The Old Chain Pier, one of Edinburgh’s most iconic pubs, is celebrating a historic milestone following the implementation of the new Scottish Pubs Code.
The landmark legislation, which gives pub owners the right to request a rent-only agreement without being tied to a pub-owning business for stock supply, has empowered the venue to break free from restrictive purchasing obligations.
This newfound independence means the historic pub can stock a wider, more exciting range of beers and permanently slash the price of its house lager to just £5 a pint, as well as reduce the price of all its beers.
To mark the occasion, The Old Chain Pier is hosting a massive, week-long celebration from Monday, 29th June to Sunday, 5th July. Throughout the entire week, all pints poured at the pub will be reduced to just £5.
As part of the celebration The Old Chain Pier will also hand over its beer garden to three of Edinburgh’s finest local breweries, with free pints up for grabs.
The victory arrives at a critical time for the local hospitality sector. Edinburgh’s pubs and restaurants are currently navigating unprecedented financial pressures including high VAT, soaring business rates, road closures, rising Employer National Insurance Contributions (NIC), and the highest local authority charges in Europe for outdoor tables and chairs.
Against this challenging backdrop, the Scottish Pubs Code provides a much-needed lifeline, finally allowing venues like The Old Chain Pier to operate fairly and pass those savings directly to customers and sell pints at true market prices.
January Watson, Area Manager for Malt Group, said: “The Scottish Pubs Code has been a massive relief for us. Operating in Edinburgh’s hospitality sector is incredibly tough right now with mounting taxes, rates, and the highest table and chair charges in Europe.
“Being able to step away from tied stock means we finally have the freedom to curate our own beer selection, support brilliant local breweries, and pass those savings directly on to our loyal customers with £5 pints.”
The week-long party promises fun for the whole family, two-legged and four-legged alike. Guests who book a table to dine from Monday, 29th June through Thursday, 2nd July will receive 20% off their food bill.
All week long, the pub’s famous beer garden will be transformed into a playground featuring giant Jenga, hopscotch, quoits, and cornhole. Additional festivities running throughout the week include live music performances, free face painting for all ages, and a pet fancy dress competition.
As the week progresses, Stewart Brewing Beer (Friday 3rd July), Newbarns Brewery (Saturday 4th July) and Campervan Brewery (Sunday 5th July) will take over the beer garden with free pints for the first 20 customers, complete with a garden BBQ serving up hot dogs, chicken kebabs, and more from 6:00 pm each evening.
More events and surprises for the week are still to be confirmed. Customers are encouraged to keep an eye on the pub’s website and social media channels for the latest updates.
Figures show people with red flag symptoms put off going to the GP and face barriers in seeking help
Cancer Research UK and Tesco have partnered to encourage people to seek help for potential cancer symptoms and support early diagnosis
Tesco pharmacists trained by Cancer Research UK available in-store to provide information and support to customers experiencing potential symptoms or concerned about cancer
Worrying Cancer Research UK figures show that around a third of people (32 percent)* who noticed a potential ‘red flag’ cancer symptom did not contact their GP within six months.
The findings are from a Cancer-Research UK-funded YouGov survey of 6,844 people across the UK that looked at the public’s attitudes, awareness and behaviours across key early diagnosis, screening and prevention topics. Red flag symptoms include:
A change in the appearance of a mole
An unexplained lump or swelling
Unexplained bleeding between periods, after sex or after menopause
A sore that does not heal
Blood in pee or poo
Persistent difficulty swallowing
Losing weight without trying to
Coughing up blood
Difficulty getting a GP appointment, choosing to manage symptoms alone, or simply having too many other things to worry about are some of the reasons people put off discussing a health concern with a healthcare professional.**
A red flag symptom could be caused by conditions other than cancer and a visit to a GP will allow for an urgent suspected cancer referral, so symptoms can be investigated by a specialist if required. More than 90 percent of urgent referrals will not be diagnosed with cancer but if it is, diagnosing at an early stage means treatment is more likely to be successful.
For those who continued to experience red flag symptoms after seeing their GP, a worrying 43 percent did not follow up with their doctor.
Michelle Mitchell, Cancer Research UK’s chief executive, said:“Nearly one in two of us will be diagnosed with cancer in our lifetime, that’s why it’s so important to spot cancer early – when treatment is more likely to be successful.
“Support is there for people who notice something that’s not right for them and we’ve partnered with Tesco to support early diagnosis of cancer. Through our partnership, it’s easier for people to talk to a professional about any concerns, which we hope will save lives.”
