Month: March 2024

Edinburgh apprentices help Amazon celebrate 1,000 new apprenticeship opportunities for 2024

  • Amazon offers one of the top private sector apprenticeship programmes in the UK, with opportunities across more than 30 different schemes
  • New apprenticeship opportunities on offer in 2024, including digital product manager, are in addition to schemes in buying and merchandising, cyber security, marketing and creative design 
  • Over 50% of the apprenticeships will be offered to existing Amazon employees to retrain and gain new skills
Amazon, ADCS, Tiphaine Brydniak

Two apprentices at Amazon’s Development Centre in Edinburgh are encouraging others to start an apprenticeship and boost their careers after Amazon announced the expansion of its apprenticeship programme with the addition of 1,000 new positions across the UK in 2024.

Amazon offers one of the UK’s top private sector apprenticeship schemes according to the Top 100 Apprenticeship Employers[1], including entry-level placements and more than 230 degree-level apprenticeships in programmes including accounting and data analysts.

Recruitment has now started for more than 30 different schemes, from sustainability to engineering, project management to product buying, and warehouse team leaders to health and safety technicians.

This year, Amazon is also launching new programmes including the digital product manager apprenticeship and the commercial procurement and supply apprenticeship. The range of different apprenticeship schemes reflect both Amazon’s diverse workforce and the communities it serves every day across the UK.

As well as offering hundreds of new roles to external candidates, more than half of the new apprenticeships will be offered to existing employees who will have the opportunity to retrain and gain new skills for an exciting new career path. In 2023, two thirds (67%) of new apprentices at Amazon were aged 25 and over, an increase of 10% year on year, which demonstrates the support apprenticeships provide in helping people pursue new careers.

An apprentice who is currently taking part in the programme is Tiphaine Brydniak, from the Amazon Development Centre in Edinburgh.

Tiphaine is a software development engineer (SDE) apprentice at the Amazon Development Centre in Edinburgh. She’s been in the role since 2021 and is due to complete the apprenticeship in 2025 in conjunction with Edinburgh Napier University.

Tiphaine had been working as an accountant in London for seven years before switching her career path to tech. She’d been interested in the industry since school, initially in web development and video game design, but her lack of experience made her nervous to explore new job opportunities.

When she was on a career break from accountancy, Tiphaine’s partner bought her access to an online course in programming. At the same time, she started building a mobile app for herself to track the birds she spotted. She found she enjoyed the broad scope of tech, and became determined to make a career switch.

In 2021, Tiphaine was accepted onto the Amazon Software Development Engineering apprenticeship, and she hasn’t looked back since.

“At the beginning of my apprenticeship I felt like I knew nothing, and I definitely had a bit of imposter syndrome,” Tiphaine said. “Over the years, I’ve realised that even senior development engineers feel that way sometimes, and it’s part of our growth. I’ve never once felt like I can’t ask my managers questions, and have been supported every step of the way – it’s been brilliant.”

Tiphaine shared what her favourite thing about working at Amazon is, saying: “I’ve rotated through a number of roles during my apprenticeship, which has allowed me to experience different parts of the business. On every team, I’ve played a part in high-impact projects that have complex and interesting problems to solve. You’re not restricted by being an apprentice at Amazon; you get to be fully part of the team.”

Tiphaine has some advice for people thinking of applying for an apprenticeship with Amazon, particularly if it involves changing career later in life: “If you’re worried about going back to uni, you don’t need to be. The split of ‘mature’ students and first timers on this apprenticeship course is about 50/50, which made the experience less daunting for me. It’s important to reflect on how far you’ve come and how much you’ve achieved, and you can do that again in something new.”

Declan Fisher from Livingston is also software development engineer apprentice at Amazon in Edinburgh. He started at the company in August 2021 and is due to complete his apprenticeship later this year.

Declan left school in 2019 and started a degree at Heriot-Watt University studying Maths with Computer Science. He says:

“I had just left school and wanted some freedom, but I don’t think I was ready for university. After two months, I left and took a year out while working part-time at a supermarket. The pandemic also hit that year, so I spent a lot of time considering what it was I wanted to do going forward. I knew I wanted something to challenge me a bit while I was also earning money.

“My mum had told me to look at apprenticeships when I was at school, but it wasn’t until I was older that I went back and had a look at apprenticeships online. I liked the sound of getting paid while I work and study.

“I applied for a few apprenticeships, really anything technical I could find at the time. I knew I liked computers, but I didn’t know how to program at all. I got offered a data analytics role at a different company and did that for a year. During my time there, I realised I enjoyed the programming side but in that role we only did quite simple data analysis. It was a bit repetitive, and I wanted something more, so I started looking for something new and applied for an SDE role at Amazon.”

Declan explains what he is enjoying most about his apprenticeship at Amazon: “It’s such a different way to learn compared to university. I learn a lot more on the job than I would’ve at university, and other apprentices in my cohort have said the same. I like that it’s hands-on experience, and it’s good to be getting paid at the same time.

“I was drawn to Amazon specifically because I’ve always wanted to work in tech, and it’s a household-name tech company, so my heart was set from the beginning. Amazon is a really exciting company to be a part of and there’s lots to get involved in. Just recently we had a social night in the office, had a takeaway and doing some fun team activities.

“The field of technology is constantly developing, and I’ve realised there’s never going to be a time where you’re not learning something new. I always assumed if you were higher up in the company, you’d know everything, but that’s not the case. We’re always learning And developing our skills and knowledge further.

