Major new exhibition to open at City Art Centre

Exhibition features works by William Gillies and John Maxwell

John Maxwell: Vase of Flowers (Yellow and Orange)

This summer the City Art Centre stages William Gillies & John Maxwell, a major new exhibition exploring two of the best-loved Scottish artists of the 20th century.

The exhibition features over 70 artworks and archival objects displayed across two floors of the gallery. It includes drawings and paintings from the City Art Centre’s own collection, supplemented by loans from the Royal Scottish Academy of Art & Architecture, the University of Edinburgh Art Collection and several private lenders.

At the heart of the exhibition is the Fletcher Collection, a group of 43 artworks that has been on long-term loan to the City Art Centre since 1995. This is the first time in over 20 years that the Fletcher Collection has been displayed together in its entirety.

Councillor Richard Lewis, Edinburgh’s Convener of Culture and Sport, said: “This is a rare opportunity to see some of the finest artworks by William Gillies and John Maxwell – two very distinctive Scottish artists.  This exhibition is particularly exciting considering the Fletcher Collection is being shown together for the first time in 20 years.”

The exhibition is timed to coincide with the 2016 Edinburgh Art Festival. Entry is free of charge and further information is given below:

William Gillies & John Maxwell
30 July – 23 October 2016
City Art Centre, Edinburgh
Free Admission

William Gillies and John Maxwell were among the most significant and distinctive Scottish artists of the 20th century. Gillies is best known for his tonal Borders landscapes, spontaneous Highland watercolours and carefully constructed still life compositions, while Maxwell is remembered for his expressive, dream-like depictions of creatures, flowers and timeless nudes. The two artists pursued differing approaches in their work, and had contrasting personalities, but remained life-long friends.

Gillies and Maxwell met at Edinburgh College of Art in the early 1920s. After completing their studies both received travelling scholarships, which enabled them to live and work in Paris and encounter avant-garde movements like Post-Impressionism and Cubism. As they matured they developed in different creative directions, yet their lives continued to interweave as they travelled, exhibited and socialised together. Both joined the staff at Edinburgh College of Art, and while Gillies’ teaching career was longer than Maxwell’s, each of them proved to be a considerable influence on the next generation of Scottish painters.

William Gillies: Highland Landscape

 

Volunteering opportunities with Move On

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Volunteer Mentors Wanted

Would you like to make a positive difference to a young person in need?

Could you help develop the skills and confidence of a vulnerable young person in Edinburgh?

Do you have 2 hours a week to support young people to identify and achieve their goals?

Move On Edinburgh is currently recruiting volunteer mentors for our next training course, and your skills, knowledge and experience are our most valuable resource in engaging some of Edinburgh’s hardest to reach young people.

Our mentoring service matches young people (including those who are; young carers, looked after, accommodated, attending SEBD schools, lacking confidence, socially isolated, offending, engaged in risk taking behaviour, misusing substances etc.) with a volunteer mentor.

The service aims to improve outcomes for vulnerable young people such as increased self-esteem and social confidence, extended social networks and improved employability. The mentors also encourage the young people to focus on employment, training and education opportunities, identifying aspirations, finding out about different options and accessing suitable opportunities.

Our mentors are drawn from all walks of life and we are particularly keen to recruit mentors who have personal experience of the care system or homelessness. Mentors undergo a thorough recruitment, training and induction process, involving taking up references, a mandatory 5 week training course and membership of the PVG (Protection of Vulnerable Groups) scheme.

If you are interested in this volunteer opportunity, please call 0131 558 3740 or email rebecca@moveon.org.uk to request an application pack, or visit our website for more information: http://www.moveon.org.uk/mentoring-3

Summer Fun in Forth and Inverleith

children

Kids bored yet? Fear not – there are loads of fun activities taking place all over the local area during the long summer holidays, and many of them are free!

See below for details – but remember to contact the venue/provider for availability as places often go fast!

Summer Programme 2016 All in One

Letters: Something fishy about EU stories

Dear Editor

Much of the information about the EU put out by ‘Leave’ campaigners was untrue or misleading. One example of this was about the fishing industry: we were told the fishing boats were destroyed by the EU paying to have the boats burnt.

The truth is that fish stocks had reached danger point of running out due to overfishing so all members of the EU agreed a reduction in the catch over a period of time to allow the stocks to replenish. This would involve a reduction in everyones fishing fleet but compensation would be paid from EU funds.
Without this agreement fishing fleets faced destruction by falling fish stocks.

This agreement has worked well because it was in the common interest of all members, but since opting to ‘Leave’ the possibility of owners of big fleets calling for a return to as much as possible catches brings with it two dangers: the overfishing danger to stocks and the danger of confrontation with others as happened between Iceland and ourselves over cod fishing, which nearly involved gunboats!

This is the reality of misleading information on this issue alone: a closer look at others and the reasons why are needed. The full effects, particularly on working people in leaving the EU, was not talked about but you can bet they will try to make us pay for it, if we let them.

Tony Delahoy (by email)