Ana is the people’s choice!

Ana’s composition is a real draw!

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An Edinburgh College illustration student has won the people’s choice award in a competition to design a children’s book cover for city publisher Floris Books. 

The Kelpies Design & Illustration Prize 2015 challenged entrants to design a new book cover for Allan Campbell McLean’s classic cold war spy adventure The Hill of the Red Fox.

Edinburgh College HND Visual Communication: Illustration student Ana Elez Rodrigo (above) won the People’s Choice award, receiving more than 1,200 votes in an online poll, and received a £75 cash prize. Fellow illustration student David Lymburn was also shortlisted in the competition.

Lewis Copland, a communication design student at Gray’s School of Art in Aberdeen took the top prize, with professional designer Brad Newsman taking the highly commended prize.

The winners were announced at a ceremony at Leith’s creative business hub Creative Exchange, run by Edinburgh College and the City of Edinburgh Council.

Anna’s design was praised by the judges for her use of a strong colour palette and textured background to depict a red fox against a rugged highland landscape. David was commended for his bold use of composition, colour and typography.

Anna said: “For my design I got inspired by the landscape in Skye and the north of the Highlands. I played with the title of the book to make this kind-of mysterious and intriguing fox.”

As the novel is set in the fifties, Anna used stylish colours of the time along with wrinkled paper to add texture. She said she was “excited and really happy” to have done so well in the competition.

Leah McDowell, design and production manager at Floris Books, said: “The shortlisted designs of Anna Elez Rodrigo and David Lymburn display great talent for two people in such early stages of their careers. Their interpretations of the competition brief show a good understanding of what was asked of them as part of this pressured live project.

“Floris Books felt that the Creative Exchange was the perfect place to host the shortlist exhibition, not only because of the qualities it encourages and represents – creativity, innovation and collaboration – but also because the ground floor space acted as the perfect environment to show off our contemporary children’s book cover designs.”

TheShortlist

Image Caption: Overall winner Lewis Copland (front left); Anna Elez Rodrigo (front right); Edinburgh College entrant David Lymburn (second from right, white shirt)

The 12 shortlisted designs will remain on display at Creative Exchange, 29 Constitution Street, Leith until 30 April (Monday-Friday, 10am-5pm).

Edinburgh College offers a wide range of design and illustration courses from introductory to HND level. Students work on exciting and challenging briefs to equip them with the technical and creative skills associated with their chosen professionalism, and are encouraged to enter competitions to hone their talents and expose their work to a wider audience. Applications are currently invited for these courses and more than 900 other courses across the curriculum offered by the college and starting in August on its four campuses.

See www.edinburghcollege.ac.uk for more info on how to apply.

 

 

Brand new: BOLD step forward by Hanover Housing Association

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HANOVER (Scotland) Housing Association has taken a look into the future to make sure it’s ready to welcome the next wave of residents coming their way – by rebranding it’s services.

Hanover, which is based in McDonald Road, launched it’s dynamic new branding this week with on-street billboards at hospitals in Glasgow and Edinburgh. The housing association’s awareness campaign aims to ensure that customers have a selection of housing choices at their fingertips.

A spokesperson said: “The new branding spans all mediums: print, online and for the first time street billboards, to make Hanover easier to recognise and access by whatever route. This includes a strong online presence for the increasing number of ‘tech savvy’ over-55s.

“The new approach to Hanover’s brand identity and website comes as a response to the increasing number of people in Scotland’s ageing population who will be seeking accommodation now and in the future.

“Consideration has been given to ‘simple solutions’ in terms of the needs of helping older people to find a home in which they will feel safe and secure, whilst maintaining their independence.

“Navigation through the new website utilises case studies of ‘real’ Hanover residents with on location photography across a number of regions in Scotland, highlighting the spirit of independence a resident can enjoy with the backdrop of a closer and safer housing community.”

Research was conducted by BOLD design agency, part of Community Enterprise Scotland, who undertook workshops with residents, staff and stakeholders to help ‘redefine the future brand and make it even more identifiable as a warm and welcoming housing association that really understand the needs of the growing numbers of elderly people’.

The result of the ‘redefinition’ is a fresh overall look and feel – a more colourful and eye-catching ‘street’ logo with the strap-line ‘independent together’, along with branding to make it more readily recognisable as a caring and professional housing association.

Commenting on the rebranding, Helen Murdoch CEO, Hanover (Scotland) Housing Association, noted: “We have a great reputation here at Hanover and keeping ahead of the ageing population curve is vitally important to ensure we have the right balance of services.

“I have asked residents how they have come to know about Hanover and they have often replied ‘word of mouth’.

“They have also added that: ‘Hanover is great but not enough people know about the good work that you do’. So, rebranding will go a long way to rectify this and increase awareness amongst potential new residents.”

Ms Murdoch added: “Rebranding is not a decision to be taken lightly, it is one that has to have tangible cost benefits and will help us attract more residents and fill our properties.