Declan has some advice for anyone considering an apprenticeship at Amazon:

“Make sure you’re passionate about the subject you’re applying for and know it well before you go for an interview. In the same vein, don’t be afraid to apply if you feel underqualified, because the apprenticeship is designed to take someone who doesn’t have any experience and train them to be a skilled engineer.”

After he completes his apprenticeship later this year, Declan hopes to stay at Amazon and progress within the company as a software development engineer.

Nicola Drury, Head of Skills and Apprenticeships at Amazon, said: “Every year we look forward to recruiting ambitious and enthusiastic apprentices to join our teams working to deliver for customers all over the UK. Whether they’re retraining to begin a new and exciting career, or gaining new skills to take their career in a new direction, we’re proud to provide opportunities for people to find their dream roles.”

The 1,000 new apprenticeships highlight Amazon’s ongoing commitment to creating jobs and training opportunities for people across the UK. Once qualified, apprentices will have the opportunity to work across Amazon’s UK sites including fulfilment centres, delivery stations, sortation centres as well as corporate offices in London and Manchester, and four development centres in Cambridge, Edinburgh, London, and Swansea.  

Amazon apprentices work across a wide variety of different schemes in hundreds of teams, from software developers in Prime Video, buyers in fashion, and production in Amazon Studios. This year apprentices could be a solutions architect in Amazon Web Services, a marketer in Amazon Music, or work with cutting-edge technology in operations as an engineer. 

Since 2021, Amazon has pledged £8m supporting over 400 SMEs with apprenticeships via the apprenticeship levy transfer service. To date, Amazon has supported over 750 apprentices across a wide range of schemes including adult care, data, dental nurses and broadcast production assistants.

In addition to the apprenticeship schemes, Amazon employees can also take advantage of Amazon’s pioneering Career Choice programme, which pre-pays up to 95% of tuition and fees for courses in high-demand fields, up to £8,000 over four years, regardless of whether the skills are relevant to a career at Amazon. 

Competitive pay, comprehensive benefits and a modern, safe and engaging work environment is provided for its employees. The roles pay a minimum of £11.80 or £12.50 per hour, rising from April to between £12.30 and £13 per hour, depending on location, and up to £33,500 a year for degree-level apprenticeships. All employees also receive a benefits package that includes private medical insurance, life assurance, income protection, and an employee discount – which combined are worth thousands annually – as well as a company pension plan. 

Amazon has been named as a ‘Top Employer UK 2024’ by the Top Employer Institute, one of the world’s most prestigious certifications in the field of human resources management. This award recognises Amazon’s commitment to the development and well-being of its employees. In addition to the UK accolade, Amazon has also been certified as one of the Top Employers in Europe for the second consecutive year. https://www.aboutamazon.co.uk/news/top-employer-2024  

Applications are now open for Amazon’s apprenticeship programme. For more information, visit: www.amazonapprenticeships.co.uk 

Police promote fraud awareness as part of new partnership initiative

 

Police Scotland will be promoting fraud awareness to commuters across the country next week as part of the new Stay Safe – Get on Board partnership initiative. 

Alongside teams from the British Transport Police, Neighbourhood Watch Scotland, and Scotrail, officers will be speaking to the public up and down the east coast trainlines between Inverness and Galashiels, as part of the Anti-Fraud Roadshow.

The initiative will begin at Aberdeen Train Station on Monday, 11 March, 2024, with officers from the Crime Reduction Unit, as well as Neighbourhood Watch Scotland and British Transport Police, travelling onward on the Aberdeen-Dundee and Edinburgh-Dundee lines. Officers will be offering passengers advice on how to avoid being defrauded or what to do if they have been a victim of fraud. 

Day two of the initiative will see officers and partners providing further advice to those travelling on the Aberdeen-Inverness and Edinburgh-Galashiels lines.

Inspector Claire Smith, of the Crime Reduction Unit, said: “Police Scotland is committed to tackling fraud and pursuing those responsible. Providing support to victims is a priority for us. 

“However, we hope that by working alongside partners we can deliver critical fraud prevention messaging and equip people with the information they need to prevent these crimes from occurring in the first place.

“I would encourage anyone travelling on East coast trainlines who would like any advice on how to spot fraudulent activity or who have any concerns about fraud to speak with our officers.”

Inspector Ashley Forbes of the British Transport Police said: “British Transport Police are proud to join forces with Police Scotland and Neighbourhood Watch Scotland as part of the new Stay Safe – Get on Board initiative.

“Criminals may use a variety of tactics to commit fraud on unsuspecting passengers on Scotland’s rail network, so it’s vital the travelling public are equipped with the correct information and tools they need to prevent becoming a victim of fraud. 

“British Transport Police’s high visibility officers, alongside our key partners, will be conducting on-board and at station patrols across Edinburgh and the North East to spread our important fraud prevention messaging to passengers.”

Lesley Clark, Director of Neighbourhood Watch Scotland, said: “We are proud to be involved in the Stay Safe – Get on Board joint initiative, working with partners from Police Scotland, British Transport Police, Scotrail, including Travel Safe Team and Network Rail.

“Crimes including Fraud and other Community Safety issues can have a devastating impact on people and our communities. By working together, providing advice and support it is hoped people will feel more informed and better at identifying crimes and prevent them becoming a victim.”

