Edinburgh Jazz & Blues Festival goes online

We are very excited to present an online Festival to mark the dates of the 2020 Edinburgh Jazz & Blues Festival.

From 23 to 26 July this year, we will stream a variety of gigs across our website and social media channels – all for free! We look forward to sharing more details of the programme with you in the coming weeks – keep an eye on the website!  

At this time of year, many of you would be buying tickets for the July festival. Each year income from ticket sales represents 45% of our annual income and the cancellation of the festival will result in the loss of all earned ticket income in 2020. As a charity, we rely on the generous support of our funders and donors to help us bring this annual celebration of Jazz and Blues to life.

Would you consider supporting us through this difficult period? You can do so by making a donation or, for those of you who would like to get closer to our work, we are very excited to launch a new EJBF Patron Scheme.

All funds raised will help EJBF to begin planning for the 2021 Edinburgh Jazz & Blues Festival and Edinburgh Festival Carnival, as well as supporting our learning programmes, such as our online schools, and our talent development programmes for Scottish artists. 

To make a donation or to find out more about becoming an EJBF Patron please click here.

‘Torpid and toothless’: Gambling Commission slammed in new report

The Department for Digital, Culture, Media & Sport (DCMS) and the Gambling Commission it oversees have an “unacceptably weak understanding” of the impact of gambling harms and lack measurable targets for reducing them, according to a Westminster committee.

In a report published yesterday, the House of Commons Public Accounts Committee says the Gambling Commission is not proactively influencing gambling operators to improve protections, and consistently lags behind moves in the gambling industry. Where gambling operators fail to act responsibly, consumers do not have the same rights to redress as in other sectors.

There are an estimated 395,000 problem gamblers in the UK, with a further 1.8 million people ‘at risk’. The effects can be devastating, life-changing for people and whole families, including financial and home loss, relationship breakdowns, criminality and suicide.

The Gambling Commission is a non-departmental public body funded by licence fees from gambling operators. In 2018-19 it took £19 million in these licence fees: less than 0.2% of the £11.3 billion gambling yield that year. In contrast to the Commission’s £19m fees a year, the gambling industry has agreed to spend £60m to treat problem gamblers.

‘Prevention is better than cure’

The government has approached other public health issues on the basis that prevention is better than cure. However, the Department was unwilling to accept the premise that increasing the Commission’s budget to prevent harm would be preferable to spending on treating problem gamblers. 

The Commission increased the value of the financial penalties it enforced from £1.4 million in 2014-15 to £19.6 million in 2018-19, but it doesn’t know whether this has strengthened the deterrent to breaking rules for operators.

The Gambling Commission also has little understanding of the impact of its other regulatory action, including its ban on the use of credit cards for online gambling.

The Committee finds the pace of change to ensure effective regulation has been slow and the penalties on companies which don’t effectively tackle problem gambling are weak. 

Failure to protect consumers

It says the Department and Commission together have “failed to adequately protect consumers” at a time of considerable change in the sector, as gambling increasingly moves online and new games become popular.

The collection of evidence has been patchy and behind the curve as the nature of gambling has changed, and the Commission has failed to develop responses even where it has identified potential problems, such as during the Covid-19 lockdown.

The temporary ban on gambling ads during lockdown has now been lifted – in its response to the report the Commission should provide an update on gambling patterns and industry behaviour during Covid-19, and any regulatory action it has taken to tackle the industry.

The Committee calls for a new, published league table of gambling operators’ behaviour towards their customers, naming and shaming poor performers. It says the Department must urgently begin its long-planned review of the Gambling Act, setting out a timetable within three months of this report.

The Committee concludes:

  •  The Commission should develop a plan for how it will be more proactive in influencing the industry to treat consumers better, including using reputational tools such as league tables indicating how well each operator treats its customers
  • The Commission should urgently investigate the impact of fixed odds betting that falls under “lottery” legislation and is accessible by 16 and 17-year-olds
  • The Commission and the Department should urgently look at online fixed odds betting and report back to the Committee with how they intend to increase effectiveness of online harm reduction within three months. 
  • The Commission needs to “radically improve” the data and insight it collects to know what is going wrong for consumers and develop better information on its own performance: Within three months the Department and Commission should set out to the Committee what actions they will take to ensure they have the research and evidence base needed to better understand gambling problems, and to design an effective regulatory response.
  • The Department and Commission should work together to strengthen consumer rights assess the impact on consumers of gaps in redress arrangements and examine options for increasing statutory protections with an individual right of redress for breaches of the Social Responsibility Code of Practice.

Chair’s comments

Meg Hillier MP, Chair of the Committee, said: “What has emerged in evidence is a picture of a torpid, toothless regulator that doesn’t seem terribly interested in either the harms it exists to reduce or the means it might use to achieve that.

