Immersive gaming and entertainment leisure venue to open in 2024
Ocean Terminal has agreed a long-term lease with Level X, the gaming and immersive entertainment provider, which will see a new purpose-built, state-of-the-art leisure venue open at the centre next year.
With a vast range of activities on offer including bowling, minigolf, table tennis, karaoke, arcade games and a virtual reality arena, the new 29,000 sq ft venue will be adjacent to the ground floor entrance of Ocean Terminal, amalgamating nine units plus the mall space between them.
The Ocean Terminal facility will be Level X’s second Scottish venue, further to the opening of Level X St Enoch in Glasgow in September 2022 – bringing the popular gaming hospitality model to life on Edinburgh’s waterfront. Level X also opened a venue in Middlesbrough earlier this year.
Following the extension of the Edinburgh Tram network to Newhaven, Level X forms a part of Ocean Terminal’s major redevelopment as a town centre for the local community.
Ocean Terminal’s £250 million masterplan will see the centre reconfigured, alongside new homes and public realm to maximise its unique waterfront location and fulfil local aspirations for 20-minute neighbourhoods.
Tim Wilks, founder at Level X said: “Level X is all about merging the games you loved as a kid with cool tech elements to elevate the experience.
“We have been all over the world looking for the latest and best games, with a particular focus on tech, that will be showcased perfectly within the venue. The fit-out will be fantastic, with lots of colour, different zones, and huge attention to detail.
“We’re really looking forward to bringing Level X to Ocean Terminal – it’s a mind-bending concept, mixing virtual and real-world experiences. Level X is the future of entertainment today.”
Chris Richardson, Managing Director of Ambassador Investment Management, the Scottish owner of Ocean Terminal, commented: “Level X embodies a new approach to entertainment by combining gaming and hospitality, creating an exciting, fun and unique offer that is enjoyed by families and adults alike.
“We are delighted to welcome Level X to Ocean Terminal as part of our major redevelopment and reimagining of the centre.
“Level X’s long-term commitment to Ocean Terminal is a huge vote of confidence for our future as a town centre for the local community – combining attractive leisure options with hospitality, shopping and community amenities.”
Donald Syme, Asset Manager, who acted for Ocean Terminal, added: “Leith is undergoing a huge regeneration and Ocean Terminal’s redevelopment is right at the centre of that.
“We’re excited to work with the team at Level X to open their second Scottish venue and make it as much of a success in Leith as it has been elsewhere in the UK.”
In 2024 98% of Scotland’s bathing waters will again meet or exceed the Sufficient classification – with 84% achieving the higher standards of Excellent or Good, says the Scottish Environment Protection Agency.
This long-term positive trend for Scottish bathing water quality has been demonstrated in sampling and analysis carried out by Scotland’s environment regulator over the summer.
The Scottish Environment Protection Agency (SEPA) work with regulated operators and stakeholders across the country and have driven millions of pounds of investment to bring about changes needed to make our bathing waters a success story.
In 2024 98% of Scotland’s bathing waters will again meet or exceed the Sufficient classification. ✅84% Good or Excellent ✅Wardie Bay and Fisherrow Sands, both added this season, will achieve Good. ➡️Read more in our media release at https://t.co/pLdeSfjIoP ➡️Check the… pic.twitter.com/KFMeDbD3PG
— Scottish Environment Protection Agency (SEPA) (@ScottishEPA) November 21, 2023
For the 2024 bathing season Scotland’s bathing water classifications will be:
38 (43%) Excellent
37 (42%) Good
12 (13%) Sufficient
2 (2%) Poor
Ruth Stidson, SEPA’s Principal Scientist for bathing waters, said: “Scotland started this bathing water season with more bathing waters than ever and a record-breaking number rated excellent. I’m delighted to say we’ll start next year just as strongly.
“Our bathing waters have the best water quality since 2015, when tighter standards first came into force. We now have an additional five designated bathing waters where we monitor water quality to protect human health. Over this time those with the highest excellent classification has increased from 17 to 38, and the number with a poor classification has fallen from 17 to two.
“Being outdoors can provide many physical and mental health benefits. Our beaches offer opportunities for physical activities and social interaction and earlier this year I saw personally how much having a designated bathing water meant to the local community at Wardie Bay.
“SEPA’s monitoring data has provided crucial evidence to drive millions in investment and we’ve worked with businesses, farmers and land managers across the country to help them understand how they can make changes to protect water quality.
