that this has been recognised by the awards. The programmes create environments where individuals feel safe and encouraged to participate – something they do not always feel elsewhere.

“Through Rowan Alba. we have succeeded in welcoming isolated people with addiction issues to the gallery and revisit. In 2023 we delivered 42 sessions with 517 attendances overall. Many are individuals who might not otherwise leave their homes, and have no other support or access to help.

“Being able to work hand in hand with Rowan Alba to accomplish this and highlight the importance art has in helping people is something we are incredibly proud of.”

A CARDS service user said: “I thought it was about art. It is in a way, but not in the way you would think. At first it was the only reason to turn over the months in the calendar other than to remember what day the blue bucket goes out.

“The best part for me is my own visits to the galleries, the solitary ones, where I can be around people and still be by myself. That bit creeped up on me and all of a sudden when things got bad at home, I thought, I’m going to the gallery.

“There is an art to that. Whether its deliberate or not. That is an art!”

National Galleries of Scotland acquires first ever Varo painting to enter a European collection

FREE

Modern One, Edinburgh

The National Galleries of Scotland is delighted to announce the acquisition of Encounter (1959), by world-renowned Surrealist artist Remedios Varo (1908-1963). Extremely rare and sought-after, this is the first painting by Varo to enter a public collection in Europe. Encounter is on display and free to view at Modern One.

The work was acquired in time to mark the centenary of the publication in Paris of André Breton’s Manifesto of Surrealism in 1924, which effectively launched the movement. A significant and exciting acquisition for the people of Scotland, Varo only completed about 100 paintings in her lifetime, with most in public collections in Mexico. Only able to dedicate herself fully to creating art in the last decade of her life,Encounter was produced in 1959, at the height of Varo’s career.

The concept of the encounter – especially the chance encounter – was a subject favoured by the Surrealists for its mysterious potential.

In this striking composition, a seated figure carefully lifts the lid on a tiny casket to find her own eyes staring back at her. Several similar boxes sit on the shelves in the background, suggesting that there are more “selves” to be discovered.

Many of the figures that Varo painted resemble the artist herself, and this work is believed to be a self-portrait.

Varo said of the work: “This poor woman, full of curiosity and expectation as she opened the little coffer, encounters her own self; in the background, on the shelves, there are more little coffers, and who knows whether on opening them she will find something new.”

Born in Girona, Catalonia, in north-east Spain, Remedios Varo was a Surrealist painter and poet. Her father, an engineer, recognised her artistic talent from a young age and encouraged her to copy his technical drawings, which would influence her compositions for the rest of her life.

She was one of the first female students to attend the Academia de San Fernando in Madrid, where she enrolled at the age of 15, and later received her diploma as an art teacher. In 1935, after moving to Paris, Varo encountered artists engaging with Surrealist concepts, and was later introduced to the poet and founder of the Surrealist movement, André Breton.

After fleeing Nazi-occupied France in 1941, Varo settled in Mexico, where she was one of a small but important group of Surrealist poets, painters and photographers. These artists include Kati Horna and Leonora Carrington, with whom she forged a creative alliance but also an enduring, life-long friendship.

Using a combination of chance and planned techniques, Varo produced work that was influenced by science and the occult in equal measure. The resulting images are as mysterious as they are technically brilliant, often depicting enchanted domestic scenes and strange encounters with otherworldly beings.

Playing with the magical and spiritual potential of interior spaces, Varo sought power in ordinary rooms — in dusty corridors, and creaking doorways — transforming them into fantasy realms that overflow with possibility.

In the last ten years, the National Galleries of Scotland has made efforts to acquire major works of art by female artists.

This latest unique acquisition will help to expand the collection and give a more comprehensive view of Surrealism as a diverse, international movement, rather than one simply centred in Paris.

Other recent acquisitions include major artworks by Leonora Carrington, Dorothea Tanning and more recently, archival material related to Edith Rimmington.

Simon Groom, Director of Modern and Contemporary Art at the National Galleries of Scotland, said: “We’re thrilled to have acquired this incredibly rare and important painting by Remedios Varo. Her career as a full-time artist lasted little more than a decade.

“She worked slowly and meticulously, completing only about a hundred paintings, many of which are now in museum collections in Mexico and the USA. They are breathtaking gems which one seldom sees outside books.

“There’s not a single painting by her in a public collection outside the Americas. Or rather that was the case until now. Moreover, Encounter is a key work in her oeuvre, a self-portrait which deals with self-discovery and identity.

“It cements the National Galleries of Scotland’s collection of Surrealist art as one of the very finest in the world.”

Jenny Waldman, Director, Art Fund, said: “Artist Remedios Varo’s haunting painting, ‘Encounter’ into the Scottish National Galleries’ collection will captivate visitors from Scotland and across the UK.