New display explores the personal stories behind Second World War Maps

A new display at the National War Museum in Edinburgh Castle will explore the purpose, importance and personal significance of military maps in the Second World War.  

Between 1939 – 1945, over 36 million photographs and 342 million maps were produced by the British Armed Forces alone. The maps and photographs in Maps: Memories from the Second World War (9 March 2024 to 25 Jan 2026) have changed purpose from their original use.

No longer a vital tool in directing troops or devising a plan for escape, they are now mementos and memories, kept alongside medals and photographs, acting as a marker to say, ‘I was here’. 

The display was inspired by the painting, ‘Major Robert W. Cairns MBE, TD, MA Father’s Memorabilia, North West Europe’, (1995), by Joyce W Cairns PPRSA.

Major Robert W. Cairns MBE served in various posts and locations during the war. From 1943, he was responsible for organising the travel network for the movement of troops and supplies across the inadequate and congested roads of Northern Europe.

The painting depicts the artist’s father’s memorabilia from the Second World War.  

Julie Gibb, Assistant Curator of Science at National Museums Scotland said:  “Cairns’ painting and the personal collections of other Second World War veterans inspired us to produce this display to examine the creation, use and reinterpretation of maps. 

“Maps: Memories of the Second World War explores the purpose of a map as much more than just a physical or a functional object and reveals the stories of the people who kept these maps as a memory of a personal journey.”

An unusual object featured in the display is a silk dress made from escape and evade maps used during the Second World War, on loan from Worthing Museum and Art Gallery. Fabric maps were issued to pilots and Special Forces in the event that they were shot down, trapped behind enemy lines and needed to escape. 

A British Army Officer is credited with the idea of printing escape maps on silk. Christopher Clayton Hutton, an inventor and MI9 British Army Officer, was inspired to use the material for maps as silk is waterproof, quiet to open and easy to hide or sew into clothing.

When the maps no longer served their original purpose, this valuable material was used to make clothing in an era of post war rationing. MI9 (British Military Intelligence) employed Hutton and former magician Jasper Maskelyne to devise ingenious ways to smuggle maps, compasses, money and fake documentation into Prisoner of War camps.

Working with firms such as John Waddington & Co (makers of Monopoly), items were hidden in board games, playing cards and gramophone records. MI9 delivered parcels through bogus charities such as the ‘Prisoners Leisure Hours Fund’ with them hidden inside. 

Edinburgh based cartography firm John Bartholomew & Son Ltd supplied paper copies and printing plates of their small-scale world maps to be used for the MI9 ‘escape and evasion’ maps .

The display also includes footage from the National Collection of Arial Photography and highlights the importance of aerial photography through items such as the logbook and photographs of Flight Lieutenant Thomas D MacMillan, and a stereoscope used to view images of the landscape below in 3D. 

Maps: Memories from the Second World War is on display from 9 March 2024 to 25 Jan 2026.

Music Producer doesn’t miss a beat for Muscular Dystrophy UK

  • Scottish music producer is calling on people across Scotland living with muscle wasting and weakening conditions to join the free in-person event.
  • Sanjeev will share his ‘real-life’ experience of living with muscular dystrophy and why he’s supporting Muscular Dystrophy UK.
  • Join Sanjeev and the charity at the Scottish conference in Stirling on Saturday 23 March 2024.

Sanjeev Mann, a Scottish music producer, promotor and activist is calling on the muscle wasting and weakening community to join him at an upcoming charity event.

Sanjeev, aka Supermann on da beat, 27, was diagnosed with Duchenne muscular dystrophy in 2003, aged six. Sanjeev is encouraging other people living with a muscle wasting or weakening condition, their families and carers to join a free in-person event open to everyone across Scotland and beyond.

The Muscular Dystrophy UK Scottish Conference, taking place on Saturday 23 March 2024, is organised by the leading charity for more than 110,000 children and adults in the UK living with one of over 60 muscle wasting and weakening conditions.

Having worked with artists from all over the world, Sanjeev spreads awareness about making the music scene more accessible, and how others with disabilities can follow their creative passions.

Sanjeev, born in Glasgow but now lives in Ayr, said: “Living with Duchenne muscular dystrophy has its ups and downs, but for me it has definitely had more ups. I’m glad I was given this path.

“I can’t imagine my life without my best friends who I’ve met because I have Duchenne. And I probably wouldn’t have started making music if I hadn’t been shielding during the pandemic. I’m proud to be disabled and a disabled artist who shares my music with the world.”

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Sanjeev Mann calling on people across Scotland living with muscle wasting and weakening conditions to join Muscular Dystrophy UK Scottish Conference on 23 March 2024.

Attendees will hear from the charity about advice and support services on offer and from experts on topics including emotional and mental wellbeing, physiotherapy, occupational therapy, education, self-directed support and from Sanjeev about his real-life experiences.

Sanjeev who is looking forward to speaking at the Muscular Dystrophy UK Scottish Conference about how music can help our mental wellbeing continued: “I would like my speech to hopefully give new individuals with muscular dystrophy and their families hope for the future. We can be happy and live our best life. I want people to see that having Duchenne doesn’t mean you can’t have dreams. Anything is possible, and if there’s something you really want to do, go for it. You can always find a way.”

“My biggest inspiration to be a prominent figure in the music scene, is the hope that others with Duchenne will see me and think I could do that too. There is still a huge unconscious bias towards us that means people have low expectations of disabled people. And that can mean we end up having low expectations of ourselves. But I’m challenging that, and I hope others will join me to push change.”