“All these successes show that, while it can take time to see big improvements, they are possible – and SEPA will keep monitoring, reporting, enforcing, encouraging and challenging for the future of our water environment.”
Net Zero Secretary Mairi McAllan said: “Scotland now has the highest number of designated Bathing Water sites ever, with the vast majority classified as good or excellent.
“This demonstrates the benefits of our continued investment in protecting and improving bathing waters across the country. However we are not complacent and will continue to work closely with SEPA and Scottish Water to monitor and improve water quality, to make sure that as many people as possible are able to enjoy them.”
Success stories for 2024
Scotland’s newest bathing water, Wardie Bay in Edinburgh, will be rated as Good for its first classification in 2024. The location was designated by Cabinet Secretary for Transport, Net Zero and Just Transition, Màiri McAllan, following an application from Wardie Bay Beachwatch and The Wild Ones
Just along the coast in East Lothian, the first bathing water in Scotland to be re-designated will also be classified as Good. Fisherrow Sands was de-designated in 2020 following five years of Poor classifications.
It was re-designated following work between SEPA, the Scottish Government, Scottish Water, East Lothian Council and wider stakeholders to drive improvements. Over £3 million has been spent on works to upgrade wastewater pumping stations, resolve multiple misconnections and make improvements to the sewer network to reduce spills.
Future challenges
Pressures on bathing waters can include overflows from the drainage network and misconnections from homes and businesses.
Agricultural run-off and bacteria from dog fouling and gulls can also be factors. Some sites have a legacy of complex inter-linked issues that need individual assessments and unique solutions.
The two bathing waters with a Poor classification, Kinghorn (Harbour Beach) and Lower Largo, both have ongoing improvement plans in place.
Kinghorn (Harbour Beach) had been achieving Sufficient after previous work was carried out by Scottish Water. Following a Poor classification last year, an enhanced monitoring program has been carried out to identify potential sources of pollution, SEPA will continue to work with regulated operators and stakeholders to explore solutions to improve water quality at this location.
At Lower Largo, SEPA has required Scottish Water to conduct comprehensive studies into the sewerage infrastructure to identify any necessary upgrade requirements.
Surveillance and monitoring has included CCTV and flow surveys of the sewer network; intensive water quality sampling of the sea and watercourses; a survey (via boats) to map the seabed; tidal current profile and dispersion testing to understand how discharges disperse to the sea and nearby rivers.
This work also identified some misconnected properties, which have now been connected to the public sewerage system correctly.
Significant further work and investment are ongoing towards achieving the infrastructure improvements in the Lower Largo area necessary to bring about improved bathing water quality.
Members of the Scottish Parliament’s Net Zero, Energy & Transport Committee have visited Leith based businesses and social enterprises to learn more about the different ways in which businesses are evolving and adapting to help accelerate Scotland’s transition to a circular economy.
The visits form part of the Committee’s scrutiny of the Scottish Government’s Circular Economy Bill, as Parliament seeks to make sure the Bill encourages a new approach to the use and consumption of materials in a way that will ultimately help Scotland achieve it net zero goals.
Committee Members, Deputy Convener Ben Macpherson MSP (delegation lead) and Douglas Lumsden MSP began the visit at local refill shop WeighToGo, where Members looked back to a time before single use plastics and saw a simple and convenient solution to sustainable living.
Members then continued their research at the Edinburgh Remakery – a social enterprise which encourages regenerative practises linked to upcycling and the reuse of products. The visit ended at the Edinburgh Tool Library which offers the public access to all sorts of tools by promoting a ‘why buy when you can share’ ethos.
Following the visit Deputy Convener Ben Macpherson MSP, said: “Throughout our scrutiny of this Bill, we’re keen to understand each stage of the waste hierarchy – and what’s preventing reusing, recycling and recovering products and materials.
“It was great to hear more about the environmental benefits these organisations in Leith have generated, by offering more sustainable products and services for consumers. They’ve also helped social cohesion by bringing people together to share ideas and lived experiences, as well as learn new skills.”
“We want this Bill to support and drive change to reduce waste. Our thanks to all the hosting organisations for the invaluable insights they have shared.”
Pupils in Edinburgh and at secondary schools across Scotland are learning all about filmmaking as part of a curriculum development programme being run by Screen Scotland.
