Tag: The Ghosts of North Leith

Citadel Arts Group’s The Ghosts of North Leith

NEW SCORSESE MOVIE’S NORTH LEITH LINK

Citadel Arts Group were surprised to discover a connection between Lily Gladstone, star of Scorsese’s Killers of the Flower Moon and one of the main characters in their forthcoming show, The Ghosts of North Leith.

Lily Gladstone comes from Montana, of Blackfeet Indian stock. But on her mother’s side she is descended from the great-great grandfather of a first cousin of the 19th century UK Prime Minister William Ewart Gladstone. And – wait for it – Gladstone’s grandmother is Nellie Gladstones (the family later dropped the final ‘s’) who features in Citadel Arts Group’s The Ghosts of North Leith.

Nellie was a feisty businesswoman who, in Hilary Spiers’ section of the play, reprimands her son John for using slave labour on his plantations.

The fruits of this labour fetch up in Leith. Hilary Spiers writes, ‘The Sugar Boycott was a way for middle class women to show their abhorrence of the slave trade by refusing to buy slave-produced sugar.  Little is known of Nellie’s life which allowed me to give free rein to my imagination.  My play portrays her as something of a radical and an early feminist at odds with her family who derive much of their wealth from slavery.’

When slavery was abolished in 1833, Nellie’s son John Gladstone received the largest payment from the Slave Compensation Commission amounting to over £10m in modern currency. This money no doubt paid for the fine family gravestone in Coburg Street cemetery.

Slavery is a central issue in The Ghosts of North Leith. The play is based on the stories behind seven of the graves in Coburg Street Burial Ground. One tantalising stone commemorates a Jacob Stoney who died in Leith in 1820 but was born in Jamaica on the family plantation.

His fine stone was raised by his sister Mary who was still living in Jamaica.  Citadel’s writers have woven a story around these bare facts using detailed historical research and some inspired guesswork.

 Some are the graves are of well-known characters like Lady Anne Mackintosh who raised troops in the Jacobite Rebellion of 1756. Having enjoyed the Outlander books, playwright Rhona McAdam was attracted to this real-life Jacobite heroine. ‘I wondered how Lady Anne ended up in North Leith Burial Ground instead of the family estate in the Highlands.’ It appears Leith was a hotbed of Jacobite sympathy.

The figure who links all the stories is Robert Nicoll. Hailed as the second Robert Burns, Nicoll became a radical activist and newspaperman until his early death in 1837, aged only 33.

Nicoll is the conscience of the play, pointing out the hypocrisies and double think of the other characters, all stuck in the limbo of North Leith, regretting their unfulfilled lives. The play uses pathos, humour, music to add another chapter to the rich history of the port of Leith which Citadel has been celebrating for almost thirty years.

The cast is led by Mark Kydd, a Citadel regular. He writes: ‘As an adopted Leither, I’ve always been fascinated by its concealed history … vintage maps showing different street names and open fields in what are now built-up areas.

Citadel has a fine tradition of examining Leith’s past through its work, but here the writers have literally gone underground, exploring the lives of people buried in Coburg Street Cemetery though a combination of painstaking research and imaginative speculation.

One character in the play wryly observes: “They said the deid are quite forgotten after three generations”. We hope that this production goes some way towards redressing the balance by helping to celebrate these otherwise forgotten lives.

The script was given a trial performed reading at Leith Festival in June.

Director Liz Hare said: ’Thanks to the enthusiastic feedback of the Leith people and their supportive comments, we have developed and improved the script for three evening performances.

“Now we exploit light and darkness to create a truly disturbing atmosphere for our North Leith ghosts!”

The venue of the show is North Leith Parish Church, soon due to be released for sale by the Church of Scotland. This will be the audience’s last chance to see a live performance in this beautiful Georgian building, intended as the hub of Leith’s New Town.

Venue: North Leith Parish Church, 51 Madeira Street EH6 4AU

Dates: 14, 14, and 16 November at 7.30pm

Tickets £10/£9 from jamesellison@blueyonder.co.uk/07770 623 924

Writers: Carolyn and Brian Lincoln, John Lamb, Hilary Spiers, Elaine Campbell and Rhona McAdam.

Cast Mark Kydd, Deborah Whyte, Chelsea Grace, Fraser Allan Hogg and Grant MacIver.

Director: Liz Hare

Sound: Roddy Simpson

Costumes: Susan Chaney

SM: Maggie Brown

Technical Assistance: Stewart Emm.

The Ghosts of North Leith: Citadel Arts Group leave no stone unturned

Citadel’s Arts Group’s 12th foray into Leith Festival is an exploration of the atmospheric North Leith Burial Ground. Their playwrights workshop wondered what lies beneath Coburg Street and found a number of big characters interred in this small cemetery.