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Photo credit @ Muscular Dystrophy UK

The event will run 9.30am – 5.00pm at Forth Valley College, Stirling Campus, Stirling, FK8 1SE. Spaces are limited, so sign up today: 

musculardystrophyuk.org/ScottishConference. 

Lunch is included and the venue has a Changing Places toilet facility on site.

The information day is part of a series of events happening across the UK. Upcoming events will be happening in Cardiff, Wales, on Thursday 18 April 2024, with previous events taken place in England and Northern Ireland.

The charity also hosts a network of local groups, known as Muscle Groups, who meet regularly across the UK in Scotland, England, Wales and Northern Ireland.

Learn more about Sanjeev’s inspirational story musculardystrophyuk.org/Sanjeevor contact Muscular Dystrophy UK with any information days enquiries on infoday@musculardystrophyuk.org

For more information about Muscular Dystrophy UK visit musculardystrophyuk.org 

or call our free helpline on 0800 652 6352 (open Mon – Thu 10am – 2pm).

Scottish Government confirms Public Inquiry into Emma Caldwell case

Independent review of murder investigation

An independent, judge-led, statutory Public Inquiry will take place into the investigation of Emma Caldwell’s murder in 2005, Cabinet Secretary for Justice and Home Affairs Angela Constance has announced.

In a statement to the Scottish Parliament, the Justice Secretary told MSPs that it was time to apply fresh scrutiny to the case – to understand what went wrong, to ensure lessons are learned for the future and to provide answers to the victims and survivors involved.

Further details will be set out once live legal proceedings in the case have concluded and a chair of the Inquiry has been appointed. Ministers will work alongside the Chair and Emma’s family in setting and agreeing the terms of reference for the Inquiry.

The decision to hold a Public Inquiry was reached after the First Minister and Justice Secretary held discussions with Emma’s family, including her mother Margaret Caldwell, on Tuesday this week.

The Justice Secretary said: “Margaret Caldwell and her family have waited far too long to get justice for Emma. I have expressed directly to them on behalf of the Scottish Government how deeply sorry we are for their loss, and for the pain and grief they have had to endure.

“Nineteen years have elapsed between Emma’s murder and a conviction, showing serious failings occurred in the investigation. Given this, along with the gravity of this case, the length of time that it took for justice to be served for so many women and the horrific extent of the sexual violence suffered by the victims and survivors, the case for holding a public inquiry is overwhelming. 

“The family want to have answers and deserve nothing less. The First Minister made clear that we would give serious consideration to the Caldwell family’s call for a Public Inquiry after hearing directly from Margaret Caldwell and her family, and pledged we would do so quickly.

“I am glad that now we have been able to answer their call by announcing that we will set up a Public Inquiry.”

Fort Kinnaird to host employment training course next week

·       Fort Kinnaird Recruitment & Skills Centre is hosting a free one-week Retail and Customer Service course for 16- to 24-year-olds, starting on Monday 11th March.    

·       The course will help participants develop the skills needed for a successful career in retail, as well as giving them the chance to speak directly with Fort Kinnaird employers about current vacancies and opportunities.  

·       Everyone who completes the course will also receive the Customer Service: Principles and Practices Award at SCQF level 5.  

·       For more information or to register, individuals should contact the team at enquiries@rscfortkinnaird.co.uk or call 07934485859.   

Kenny Hall, Integrated Employer Engagement Manager at Fort Kinnaird Recruitment & Skills Centre, said: “Our Retail and Customer Service course aims to support young people in the local community into roles within the fast-paced, exciting industry that is customer service.  

“Not only does the course offer the opportunity to learn new skills and grow in confidence, but those who complete it will take home a formal qualification to set them apart when applying for future roles.” 

Liam Smith, Centre Director at Fort Kinnaird, said: “Courses like this one at our Recruitment & Skills Centre are so valuable in helping individuals to grow in confidence and capability.    

“It’s also a great opportunity for young people to build their network and meet with retailers from across the centre, so I’d encourage anyone in the local area looking for a new opportunity to get involved and kickstart their next adventure!”  

Celebrate International Women’s Day at Johnnie Walker Princes Street

Celebrating some of Diageo’s most pioneering women, Johnnie Walker Princes Street is hosting an exclusive Spirited Women Tasting in its Explorers’ Bothy Bar on 8th-10th of March. 

Telling the stories of the influential women who have helped shape the face of Scotch whisky, the tasting features a welcome highball using an exclusive Johnnie Walker Princes Street blend created by Master Blender Emma Walker, and a Johnnie Walker Princes Street Cellar Blend prepared by Master Blender, Aimee Morrison. 

Featured in the tasting session will be the Cardhu 12, 200th anniversary release. Created to celebrate two of the original female whisky trailblazers, Helen and Elizabeth Cumming, this malt is strikingly smooth and characterised by beautiful berry and blackcurrant notes. 

Also making an appearance will be the Singleton of Glen Ord 2022 Special Release for a sweet and spicy fix, and the Dalwhinnie 17, 125th anniversary release which offers a famously spicy and fruity experience with strong vanilla notes. 

Priced at £55 per person, tickets for the event can be purchased online https://www.johnniewalker.com/en-gb/visit-us-princes-street/book-whisky-tasting/#id=spirited-women-an-international-women-s-day-tasting.