Data from Cancer Research UK highlights why spotting cancer early is so important. Bowel cancer is the second most common cause of cancer death in the UK*** – but around 9 in 10 people in England will survive the disease for five years or more if they are diagnosed at the earliest stage, compared to around 1 in 10 at the latest stage.****
The findings come as Cancer Research UK continues its partnership with Tesco to help address barriers and support people to seek help for potential cancer symptoms through Tesco Pharmacies.
The partnership aims to prompt those who are experiencing symptoms or are concerned about cancer to get information and support while they shop in over 350 large Tesco stores across the country.
Tom Lye, Tesco Health & Wellness Category Director, said:“Tesco pharmacists are often a convenient and trusted first point of contact for our customers and colleagues who have health concerns.
“Through our partnership with Cancer Research UK, we’re making it easier them to have health conversations in a private setting without needing to book an appointment.
“Our pharmacists are on hand in over 350 large Tesco stores to offer support, and help people take the next step if something doesn’t feel right.”
Tesco pharmacists have received specialist training from Cancer Research UK to provide support on possible signs and symptoms of cancer. If someone notices something that is unusual for them, they can have an initial conversation with a Tesco pharmacist in a convenient, private setting, and receive guidance on taking the next steps and booking a GP appointment if needed.
There are many barriers in day-to-day life preventing people from getting health concerns checked out. These confidential conversations can take place at a time that fits around customers’ schedules – including at evenings and weekends – without the need for an appointment, and they can even be combined with their weekly shop.
Tesco pharmacists are available all year round, with Cancer Research UK and Tesco running a health campaign from Monday 22 June – Sunday 5 July 2026 to highlight the importance of early diagnosis of cancer, and support customers to seek help if they’ve noticed something unusual for them.
Carlton Hayman’s story
Carlton Hayman, 67, from Coventry, is a Grocery Assistant at Tesco. When he started having difficulty swallowing food in 2024, he spoke to Tesco Pharmacy Manager, Nik Thakrar, 40.
Nik’s training from Cancer Research UK had reinforced to him that this was a red flag cancer symptom, so he encouraged Carlton to speak to his GP. Carlton was subsequently diagnosed with oesophageal cancer at a treatable stage.
“It just felt like the food wasn’t going down properly,” Carlton said: “Because there was no pain or other symptoms, I didn’t think it was anything serious at the time.
“But after finishing a shift one day, I decided to pop over and speak to Nik. He was very thorough – he took the time to ask me a range of questions.
“After that, he told me that something didn’t seem right and that I should get it checked urgently. I went to see my GP that same week and was referred for an endoscopy shortly after. It was during that test that I was diagnosed with cancer.
“Nik encouraging me to get my symptoms checked straight away really made a difference – it gave me the push I needed to take that first step.
“Nik and his team had been doing my prescriptions for years, so I trusted him. I’m really glad I went to speak to him that day – it made all the difference.”
Nik said: “When Carlton came to speak with me, my priority was to listen carefully and take his concerns seriously.
“I had recently completed training on recognising red flag cancer symptoms, which gave me confidence in what to look out for. With that at the front of my mind, I advised him to go and see his GP as soon as possible.
“Carlton’s case highlights how important it is for people to trust their instincts and seek advice from a health professional if something doesn’t feel right. Community pharmacies are there to support, and no concern is too small to talk about.
“Early conversations can make a real difference, and pharmacists are well placed to support those first steps.”
Fraser McKinlay, Chief Executive of The Promise Scotland, has written in response to the statement from all 32 of Scotland’s Chief Social Work Officers warning of an emergency in availability of alternative care options for children:
Across Scotland there is now an acute shortage of suitable homes and carers for children who are unable to remain in the care of their family.
The lack of options increases the risk of harm to children from physical, sexual, emotional abuse or exploitation and neglect, as well as placing undue and unsustainable pressure on the people entrusted with keeping Scotland’s children, young people and adults safe.
The crisis is occurring at a time of growing concerns about the impact of poverty on families, a shortage of housing, and national attention on child sexual abuse and exploitation.
We, Scotland’s thirty-two Chief Social Work Officers, are therefore taking this unusual step of issuing a joint statement to ensure that the public and political leaders are aware of the situation, and the need for urgent action.
In the absence of placement options, newborn babies are remaining in the care of hospital nurses. Children as young as three years old are being placed in residential homes with young adults; a setting characterised by frequently changing staff and other young people.
Older children are sleeping on the sofas of foster carers and residential homes. And in such scarcity, where any safe placement will do, expensive specialist options are being used for children who do not have high levels of need, making them unavailable for those children who do.