“It will also help our vital activities such as telecare and repairs reporting, which we offer other organisations, to be more clearly promoted.

“This in turn supports our core business of providing quality housing and services for older people. Finally, we want residents and potential new customers to know we are caring and professional and that the new logo and branding will help us achieve this more.

“We also recognise that outstanding customer service is paramount both for today and tomorrow and we aim to ensure that it is underpinned by first-class support services to meet the needs of our housing customers.

“We take great pride at Hanover in being upfront with our potential customers what they can expect from us and now and in the future. Our new branding and website will go a long way to address this along with our drive to create safe and secure housing and healthy, connected communities.”

John Ayscough, creative director at BOLD design agency, said: “It is vitally important that potential customers can recognise Hanover signposted by a recognisable and eye-catching logo.

“So, by distilling the responses from our research to address the instant recognition factor – we created the row of colourful houses, strapline, ‘independent together’, and brought the site to life with the “Meet the Resident” case studies to really bring the human element into play.

Mr Ayscough added: “Many older people are proficient at using technology and can surf the net with ease. We recognised that the current website was difficult to navigate and it required a more modern approach to match changing demand.

“With greater numbers of people living longer and on their own – the way people want to live has changed considerably – with more people wishing to live alone but in closer connected communities.

“The website now has a clear selection of options that align with the type of care people require at any one stage without losing their independence.

“From being ‘independent together’ in their own home – be it rented or owned with greater opportunity for community living and joint activities; living in sheltered, very sheltered, to special amenity housing and on-site care and telecare services – placing greater consideration on the future needs and requirements of our older people.”

Funding for trainees in creative industries

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£100,000 funding has been awarded through Creative Scotland to support ten full time, year-long traineeships across the arts, screen and creative industries, it was announced today.

Edinburgh Sculpture Workshop in Hawthornvale will be one of the five capital-based organisations to offer traineeships.

The Traineeships Programme aims to support the employment prospects for people aged 20-30yrs interested in developing a career in arts and culture, by creating valuable work experience opportunities.

Traineeships will take place at Africa In Motion (AiM) Film FestivalEdinburgh Sculpture Workshop, Media Education, Starcatchers and Traditional Arts and Culture Scotland (TRACS) in Edinburgh; GMAC Film and Barrowland Ballet in Glasgow; Ayr Gaiety Theatre in Ayrshire; The Pier Arts Centre in Orkney, and with Jewellery designer Eileen Gatt in the Highlands.

Leonie Bell, Director of Arts & Engagement, Creative Scotland said: “Creative Scotland is committed to supporting the creation of opportunities for young people to gain employment, work experience and vocational qualifications in the arts, screen and creative industries in Scotland.

“These traineeships will offer young people the opportunity to develop the skills and professional experience needed to progress in their chosen profession by removing barriers to paid work experience.

“At the same time, organisations will benefit from fresh, innovative ideas and enthusiasm of the trainees.”

Traineeships will be offered across the following areas:

Visual Arts
Assistant Curator (Programme Team) – Edinburgh Sculpture Workshop
Gallery Programmes Trainee: Exhibitions, Learning & Digital (Curatorial and Education) – The Pier Arts Centre

Film
Shadow Curator – Africa In Motion (AiM) Film Festival
Online Film Content Developer – GMAC Film
Trainee Project Assistant / Member of Production Team – Media Education

Theatre and Dance
Starcatchers Trainee Associate Artist – Starcatchers Productions
Programme Officer (Programming Department) – Ayr Gaiety
Dance Participation Artist, Participation and Outreach Department – Barrowland Ballet

Craft
Eileen Gatt: Jewellery designer/maker

Literature
Digital and Language Resources Trainee – TRACS based at the Scottish Storytelling Centre.

All Traineeships will be advertised on Creative Scotland’s Opportunities site.

Welcoming the announcement Irene Kernan, Director at Edinburgh Sculpture Workshop, said: “The Creative Scotland Traineeship will support Edinburgh Sculpture Workshop’s aims of developing talent and supporting young artists in their careers. Being able to employ a trainee for a full year provides a valuable opportunity for us to bring new approaches and skills to the staff team and further develop our public programme to connect with local audiences.”

Gerry’s ‘joie de vivre’ impresses Maggie’s judges

 

Gerry’s designcreates a ‘calming, open and uplifting space’

Maggies architectGerry Reid, a fifth year pupil at Culloden Academy, has won Maggie’s Schools’ Architecture Competition. Gerry’s design was inspired by the shape and structure of a leaf, and judges clearly thought it was tree-mendous (sorry)! 

Maggie’s Schools’ Architecture Competition was developed by Maggie’s and The Lighthouse with the aim of introducing secondary school students to ideas around how architecture can impact health and well-being, and of giving them an insight into architecture, design and technology. The students were asked to come up with their own plan for a new Maggie’s Centre.

Competition judge Kirsty Wark, an Honorary Patron of Maggie’s said: “Students worked to the same brief as the architects who have designed real Maggie’s Centres, to design a healing space for people affected by cancer. There were some great ideas and the young people really understood the brief and what we needed from them.”