Experienced film and screen educators are working with teachers in schools in Edinburgh, Argyll and Bute, Inverness, Dundee and Shetland to teach young people about practical film making and the wide range of work that goes into making film and screen content.
Fi Milligan-Rennie, Screen Scotland’s Head of Education said: “Screen Scotland is working towards film and screen education being available for every child in Scotland, in every school in Scotland and this expansion of the pilot programme into secondary schools is an important step on the way.
“The new Film and Screen curriculum is bringing filmmaking, as an expressive arts subject, into every classroom in our pilot schools. By engaging with the process of practical filmmaking pupils will learn about content creation, the craft and technical elements of making film and screen content, build skills as visual storytellers and develop capacities as collaborative and creative individuals and through the practice of film and screen production.”
Screen Scotland, which drives development of all aspects of Scotland’s film and TV industry, through funding and strategic support, is working with a wide range of partners on the programme, including the SQA, Education Scotland, the BFI, Industry Partners, and the Scottish Government.
Neil Millar, Senior Education Officer for Expressive Arts, Culture and Creativity atEducation Scotland said: “Education Scotland has been delighted to actively support the development of the pilot Film and Screen curriculum within the Expressive Arts offering of Scotland’s Curriculum for Excellence.
“The educational and social impact of the pilot curriculum on schools, teachers and most importantly pupils, has been immense and I have been privileged to see the curriculum ‘in action’ across the country.
“This added dimension to Scotland’s curriculum builds on the vision and principles of Curriculum for Excellence as well as enabling the future-focussed knowledge and skills development that will sustain economic growth and drive accessibility and inclusion in a sector that is often seen as exclusive.”
Award-winning DirectorMark Cousinssaid: “I can hardly believe these new plans for teaching film in Scotland.
“Cinema remains one of the world’s most vivid cultural forms but has always been under-taught. One of Scotland’s best movie directors, Alexander Mackendrick, knew that film education was crucial. One of our greatest contemporary filmmakers, Lynne Ramsay, greatly benefited from film education.
“Now a new scheme will embed film education in schools? For kids as young as 3? We’ve wanted this for decades because it’s the best way to democratise film, to create new directors, to enrich Scottish visual culture.
“Scotland had a late start in film history. This imaginative, immensely valuable new programme will help us get ahead.”
Screen Scotland…Forthill Primary School
….Pic Paul Reid
David Smith, Director of Screen Scotlandadded: “If we want young people across Scotland to feel confident in making films and screen content, and exploring that as a potential career, it’s important that they get every opportunity to make films and learn about filmmaking.
“Many feel that a career in film or TV is beyond their reach, somehow reserved for other people. That’s far from true and we want to give them the knowledge and experience they will need to realise their ambitions whatever background they have, wherever they live.
“A film crew has so many different roles within it, good jobs that pay well but also really rewarding, creative jobs. We want everyone to feel it’s something they can feel confident doing. This, in turn, will continue Scotland’s growth as a thriving centre for film and screen, bringing proven economic benefits to the country.”
Cabinet Secretary for Culture Angus Robertsonsaid: “The Scottish Government believes culture is for all and this Film and Screen education programme will be an accessible pathway for Scotland’s next generation of filmmakers to pursue.
“We believe the development of the programme will provide a fresh opportunity for young people to learn the skills that could lead to a fulfilling and successful career in a thriving film and TV industry – a platform to showcase authentic Scottish storytelling and creativity.
“The Scottish Government will continue to work with Screen Scotland, and partners in the education sector, including Education Scotland and SQA to boost screen education across formal and informal education settings – it really will be an exciting programme to be involved with.”
The National Film and Television School (NFTS) is proud to announce the expansion of NFTS Scotland, launching an open call to join an exciting new training programme for 30 emerging Scottish filmmakers from April 2024, through the newly established Sean Connery Talent Lab.
With an unwavering commitment to fostering exceptional talent in the world of filmmaking, the NFTS has partnered with the Sean Connery Foundation to provide a platform for Scottish artists to hone and develop their craft and increase the scale and ambition of their work.
To ensure the programme is as accessible to as many people as possible, each of the 30 places will be substantially subsidised, with 70% of fees generously underwritten by the Sean Connery Foundation.
The Sean Connery Talent Lab is supported by a wide range of industry partners, trusts and foundations who have pledged their support to underpin the programme with additional funding, bursaries and scholarships. BBC Film is the production partner with several other partners joining the Talent Lab including: The Dana and Albert Broccoli Foundation, FirstStage Studios, Blazing Griffin, DNA Films, Hartswood Films, Juniper Trust, LS Productions, the Rank Foundation and Synchronicity Films.
