Researcher partners with leading disability charity after PhD thesis shows poetry can help describe medical condition

“In poems I tried to understand what was happening to my body and to communicate that lived experience to others”

  • Researcher partners with leading disability charity after PhD thesis shows poetry can help describe medical condition

A researcher who found that poetry can help explain a complex medical condition that affects thousands of people in Scotland has teamed up with a national charity to enable more people to benefit from her findings.

Dr Georgi Gill, from Fife, spent six years exploring how writing poems could help people living with multiple sclerosis (MS) understand their condition better themselves, and more easily explain it to others.

Now Georgi, who has MS herself, chose National Poetry Day (Thursday 2 October) to discuss the potential implications of her research as well as announce two new initiatives she’s launching, one in collaboration with MS Society Scotland, to bring the benefits of poetry to more people impacted by neurological conditions.

Georgi, who lives near Kirkcaldy and was diagnosed with relapsing-remitting MS in 2003 at the age of 28, said: “When I first turned my pen to poetry, it felt like the only writing option remaining to me.

!My vague ambitions of being a novelist had fallen by the wayside as had my full-time career in school teaching and penchant for night clubbing in high heels; all casualties of the dizziness, brain fog and physical fatigue that have frequently interrupted my life since I was diagnosed with MS.

“I remember looking at brain scans in my neurologist’s office, scans that I couldn’t understand or interpret. To me, the white patches of inflammation and scarring were moth holes in my brain. Ideas, lesson plans, mental shopping lists, the witty comment I was about to make frequently slipped through these holes and were lost. Eventually I acknowledged, with some burning resentment, that I wasn’t going to be writing the next great novel any time soon.

“Poems, on the other hand, could be very short. They didn’t need to tell a complicated story with multiple characters. From my previous encounters in literature classes, poems didn’t even have to make sense!”

Georgi “grudgingly” signed up for a poetry writing class and within weeks she was hooked. Before long she had completed a Master of Arts in Poetry Writing and released her first poetry collection, ‘Limbo’ (Blue Diode, 2021).

She continued: “Poetry offered a distraction from some of the realities and limitations of my life. Yet it wasn’t just an escape – I was also tentatively using poems as a way to explore my feelings and frustrations about the ways that MS had derailed my life plans.

!In poems, I tried to understand what was happening to my body and to communicate that lived experience to others. I started to wonder whether writing poems about their lives with MS could offer similar benefits to others with the condition.”

More than 17,000 people in Scotland live with MS. That’s about one in every 300 people, which is one of the highest rates of MS in the world. Yet research carried out on behalf of the MS Society earlier this year suggests just a fraction of adults in Scotland can demonstrate a thorough understanding of the condition*.

Georgi’s poetry was the starting point for her PhD research at the University of Edinburgh and, in the middle of the 2020 UK Covid lockdown, she found herself hosting a series of online workshops for people living with MS. Participants were encouraged to use verse as a tool for exploring their shared condition and explaining it to others. They benefited from social interactions within the groups and some experienced enhanced self-esteem from taking part in the shared creative activities.

“We shared our lives with one another and the aspects that made us feel uncomfortable or isolated from other people,” Georgi continued. “There was a lot of laughter as we recognised our own experiences in others’ poetry and also, on occasion, a few tears.

“These workshops and the resulting poems created opportunities for people with MS to be heard and understood and, importantly, to build creative communities together. Participants also reported positive outcomes from sharing these poems with a small number of their family, friends and carers. For some participants, an old hobby was revitalised, while for others a valuable new creative practice was found.”

Having seen and experienced the benefits of poetry writing, and keen to share those positives with others, Georgi is launching the following initiatives:

·       In October, Georgi will publish ‘poeMS: an anthology by people living with multiple sclerosis’. Available as a free e-book through the University of Edinburgh, the anthology brings together poems written by participants in her original study, providing unique insights into their lives with MS. A limited number of print editions will be given to neurologists and charities working to support people with MS.