As well as the tour, visitors can also enjoy an exclusive 10% discount across the retail store on the day of their tour when they present their ticket.

This offers reduced prices for merchandise and products, including the Bottle Your Own experience, where customers can engrave products with personalised messaging.

The 10% discount is also extended to the 1820 Rooftop Bar, where guests can savour the panoramic views of the Edinburgh skyline with delectable food and drink. 

To check out other Johnnie Walker experiences, and for more information, please visit www.johnniewalkerprincesstreet.com

Edinburgh International Festival’s 2024 programme brings audiences and artists closer together than ever before

  • The Edinburgh International Festival unveils an expansive programme of world-leading opera, music, theatre and dance from 2-25 August 2024, when the original festival that defines Edinburgh as the world’s Festival City returns for another year. 
     
  • This is the second year under the helm of Festival Director and Scottish violinist, Nicola Benedetti. ‘Rituals That Unite Us’ is the theme underpinning the 2024 Edinburgh International Festival, responding to an overwhelming desire for togetherness from artists and audiences following on from 2023’s question ‘Where Do We Go From Here?’. 
     
  • From immersive beanbag concerts and virtual reality to drop-in rehearsals and a site-specific promenade opera, the 2024 programme is defined by a deepened commitment to creating a closer union between audiences and artists through innovative and informal experiences. 
     
  • To reach the broadest possible audience, 50% of tickets for the 2024 International Festival will be sold at £30 or under, free tickets are available for young musicians, and £10 Affordable Tickets will be available for every performance in the 2024 programme. 
Classical Music: Yuja Wang, Elim Chan, Marin Alsop, Jakub Józef Orliński, Alison Balsom, Hilary Hahn, Dame Sarah Connolly, Ian Bostridge, Steven Osborne, Nicola Benedetti, Maxim Emelyanychev, Sir Mark Elder, Sheku Kanneh-Mason, Sir Donald Runnicles, Gianandrea Noseda, Jennifer Stumm, Thierry Fischer, Philharmonia Orchestra, Bamberger Symphoniker, Ilumina, The Hallé, European Union Youth Orchestra
 
Opera: Malin Byström, Opéra-Comique, Komische Oper Berlin, Scottish Opera, Kirill Serebrennikov, Sir Andrew Davis, James Gaffigan, Saimir Pirgu, Golda Schultz 

 Theatre and Dance: Internationaal Theater Amsterdam, Jack Lowden, Crystal Pite, Grupo Corpo, Aakash Odedra, David Ireland, Vicky Featherstone, Stef Smith, 1927, Eline Arbo, Christiane Jatahy, Scott Silven, Teatro La Plaza 
 
Contemporary Music: Cat Power, Bat for Lashes, Chilly Gonzales, Youssou N’Dour, The Magnetic Fields, The Grit Orchestra, Tirzah, Jordan Rakei, Balimaya Project, Endea Owens, Domo Branch  Celtic Music: Breabach, Mànran, Ceilidh Trail, Cätlin and Marko Mägi, Finlay MacDonald and Ali Hutton, Goitse, VRï  

Scottish companies and ensembles: Scottish Chamber Orchestra and Chorus, National Theatre of Scotland, Royal Lyceum Theatre Edinburgh, Scottish Opera, National Youth Choir of Scotland, Royal Scottish National Orchestra, BBC Scottish Symphony Orchestra, Edinburgh Festival Chorus, Scottish Ballet 

From 2-25 August 2024, Edinburgh International Festival presents a hand-picked selection of leading international and local local artists in the world’s Festival City, with 24 days of world-class opera, dance, music and theatre.  

The 2024 programme comprises 161 performances from over 2000 artists across 42 nations, all joined under the theme,‘Rituals That Unite Us’.

The theme responds to an overwhelming desire for togetherness from artists and audiences following on from 2023’s question ‘Where Do We Go From Here?’.

Reasserting the value of shared experiences, the 2024 International Festival celebrates the practices, traditions and festivities that give us meaning and connect us – as a festival, a city, and as a society.

The second year under Festival Director and Scottish violinist Nicola Benedetti, the 2024 programme offers an increased range of innovative and informal audience experiences, designed to create closer union between artists and audiences.  

Audiences can enjoy a virtual reality experience filmed within an orchestra, a site-specific promenade opera and, by popular demand, an expanded programme of beanbag concerts placing the audience among performers to experience music in a unique way.

The programme also features an all-ages family concert, a participatory dance and music work outside The Scottish Parliament, and post-show talks with artists in The Hub, returning with a bigger programme as the International Festival’s home and ‘green room’. This year the venue will be open to the public for informal dining, drop-in rehearsals and Up Late performances.

There is also a deepened commitment to reach the broadest possible audience, with 50% of tickets for the 2024 International Festival to be sold at £30 or under, thousands of free tickets available for young musicians, and £10 Affordable Ticketsavailable for every performance in the 2024 programme.

Year round, the International Festival offers three pathways for people of all ages and backgrounds to make the most of their creative potential and create a growing social impact in Scotland.

Underpinning the 2024 Festival is an ambition to deepen connections with young people, communities and the arts industry, from a youth takeover day and opportunities for emerging talent to a first-time partnership with an Edinburgh community space and pop-up performances in NHS healthcare settings.

