Musicians, bands, artists and venues will be able to apply to a £750,000 Scottish Government fund to bring new and additional concerts to venues and festivals in Scotland next year.
Scotland on Tour will support the staging of concerts across the whole nation from between January 2022 and January 2023.
Funded by Scottish Government and organised by Active Events, its decision-making panel includes representatives from across the music industry, as well as Creative Scotland, Scottish Enterprise, Highlands and Islands Enterprise, XpoNorth and South of Scotland Enterprise.
Participating artists, venues and festivals will be announced later this year.
Culture Minister Jenny Gilruth said: “Due to the impact of COVID-19, I know many concerts from 2020 and 2021 have been postponed – leaving little opportunity for artists to perform new concerts in traditional venues or concert halls up until late 2022, or even spring 2023.
“So I am very pleased to announce Scotland on Tour, a fund to help artists, venues and the wider music industry by creating new concert opportunities across Scotland next year.
“The fund is not only an exciting opportunity for artists and venues, but also for Scottish audiences, who will have the chance to see the best of Scottish music right on their doorstep.”
Director of Active Events Lisa Whytock said: “The past 18 months have been exceptionally challenging for musicians and promoters around Scotland.
“This fund will allow new concerts from professional musicians to take place across the country, bringing world class performances to cities, towns and local communities whilst simultaneously supporting production companies and skilled freelancers in their delivery.
“We are extremely excited about the project and would like to wholeheartedly thank the Scottish Government for their investment.”
Head of Music at Creative Scotland, Alan Morrison, said: “At the height of the pandemic, Active Events applied to Creative Scotland’s Open Fund for a research project that would identify community partners and increase touring opportunities for musicians when restrictions finally lifted.
“This bold vision for recovery has blossomed into a new touring fund, supported by the Scottish Government, that will breathe life back into the live music sector across the entire country.
“It’s extremely encouraging to see how a seed that was sown in darker times is growing into a major year-long programme that will bring music fans and professional artists of all genres back together again.”
Further details will be announced soon as to how artists and venues can apply to the Scotland on Tour fund, which is expected to open for applications in October.
Registrations of interest to the fund can be recorded by sending an emailto info@scotlandontour.com
LMNS continues to collaborate with the Scottish Arts Club with Virtual Fridays on the Fringe
Teaming up with Capital Theatres, LMNS provides dementia friendly tea-party
National Galleries of Scotland and LMNS continue to work in partnership on lockdown concert series
As we adjust to the new normal, Live Music Now Scotland (LMNS) is embracing the change this festival season with a programme of inclusive, online and in person events that extends into September.
From tea parties catering for those with dementia, to a continued collaboration as part of Edinburgh Festival Fringe, LMNS is excited to shake off the difficulties of the past year by bringing even more live music, to even more people.
Collaborating once again this summer, Live Music Now Scotland and the Scottish Arts Club are joining forces for Virtual Fridays on the Fringe, an online concert bringing audiences from all over Edinburgh, the UK and even the world, the sound of Scotland this summer.
Taking place this Friday (13 August), fiddler Euan McLaughlin and guitarist Nicky Kirk will be taking to the digital stage with a selection of folk and traditional tunes from 6.30pm.
Part of the Edinburgh Fringe Festival, Virtual Fridays on the Fringe is produced by Fika Productions for the Scottish Arts Club.
Throughout the pandemic the LMNS team has been working hard to keep live music in the lives of those who would otherwise not, even at the best of times, get the chance to enjoy it. Achieved by embracing the power of Zoom and, as restriction lifted, even occasionally the power of the outdoor gazebo, LMNS continues to find new ways to herald in the return to live.
This summer two significant projects, one supported by The Armed Forces Covenant Fund Trust and the other by Morton Charitable Trust, continue to bring live music (and in-the-flesh LMNS musicians!) to residential homes in Edinburgh and four Erskine homes for veterans.
Fiddler Jamie MacDonald and guitarist Nicky Kirk entertained residents at Murrayfield House Care Home to hugely positive feedback from all involved.