·       The ‘Poems on my mind’ project will then bring her poetry workshops to new audiences and people with a range of neurological conditions including MS, Parkinson’s and motor neuron disease. Initially, Georgi will train staff and volunteers from MS Society Scotland to establish and deliver the workshops. Members of the MS community throughout Scotland will then be given the opportunity to explore and communicate their health experiences through poems.

Georgi will undertake both pieces of work though the Institute for Advanced Studies in the Humanities (IASH), based at the University of Edinburgh where she completed her PhD in Health in Social Science in 2025.

IASH Director, Professor Lesley McAra, said: “We’re delighted to be supporting this fascinating and timely project.

“Poetry helps us look at the world in new ways, and Georgi’s work in the community promises to bring those vital insights to a wide audience.”

Georgi believes that in addition to helping participants understand their own MS, and explain their condition to those close to them, her workshops could also be beneficial in helping medical and other professionals better understand an individual’s symptoms.

Looking ahead to the two upcoming projects, she added: “I’m excited: excited to share the original participants’ poems, which brought illumination and inspiration to readers and writers alike in the first project.

“Excited also to read the new poems that will be written by people joining MS Society Scotland’s ‘Poems on my mind’ groups. My own life with MS continues to shift and change, but poetry is a welcome constant.”

MS damages the protective coating around nerves in the brain and spinal cord, and can impact how people move, think and feel. The MS Society is the UK’s leading charity for people affected by MS, offering support, funding research, and campaigning to improve the lives of everyone impacted by the condition.

Jo Anderson, Director for Scotland at the MS Society, said: “We’re excited to be working with Georgi on the ‘Poems on my mind’project. Georgi’s research shows there are many ways poetry can benefit the MS community, and we’re pleased to be part of the team bringing those benefits to even more people.

“MS symptoms are different for everyone, and many are invisible. As well as supporting people to explore their own MS, the poetry workshops could lead to friends, relatives, carers, and professionals also gaining a greater understanding of the condition and how it impacts those around them.”

In March, the MS Society revealed the results of a survey conducted, in partnership with Opinium Research, to find out how well people understood MS. Of the 500 adults surveyed in Scotland, although more than 90% had heard of MS, only 12% of those were able to correctly identify whether a series of statements they were shown about the condition were true or false.

When MS Society Scotland revealed the survey results, it stressed that if a person with MS is surrounded by family, friends, or colleagues who don’t fully understand the impact it can have, it makes living with an already difficult condition even harder.

The charity pledged to continue working to increase people’s understanding of MS; the poetry project being undertaken in partnership with Georgi will contribute towards this commitment.

·       A link to download the free e-book, ‘poeMS: an anthology by people living with multiple sclerosis’, will be posted on MS Society Scotland on Facebook, @mssocietyscot on X, and @iashedinburgh.bsky.social on Bluesky as soon as it’s live.

·       Read Dr Georgi Gill’s PhD thesis, ‘poeMS: an exploration of poetry as a way to communicate lived experiences of multiple sclerosis’, here: 

https://era.ed.ac.uk/handle/1842/42995

·       Find out more about Georgi’s research and her upcoming projects at:

https://www.iash.ed.ac.uk/profile/dr-georgi-gill

Push the Boat Out Poetry festival returns with a full programme

PROGRAMME ANNOUNCED ON NATIONAL POETRY DAY

Edinburgh’s International Poetry Festival, Push the Boat Out (PTBO), returns to Edinburgh this November (20–23, 2025) holding court in a new venue at the Pleasance, Edinburgh with a packed cross-art form programme promising to provoke, entertain and inspire.

The full programme is announced today Thursday 2 October, to mark National Poetry Day.  

PTBO’s 2025 programme will bring together over 120 artists for a weekend of poetry, performance, music, and art. Setting sail on three thematic streams – Poetry is Punk reminds audiences that poetry can be raw, rebellious and DIY, the Anthropocene reflects on the human impact on our planet and species whilst The Unseen World dives deep into the mystical, esoteric, and spiritual—exploring belief and imagination beyond the everyday. 