“The Commission needs a radical overhaul: it must be quicker at responding to problems, update company licence conditions to protect vulnerable consumers and beef up those consumers’ rights to redress when it fails.

“The issue of gambling harm is not high up enough the Government’s agenda. The review of the Gambling Act is long overdue and an opportunity to see a step change in how problem gambling is treated. The Department must not keep dragging its feet, we need to see urgent moves on the badly needed overhaul of the system.

“Regulatory failure this comprehensive needs a quick pincer movement to expose the miscreants and strengthen those they harm.”

Socially distanced Cinema, Raves, Comedy and more set to take-off 

Three of the UK’s biggest dance music promoters have partnered up to launch DRIVE IN EVENTS:

  • Tom Ketley [FLY Open Air, Scotland]
  • Steffan Chelland [Time Warp, Bristol]
  • Richard Ince [Woodland Dance Project, UK]

As we begin the easing of lockdown it has become clear that social distancing will still exist for many months into the future – leaving both those who enjoy culture and events and those who work in it without part of the fabric of their lives.

The prospect of the summer without theatres, music festivals, cinemas, stand-up comedy and nightclubs has led to both artists and promoters needing to reinvent themselves with many moving online to the world of virtual streams.

However, three promoters believe that they have a better solution and Drive In Events is set to offer safe and socially distanced entertainment across the UK – including Edinburgh, Bristol, Glasgow, Leeds, London, Cardiff, Aberdeen, Nottingham, Oxford and Newcastle.

As far back as 1910, drive in events have occurred, though famously credited to Richard Hollingshead who patented the concept in 1933 to accommodate those for whom cinema seats were too small, this form of drive in gathering is proving ideal for the current Covid-19 context with music and cinema events starting to take off in Europe.

Tom Ketley from FLY, which produces FLY Open Air music festivals in unique locations in Scotland, is part of the team behind the new idea:

Tom says, “Drive In Events could be a massive safe success story and we have plans to roll this out across the UK – bringing high quality entertainment to people while ensuring strict social distancing.”

Co-promoter, Steffan Chelland runs Bristol Based Time Warp events which produces a host of shows across the country including the 26 city Disco Wonderland Tour.

Steffan added: “Our aim is to bring back a sense of normality in a climate of uncertainty. It’s been difficult for not only the music industry itself but the average person has lost their sense of weekend release, be that music events, live shows or just socialising with your friends – we are trying to build a safe bridge back to this.”

With the loss of the Edinburgh Fringe Festival Drive In Events could offer Drive In Comedy throughout the whole month of August as well as Drive In Cinema for familiesDrive In Raves for young people and Drive In Concerts for live music fans.

There are a great number of safety precautions that each show will have to meet but from initial discussions with venues, Police, and relevant local councils, the team believe that this will be a valuable solution to boost everyone’s mental health.

Two free car places will be available to NHS workers at each performance.

Tom Ketley said, “People need something to look forward to, they need access to social interaction and entertainment.

“Many people who have been in lockdown on their own are suffering with mental health problems and once lockdown laws are eased the Government will need to ensure there is not a mass free for all with people descending into crammed pubs and then a second wave of the virus to hit. I cannot see how socially distanced drinking culture can exist safely.’

The team are looking at how successful events in Germany and Denmark have occurred and working with the venues to ensure that safety and social distancing measures are ensured so that there is no additional pressure to front line workers.

“One of the venues that we are in discussion with is Scotland’s finest stately home – Hopetoun House. It would offer a fantastic backdrop and we are looking to programme a wide a range of entertainment for people of all ages. As the timings of when this will be possible become clearer, we will release information on events and tickets here: www.drive-in-events.co.uk.”

Facebook: Drive-In Events

Instagram: @drive_in_events

Dogstar Theatre Online

With over 275 performances and seen by over 40,000 people in 12 countries since opening at the 2008 Edinburgh Festival Fringe, The Tailor of Inverness has taken its place as one of the great Scottish theatre productions.

Dogstar Theatre Online is now making this extraordinary performance available to the public online, as the first in a series of Dogstar performance recordings to be released through Vimeo on Demand.

“The Tailor of Inverness, with its cry for victims of war and forced migration everywhere, is “a universal work of theatre” (Sunday Herald)

On Monday 11 May Dogstar Theatre Online will also release Brian Ross’s beautiful, moving documentary, produced by Hopscotch Films.

Circling A Fox – The Story of the Tailor of Inverness takes Matthew Zajac’s multi award-winning play and turns it into a genre-bending documentary film that challenges received notions of personal and national identity.

This deeply personal story takes us on a journey from war torn Poland and Ukraine to the Highlands of Scotland and back again. Blending documentary, theatre and poetic drama-reconstruction, Circling a Fox tells the story of Matthew’s quest to seek the truth about his father’s past and his efforts to use theatre to reach out to a family he never knew existed.