This new and transformative 12-month talent development programme is set to become a cornerstone of the Scottish film industry. It will offer a unique opportunity to enable 30 aspiring filmmakers across five disciplines (writers/directors, producers, cinematographers, editors and production designers) to bring to life their own unique short films, made with the support of BBC Film.
Located in Leith, within an expanding creative quarter under development by FirstStage Studios in partnership with Forth Ports and others, the selected participants from across Scotland will embark on a collaborative filmmaking journey beginning in April 2024.
Six dynamic filmmaking teams will be assembled, gaining access to a first-class training curriculum, made up of seminars, hands-on workshops and mentorship opportunities. Dedicated guidance from renowned NFTS Heads of Department and prominent industry executives, including BBC Film, will enrich and enhance the development and post-production process.
Each team will receive a £25,000 production budget, with free access to cutting-edge equipment and unrivalled training facilities provided by the NFTS. The tailor-made programme is designed to further amplify the expertise of each participant in their respective craft specialism, allowing them to refine their skills and push the boundaries of creativity.
The programme is designed to be part-time, enabling participants to strike a balance between other paid work and professional engagements. Aligned with the unwavering commitment of the NFTS to promoting diversity within the industry, the Sean Connery Talent Lab is dedicated to offering a supportive and inclusive experience for disabled and neuro-divergent individuals, including those with conditions such as dyslexia, a cause close to the heart of the Sean Connery Foundation.
After 12 intensive months, the Sean Connery Talent Lab will culminate in the creation of six short films that will serve as powerful industry ‘calling cards’, offering an invaluable launchpad for the 30 talented individuals to make their mark on the world of film.
The final films will be submitted for both UK and international film festivals and will premiere at a prestigious showcase event, with industry figures from across Scotland, the UK and beyond invited to attend the screenings. Upon successful completion of the programme, participants will be awarded an NFTS Diploma in Filmmaking.
Jon Wardle, NFTS Director said: “This is an exceptional opportunity for emerging Scottish filmmakers to build upon their distinctive creative talents.
“As we expand our work in Scotland, the NFTS, the Sean Connery Foundation and our raft of pivotal partners are dedicated to nurturing the brightest emerging stars within Scottish filmmaking, ensuring that the legacy of Sir Sean Connery continues to inspire future generations of storytellers.”
Stephane Connery, Chair of The Sean Connery Foundationadded: “From the inception of the Sean Connery Foundation, our vision has been to expand access to the film and TV industry for talented Scots who may never have dreamt they could access the film industry, especially those who have faced challenges or deprivation.
“As a life-long learner himself, and someone driven by a commitment to hard work and excellence, Sir Sean would be gratified that we have partnered with the NFTS, a world-renowned film school, to bring this extraordinary training programme to Edinburgh, the city of his birth.
“We believe this is just the beginning of an exciting journey together.”
Speaking on behalf of the Foundation, Jason Connery commented: “As a director and actor, I know the difference world-class training combined with a network of support can make in terms of building confidence and opening up opportunity.
“I couldn’t be happier that through this programme, we are bringing both to Scotland. Dad always believed that education was a vital investment for anyone to achieve their full potential, and so supporting a programme that will enable emerging Scottish filmmakers to realise their own unique vision and hone their particular talent within a collaborative environment, with a view to benefitting the wider Scottish film industry, is a dream come true.”
Isabel Davis, Executive Director at Screen Scotland said: “The filmmaking landscape has changed significantly over the last five years, with Scotland’s creative and economic growth now well recognised.
“The generosity and vision of the Sean Connery Foundation enables the NFTS to broaden its existing programme, provided with Screen Scotland’s support.
“We warmly thank the programme partners who, through their generous support and commitment to excellence, have joined the Sean Connery Foundation in recognising the wealth of talent in Scotland’s film community.”
Applications for the Sean Connery Talent Lab are now open until midnight on Monday 29th January 2024.
For more information on how to apply and for eligibility criteria, go to:
– We are also delighted to welcome class visits from Leith Primary School and Trinity Primary School; and we will be visiting Stanwell Nursery School as well!
HRH The Princess Royal has officially opened a museum celebrating the remarkable history of Scotland’s firefighting tradition in Edinburgh.
