Tag: Touring Fund for Theatre and Dance

Doric TikTok sensation Aye Tunes set tae tour Scotland

Doric TikTok sensation Aye Tunes will bring My Doric Diary to stages across the country thanks to National Lottery funding through Creative Scotland.

My Doric Diary is among five new and five revived productions receiving £1m from the Touring Fund for Theatre and Dance to tour venues throughout Scotland’s villages, towns and cities, from Autumn 2023 – Spring 2024.

Fraserburgh-born actor and singer Katie Barnett and her actor-musician husband, James Siggens first performed as Aye Tunes during lockdown where they recorded Doric covers of pop songs including ‘Shout Out To My Ex’ by Little Mix, which racked up over 80,000 views overnight.

Far it aa started… If Little Mix wiz fae Aberdeenshire! pic.twitter.com/QSp5l6iYUo

— AyeTunes! (@tunes_aye) April 23, 2021

My Doric Diary follows the story of Daisy – a teenager from Fraserburgh, Aberdeenshire – who is finding her voice amongst the grief of her mother’s death. It’s December 31st in Fraserburgh, and Daisy has disappeared down memory lane again. Obsessed with what could have been, Daisy is suddenly given the opportunity of a lifetime – to go back.

The Doric jukebox musical was a hit on stage during its A Play, A Pie and A Pint run at Òran Mór (Glasgow), Traverse Theatre (Edinburgh) and The Lemon Tree (Aberdeen) in April 2022.

Following the run Katie was nominated for Scots Performer of the Year at the Scots Language Awards for her performance which received fantastic reviews.

On touring the work, Katie Barnett commented: “We are so excited to be bringing My Doric Diary out on tour next year.

“Taking it up to the Northeast will be such a wonderful opportunity to celebrate Scots language with those who speak it and performing it elsewhere in Scotland will hopefully be a fun and original way for folk to hear our amazing dialect. A Doric musical is something I’m so proud to have created.”

Popular music is at the heart of several of the productions being funded. Battery Park by Sleeping Warrior Theatre Company tells the story of a 90s Britpop band from Greenock that never made it. It’s a bittersweet love letter to more positive times that will make audiences laugh, cry and reminisce whilst also providing biting satire about where the UK finds itself now.

Thanks to National Lottery players, many of these productions will offer wrap around engagement to invite local communities and audiences to further consider the important issues raised in these productions such as the climate emergency.

Shō and the Demons of the Deep by Zoë Bullock and Independent Arts Projects is a visual-adventure story for children about overcoming fear, climate crisis, and how the actions of one generation can affect the next.

Burnt Out is a solo dance theatre work by Penny Chivas, centred around our changing climate. Weaving spoken word and movement we are taken on a journey through past Australian bushfires including Penny’s own experiences, through their ignition and devastation, and left with space to ponder how we got here.

After a critically acclaimed and exciting world premiere at the Edinburgh Festival Fringe at Summerhall as part of Made in Scotland, Pain and I by Sarah Hopfinger is a bold exploration into chronic pain experience that returns in its live and digital forms – dance performance, audio piece, and graphic score.

Woman Walking by Sylvia Dow is performed, written and directed by three women all in their 70s. Funded productions also include the next intimate chapter in Rona Munro’s critically acclaimed cycle of plays with James V – Katherine by Raw Material Art, among others.

Laura Mackenzie-Stuart, Head of Theatre, Creative Scotland said: “Ranging across physical performance, musical theatre, dance and theatre this vibrant selection of contemporary productions will not only entertain but educate and inspire children, families and audiences across the country.

“The current selection includes new work inspired by local Scottish landscapes, people and events alongside remounts of dance and theatre which have previously wowed audiences at home and internationally.

“There was exceptional demand for this fund with an ask of £6.6m against an available budget of £1m. We would have liked to have supported many more productions which demonstrates the breadth of talent across the country.”

NEW WORK (x5):

Theatre:

Plinth by Al Seed Productions and co-produced by Vanishing Point’ (£65,909)

James V – Katherine by Raw Material Arts (£215,741)

Battery Park by Sleeping Warrior Theatre Company (£160,776)

Shō and the Demons of the Deep by Zoë Bullock by Independent Arts Projects (£140,277)

Woman Walking by Sylvia Dow (£73,932)

RESTAGINGS (x5):

Dance:

Burnt Out by Penny Chivas (£45,311)

Paper Moon by Shaper/Caper (£82,385)

Theatre:

My Doric Diary by Katie Barnett and James Siggens (£81,928)

Pain and I by Sarah Hopfinger (£75,934)

Ragnarok by Tortoise in a Nutshell (£80,838)

For further information on each production please download the attached Touring Fund for Theatre and Dance Production Descriptions document.

Touring-Fund-Descriptions-Dec-22-FinalDownload

New Funds for Touring Theatre and Dance

New funds are available for Scottish based artists, companies, producers and venues for touring live theatre and dance work from Summer 2022.  

With support from The National Lottery as well as enhanced funding of £375,000 from the Scottish Government, Creative Scotland’s £2million Touring Fund for Theatre and Dance eligibility criteria is now live and will open for applications on Tuesday 17 August.  

Culture Minister Jenny Gilruth said: “It is fantastic to see the Touring Fund for Theatre and Dance re-open for applications. Delivered by Creative Scotland with an additional £375,000 of Scottish Government funding, the fund will help support a range of touring theatre shows for more people across Scotland to experience and enjoy in places which normally have fewer opportunities.   

“Fulfilling one of our 100 day commitments, this fund will not only generate increased opportunities for new audiences to experience the best of Scottish theatre, it will provide artists, producers and companies with an opportunity to showcase their creative works after such a difficult year for the sector. I look forward to hearing more about the productions which will benefit from this funding.” 

Since the Fund’s inception in 2018, £4.2million has enabled a wide range of new and topical re-stagings of acclaimed theatre and dance shows including circus for babies, gritty drama, and musical comedy capers exploring themes from international friendship to mental health to criss-cross Scotland. 

From small, medium and large-scale venues pre-covid, shows have been specially created and re-imagined during the pandemic, to suit outdoor spaces and unconventional places such as allotments, woodland trails, garden centres, loch-sides, and people’s gardens.   

Laura Mackenzie Stuart, Head of Theatre at Creative Scotland said: “It’s with thanks to the generosity of National Lottery players, who raise £30 million for good causes across the UK every week, and funding from the Scottish Government, that artists and companies can continue to re-connect with audiences as we slowly begin to emerge from the pandemic, bringing live in person performance back to communities throughout Scotland. 

“Partnerships with established venues will play a vital role – being at the heart of the communities they work in year-round, every year.   Whilst we have endured an incredibly challenging and disrupted period, those links have been kept vibrant and strong. They will be key as audiences begin once again to enjoy the uplifting experience of theatre and dance in person, and a physical reconnection with performing arts.”