The capacity of the care system is saturated, and it is only thanks to the incredible efforts of Scotland’s carers, social work staff and other professionals that we have been able to prevent the system collapsing entirely. Some carers have not had a break in many months, and in some parts of the country social workers have had to take children home with them, as no other safe options are available.
This is an emergency for Scotland’s care system, and we ask Scottish Government and Local Government leaders to work with us to take necessary action.
Principally, we – as the leaders of social work in local government – require the flexibility to authorise placements which we deem suitable to protect the welfare and wellbeing of children.
We also need to see political commitments to alleviate the administrative demand on social work implemented at pace.
Scotland aspires to be among the best places in the world to grow up, no matter what your background or circumstances. And Scotland has made a promise to those children and families who require social work support that the experience will be positive and nurturing. We share these ambitions wholeheartedly.
But the primary responsibility of public authorities is to protect the welfare and wellbeing of people, and if we are unable to do this fundamental task, those ambitions will never be realised.
The Edinburgh Climate Festival has delivered another successful year, welcoming approximately 7,000 visitors and supported by 55 volunteers.
This year’s edition continued its core mission of inspiring collective climate action across Edinburgh through a dynamic programme of live music, performances, talks, workshops, and interactive art installations, featuring more than 48 organisations working across the climate and sustainability sector.
The theme Intertwined explored the deep and inseparable connections between people, communities, and the natural environment, highlighting how climate, wellbeing, biodiversity, and social systems are fundamentally linked.
The programme encouraged reflection on shared responsibility and the importance of collaboration in building a more resilient and sustainable future. The festival also expanded its offering this year, introducing additional workshops and new art installations by local artists, alongside ongoing efforts to improve accessibility through sensory packs, visual guides, and pre-event support resources.
Sustainability remained at the heart of the festival’s delivery, with initiatives including a pedal-powered stage that generated renewable energy through audience participation, strengthened waste reduction measures such as prize based incentives for attendees bringing reusable containers, food waste composting, and the continued use of recycled and repurposed materials across the event.
The festival team also celebrated a successful trial using a selection of reusable returnable cups with Reposit’s borrow cup scheme, finding a 85% return of all reusable cups given out, fully relying on participant’s trust, with no deposit enforced. Additionally, a set fee was in place for all single use packaging purchases.
Organisers extend their gratitude to the National Lottery Community Fund, the headline climate sponsor, the University of Edinburgh, Caledonian Horticulture, Networking Key Services as well Out of the Blueprint for sustainably printing the festival’s promotional materials.
The team also share their sincere appreciation for all volunteers and attendees, for their continued support in helping shape a more sustainable and inclusive festival.
Portobello High School has launched its new Girls Cycling Programme, bringing together more than 70 young women from across the school community.
The programme draws inspiration from a remarkable chapter in the school’s history.
In 1952, Portobello High School became one of the first schools in Edinburgh to send a group of 40 girls to Glenmore Lodge, Scotland’s National Outdoor Training Centre. Those young women embraced the challenge of outdoor adventure and helped pave the way for generations of girls to experience the personal growth, confidence and resilience that come from stepping beyond their comfort zone.
The Girls Cycling Programme is about far more than riding bikes. It’s been developed to address the significant decline in girls’ participation in sport and physical activity during adolescence, creating a supportive environment where young women can build confidence, develop leadership skills, improve their wellbeing and form lasting friendships.
Planned activities include social rides, track cycling sessions at the Sir Chris Hoy Velodrome, sportives, races, bike maintenance workshops, leadership development opportunities and community cycling projects.
The programme sits within the school’s wider Pedal Power Porty strategy, which has already seen cycling participation grow significantly. More than 150 young people are now involved in cycling activities, including the PHS Singletrack Mountain Bike Team, School of Cycling programme, Cycling Ambassadors initiative, active travel projects and overseas touring opportunities.
A key feature of the programme is the role played by the school’s S6 Cycling Ambassadors, who will support younger pupils, help deliver activities and act as role models.
The launch comes at an exciting time for cycling in Scotland, with Edinburgh preparing to host the Grand Départ of the Tour de France in 2027. The school is exploring opportunities for the girls to attend stages of the Tour de France Femmes and take part in a cycling challenge linked to the arrival of the Tour in Edinburgh.
Transport and Environment Convener, Councillor Stephen Jenkinson said:“I’m delighted to see this new initiative getting off the ground and I have no doubt that it will see many girls benefitting in the months and years to come. Developing an interest in cycling at a young age sets you up for a lifetime of adventure, health, and excitement.
“We want Edinburgh to be a city where everyone can get around quickly, easily, and safely – particularly through more sustainable ways such as cycling.