One Murrayfield House Care Home staff member said: “Jamie and Nicky were fantastic. They gave a flawless performance. They interacted with the residents who enjoyed the outdoor performance. Staff were happy to see residents in the garden and see how happy they were.”
On Monday 23 August LMNS is delighted to be joining Capital Theatres for a dementia friendly Tea Party. Taking place online audiences are encouraged grab a cuppa, and favourite sarnie or a scone, and join in on YouTube for a sing-a-long and some dancing.
And, once again teaming up with the National Galleries of Scotland for its lockdown concert series, LMNS continues to support those living with dementia across Scotland, with an online and dementia friendly session. With both musicians and audiences joining in from the comfort of their own homes, these soothing sets are suitable for everyone of any age and are entirely free.
It is not only the ears of the older generation being treated to LMNS live music this summer.
YouthLink Summer of Play by YouthLink Scotland (the national agency for youth work) in Kirkcaldy saw young people with additional support needs enjoy live, in person performances by a range of LMNS musicians including Kaitlin Ross, Sally Simpson, Valerie Barr, Aidan Moodie and Robbie Greig.
Later in the year, from Monday 27 September – Friday 1 October, working with Aberdeenshire Council Youth Music Initiative (YMI), LMNS musicians will take to the road in Aberdeenshire, bringing music to ten schools across the region.
Harpist Lucie Hendry and fiddler Sally Simpson are the latest LMNS musicians to take part in the initiative which aims to create access to high quality music making opportunities for young people.
Created by the Scottish Government and administered by Creative Scotland, YMI offers young people the chance to achieve their potential in or through music making, while supporting the development of the youth music sector.
Carol Main MBE, Director at Live Music Now Scotland, said: “We are delighted that live music is coming back across the country post pandemic.
“There is a fantastic range of events and opportunities for our musicians to take part in this summer, and it is testament to the hard work of venues – be they concert halls or care homes – that these are starting to take place in person, as well as online.
“We continue to work with some exceptional establishments who provide support for those with additional support needs of all ages, and it is heart-warming to hear how much music has been missed and how impactful its return has been for so many.”
ELDERLY care home residents were treated to an exclusive music concert thanks to the Edinburgh Jazz and Blues Festival.
With restrictions easing, Cramond Residence was delighted to welcome Jed Potts and the Hillman Hunters to perform in the garden, while residents watched from the comfort of the home’s conservatory.
The blues trio, inspired by 1950s and 1960s classic American blues, delivered a powerful performance to residents at the Edinburgh home who enjoyed dancing the afternoon away.
Fiona Alexander, Chief Organiser of the Edinburgh Jazz and Blues Festival, who facilitated the performance, said: “Care homes have had it very rough over the last 18 months, so to be able to liven up the resident’s afternoon and give them something to look forward to is very special.
“A big focus of this year’s festival has been to expand past our usual performances, and connect with new audiences, hence the link up with Cramond Residence.
“I can’t speak for the residents, but the band put on an excellent performance and everyone seemed to be thoroughly enjoying themselves.”
Started in 1978, the Edinburgh Jazz and Blues Festival has provided a platform to showcase the very best Jazz and Blues artists from around the world and is one of the largest jazz festivals in Europe.
The 2021 festival took place between the 16th and the 25th of July and included a mixture of online and in person performances.
Athena Liakeas, Activities Coordinator at Cramond Residence, said: “There is a host of positive mental, physical and social benefits that come from music.
“Despite all of our residents having varied tastes in music, the performance seemed to go down a treat and everyone had a great time. It definitely brightened up the afternoon.”
Cramond Residence provides a combination of luxury accommodation and the highest quality of care, with all residents enjoying a wide range of amenities and activities, delicious food and bespoke care.
During lockdown, Lifestyle Coordinators led activities from The Residence Cinema, connecting to residents in their own private house lounge or in their bedrooms via smart TVs to encourage two-way communications.