“Gerry’s design stood out: she showed an impressive grasp of the way that architecture and design can create hopeful, joyous places where people can find calm during a critical time in their lives.”

Gerry’s prize is a week’s work experience at Richard Murphy Architects, the creators of the first Maggie’s Centre which opened in Edinburgh in 1996.

Gerry was inspired by a visit to Maggie’s Highlands with her classmates where staff explained about the Maggie’s programme of support and discussed the design of the building and how it made staff and visitors feel. She said: “This has been a great experience for me as it has given me the chance to come as close as possible to working in the way that a practising architect would. The whole project has enabled me to push myself as far as possible and to work in an area of design about which I am passionate.

“From the start, I knew that my design had to be calming, safe and aesthetically strong. With this in mind, I linked the theme of nature to my design. My aim was to transport people from the clinical hospital environment into a calming, open and uplifting space.

“I am really excited about gaining experience at Richard Murphy Architects. I have never been in an architects’ practice let alone worked alongside them! I know that the insight and experience which I gain will be invaluable for my future pathway which I aim to take into the incredible world of architecture.

“I’d like to thank Maggie’s Centre, Inverness for allowing me to visit and pick their brains as to the very specific requirements of such a building!”

All the short-listed designs will be exhibited at The Lighthouse, Scotland’s Centre for Design and Architecture, and Maggie’s will keep the students’ design sketches as inspiration for design teams working on Maggie’s Centres in the future.

Ian Elder, manager of The Lighthouse, said: “We worked with Maggie’s to develop a concept to present architecture into schools, introducing creativity, innovation and the wider idea of how this can be applied through design to buildings. The fact that schools design their submissions to the same brief as architects gives real-life experience and students get the chance to practise research and presentation skills, adding value to the current school curriculum.”

Richard Murphy, of Richard Murphy Architects, added: “Gerry’s design has fantastic joie de vivre. It makes a whole series of alcove-like places on the inside which responds directly to my thinking as to how a Maggie’s Centre might be inhabited. On the outside, the building is a fantastic agglomeration of rooms giving it both a domestic appropriateness but also a slightly fantastical and intriguing appearance. I thought the idea of basing it on a leaf plan and developing it into an attractive building showed remarkable sophistication.”

ECA’s Degree Show opens today

ECA1Edinburgh University’s Edinburgh College of Art Degree Show opens this morning and runs until 9 June.

Extra-large kitchen utensils, woodland explorations and exorcisms are just some of the things to experience at this year’s early summer ECA Degree Show. The College of Art in Lauriston Place has been transformed into the capital’s biggest gallery space as it celebrates the work of more than 500 graduating artists, film makers, designers and architects.

This year’s graduates have assembled a wonderfully diverse and imaginative  exhibition which covers  the whole arts and design spectrum. Creative, challenging, entertaining and thought-provoking, there’s something here for everyone in an exhibition that’s not to be missed.

For opening times and further information visit www.ed.ac.uk/eca/degreeshow

Granton Campus to host ‘Great Big Art Show’

Students who have studied a wide range of creative courses at Edinburgh College are presenting their Art and Design work from Friday 7 to Thursday 13 June at Granton Campus in ‘The Great Big Art Show’.

Now in its fourth year ‘The Great Big Art Show’ will showcase the creative talents of students studying a wide array of artistic courses at the College – including Art and Design, Contemporary Art, Photography, Illustration, Textiles, Theatre Costume, Graphic Design to name a few and students from Access level through to Btec Foundation Diploma and HN level specialisms will be exhibiting at the Granton campus.

Edinburgh College has excellent facilities for those studying creative courses, with several specifically tailored spacious studios, equipped with the latest tools and materials required to produce a wide range of creative works. This is supported by fully qualified staff and strong links with employers, Industry and higher education institutions. Those interested in starting a career in the Creative Industries will be able to see the breadth of courses available and talk to current students first hand about their experiences and be inspired by their progression into further courses and employment.

Indeed this year students across all subjects are receiving a range of successful results into first and second year degree programmes across the UK and onto HN and specialist subjects within Edinburgh College and other Colleges in Scotland. Foundation Diploma students specialising in Sculpture have benefited from an articulation agreement with The Glasgow School of Art with six students progressing directly into second year of the BA (Hons) in Sculpture and Environmental Art this year.

Building on previous successes the ‘Great Big Art Show’ clearly demonstrates the growing reputation of Edinburgh College as a major creative power house and nurturing ground for Scotland’s future Artists and Designers.

The exhibition will be on display at the College from 9am to 4pm on Friday 7 June; from 10am to 4pm on Saturday 8 June and from 9am to 4pm from Monday 10 to Wednesday 12 June. The exhibition will be open until 8pm on the last day, Thursday 13 June.

For further information contact Programme Area Leader Art & Design Neil Manning

Email: neil.manning@edinburghcollege.ac.uk

BIG ART POSTER