“I wish the new scheme every success and my thanks go to all those who have helped to get it off the ground.”
Iris, S6 Cycling Ambassador, said:“One of the things I’m most excited about is seeing girls realise they can do things they never thought possible.
“Cycling has given me confidence, independence and some amazing experiences, and now we have the opportunity to help other girls discover that for themselves.
“It’s about much more than riding a bike – it’s about building friendships, supporting each other and having the confidence to try something new.”
Joy, S6 Cycling Ambassador, added:“I think what makes this programme special is that it is for everyone.
“You don’t have to be the fastest rider or have lots of experience. Everyone starts somewhere. We want younger girls to feel welcomed, supported and part of a team. Hopefully we’ll inspire more girls to stay active, challenge themselves and enjoy all the opportunities that cycling can bring.”
Further Information:
The school entered over 70 young people into the recent Edinburgh Schools Mountain Bike Championships.
The programme includes a strong focus on inclusion, leadership development, wellbeing and active travel.
Participants are aged 11–17 and represent the full diversity of the school community.
The initiative is supported by staff, volunteers, parents, and community partners.
The programme is being delivered in partnership with Livity Youth Scotland, one of the school’s key charity partners, helping to extend opportunities beyond Portobello High School and engage young people from across the Portobello and Craigmillar communities. Through this partnership, the programme aims to remove barriers to participation and ensure that more young people can access the physical, social and wellbeing benefits of cycling.
We are excited to work alongside Scottish Cycling over the coming year as we build on this momentum and continue to inspire the next generation of female cyclists.
SATURDAY 4th JULY from 10.45am – 12 noon at STARBANK PARK
Come along and have a coffee this Saturday morning 4th July 10.45-12 noon in aid of the DEC Venezuela earthquake appeal.
We appreciate this is short notice, but if you are free to attend we would love to see you – donate what you can (if you are able to bring your own cups it would be much appreciated).
A 34-year-old man has been sentenced for the attempted rape of a woman that happened in the Thistle Street North East Lane area in November, 2025.
Olaksandr Dupik was sentenced to four years at the High Court in Edinburgh on Wednesday, 1 July, 2026, having previously pled guilty.
Detective Inspector Stephanie Garnett said: “Dupik’s actions were appalling and he will now have to face the consequences of his behaviour.
“We take all reports of sexual crime extremely seriously and I would encourage anyone who has experienced this kind of abuse to contact us on 101. You will be listened to and supported.”
38 new feature film presentations; 21 feature film World Premieres including 10 World Premieres competing for TheSean Connery Prize for Feature Filmmaking Excellence
The launch of the inaugural EIFF Outstanding Contribution to Cinema Award presented this year to Kenneth Branagh alongside In Conversation events with acclaimed filmmaking talent Bruce Dern, Christine Vachon and Ewan McGregor
A special 30th anniversary celebration of Trainspotting at Leith Theatre with live cast and crew commentary and DJ sets from Irvine Welsh and Darren Emerson
7 special retrospective screenings including anniversary screenings of The Rock, Visitor Q and Hamlet, Hal Ashby’s Coming Home plus4K anniversary restorations of Sexy Beast and Little Miss Sunshine
7short film programmes including TheThelma Schoonmaker Prize for Short Filmmaking Excellence competition and the presentation of new short form work by the second NFTS Sean Connery Talent Lab
An Out of Competition strand showcasing some of the most exciting new global cinema including new films from Molly Manners, Nicolas Winding Refn, Gregg Araki andHirokazu Kore-eda and the return of a strand of thrilling Midnight Madness films
A 7-day celebration of world-class new cinema aims to spark conversations and welcome audiences, press and industry to engage with the best of Edinburgh’s other cultural Festivals
Edinburgh International Film Festival (EIFF) has today announced the programme for its 2026 edition.
The 79th Edinburgh International Film Festival will run from 13-19 August 2026, under leadership from CEO and Festival Director Paul Ridd and Festival Producer Emma Boa, and will continue to accelerate the discovery of new film talent, engage with audiences, industry and local, national and international media and continue in its mission to be the home of independent cinema in the UK.
This year’s Festival has a programme showcasing diverse themes, ideas, perspectives and forms and bringing new work to Edinburgh from filmmakers from Scotland, Ireland, UK, US, Italy, Greece, The Netherlands, France, Denmark, Lithuania, Japan, Canada, Portugal and many more.
EIFF is pleased to be working with new venue partner Cineworld Fountainbridge alongside returning venue partners Filmhouse, Cameo Cinema, Monkey Barrel Comedy, as well as expanding across the city to collaborate with new venue partner Leith Theatre, placing EIFF at the heart of August’s unparalleled Festival landscape.