Leith Theatre launches mini-series of digital gigs to showcase breakthrough Scottish artists
A grant from Creative Scotland’s Performing Arts Venue Relief Fund has allowed Leith Theatre to secure a small staff team of expertise, enabling them to produce a mini-series of digital gigs and provide vital incomes for industry professionals and production crew as well as for the musicians and artists themselves.
Shining a light on new music in Scotland has been key to the programme’s conception. Live in Leith aims to nurture fresh talent by providing a harbour – a safe space – for those who are sacrificing their incomes to pursue careers in music at what is always a tender time, no matter what the economic situation or industry climate.
If the funding is the anchor for the whole programme, the theatre itself is certainly the port, a place that has inspired many musicians to return already since the first stage of its revival in 2017: The Snuts for example, played as part of EH6 festival back in November 2018 and Teenage Fanclub featured in EIF’s offering in August 2019. Both bands have since returned to film their latest singles in the theatre’s auditorium in 2020.
Though Leith Theatre’s doors have been closed to the public for almost a full year now, closed sets like these have been able to take place.
In 2020 the theatre was also home to the virtual edition of Scotland’s annual Wide Days music convention, EIF’s My Light ShinesOn recordings featuring Honeyblood and Breabach, and Posable Action Figures’ latest music video for a single in their debut album.
Leith Theatre was once a music machine in the form of legendary gigs of the seventies and eighties and is well on its way to becoming a well-oiled one for today in the new twenties through such productions.
Just as the Port of Leith once fostered connections as a confluence of old and new, production and industry – a stage that was both world-class and local – Live in Leith aims to cultivate all of these elements and bring entertainment home in 2021 (and beyond).
The theatre, where community has always been at the heart of its role as a civic centre, wants to help raise the next generation of musicians, industry professionals and crew right here in Leith, safe in the knowledge that exploring the unfamiliar and investing in what is new and inspiring is always in all of our best interests.
Hosted by Vic Galloway, this programme – Live in Leith – will be streamed over three consecutive Saturdays starting this March via the online platform DICE and will help to showcase and establish up-and-coming young Scottish artists at what is undoubtedly a crucial time in their careers.
All of the artists will be captured playing a 25-minute set in real time, to create a live concert feel and the broadcasts will include introductions and on-stage interviews with host, Vic Galloway.
Each gig will feature two artists, the first duo being Connor Fyfe (youngest musician to sell out at King Tut’s in Glasgow), and Retro Video Club.
Lynn Morrison, Chief Executive of Leith Theatre, said: “It is a dream come true to be producing our very first in-house Live In Leith programme from our grand auditorium!
“This programme has allowed us to see what is possible, brought a greatly missed creative network back into the building and enabled us to showcase incredible live music in a new way.
“Thank you to Creative Scotland and the Performance Arts Venue Relief Fund: the whole production process has been exciting and challenging and we hope that this is just the start of new futures! This launch will mark a new chapter and in doing so the theatre hopes to establish itself as the home for new music in Scotland.”
“I’m delighted to be involved in presenting the ‘Live in Leith’ series for Leith Theatre. As a long-time resident of Leith, it’s so satisfying and inspiring to see this legendary theatre come to life once again”, said presenter Vic Galloway.
“Its history is rich and varied, but ‘Live in Leith’ is also a great opportunity to bring the space into 2021 with three exciting music programmes. We’re not only showcasing some brilliant local talent here, but also shining a spotlight on the building itself as one of Scotland’s best Music and Arts Venues. I hope you enjoy the shows and see the potential of the wonderful Leith Theatre!”
Leith Theatre Programme Co-ordinator Callum Jones added: “Having graduated from my Honours degree in Music Business back in Spring 2020, it was daunting to see that the industry in which I had studied for a career had, in many ways (from a live music perspective) been decimated.
“However, Performance Arts Venue Relief funding via Creative Scotland allowed Leith Theatre to retain me on a full-time basis and in a new role as Programme Coordinator.
“Our intention was then to create a digital programme which would showcase up-and-coming Scottish talent, providing an income stream for artists when there are currently so few alternatives. By doing so, we have been able to provide work for industry professionals across the sector and re-engage with our pre-existing network and supply chain.