Her Royal Highness is now one of more than 7,200 visitors who have visited the Museum of Scottish Fire Heritage since it opened its doors to the public in McDonald Road at the end of June.
The Rt. Hon Lord Lieutenant of the City of Edinburgh, Robert Aldridge, was one of several dignitaries to greet The Princess Royal. He said: “It was a pleasure to welcome HRH The Princess Royal to the city and the McDonald Road Community Fire and Ambulance Station on behalf of the people of Edinburgh.
“To have the opportunity to learn more about the rich history of firefighting in Scotland was also an extremely interesting and proud experience.
“I would like to thank the team at McDonald Road for accommodating us today and pay tribute to our fantastic firefighters, alongside our other emergency services, who make sure we are all kept safe.”
Ross Haggart, Chief Officer of the Scottish Fire and Rescue Service (SFRS) was at the museum to extend a warm welcome to Princess Anne. He said: “We are deeply honoured to have the opportunity to show Her Royal Highness the fascinating exhibits that chart the remarkable history of our firefighting tradition.
“This special building is home to an array of artefacts dating back almost two hundred years, including fire appliances, uniforms and equipment.
“Next year, our service will be marking the bicentenary of the world’s first municipal fire service founded in Edinburgh by James Braidwood.”
As part of the visit, The Princess Royal was also given a tour of McDonald Road Community Fire and Ambulance Station, which has been newly refurbished as an emergency hub building alongside the Scottish Ambulance Service. HRH was greeted by a contingent of firefighters and ambulance crews.
Chair of the Scottish Ambulance Service, Tom Steele, said: “I was delighted to welcome Her Royal Highness to McDonald Road Community Fire and Ambulance Station alongside our colleagues at the Scottish Fire and Rescue Service.
“The museum is a fantastic celebration of the fire service’s history. As well as sharing a number of co-locations with the fire service, including here in Edinburgh, we share a strong history of caring for and improving the lives of the people in Scotland.
“We look forward to many more years of working together to provide life-saving work.”
After watching a demonstration of how firefighters use a high reach appliance, HRH was presented with a posy by Crew Commander Blair Muir, who carefully manoeuvred the vehicle so he could hand deliver the flowers from onboard the appliance.
The Princess Royal spoke with staff and volunteers, including Jim McDonald, a museum volunteer. Mr McDonald said: “It was a truly remarkable and humbling experience to meet Her Royal Highness. Her genuine interest in our exhibits left a lasting impression on all of us.”
At the end of the visit, The Princess Royal officially unveiled commemorative plaques, marking the official opening of the museum.
McDonald Road Community Fire and Ambulance Station has undergone renovations and modernisation and last month won a Commendation in the Large Projects and Regeneration/Strategy Award Categories for the 2023 Edinburgh Architectural Awards.
Local CIC urges organisations to play their part in the fight against poverty
A warm winter coat is a basic necessity. But for individuals facing difficulties, families stretched by the cost of living crisis, people trapped in poverty, a coat is yet another essential item they have no choice but to sacrifice.
However, one Edinburgh Community Interest Company is hoping to change that. They are calling on businesses, organisations, charities and community groups across the UK to register as an official Winter Coat Exchange Collection Point. That way, they can redistribute good quality coats to those who need them – free of charge, no questions asked – and provide much-needed comfort this winter.
The impact of the cost of living crisis is being felt right across Scotland. Around 1 in 5 people are living in poverty. Having to sacrifice basic necessities such as a winter coat can have a hugely detrimental impact on a person’s dignity and on their mental wellbeing. So, The Leith Collective is taking proactive steps to help.
Since launching this year’s Winter Coat Exchange on 1st October, they have been completely inundated with requests. So, they are now looking to expand the initiative across the UK to help as many people as possible.
Speaking ahead of the UK launch, The Leith Collective founder, Sara Thomson said; “Last year we rehomed more than 7,000 coats. Within two weeks of launching our 2023 Winter Coat Exchange, we rehomed more than 1,000. The demand this year is unprecedented – no doubt because of the continued cost of living crisis. We, collectively as a nation, need to do more to help.
“So, we’re calling on all businesses, organisations, charities and community groups with space to store a rail of coats to sign up to become an official Winter Coat Exchange Collection Point. That way we can ensure coats are readily available to anyone who needs them. No one should have to go without a coat this winter.”