Central Hall will return to serve as the Festival Hub, open throughout the Festival for industry talks and networking events, alongside informal meeting and working spaces. Central Hall will also host the major In Conversation events at the Festival.
This year’s Festival programme continues to champion and nurture a new generation of UK and international talent, with a strong selection of first and second features, including filmmakers returning to the Festival to present new work.
Following the previously announced Opening Night film, Louis Paxton’s delightful debut feature The Incomer,EIFF presents a compelling selection of new and established voices in cinema including 21 feature film World Premieres, alongside International and UK Premieres in the Out of Competition strand.
The previously announced Closing Night film is the World Premiere of Louise Lockwood’s sensitive and beautifully composed new documentary Bel which sits within a programme featuring Scottish and international talent.
This year’s EIFF plays host to 7 Special Retrospective Screenings headlined on Friday 14 August by a very special 30th anniversary celebration of Trainspotting at Leith Theatre featuring a live cast and crew commentary followed by a club night with DJs Irvine Welsh and Darren Emerson paying homage to the iconic soundtrack.
This year’s recipient of the inaugural EIFF Outstanding Contribution to Cinema Award will be acclaimed actor and director Kenneth Branagh who will also participate in a wide-ranging discussion of his illustrious career to date.
EIFF’s In Conversation strand also features a range of other major filmmaking talent who will discuss their creative careers to date including Bruce Dern, a true titan of cinema and independent film; Christine Vachon, one of the most prolific and exciting producers working in modern cinema; Ken Burns, one of most skilled and versatile documentary filmmakers working today, in conversation and presenting a special screening of Episode 2 of his new work on The American Revolution; and one of Scotland’s biggest global stars, Golden Globe and Emmy award-winning actor Ewan McGregor.
The ultra-competitive The Sean Connery Prize for Feature Filmmaking Excellence returns to present a panorama of contemporary film and exciting new filmmakers. The Competition comprises ten feature-length World Premieres, with the winning filmmaker awarded £50,000 to support their future projects. Decided by audience vote, the winner will be announced at the end of the Festival and the award is generously supported by The Sean Connery Foundation.
The winner will join previous winners Abdolreza Kahani’s Mortician (2025)and Jack King’s The Ceremony (2024), both of which have gone on to garner further acclaim and distribution success.
This year’s Competition features are: Lindsay Ryan’s warm and poignant comedy debut Capsized starring Rhys Ifans about a houseboat holiday thrown into disarray; Thom Lunshof’s haunting and gripping feature debut First Zone in which a woman navigates a flooded and desolate post-apocalyptic landscape; Paul Wright’s immersive and vivid psychological portrait Mission in which George MacKay gives a standout performance; Simon Rynink’s hilarious 1999-set Out There in which Michael Sheen joins a gang of misfits to uncover a UFO conspiracy in a sleepy Welsh town; two young girls embark on a journey into the dark side of Hollywood in Tyler-Marie Evans’s edgy and stylish feature debut Pretty Babies; three sisters reunite at a rural Italy retreat in Frieda Luk’s unpredictable and beautifully shot Sacred Creatures; Kieron J. Walsh’s poignant and terrifically acted Skintown follows best friends Vinny and Jonty as they plan to escape small town life in 1990s Northern Ireland; newly surfaced 19th century pinhole camera footage reveals disturbing secrets in Joseph Archer’s provocative and unnerving Snapshot; a boisterous tearaway breaks his best friend out of hospice care for one final night of fun around Yorkshire in Ollie Gardner and Jake Harvey’s uplifting tragicomedy The State of Us; and Bart Simpson’s The Mad World of Harvey Kurtzman which sees contributors Terry Gilliam, the late Stan Lee and Robert Crumb offer a compelling insight into the rise of satirical publication Mad magazine.
This year’s Out of Competitionstrand showcases a selection of World, International and UK Premieres with standout new films spanning genres, forms and perspectives. With a line-up including UK Premieres of award-winning titles from Sundance, Berlinale and Cannes, this is a showcase of the most exciting global cinema from established auteurs to emerging voices.
Screening in the Out of Competition strand are: the World Premiere of Carlos Conceição’s deliciously noirish body horror Bodyhackers; the World Premiere of Marc Turtletaub’s beautiful adaptation of Jay Parini’s memoir Borges and Me in which a young student embarks on the trip of a lifetime across the Scottish Highlands with iconic poet Jorge Luis Borges; Finlay Pretsell’s Douglas Gordon by Douglas Gordon which presents an immersive portrait of Scottish visual artist Douglas Gordon and will screen with James Marcus Haney’s short film Dingo; and EIFF Award-winner Abdolreza Kahani (Mortician) returns to the Festival with the World Premiere of Empty Heaven, a lean and compelling thriller about a lonely Iranian dissident embroiled with a local criminal mob.
