Day: July 24, 2016

Leaf by Niggle: Tolkein at Storytelling Centre

PUPPET STATE THEATRE COMPANY presents

JRR Tolkien’s Leaf by Niggle

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At the Edinburgh Festival Fringe 2016 and part of the Made in Scotland Showcase 2016 

Scottish Storytelling Centre, Venue 30a

Aug 4 Preview 17:00; Aug 5-28 (not 10, 15, 22, 23) 17:00 (75mins)

Aug 17 17:00 BSL interpreted performance

Performed by Richard Medrington

Soundtrack composed by Karine Polwart and Michael John McCarthy

Directed by Andy Cannon; Lighting by Gerron Stewart; Design Support by Ailie Cohen; Movement support by Janice Parker; Stage Management by Elspeth Murray

Puppet State Theatre Company returns to the Scottish Storytelling Centre for this year’s Festival Fringe, as part of Made in Scotland, with its acclaimed new production of JRR Tolkien’s little-known short story, Leaf by Niggle.

“Exquisite … so beautifully told … completely seductive” ****The Scotsman

This solo storytelling show, created and performed by Richard Medrington, draws on Richard’s personal family history as an introduction to Tolkien’s original story. Surrounded by ladders, bicycles and heirlooms, Richard Medrington (Jean from The Man Who Planted Trees) recounts Tolkien’s miniature masterpiece with a beautiful soundtrack composed by Karine Polwart and Michael John McCarthy.

“Tolkien’s lord of small things…enchanting one-man show” ****The Guardian 

Leaf by Niggle is considered by some to be Tolkien’s most autobiographical work, springing from his fear of not finishing The Lord of the Rings. In 1939, as war clouds were darkening, he woke up one morning with the story almost complete in his mind and wrote it down.

Niggle is a struggling artist who is trying to complete his magnum opus, a painting of a curious tree. He isn’t sure when he will need to set out on his journey, but he is worried that he won’t be able to finish the painting before it’s time to leave.

Leaf by Niggle is often seen as an allegory of Tolkien’s own creative process, and, to an extent, of his life. It is a tale of transformation, which examines the relationship between an artist, his creation and his community.

Richard Medrington is the artistic director of Puppet State Theatre Company and for the past nine years the company has been touring the world with its much lauded production of Jean Giono’s The Man Who Planted Trees.

This new adaptation of Leaf by Niggle is a reflection of Richard’s long held ambition to perform a staged version of the story. In 1993, Richard gave an acclaimed one-off storytelling performance of the piece at the Carberry Festival and has nurtured hopes of performing it to a wider audience ever since.

“a salve on the soul” **** The List

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“As a result of appearing in the very first Made in Scotland showcase in 2009 with The Man Who Planted Trees, Puppet State’s international touring has included two tours to Australia and New Zealand. In 2013 we took part in the Sydney Opera House’s first live stream of a performance to multiple remote audiences, some over 700 miles away. I am looking forward to performing our new show, Leaf by Niggle, in this year’s Made in Scotland showcase and seeing where this unique opportunity will lead us.” Richard Medrington

“This is my first ever commission to compose for theatre and it’s a challenge and a joy to collaborate with such an accomplished creative posse. Niggle’s journey, and Richard Medrington’s beautifully personal and familial framing of it, feels quite close to the bone for me, and very relevant to our times. There are so many possible ways to receive it and get inside of it, as there are always with deep stories. But to me it’s about the fundamental human impulse to create and find meaning and beauty in life, and how duty, convention and the sheer necessity of toil can cut against this. The gap between the world as we imagine it and the world as it sometimes is – in all its reductive, mechanistic brutality – can be hard to hold in a single heart. But Niggle’s story feels hopeful nonetheless”. Karine Polwart 

With thanks to the Tolkien Trust and the Festival Theatre, Edinburgh

Supported by Creative Scotland | Produced by Alice McGrath & Red Bridge Arts

Suitable for adults and young people aged 10 and over

LISTINGS:

Scottish Storytelling Centre Venue 30a

Aug 4 Preview 17:00 (75 mins) | ÂŁ6

Aug 5-28 (not 10, 15, 22, 23) 17:00 (75 mins) | ÂŁ10/ÂŁ8 conc. /ÂŁ32 Family (2 adults, 2 children)

Aug 17 17:00 (75 mins) BSL interpreted performance

Box Office: 0131 556 9579 www. scottishstorytellingcentre.co.uk

Letters: Red Alert over rampant nationalism

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Dear Editor

In living memory we saw before and during World War II how bad rampant nationalism can be.

Today the rise of nationalism is leading to more advocacy by the right wing of an ‘anti-everyone not a national from their country’, it is a form of racism and a tactic to divide people, instead of tackling the real problems working people face.

This is being seen in places like America, France, Germany and many other countries including the UK: this was particularly evident during the referendum, the result of which is already showing its affects on the economy and helping those using divisive talk and actions.

The danger signal is at red, we must not go down this road again: it solves nothing, and poses great danger.

A.Delahoy (by e-mail) 

World Premiere: Mermalade

Manhattan Children’s Theatre presents

MERMALADE

World premiere

Based on the children’s book by Clare Cockburn-Martin
Illustrated by Anna Welsh
Directed and adapted for the stage by Laura Stevens

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A Little Mermaid she is not.

A fast paced, interactive comedy. A universal quest. A play for all ages

Left with a cryptic note, a pearl, and three annoying oysters for company, MERMALADE is determined to make sense of it all. She’s brave enough to approach the biggest forces in the universe. She’s strong enough to confront those that get in her way. But is she wise enough to find her answer? 

Add three life size Oysters as narrators, cameos from the Moon, Sun, Stars, Thor (God of Thunder), a beach setting, a splattering of pop music and one strong-willed 11-year-old girl that never quits and what do you get?

Unlike traditional fairy tales, MERMALADE’s story holds no moral decree. In the Socratic Spirit, the show offers more questions than answers with WHY? being at the top of the list.

Why does everyone tell me what to do and feel?

Why is a pearl so special?

Why do I have to keep asking “WHY?”

Mermalade_Manhattan Children's Theatre_image_credit Ben Linnell (1)

“If you’re tired of Once upon a time same old, same old, you should visit Manhattan Children’s Theatre for The Last of the Dragons.” – New York Times

“The idea of a damsel in distress being rescued by a handsome man has been around for so long, we hardly notice it’s there. Which is exactly why it’s so damaging as a stereotype. So hurrah for Manhattan Children’s Theatre for joining a burgeoning list of storytellers re-dressing the balance.”

wow24/7 **** review of The Last of the Dragons 

“This is a tale of bravery, intelligence and unexpected NEW traditions. Beautifully set for the stage and directed by Laura Stevens (…) with an all-Edinburgh cast, this show will delight young and old.”

Families Edinburgh on The Last of the Dragons

Manhattan Children’s Theatre offers complimentary tickets for local youth groups for the preview dates of MERMALADE (3-4 August). Also, on non-performance days the show will be visiting local Edinburgh schools.

Laura Stevens, who recently moved to Edinburgh from her native New York, co-founded Manhattan Children’s Theatre in 2002 and directed over 30 plays since, including theatrical productions for very young audiences (Little Tales, based on folk tales from around the world). Between 2002 and 2011, MCT welcomed over 250,000 audience members through its doors. Laura’s production of The Last of the Dragons debuted at Fringe in 2015 to rave reviews and toured to Biggar in Scotland and Warsaw in Poland to sold-out audiences.

Now Scotland-based, the mission of Manhattan Children’s Theatre is one of providing affordable, high quality theatre entertainment to audiences in Scotland, children in particular.

Mermalade

www.mermalade.org

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