Highlights of the programme include:

  • Two world premiere theatre productions from Scottish creatives: The Fifth Step, a thrilling new play written byDavid Ireland,directed by Finn den Hertogand starring BAFTA-nominated Scottish actor Jack Lowden; and the stage adaptation of Amy Liptrot’s bestselling memoir,The Outrun, brought to life by Oliver Award-winning playwright Stef Smith, director Vicky Featherstone and Edinburgh’s producing theatre, The Royal Lyceum Theatre Company.
  • Five extraordinary operas, of which three are staged and two are performed in concert, including Opéra Comique’s production of Bizet’s Carmen with Gaëlle Arquez in the title role; and Komische Oper Berlin’s production of Mozart’sThe Marriage of Figaro, directed by Kirill Serebrennikov. A new production of Stravinsky’sOedipus Rex by Scottish Opera takes over the National Museum of Scotland, performed in promenade with a 100-strong community chorus from across Scotland. 
  • A two-part opening weekend exploring different ways of telling the same great story, with two distinct interpretations of the Passion: Latin American and Afro-Cuban musical styles mix with contemporary classical expressions in the Scottish premiere of Osvaldo Golijov’s La Pasión según San Marcos, and the BBC Scottish Symphony Orchestra, their Chief Conductor Ryan Wigglesworth and the Edinburgh Festival Chorus take on Johann Sebastian Bach’s masterpiece, the St Matthew Passion, in Mendelssohn’s 1841 version. 
     
  • The return of beanbag concerts, inspired by Budapest Festival Orchestra’s founder Iván Fischer’s shows last year, with the audience seated on beanbags to experience classical music in a unique way. A variety of musical performances include family-friendly presentations from European Union Youth Orchestra with Gianandrea Noseda, and Barokksolistene’s The Alehouse Sessions, transforming the Usher Hall into a 17th-century English tavern, complete with sea shanties and folk-favourites.
  • The Opening Event – a large-scale outdoor opening event for 10,000 people evoking the mythology and history of Scotland’s rich heritage, in collaboration with single malt Scotch Whisky, The Macallan, with creative producer Pinwheel. Further details will be announced closer to the event. 
     
  • The Philharmonia Orchestra in residency, including performances of Verdi’s Requiem (conducted by Santtu-Matias Rouvali) and the International Festival’s Closing Concert, Strauss’s Capriccio (conducted by Sir Andrew Davis), with Malin Byström. The Philharmonia also present the UK premiere of Julia Wolfe’s Fire in my Mouth, a multimedia performance conducted by Marin Alsop, with the National Youth Choir of Scotland. 
     
  • A stellar dance and theatre offering full of UK, European and World Premieres with leading creatives and companies such as Internaational Theater Amsterdam, Crystal Pite, Kidd Pivot, Grupo Corpo, Aakash Odedra, National Theatre of Scotland, Jack Lowden, 1927, Teatro La Plaza, Émilie Monnet, Waira Nina, Christiane Jatahyand more.
  • The Bamberger Symphonikerin residence with conductor Jakub Hrůša for three performances that include works by Brahms, Dvořák and Hans Rott, and a family-friendly explainer event, Beyond the Score, taking a deep dive into Dvořák’s New World Symphony.
     
  • A final residency with Ilumina, the São Paulo-based artist collective founded by violinist Jennifer Stumm. Known for their model of 21st century creativity and artist-led advancement of diverse talent, their first visit to the International Festival sees them give two concerts with the audience seated on beanbags and two performances in The Hub. 
     
  • Projects which go beyond the performances on stage with an ambition to create a growing social impact in Scotland through the performing arts, include: a first-time Community Connections Hub, inviting audiences to experience the Philharmonia Orchestra in Virtual Reality within their own community space; Culture Clubs bringing together community groups to explore ‘Rituals that Unite Us’ through a shared meal and performance; pop-up performances in NHS healthcare settings; a Youth Takeover Dayfor senior pupils in Edinburgh schools; and schools performances and workshops across music, opera, theatre and dance for secondary school pupils.
  • A contemporary music programme including gifted singer-songwriter Cat Power; indie-pop sensation Bat for Lashes; polymath composer and piano personality Chilly Gonzales;beloved orchestral-pop group The Magnetic Fields; one of the most famous voices in African music, Youssou N’Dour; the mighty 80-piece contemporary Scottish GRIT Orchestra; South London electronic singer-songwriter Tirzah; a blend of West African folkloric music, the sounds of Black London and the London jazz scene with Balimaya Project; and a signature mix of electronic and soul from New Zealand-born Jordan Rakei.
     
  • Leading soloists include Dame Sarah Connolly, Yuja Wang, Golda Schultz, Alison Balsom, Hilary Hahn, Jakub Józef Orliński, Sheku Kanneh-Mason, Ian Bostridge, Steven Osborne and more. 
     
  • The Hub, the International Festival’s HQ on the Royal Mile, is once again home to the most intimate performances and discussions from virtuosic musicians sharing their respective culture, traditions and rituals through music and instrumentation. A programme of leading Celtic musicians includes Irish quintet Goitse, an International Festival debut from Welsh folk band VRï and the 25th anniversary of Fèis Rois’ Ceilidh Trail. Further across the globe, innovative musicians from Brazil, China, America, Egypt, Kyrgyzstan, Indonesia, West Africa and India come to Edinburgh in a truly international programme. 

As part of the International Festival’s ongoing commitment to accessibility, the 2024 programme includes 25 accessible performances, including ten audio described performances, five BSL interpreted performances, and nine captioned performances.