“The funding has allowed us to deliver a high quality, digital offering for music fans to enjoy from the safety of their own homes. Our ambition is to establish Leith Theatre as a home for new music in Scotland by supporting the development of artists.
“I hope the broadcasts can provide some much-needed respite until we can welcome visitors back to Leith Theatre.”
Live in Leith:
March 20th: Connor Fyfe and Retro Video Club
March 27th: Ransom FA and Nova Scotia the Truth
April 3rd: The Ninth Wave and Lucia & The Best Boys
Tickets on sale Friday the 12th February at 10am at https://dice.fm (see direct links below) and will cost £11.50
Fourteen grassroots music venues in Edinburgh, including Sneaky Pete’s, Summerhall and The Jazz Bar, have received emergency funds through the Scottish Government’sGrassroots Music Venues Stabilisation Fund.
Aimed at providing grassroots music venues with emergency support to help address the impact of the Covid-19 pandemic and prevent closure, the £2.2million fund, which launched on Thursday 3 September, received 98 applications from across Scotland, totalling £3.2million.
All 72 eligible applications have received funding.
Alan Morrison, head of Music at Creative Scotlandsaid: ““Live music has been hit particularly hard by Covid-19, and Creative Scotland is only too aware of the severity of that impact.
“These awards, to 72 venues across Scotland, will help bring short-term stability to the grassroots music sector and alleviate some of the challenges that the ongoing pandemic has presented.
“Music is such a significant part of Scotland’s cultural life and it is here, at grassroots level, that talented musicians create new material connecting with audiences young and old. We look forward to the day when we’ll all be back together, cheering on artists face to face – but, until then, this fund will provide a lifeline to one of the most vibrant scenes that Scotland has to offer.”
Beverley Whitrick, Strategic Director, Music Venue Trustsaid: “Music Venue Trust is grateful to Scottish Government for creating a ring-fenced fund which recognises the vital role that Grassroots Music Venues play in Scottish culture.
“There is still a lot of work to do to support these venues through the crisis but to see so many venues awarded short-term financial support is an incredible step forward. We thank Creative Scotland for working so hard to make this possible and involving us in shaping the fund so it could be targeted effectively. We look forward to working further with them.”
Recipients of the Grassroots Music Venues Stabilisation Fund across Edinburgh are:
Bannermans £38,000.00 Henry’s Cellar Bar £40,000.00 La Belle Angele £40,000.00 Leith Depot £32,882.00 Opium £35,000.00 Sneaky Pete’s £40,000.00 Stramash £35,000.00 Summerhall £40,000.00 The Caves £38,000.00 The Jazz Bar £40,000.00 Liquid Room £40,000.00 The Jam House £39,500.00 The Voodoo Rooms £40,000.00 WhistleBinkies £35,000.00
The Grassroots Music Venues Stabilisation Fund is one of a series of measures being put in place to help mitigate the immediate impacts of COVID-19 on the creative and cultural sector, including five new emergency funds which were announced by the First Minister on Friday 28 August.
They are being delivered through Creative Scotland as follows:
The £5million Creative Freelancer Hardship Fund for which we issued an open call for partner organisations to help us distribute this fund on Friday 11 September with a deadline of Friday 25 September. We aim to be able to distribute funds from October. The Screen element of these Hardship Funds will open for applications on Tuesday 22 September.
The £5million Sustaining Creative Practice Fund includes £1.5million for the Culture Collective programme, mentioned in the Scottish Government’s Programme for Government, supporting organisations employing freelance artists to work in and with communities across Scotland.
The remaining £3.5million has been added to Creative Scotland’s existing open fund which is open for applications from individuals now.
The previously announced £5million open call element of the Performing Arts Venue Relief Fund which closed for applications on Thursday 27 August has received 42 applications and awards will be announced by Thursday 24 September.
Updates on all emergency funds are being published regularly on the Creative Scotland website and publicised through media and social media communications.