“This is a beautifully made film…both a road movie and a moving family drama, and although the story begins the best part of a century ago it is completely relevant to our own times.  In the end, it affirms the astonishing power of love.”  James Robertson

It is vital for small independent companies like Dogstar to find new ways of reaching audiences and new income streams and continue to develop while our theatres are closed.

These outstanding film and theatre experiences will be available to the public £3 to view, £8 to download. 

The Tailor of Inverness is directed by acclaimed Grid Iron director Ben Harrison, with a score by two of Scotland’s finest traditional fiddlers, Jonny Hardie and Gavin Marwick. Set and costume design is by Ali Maclaurin, with Lighting Design by Kai Fischer and Sound Design by Timothy Brinkhurst.

Awards for the production include The Stage Award for Best Solo Performer 2008, Scotsman Fringe First, Holden Street Theatres Award (Adelaide) and CATS Award Best Actor 2009.

Wherever it has been seen, the play has evoked extraordinarily enthusiastic reactions.

Joanna Jankowska, audience member in Edinburgh: “This is the story of every Polish family.”

Misha Glenny, author and journalist: “…how incredibly impressed I was by The Tailor of Inverness…unbelievably moving and unexpected”

“One actor, one fiddler, one brilliant and moving piece of theatre…See it, friends.” April Alliston, New York

“One of the most moving theatre experiences we’ve ever had.”  David Getz, New York

“Matthew Zajac’s performance was incredible.  Wish I could go again tomorrow.”  Kevin Hanrahan, Dublin

“It really was an international wonder” Hanne Larsen, Copenhagen

“What a story, what a play, what a performance…I could barely speak afterwards.”  Gerda Stevenson, Edinburgh

“This is a towering piece of work with a glorious performance by the author” Sunday Independent Ireland

The book of The Tailor of Inverness by Matthew Zajac is printed by Sandstone Press £8.99

Circling A Fox is filmed, edited, and directed by Brian Ross, executive producer John Archer.

The Tailor of Inverness & Circling A Fox have received financial support from Creative Scotland.

COMING UP:

The Stornoway Way by Kevin MacNeil

Cast: Naomi Stirrat, Rachel Kennedy, Chloe-Ann Tylor Director: Matthew Zajac

This musical tragi-comedy from the Western Isles packed out theatres during its 2019 debut tour.

Factor 9 by Hamish MacDonald

Cast: Stewart Porter and Matthew Zajac Director: Ben Harrison

Dogstar’s 2014 production about the Contaminated Blood Scandal has influenced audiences, campaigners and politicians across the UK.

Online Blues Extravaganza … nice!

Edinburgh Jazz & Blues Festival / Edinburgh Festival Carnival will NOT go ahead in July due to Covid-19 Pandemic – but there’s an online extravaganza to look forward to next week.

First, and most importantly, all of us at Edinburgh Jazz & Blues Festival hope this message finds you and your loved ones well.

We care deeply about the health and wellbeing of our audiences, musicians and staff, and we have of course been monitoring the Coronavirus situation closely over the last few weeks by following government, NHS and Public Health Scotland advice, and are continually reviewing our position as an organisation.

With this in mind we will not be presenting the 43rd edition of Edinburgh Jazz & Blues Festival in July. We will also not present the 9th Edinburgh Festival Carnival.

Chair of Edinburgh Jazz & Blues Festival, Councillor Jason Rust said: “The last few weeks have reinforced to me how special live music is, from intimate gigs to great sonic adventures. The sense of community that live music creates is special too as audiences unite with musicians to share a moment.

“I believe music can continue to unite us and bring joy in these worrying times, and we are working on how we can still share that with you in the coming weeks via our online platforms. Our staff are unearthing interesting footage and content to share and working with closely with Scottish musicians to bring you new digital content which is an artistic response to the times.

“As soon as we are able and it is determined safe to do, we will be back presenting live concerts.

“In closing, we’d like to thank our funders, partners, participants and audiences for their loyalty, support and understanding”.

HOWEVER – SOME GOOD NEWS …

For the first time ever, the Edinburgh Jazz & Blues Festival presents a 12 hour online Scottish blues extravaganza featuring established stars like Maggie Bell and Tim Elliott as well as new names like John McKenzie and Liz Jones.

We’re asking to support musicians if you can – since the pandemic started, their livelihoods have been put on hold due to the suspension of live events. We will be highlighting ways you can support them – please give generously if you can.

IT ALL STARTS ON WEDNESDAY 22 APRIL AND THE FULL DETAILS CAN BE FOUND HERE.