Molly Manners’ charming and spiky coming of age comedy drama Extra Geography; Goodbye Cruel World is Félix de Givry’s subtle and retro-styled story of compassion and acceptance. which will screen with Chloe Culpin’s poignant short The Pigeon; Nicolas Winding Refn’s ravishing, trippy new film Her Private Hell; Gregg Araki’s provocative I Want Your Sex starring Olivia Wilde, Daveed Diggs and Charli xcx which will screen with Olivia Cade’s short Lesbian Ditch Day; a spirited DJ searches for her friend in Guillaume Nicloux’s atmospheric thriller Mi Amor; three people break nondisclosure agreements in the International Premiere of Miriam Shor’s nail-biting documentary My NDA; the World Premiere of William Scoular’s spiky road movie Northbound starring Bruce Dern; Lance Hammer’s gripping moral thriller Queen At Sea which will screen alongside the World Premiere of Amaretti, a new short film by acclaimed actor Stacy Martin.
The World Premiere of These Violent Delights, Christopher Hampson and Oscar Sansom’s intoxicating retelling of Shakespeare’s Romeo and Juliet by Scottish Ballet; the World Premiere of Alexis Alexiou’s superbly shot thriller Sea of Glass; Hirokazu Kore-eda’s richly emotional and thoughtful Sheep in the Box; transfixing music documentary The Best Summer from director Tamra Davis, which features candid interviews with rock legends The Foo Fighters, Bikini Kill, Pavement and Beastie Boys; set in 1810 Edinburgh, The Education of Jane Cumming is Sophie Heldman’s powerful story of prejudice and survival, presented in partnership with Reclaim the Frame; Maria Sødahl’s sharp thriller set in sun-drenched Gran Canaria The Last Resort will screen with Hansel Rodrigues’s powerful short Homing; in Jake Kuhn and Noah Stratton-Twine’s superbly atmospheric British comedy-horror The Peril at Pincer Point, a feckless sound recordist is sent to a strange island by a tyrannical director. The film will screen with the European Premiere of Ismael Morales’s The End of Times.
This year’sLynda Myles Celebrates screening will be the World Premiere of Theodore Schaefer’s surreal and reflexive The Arrow at Rest at Every Instant of its Flight which sees three seemingly disconnected stories unfolding in a whirlwind of black and white imagery across New York City. The film will be introduced by producer, screenwriter and former EIFF Director Lynda Myles.
Other Special Retrospective Screenings at the Festival include a 30th anniversary screening of Kenneth Branagh’s iconic adaptation of Hamlet; a 4K restoration screening for the 20th anniversary of the warm, witty and original Little Miss Sunshine; celebrating 25 years since the UK theatrical release, a special restoration screening of Sexy Beast, the electric debut from Jonathan Glazer (Birth, Under the Skin, The Zone of Interest)presented in partnership with The Skinny; a special screening of Hal Ashby’s complex and deeply humane portrait of the impacts of war, Coming Home, starring Bruce Dern, Jane Fonda and Jon Voight. The screening will be introduced by Bruce Dern.
EIFF also presents a 30th anniversary screening of Michael Bay’s action-packed film The Rock introduced by Jason Connery and a 25th anniversary screening of Takeshi Miike’s darkly subversive masterpiece of extreme cinema Visitor Q. Alongside this, the Festival presents Martin Scorsese’s sprawling and endlessly fascinating 1995 documentary A Personal Journey with Martin Scorsese Through American Movies produced with the BFI, screened in its entirety with a special introduction from producer Bob Last.
Bookending EIFF’s popular Midnight Madnessstrand presenting the best in genre cinema from around the world is the World Premiere of Chee Keong Cheung’s no-holds-barred POV thriller Bad Day at the Office and the UK Premiere of Daniel Goldhaber’s wildly inventive new take on Faces of Death.
Other ferocious new midnight movies include the World Premiere of the next explosive instalment of the cult series Rise of the Footsoldier: Retribution; when their child goes missing, a struggling marriage faces its toughest challenge yet in the UK Premiere of Caleb Phillips’s mind-bending thriller Imposters; tourists venture off the beaten track in James Nunn’s taut, tense and hugely enjoyable survival thriller Hungry; and in pursuit of viral success, two urban explorers face off against a building’s shadowy past in Joby Stephens’s terrifying Abandoned which is presented in partnership with The Evolution of Horror podcast.