The £2.2m fund, which was announced by Culture Secretary Fiona Hyslop on 10 July 2020, will be delivered through Creative Scotland.
The purpose of the fund is to provide grassroots live music venues, that were financially sustainable before Covid-19, with the funds to prevent permanent closure and help with sustainability.
Eligible venues should:
Be permanent, indoor venues in Scotland in the grassroots sector (i.e. those working with new, developing, musical talent), which have a public audience
Have a capacity of under 600. Applications from venues with capacities of up to 1,000 will be considered if a significant grassroots focus can be demonstrated.
Venues may apply for grants of between £5,000 and £50,000.
Online application forms will be available on the Creative Scotland website at 12 noon on Wednesday 26 August 2020.
Applications must be submitted by 12 noon on Thursday 3 September 2020.
Culture Secretary Fiona Hyslopsaid: “Grassroots venues are the heartbeat of Scotland’s music scene, and they have been particularly hard hit by the coronavirus pandemic. We are all extremely keen to see grassroots venues reopen again but further work is needed to ensure this can be done in a safe and sustainable manner.
“This £2.2m funding will provide some much needed stability for grassroots venues over the coming months and I am determined to continue working with the sector on what further help we can provide. It’s a long road to recovery but hopefully this marks the beginning of a brighter future after the very recent dark times.”
Iain Munro, Chief Executive, Creative Scotlandsaid: “In these extremely challenging times, this fund will provide much needed emergency support to Scotland’s grassroots music venues which are an important part of Scotland’s music ecology, developing music and audiences as well as supporting the talent for which Scotland is so renowned.
“As we look to move forward through the Covid-19 crisis, grassroots venues will, when it is safe to do so, play a crucial role in bringing people of all backgrounds together to experience the joy of live music.”
Waverley Mall, Edinburgh and The Youth Radio Network are set to host the final Waverley Sessions of 2019 this weekend – Saturday 21st and Sunday 22nd December 2019.
The popular monthly music event, which is a collaboration between the busy city centre shopping centre and youth music organisation, The Youth Radio Network, has been gaining traction over the last 12 months.
This weekend will see a selection of some of the best acts they have seen throughout the year, taking to the stage across the weekend. The event will run from 11am – 4pm on Saturday and 12pm-4pm on Sunday.
Acts taking to the stage this weekend include 14-year-old Lewis Capaldi fan Evie McDonald from Grangemouth and 21-year-old pop and country singer Liv Dawn from Loch Lomond. Others include Leigh Tiley, Euan Russell, Nicole Carlin, Blair Gilmore and Rebecca Swallow.
Customers are promised a weekend packed with toe-tapping tunes, some festive specials and a fabulously Christmassy atmosphere throughout the Waverley Mall food court as the musicians get them in the mood for Christmas.
Keiran Harvey and the team of volunteers from The Youth Radio Network will be hosting the weekend’s entertainment and while there is no age limit, with the support of the team from The Youth Radio Network, young artists in particular are offered the opportunity gain public performance experience and increase their sense of self confidence.
The Youth Radio Network’s vision is to empower, teach and entertain young people, aged 13 to 25 years, through the power of music and digital technology, opening doors to the broadcast industries, and to become more employable helping them to get the best start in life.
Their role includes teaching young people the ropes of the broadcast industry and helping to prepare them for employment through CV preparation, mock interviews and confidence building.
Through their work with Waverley Mall they are empowering young people – giving them opportunities, skills and equipment as well as hands on experience in a real life setting for a future in the music / broadcast industry.
By providing a platform to perform, Waverley Mall is building on this opportunity with the chance to build personal confidence in performing in public.
Jacquelyn Stewart, General Manager, Waverley Mall says: “We’re looking forward to singing out 2019 in style with the final edition of The Waverley Sessions this year.
“It will be great to see so many familiar faces taking to the stage across the weekend to get everyone in the Christmas spirit.”
Keiran Harvey, CEO, The Youth Radio Network says: “It has been incredible to work with Waverley Mall on The Waverley Sessions this year.