One of the first organisations to sign up to the scheme was the Edinburgh CIC, Let the People Sing. Founder Vicky Scoular said; “When we heard how high the demand was for coats, we felt compelled to help.
“Providing a small space to store coats is not a big ask, but it can make a huge difference to people in need. We hope more organisations across the UK step up and take part.”
Organisations can sign up to become an official Winter Coat Exchange Collection Point at www.re-relove.com, the brand new online marketplace from The Leith Collective.
The website also enables individuals in need to enter their postcode and find their nearest collection point, so they can get a quality coat without charge and without judgement.
Citadel Arts Group were surprised to discover a connection between Lily Gladstone, star of Scorsese’s Killers of the Flower Moon and one of the main characters in their forthcoming show, The Ghosts of North Leith.
Lily Gladstone comes from Montana, of Blackfeet Indian stock. But on her mother’s side she is descended from the great-great grandfather of a first cousin of the 19th century UK Prime Minister William Ewart Gladstone. And – wait for it – Gladstone’s grandmother is Nellie Gladstones (the family later dropped the final ‘s’) who features in Citadel Arts Group’s The Ghosts of North Leith.
Nellie was a feisty businesswoman who, in Hilary Spiers’ section of the play, reprimands her son John for using slave labour on his plantations.
The fruits of this labour fetch up in Leith. Hilary Spiers writes, ‘The Sugar Boycott was a way for middle class women to show their abhorrence of the slave trade by refusing to buy slave-produced sugar. Little is known of Nellie’s life which allowed me to give free rein to my imagination. My play portrays her as something of a radical and an early feminist at odds with her family who derive much of their wealth from slavery.’
When slavery was abolished in 1833, Nellie’s son John Gladstone received the largest payment from the Slave Compensation Commission amounting to over £10m in modern currency. This money no doubt paid for the fine family gravestone in Coburg Street cemetery.
Slavery is a central issue in The Ghosts of North Leith. The play is based on the stories behind seven of the graves in Coburg Street Burial Ground. One tantalising stone commemorates a Jacob Stoney who died in Leith in 1820 but was born in Jamaica on the family plantation.
His fine stone was raised by his sister Mary who was still living in Jamaica. Citadel’s writers have woven a story around these bare facts using detailed historical research and some inspired guesswork.
Some are the graves are of well-known characters like Lady Anne Mackintosh who raised troops in the Jacobite Rebellion of 1756. Having enjoyed the Outlander books, playwright Rhona McAdam was attracted to this real-life Jacobite heroine. ‘I wondered how Lady Anne ended up in North Leith Burial Ground instead of the family estate in the Highlands.’ It appears Leith was a hotbed of Jacobite sympathy.
The figure who links all the stories is Robert Nicoll. Hailed as the second Robert Burns, Nicoll became a radical activist and newspaperman until his early death in 1837, aged only 33.
Nicoll is the conscience of the play, pointing out the hypocrisies and double think of the other characters, all stuck in the limbo of North Leith, regretting their unfulfilled lives. The play uses pathos, humour, music to add another chapter to the rich history of the port of Leith which Citadel has been celebrating for almost thirty years.
The cast is led by Mark Kydd, a Citadel regular. He writes: ‘As an adopted Leither, I’ve always been fascinated by its concealed history … vintage maps showing different street names and open fields in what are now built-up areas.
Citadel has a fine tradition of examining Leith’s past through its work, but here the writers have literally gone underground, exploring the lives of people buried in Coburg Street Cemetery though a combination of painstaking research and imaginative speculation.
One character in the play wryly observes: “They said the deid are quite forgotten after three generations”. We hope that this production goes some way towards redressing the balance by helping to celebrate these otherwise forgotten lives.
The script was given a trial performed reading at Leith Festival in June.
Director Liz Hare said: ’Thanks to the enthusiastic feedback of the Leith people and their supportive comments, we have developed and improved the script for three evening performances.
“Now we exploit light and darkness to create a truly disturbing atmosphere for our North Leith ghosts!”
The venue of the show is North Leith Parish Church, soon due to be released for sale by the Church of Scotland. This will be the audience’s last chance to see a live performance in this beautiful Georgian building, intended as the hub of Leith’s New Town.
Venue: North Leith Parish Church, 51 Madeira Street EH6 4AU
Save the Date: November 4, 2023
Where: McDonald Library, The Nelson Hall
Address: 2-8 McDonald Rd, Edinburgh EH7 4LU