These titles will be complemented by World and European Premieres of short films including the European Premiere of Gregory JM Kasunich’s Meeting Your Maker; Austin Cauldwell’s IDYLL; Anabelle LeMieux’s No One Believes in Me; and Alexandra Ruggier’s Skinned.
The Thelma Schoonmaker Prize for Short Filmmaking Excellence Competition presents the World Premieres of new exciting work from across the world including Scotland, Lithuania, Iran and France all competing for a £15,000 cash prize in honour of legendary film editor Thelma Schoonmaker.
This year’s films are: Mark Chapman’s A Woman of Good Abilities which follows a nightshift delivery driver whose life is thrown out of balance; Documentarian Devon Peterson’s bright celebration of renewal and Scottish craftspeople in Finding Home at the Pianodrome; Katie McGuinness’s BRUVVAS features a moving performance from Ben Whishaw; Emily Beecham, Daisy Bevan and Louisa Harland are on peak form in Sinda Agha’s dark comedy Grief Room; Jenny Carson’s hilarious satire of virtue-signalling KIND; Shahin Gorgani’s mesmerising Iranian film in which a young child is caught between their estranged parents, Saba; Rytis Dringelis and Simona Jurkuvėnaitė’s scintillating Lithuanian drama set on prom night Surplace; Zoé Chadeau’s delicate The Winkle’s Philosophy starring Lola Créton; Tomisin Adepeju’s magical realist exploration of change and grief Lift Me Up; and Anne-Sofie Lindgaard’s Small One which features stunning performances from Honor Swinton Byrne, Charlotte Spencer, and Herbert Nordrum.
The Festival will present the World Premiere of six enterprising and innovative shorts showcasing the work of talented emerging filmmakers in Scotland created through the second NFTS Sean Connery Talent Lab. The short films are Jagoda Tlok’s Bubbles; Fin Bain’s Shutterbug; Iqbal Mohammed’s My Little Blue Heart; Lara Delmage’s PANG; Declan Dineen’s Saint Anthony and Missy McNaught’s The Angel in the House.
Abuses of power and intense relationship dynamics are explored through surrealism and brutal realism in this year’s Out of Competition Shorts programme. Featuring incisive and radical filmmaking from across the globe, from Germany to Lebanon, via Sweden, Slovakia, and Scotland including a documentary about the future of tartan and the European Premiere of a new short directed by actor Robert Carlyle.
This year’s Animation Shorts is a collection of UK and World Premiere global animations exploring human connection in distinct, memorable ways, acting as a powerful reminder of how the medium can surprise and challenge in every genre.
From haunted objects to living landscapes, the Festival’s Experimental Shorts invite us into ways of sensing the unstable world we inhabit.
EIFF is also pleased to continue its partnership with Scottish Documentary Institute to present the short documentary films created through the Bridging the Gap training programme. This collection of short films offers surprising, intimate and poetic insights of contemporary Scotland.
EIFF is also delighted to celebrate the 20th anniversary of Screen Academy Scotland with a selection of World and International Premieres of new short films emerging from the academy.
Our Cinema ‘26 Shorts is an innovative new approach to film education in Scotland delivered by Transgressive North and Folk Film Gathering and modelled on Japan’s world-leading Children Meet Cinema project. The Festival presents a unique celebration of the freshest young filmmaking talent in Scotland with these World Premiere shorts.
This year the Festival is again delighted to see the return of 90 Minutes or Less Film Fest Podcast (Live), at Monkey Barrel Comedy, the acclaimed podcast where host Sam Clements discusses a short, sharp film, under 90 minutes in length with special guests. The Festival also welcomes back BBC Radio 1’s Ali Plumb for Ali Plumb’s Untitled Film Quiz Project, the perfect night out for film fans.
The Festival’s industry programme runs across the whole of the Festival with a range of new collaborations that focus on creating conversations and in-roads for creatives across different art forms.
The centrepiece of this is the inaugural UK Film Conference, a one-day conference on 15 August that will be a state of the nation for independent film in the UK situated at the heart of EIFF’s Industry offering at the Festival Hub at Central Hall.
The day will bring together filmmakers, producers, exhibitors, distributors and film professionals from all areas of the local and international film industry to engage with the future of independent film in the UK.
Beginning with a lively and wide-ranging headline discussion with BFI CEO Ben Roberts in conversation with Picturehouse Creative Director Clare Binns. With talks, Q&As and events open to public audiences, the purpose of the day is to be ambitious, to think outside the box and to celebrate the bright future of the medium we all love and cherish.