The concession ticket for D/deaf, disabled and neurodivergent people is increased from 30% to 50% off all full price tickets, with options for a free essential companion ticket still available where required.

The types of accessible seating options held for members of the free Access Pass initiative has also been expanded to include aisle seats and seats with additional leg room, across all Festival venues. 

General booking for the 2024 International Festival opens on Thursday 21 March, with tickets currently on-sale to Members and supporters.

Nicola Benedetti, Festival Director, Edinburgh International Festival said: “As we join forces with the world’s greatest artists and bring them here to Edinburgh, we do so with a deeper dedication to our audience.

“This year the Edinburgh International Festival inaugurates new and reimagined rituals, honouring tradition and innovation, to bind us closer together. We invite you to seek and gather with us this August – there is always something new to discover.” 

Culture and Communities Convener, Councillor Val Walker said: “It’s fantastic to see the 2024 programme for the Edinburgh International Festival. This promises to be a unique and exciting chapter in the Festival’s rich history with over 2000 of the world’s extraordinary artists performing here this August.”

“It’s particularly encouraging to see initiatives such as making free tickets available for young musicians, and £10 Tickets available for all performances.

“Given we are in the midst of a challenging cost of living crisis and our festivals have a key role in providing us all with opportunities to enjoy exceptional and entertaining experiences, these will hopefully contribute towards the goal of choice and access for everyone in our city.

“The International Festival is an integral part of the Capital’s cultural calendar and as a Council we’re proud to support it.” 

Kaukab Stewart, Scottish Government Minister for Culture and International Development, said: “As we raise the curtain on another Edinburgh International Festival, we’re reminded of the power of art to unite and inspire us all. 

“More than 2,000 artists from 42 countries will exhibit their talents, and these extraordinary performances from a diverse range of cultures and traditions reaffirms Scotland’s place as the perfect stage to host major events.
 
“As the new Minister for Culture, I’m proud to welcome the world to Scotland for the International Festival, and I’m looking forward to enjoying an abundance of exceptional entertainment taking place on our doorstep.” 

Arts and Heritage Minister Lord Parkinson said: “For more than three quarters of a century, the Edinburgh International Festival has provided a platform for the world-class music and performing arts we are so proud to have in this country, as well as for brilliant artists and musicians from across the globe. 

“The millions of people who flock to Edinburgh to enjoy and take part in it each year enrich our lives and fuel our shared economy. That’s why the UK Government is so proud to support it.

“The arts have a unique power to bring us together, and to help us see the world through others’ eyes. I’m delighted that, this year, the International Festival will focus on the rituals that unite us – and look forward to seeing the diverse and dynamic work that theme inspires.” 
 
Iain Munro, Chief Executive, Creative Scotland said: “Nicola Benedetti continues to drive the Edinburgh International Festival programme forward in her second year as Director with another inspired artistic offering.

“This year’s thematic focus on unity and togetherness provides opportunities to blur the lines between artist and audience, promoting connection and communal experience in our increasingly divided world.

“The International Festival continues to earn its reputation as a shining light in the global cultural calendar by uniting people through great art.” 

Further programme information by genre: 

Classical Music 

Edinburgh International Festival welcomes the world’s top orchestras and musicians for 22 spectacular symphonic concerts at Usher Hall and 19 intimate morning recitals at The Queen’s Hall. The symphonic concert series revolves around residencies from three outstanding orchestras and ensembles. 

Offering unique perspectives on how we experience a contemporary symphony orchestra, these residencies allow for a more profound engagement with Edinburgh communities, from primary school pupils to emerging artists, extending the orchestra’s presence beyond Usher Hall.

This approach also lowers the environmental footprint for each performance by the visiting artists. 

Campaigners call on Scottish Government to end greyhound racing 

Campaigners from the Unbound the Greyhound coalition delivered their open letter, calling for a phase out to dog racing in Scotland, to the Scottish Government yesterday.  

22,655 people signed the coalition’s open letter, including celebrities such as TV presenter and naturalist Chris Packham, actor Peter Egan, and historian and broadcaster, David Olusoga. 

MSPs joined the charities, and greyhounds rescued from the racing industry, outside Parliament in support. 

The letter hand-in comes just weeks after Scottish Greens MSP, Mark Ruskell, launched the consultation for his proposed Bill to ban greyhound racing, the Proposed Prohibition of Greyhound Racing (Scotland) Bill.

The coalition is very supportive of this Bill. 

Spokesperson for the coalition, Eve Massie Bishop, said: “There has been a real shift in attitudes towards dog racing in recent years.

“Not only have 22,655 people added their name to our letter to the Scottish Government to phase out greyhound racing in Scotland, but polling carried out by Panelbase has also found that six in ten Scots think the Scottish Parliament should vote to phase out greyhound racing.

“A 2019 petition to ban greyhound racing, from coalition member Scotland Against Greyhound Exploitation, is also the most signed petition in Scottish parliamentary history. 

“Our campaign has attracted the support of animal lovers from across the world, including the US, Australia, Japan, France, and Spain.

All eyes are now on the Scottish Parliament, which can show leadership and compassion and take steps to phase out this dying industry.” 

2,718 greyhounds died and there were 2,284 total injuries recorded at the hands of the industry between 2018-2022.  

Rescue greyhound, Sasha, who was at the open letter hand-in, was injured 8 years ago and was almost killed as a result.