I Think We Are Alone at King’s Theatre

Frantic Assembly (movement directors for The Curious Incident of the Dog in the Night-Time) present I Think We Are Alone, a major new play by Sally Abbott (The Coroner, Vera), co-directed by Kathy Burke (Lady Windermere’s Fan, The Retreat) and Scott Graham (Fatherland, Things I Know to be True).

Two sisters are estranged and bicker over text. Their brittle and aggressive language is pushing them further apart when what they really want is to meet, clear the air and talk about the events that happened when they were young girls and haunt them still.

Josie is not allowing grief to get in the way. All of her focus is on what is best for her son, Manny. She desperately wants him to fly but can she let him go?

There is a person shaped hole in Graham’s heart and it is driving him to some dark places. When a stranger returns an act of kindness both find themselves opening up and connecting in a way that might just bring a bit of light in.

I Think We Are Alone is a bittersweet and funny take on our ache to connect with those voices we need to hear again, those arms we need to feel around us and those faces we need to see again. It is about letting go and holding on to what we love the most.

Kings Theatre, Edinburgh from 18 – 22 February.

 

Join Strictly couple for Havana Nights

Strictly Come Dancing professional Graziano Di Prima is preparing to dazzle and delight audiences with stunning new dance show Havana Nights which tours the UK in 2020 – including dates in Glasgow and Edinburgh.

The 25-year-old will be joined by fellow Strictly professional and fiancée Giada Lini on this first solo UK tour which opens in Chelmsford on 3 March.

Havana Nights promises an exciting mix of Latin dances with individual performances from Graziano and Giada, as well as entertaining group numbers with their supporting dancers.

After opening in Chelmsford, Havana Nights will tour the UK visiting Stevenage, Milton Keynes, Crawley, Tunbridge Wells, Hayes, Bury St Edmunds, St Albans, Kettering, Leamington Spa, Cambridge, Exmouth, Redruth, Cheltenham, Swindon, Yeovil, High Wycombe, Glasgow, Edinburgh, Whitley Bay, Fleetwood, Warrington, Guildford, Reading, Shrewsbury, Southport, and Lichfield. 

The show will be fantastic and fast paced and is guaranteed to be fresh and innovative with amazing routines to dazzle and wow its audience.

And along with the spectacular sizzling performances on stage, there will also be opportunities for a special pre-show meet and greet with Graziano and Giada.

Graziano Di Prima was born in Sicily and started dancing at the age of six when his mother enrolled him in classes. He is an Italian Latin Champion, as well as representing Belgium at the World Championships, and made the top 24 at the under 21s Latin World Championships.

He went on to spend three years performing with the world-famous Burn the Floor dance company, where he met his future wife 28-year-old Venetian Giada, romantically proposing to her live on stage between performances.

Graziano joined the Strictly team in 2018, partnering DJ Vick Hope through a series of sparkling and high-energy routines. He recently made Strictly history when he performed the first same sex couple dance with fellow professional Johannes Radebe.

Giada is ranked in the top 25 in the world in the Latin-American style. She won the Italian Showdance Championship nine times and represented Italy at the World Showdance Championships, where she was a finalist and won the Show Dance World Cup in 2014. She was also a finalist in Freestyle Latin representing Italy at the World Champions in China in 2013 and 2014.

She worked as a professional Latin American dancer on a high-profile Italian TV show called Amici di Maria De Filippi for three years, and toured Australia, the UK and Japan with Burn the Floor. Giada joined Strictly as a pro dancer in 2018. 

Graziano said: “I’m so excited to be able to bring Havana Nights to the many dance fans we know there are across the UK.

“Giada and I have worked closely together on the choreography and content for the show and we’re really proud of it. Now I can’t wait to visit so many venues around the country, meeting fans and performing all my favourite routines for them live on stage.” 

Website:         www.havananightstour.co.uk

Twitter:           @_HavanaNights

 

HAVANA NIGHTS TOUR 2020 – SCOTTISH DATES

 GLASGOW

Royal Concert Hall

25 March 2020

0141 353 8000

https://www.glasgowconcerthalls.com

ON SALE NOW

 

EDINBURGH

Assembly Rooms

26 March 2020

0131 228 1155

http://www.usherhall.co.uk/

ON SALE NOW

Burns Community Ceilidh at Royston Wardieburn

An evening of music, poetry, dancing and food!

Our 6th annual Burns Community Ceilidh: A multicultural community celebration, featuring Burns poetry recitals, live band and other performances, ceilidh dancing, and food!

Tickets £3 (under 5s free). We strongly recommend purchasing tickets in advance as this event is likely to sell out.

Old Kirk & Muirhouse Youth Christmas Show

SATURDAY 7th DECEMBER from 5.30 – 8pm

A showcase of young talent as all our youth and young people projects come together to put on a local production for Muirhouse to enjoy.

Come support our young people as we start the festive season together with joy, laughter and the young people of our area!

£1 entry