More details on the EIFF Industry programme will follow in the next few weeks.
As previously announced, a major new partnership between Edinburgh International Film Festival and leading international trade publication Variety will see the first ever Variety Lounge in the UK, supported by VisitScotland.
The Variety Lounge, a regular fixture at other major international film festivals including Sundance and TIFF, will be hosted by Variety’s Alex Ritman and capture exclusive in-depth interviews with major filmmaking talent attending this year’s EIFF. Throughout the Festival, these exclusive filmed interviews will be published across Variety.com and EIFF’s own channels.
This year’s 79th edition consolidates EIFF’s mission to be the home of independent cinema in the UK, showcasing the very best filmmaking talent in a format rooted in a Scottish context whilst embracing the international diversity of creative expression. EIFF encourages audiences, film fans and industry professionals to head to Edinburgh this Summer to continue the journey of discovery.
Paul Ridd, CEO and Festival Directorof EIFF,said: “Heading into the third edition of our revamped, reimagined and reinvigorated Edinburgh International Film Festival feels like hitting a stride we have been working towards since the start of 2024.
“With stellar Competitions, fantastically varied and essential new films from Scotland, from the wider UK and from the rest of the world, and more World Premieres than we have ever screened before, this year’s line-up offers a panoramic vision of cinema at its most exciting, dynamic and full of potential.
“Edinburgh is quite simply the only place to be in August. Bring it on.”
Isabel Davis, Executive Director at Screen Scotland, said: “EIFF 2026’s programme is replete with Scottish talent, from the opening and closing titles to the 30th anniversary of Trainspotting.
“The Festival’s role as the home of independent cinema in the UK is coming into its own: strengthening its international premiere platform and bringing together filmmakers and the screen community for the urgent conversations affecting our industry.”
Cllr Margaret Graham, Culture and Communities Convener for the City of Edinburgh Council, said:“We’re proud to continue our support of the world’s longest-running film festival, celebrating bold storytelling, fresh ideas and the future of cinema.
“This year promises another exceptional programme, with a diverse line-up of films, special anniversary screenings and conversations with industry icons. There truly is something for everyone.
“Edinburgh’s festivals are one of the things that make our city so special, and the EIFF’s impact extends beyond the red carpet. Bringing together residents and visitors alike, this year’s festival is set to be an unforgettable celebration of world-class cinema.”
Ben Luxford, Director of UK-Wide Audiences at BFI, said: “We’re pleased to support Edinburgh International Film Festival to present a packed programme of premieres across the city this August.
“Audiences can expect an expansive programme of new and retrospective works as well special events.”
Rob Dickson, Director of Industry & Events at VisitScotland, said: “VisitScotland is thrilled to be supporting the Edinburgh International Film Festival, an important part of Edinburgh’s world-renowned August festival season, which will put Scotland on the global stage again this summer.
“With such a remarkable programme of premieres, screenings and workshops at venues across the city, this hugely popular festival will engage audiences and visitors from far and wide – all inspiring potential future visits.
“Events and festivals play an important role in supporting Scotland’s visitor economy, helping to create a strong sense of place, bringing people together and delivering social, cultural and economic benefits, while showcasing Scotland to new global audiences and inspiring potential future visits—particularly as around one in five visitors choose Scotland as a destination because of film or TV productions.”
Listings for the Festival will go live on the EIFF website from 5pm on Wednesday 1 July with tickets going on sale 10am on Thursday 2 July viaedfilmfest.org and via the EdFringe official app. Press and Industry accreditation for EIFF is now open.
Ticket details and full programme listings can be found on the EIFF website.
EIFF 2026 is supported by Screen Scotland and the BFI Audience Projects Fund, awarding National Lottery funding, the Industry Programme is backed by EXPO funding from the Scottish Government through Creative Scotland, and VisitScotland.
Edinburgh International Film Festival runs from Thursday 13 to Wednesday 19 August 2026.
Helmed by CEO and Festival Director Paul Ridd and Festival Producer Emma Boa, the Festival team aims to create a world-class showcase for independent film and filmmaking talent.
Ridd is supported by the EIFF Board, led by Chair Andrew Macdonald of DNA Films, producer of the iconic Edinburgh-based film Trainspotting; and Vice Chair Amy Jackson, producer of BAFTA award-winning indie, Aftersun; as well as Peter Rice, former Chairman of General Entertainment at Disney and President of 21st Century Fox; Teresa Moneo, Former Director of UK Film, Netflix; Isla Macgillivray, Partner at Saffery; and Romana Ramzan, Producer at No Code Studio.