Sasha broke her leg during a race at the former Armadale Stadium, in West Lothian, and was left in her kennel without treatment for days.

When her owner finally did take her to the vet, he wanted her to be put down, despite her injury being treatable.

Thankfully, the vet convinced Sasha’s owner to surrender her instead. 

The coalition is very supportive of Mark Ruskell MSP’s Proposed Prohibition of Greyhound Racing (Scotland) Bill, stating: “The Scottish Government’s proposals to license greyhound racing simply won’t protect these dogs.

“The Scottish public know this. In response to the Government’s recent consultation on its licensing proposals, most respondents responded instead calling for a phase out of greyhound racing. 

“Mr Ruskell has recognised that greyhound racing carries inherent welfare risks and that only a ban on this outdated ‘sport’ will protect these loving, affectionate dogs. We are grateful for Mr Ruskell’s commitment to ending this dying industry which survives only on the exploitation of gentle dogs. He has our absolute support.” 

Mark Ruskell MSP commented: “Greyhound racing is a cruel gambling-led sport. There is nothing safe about forcing dogs to run around an oval track at 40 mph. It is wrong, and it must be stopped.  

“The industry has shown that it cannot be trusted to regulate itself, with hundreds of greyhounds dying or being injured every year.  

“Animal welfare organisations are clear – the inherent risks of greyhound racing mean that the welfare of these beautiful dogs can only be truly protected by banning racing for good. And that is exactly what my proposed Bill intends to do. 

“Thanks to the Unbound the Greyhound coalition, we know that the public also wants to see our four-legged friends protected too. An incredible 22,655 people have signed the coalition’s open letter calling for an end to greyhound racing in Scotland.  

“Change is coming. So I hope that as many people as possible take part in my consultation and that we can use it to develop the most appropriate and robust legislation possible and deliver an end to this abusive and badly-dated practice.” 

BBC’s 500 Words competition winners announced

The winners of the UK’s most successful children’s writing competition, 500 Words, have been unveiled on World Book Day® in a special episode of The One Show – 500 Words with The One Show – on BBC One and iPlayer.

From thousands of talented entries, six exceptional young authors who submitted their stories to the BBC’s 500 words competition were crowned last week at the Grand Final in Buckingham Palace, with their identities kept secret until the big reveal on today’s special edition of The One Show.

Her Majesty the Queen invited Romesh Ranganathan and a host of celebrity readers including Hugh Bonneville, Oti Mabuse, Luke Evans, Olivia Dean, Tom Hiddleston and star of Matilda, Alisha Weir, to Buckingham Palace for the final event which opened with a special performance of ‘Pure Imagination’ from ‘Wonka’, courtesy of Warner Bros. Pictures, followed by ‘When I Grow Up’ performed by the West End cast of Matilda The Musical.

All the excitement from entire event, including all the live performances by celebrity readers of the winning stories, will be available to watch on CBBC at 4pm Friday 8 March.

Speaking at the Grand Final, Her Majesty The Queen said: “In the three years that we have been without this wonderful competition, I think we have realised how much we have missed it.

“Over the years, it has actually turned into half a billion words that have been written, typed, scribbled and tumbled onto thousands of pages by children across the UK, read by an army of volunteers and then sent to Oxford University Press to form the biggest collection of children’s writing in the world.

“That means that between you, you have created more than a million stories of thought-provoking adventure for future generations to study and enjoy. Thank you to everybody who has taken part in 500 Words – it is a huge pleasure to have you back.”

BBC Head of Education, Helen Foulkes said: “It’s incredible that we received almost 44,000 entries – the calibre of stories submitted this year have been exceptionally high.

“500 Words is all about encouraging children from across the UK to enjoy writing and let their imaginations run wild, without fear of spelling, punctuation or grammar. Our hope is that every child that entered continues to fall in love with writing.”

The six winners were chosen from two age group categories, ages 5-7 and 8-11 with each consisting of gold, silver and bronze awards.

500 Words Gold Winners

  • The GOLD Winner for 5-7 age group is Evan from London, his story, Message in a Bottle was read by singer Olivia Dean. Evan said: “I like writing descriptions, letters and diaries.”
  • The GOLD Winner for the 8-11 age group is Olive from London, her story, Cellmate was read by actor, Tom Hiddleston. Olive said: “It came from the depths of my brain, I never knew what was down there, now I do!”

500 Words Silver Winners

  • The SILVER Winner for the 5-7 age group is Clara from Leicestershire, her story, Pony With a Coat on – Solving Crimes was read by Matilda star, Alisha Weir.
  • The SILVER Winner for the 8-11 age group was Spencer from Glasgow, his story, The Scottish Gangsta was read by Hugh Bonneville.

500 Words Bronze Winners

  • The BRONZE Winner for the 5-7 age group was Henry from Oxfordshire, his story The Alien and the Purple Planet was read by Oti Mabuse.
  • The BRONZE Winner for the 8-11 age group was Aaron from Oxfordshire, his story A Very Important Lesson was read by actor and singer, Luke Evans.

The 500 Words judges included Sir Lenny Henry, Frank Cottrell-Boyce, Francesca Simon, Charlie Higson, and Malorie Blackman, who were chaired by BBC Breakfast’s Jon Kay.

Each of the finalist’s stories are available to read now on the BBC Teach website, alongside audio versions which have been voiced specially by BBC Radio Drama Actors