Seven members of Citadel’s group of older writers each chose to research the story behind one of the graves.

There are people whose achievements and eccentricities will be dramatized in a play, The Ghosts of North Leith. Using music, humour and poetry, the drama will raise awareness of this fascinating area of Leith history.

In the Coburg Street Burial Ground lies Lady Anne Mackintosh nicknamed the ‘Colonel’. Playwright Rhona McAdam explains she was drawn to her ‘as she seemed a strong, independent woman, taking part in the Jacobite Rebellion of 1745. 

“Her husband, Sir Angus, chief of Clan Mackintosh, was a Captain in the government troops.  Since he was unable, or unwilling, to raise the clan to fight for Bonnie Prince Charlie, Lady Anne did it instead. 

“When the Jacobites won the Battle of Prestonpans, Sir Angus surrendered to his wife.  After the Battle of Culloden, when the Jacobites were defeated, Lady Anne surrendered to her husband.’  

Jim Brown took on the poet, Robert NicolI, heralded as the next Robert Burns. Jim said: ‘I became fascinated by Robert Nicoll because he was a poet, writer and radical newspaper man born in 1814, who packed so much into his short life. He died aged 23.’

No stone marks the burial place of 12-year-old Matilda Molesworth, but burial records indicate the spot. She features in the real-life story of the Trinity poltergeist. One of the collection of unexplained happenings in Catherine Crowe’s 1848 book “The Night Side of Nature“, it has popped up in anthologies of uncanny happenings ever since.

Another member of Citadel’s playwrights’ workshop, novelist Hilary Spiers explains: ” I’ve long been interested in the history of slavery in Scotland.

“While John Gladstones (buried in North Leith graveyard) and his grandson William Gladstone are better known, I felt John’s wife Nellie (who was known to be a very capable woman) might well have held views at odds with the men in her family. Women were a strong if largely unsung force in the abolitionist movement’.

Elaine Campbell came across the North Leith gravestone of three children and told us: ‘I was intrigued. Who were these three bairns so lovingly remembered?

“In the late eighteenth and early nineteenth centuries when the Millar children lived and died, infant mortality was ferociously high. Sadly all attempts to locate the children in church records proved fruitless.

“There were Millars living in Leith at the time.  I have assumed Peter, John and Archibald were part of this extended, prosperous family of merchants. Although the “Three Cherubs” is my fictional account, I drew on historical material to describe their short lives and untimely deaths.

“By telling their story I hope to have given voice to the countless children who lie long forgotten in North Leith Graveyard’. 

Was it chance or Divine intervention that led writers Carolyn and Brian Lincoln to the gravestone of the Rev. Dr. David Johnston? Previous attempts at finding the grave of this pillar of the North Leith community had proved fruitless.

The Lincolns were paying one last visit to the Coburg Street churchyard, when they noticed the letters D.D. poking through the moss. D.D. Doctor of Divinity.  They scraped away some moss and there was the name. David Johnston (1735-1824) served the parish for nearly 60 years, a strong leader when Leith was seriously threatened by the ships of John Paul Jones, who supported the breakaway American colonies.

The play, which includes all these stories, and more, will be given a trial performed reading in North Leith Parish Church on 15 June. Citadel Arts Group seeks feedback from this first audience at Leith Festival with a view to staging a full performance of the play later in the year in the same venue.

North Leith Parish Church in Madeira Street welcomes Citadel Arts Group’s interest in the burial ground, and the church building which was to have been the keystone of Leith’s ‘New Town’.

Tim Bell told us: ‘I welcome the play as a chance for local and Edinburgh people to see this beautiful Georgian Church before it is released from the Church of Scotland estate in 2024’.

Venue: North Leith Parish Church, 51 Madeira Street EH6 4AU

Date: June 15th 7pm

Tickets: £5 from lizhare@blueyonder.co.uk /07770 623 924

Associated event: Hilary Spiers will lead a free guided tour of North Leith Burial Ground in Coburg Street on Monday June 12th at 2pm. Places are limited. Book from Liz Hare

Writers: Carolyn and Brian Lincoln, Jim Brown, John Lamb, Hilary Spiers, Elaine Campbell and Rhona McAdam.

Cast: Mark Kydd, Deborah Whyte, Chelsea Grace, Gregor Davidson, Dale McQueen.

Director: Liz Hare

Sound: Stewart Emm

Citadel Arts Group (SC 034687) is a Leith-based theatre company which specialises in creating new plays based on local stories, memories, and history.