“This painting is a key addition to Scottish National Galleries’ growing collection of major works by women artists. I’m delighted that Art Fund has been able to support this important Surrealist work to enter the permanent collection, thanks to our generous donors and National Art Pass members.”

The acquisition was made possible thanks to the Walton Fund, along with support from Art Fund and the Wendi Norris Gallery, San Francisco.

You know Who joins Scotland’s national collection!

Portrait of Ncuti Gatwa goes on display

A vibrant and captivating portrait of the newest Doctor Who star, Ncuti Gatwa by photographer Robert Wilson has joined Scotland’s spectacular national collection of art.

This charismatic photograph of the famed actor joins other notable Scottish figures in the National Galleries of Scotland’s permanent collection, including former Doctors, Peter Capaldi and David Tennant. The artwork is now on display and free to view at National Galleries of Scotland: Portrait.

Ncuti Gatwa is instantly recognisable from his engaging performances in Doctor Who, as Eric Effiong in the Netflix comedy series Sex Education (2019–23) and in Greta Gerwig’s record-breaking film Barbie (2023). Gatwa has been nominated at the BAFTA TV Awards for Best Male Comedy Performance three years in a row and has won a BAFTA Scotland award (2020). Made in March 2020,

Wilson described Gatwa as ‘a photographer’s dream to work with; friendly, expressive and giving’. Photographed in a colourful yellow suit, mid-laugh, the portrait captures Gatwa’s magnetic personality.

Born in Rwanda, Gatwa arrived in Scotland at just two years old in 1994 with his family as a refugee fleeing a genocide, as Rwanda was embroiled in a civil war. He grew up in Edinburgh and Dunfermline and went on to graduate from the Royal Conservatoire of Scotland in 2013.

It was his award-winning appearance as queer teenager Eric Effiong in the Netflix comedy series Sex Education that firmly launched his career and quickly cemented his position as an audience favourite.

Having spoken out about how powerful and necessary representation is, Gatwa’s role in Sex Education explored complex issues around Black, queer and religious identity. In May 2022, he was announced as the next lead in the cult BBC series Doctor Who, with the New York Times calling him ‘a Doctor Who for the 21st century’. Gatwa is the fourth Scottish, and the first Black and openly queer, actor to star in this role.

Robert Wilson (born 1969, London) is an acclaimed commercial and portrait photographer whose sitters have included major figures in a wide range of fields, including actors Dames Judi Dench and Joan Collins, sport stars Mo Farah and Venus Williams and Nobel Peace Prize winner Kofi Annan, to name a few.

His work has evolved to lifestyle, sports and documentary style projects and is recognised for its accessibility and depth for revealing humanity. Wilson was also a war artist for the British Army, firstly documenting the people and places within Helmand Province, Afghanistan, and later the withdrawal of the British troops and the deconstruction of the war machine.

His unique and emotional portraits are exhibited in galleries across the UK, with this portrait the latest to join a national collection.

Anne Lyden, National Galleries of Scotland Director-General, said: “It is exciting to see this dynamic portrait of the hugely talented actor and style icon Ncuti Gatwa enter the national collection.

“Gatwa joins the ranks of previous Doctors already in our collection, and we look forward to welcoming fans of the new Doctor Who when they visit to see this stunning photograph by Robert Wilson on our Portrait gallery walls.”

Robert Wilson, said: “Ncuti was an absolute joy to photograph. We were shooting several of the nominated candidates for the BAFTA awards that day, which happened to be the second to last day before the country went into lockdown due to Covid.

“The atmosphere on set was a little strange due to the various health precautions that were taking places and the impending thought of a lockdown. But, despite the slightly surreal atmosphere, Ncuti gave me a complete range of poses and expressions, from humorous, to serious, to melancholic.

“Within 15 minutes I had shot 224 beautiful frames, any one of which could probably have been used for the feature. He is a true professional, and I think we managed to capture his warm personality brought to the shoot that day.”

The National Galleries of Scotland celebrates the return of Antonio Canova’s The Three Graces

The National Galleries of Scotland celebrates the return of Antonio Canova’s The Three Graces to the National in Edinburgh, for the first time in eleven years.

Jointly owned with the Victoria and Albert Museum, London, this extraordinary marble sculpture usually rotates between the two locations every seven years however was delayed due to the opening of the new Scottish galleries at the National.

Regarded internationally as an exquisite example of neoclassical European sculpture, this is an exciting opportunity for visitors to see the work in the heart of Edinburgh for free.

The sculpture represents Euphrosyne, Aglaia and Thalia, the three daughters of Zeus and Eurynome according to Greek mythology.

The three graces are associated with Aphrodite (Venus) and embody qualities such as shared friendship or chastity, beauty and love.