“We’ve uncovered such a huge variety of artists this year, who have done nothing but surprise us with their talent, enthusiasm and energy throughout their stint on our stage.”
This is a very important week for us, folks. We kicked off Independent Venue Week on Monday. This is our third year supporting this amazing festival and it’s the week to recognise what all of our small independent venues bring to music in our towns and cities. It’s time to celebrate the spirit of independence and the cultural importance of live music.
Horribly, this all happens against the backdrop of our fight to save our own independent venue.
We meet for the hearing at the City Chambers this Wednesday 30th at 12:30pm, we will put our case to 11 elected councillors who ultimately will make the final decision.
We hope the planning committee will make the right decision and represent and respect local democracy. (Meeting at Leith Depot at 11am so if you need a lift, DM us).
Local music professionals have joined forces with officials from the City of Edinburgh Council to discuss the state of the Capital’s live music scene.
At Live Music Matters, an open forum held at the Usher Hall last night, a jam-packed audience of musicians, gig promoters, venue managers and academics discussed the current live music offering in Edinburgh and shared ideas on how to enhance the experience of live music for musicians and concertgoers.
The debate was organised following a commitment in June by the Council’s Culture and Sport Committee to increase understanding and awareness of the live music scene in Edinburgh, in order to capture the key issues and opportunities facing the music community in the Capital.
Council policy on entertainment noise levels, the licensing and provision of live music venues in Edinburgh, and the support of grassroots talent emerged as hot topics for the local music community.
Councillor Norma Austin Hart, Vice Convener for Culture and Sport, said: “It is only right that debate about the city’s music scene is led by the experience and insight of local professionals. The Council-run and operated Usher Hall provides an ideal venue for the Live Music Matters open forum to discuss the current offering that we have in Edinburgh, and ideas for making it even better.
“What has become clear from the debate is that Edinburgh has a passionate and proud music industry, burgeoning with creative talent, and as a city we need to support this talent.
“Many venue owners and musicians feel that the Council’s current policy on noise levels can be a barrier to the development of Edinburgh’s music scene. To tackle this, we will specifically look at the current rules, and how these rules impact entertainment venues and residents.
“The meeting has also highlighted the importance many people attach to music venues, which goes far beyond sentiment and is really around cultural enrichment. The music community has told us they want Edinburgh’s music venues to be protected, and so we will aim to identify whether that is an option, perhaps through a register of cultural venues.
“Looking at ways to maintain and improve the city’s live music offering is a responsibility we need to face head on, and the Live Music Matters debate is only the beginning. We will now be gathering the comments and ideas from today’s discussion to look at ways we might be able to address them. Working in partnership will be crucial and the meeting today has reinforced that message. We will now set up a task force, called Music is Audible, with representatives from the music industry as well as the council.”
Karl Chapman, general manager of the Usher Hall, said: “The Usher Hall is a well placed venue to host this important debate, not just because it’s cultural importance in developing the arts and live music in the city, but also because it’s owned by the Council.
“The debate has been truly fascinating and I was surprised and delighted to see the tickets go so quickly. It’s been incredibly inspiring to hear everyone’s thoughts from across the industry today. The event has certainly shown there is a demand for a healthy live music scene in the city and the City of Edinburgh Council and the Usher Hall are committed to supporting Live Music Matters by hosting future meetings here in the venue.”
John Stout, promoter at Regular Music, added: “It’s fantastic to see the Council kick off this much needed conversation, and the open forum at the Usher Hall has covered the whole spectrum of live music in the city.
“The contribution that these events make to the local economy and towards making Edinburgh a cosmopolitan city can’t be underestimated. It will be interesting to see what the Council’s next steps will be.”
The debate will continue on social media and residents can share thoughts on Twitter using #livemusicmatters, and on the Council’s blog.
Further updates on the programme will become available later in the year.
The Usher Hall is owned and managed by the City of Edinburgh Council, is an international concert which has a maximum capacity of 2900, hosts around 200 concerts and sells around 220,000 tickets annually.