For 2025, 63 events will showcase some of the most exciting voices from Scotland and around the world. Audiences can look forward to appearances by acclaimed poets and performers including Leena Norms, Luke Kennard, Anthony Anaxagorou, Marjorie Lotfi, Zinnie Harris, Karen McCarthy Woolf, Victoria Chang, Lorna Goodison, Anthony Vahni Capildeo, Najwan Darwish, Noor Hindi, Roseanne Watt, Michael Mullen, and Scotland’s Makar, Peter MacKay, among many others.

This year’s festival launches in unforgettable style aboard Leith’s floating hotel, The Fingal, with a pre-festival event on 8 November featuring acclaimed poets Hollie McNish and Michael Pedersen, who will read from their latest works: Virgin and Muckle Flugga. Celebrations continue as part of the main festival with highlights including:

  • New commissions of cross-disciplinary work from poets such as Iona Lee, Taylor Dyson, Craig Aitchison and Garry MacKenzie in association with the National Theatre of Scotland under the theme ‘Anthropocene: the Human-Altered World’.
  • Original 1980s ranting poet Tim Wells and punk slam champ Jay Mitra will get rebellious, raw and political in a night of anarchic energy with The Ranting Poets.
  • The four winners of the 2024 Royal Society of Literature Jerwood Poetry Award will premiere new collaborations co-conceived with musician Kathryn Williams, unearthing myths from the British Isles with themes of elegy, absence and joy.
  • What Now? – a new theatre collective will premiere bold new work responding to today’s geopolitical climate with new commissions from Hannah Lavery, Zinnie Harris, and William Letford. The event is supported by compelling spoken word from acclaimed poet Anthony Anaxagorou, and live music from Carla J. Easton.
  • Scots poet Len Pennie will discuss her fiercely honest new collection of poems that confront ideas of patriarchy, gender-based violence and societal injustice.
  • Two of Scotland’s standout spoken word poets, RJ Hunter and Gray Crosbie will share new work in a Scratch Night supported by an electrifying performance by Harry Josephine Giles and the Edinburgh Trans Choir.
  • Expect sublime soundscape from headliners Lord Of The Isles & Ellen Renton and Edinburgh-based poetic ensemble, Acolyte, with an alternative gig night of poetry, pedals and synths. 
  • Tinderbox Orchestra sees out the festival with a glorious finale of rappers, poets, heavy bass and drums – transforming preconceptions of what an orchestra and poetry can be.

Around town, it’s scents and sensibilities with bespoke fragrance events in partnerships with Lush Cosmetics that explore perfume, memory, and metaphor.

For the art lovers, one of Scotland’s most distinctive and internationally recognised poets, Ian Hamilton Finlay is celebrated with an exhibition that will run for the duration of the festival.

Emma Collins, Director of Push the Boat Out, said: ‘From high-energy poetry slams and late-night scratch performances, to thought-provoking panel discussions, immersive workshops, development days and genre-blurring collaborations, PTBO continues to push poetry far beyond the page. 

“We’re really looking forward to delivering this year’s programme at the Pleasance, one of Edinburgh’s most beloved festival venues and once again, the billing offers variety through its cross-art form experiences.

“The 2025 festival reaffirms its commitment to showcasing iconic poets, fresh voices, radical perspectives, and unexpected intersections between poetry and other art forms, including spoken word, music, and theatre.

“Whether you’re a lifelong poetry lover or a curious newcomer, there are multiple ways to engage with the poetic form via a true celebration of words on and off the page across the weekend.

For 2025 PTBO continue their community engagement work with partners across the city, including SCOREScotland, Tinderbox Collective, Amnesty International UK, and Simon Community Scotland. For those unable to attend in person, the programme also sees a curated line-up of online workshops, discussions, five free live-streamed events and a full broadcast schedule in collaboration with EHFM radio. 

Alan Bett, Head of Literature & Publishing at Creative Scotland, said: “This is a creative programme that pushes the boundaries of poetry as an artform, working in the spaces where it meets music, visual art and performance.

“At its core is a diverse range of voices from across Scotland and beyond, showcasing poets at every stage of their creative journey including the likes of Gaelic language poet and National Makar, Peter MacKay, and the current Scots Language Scriever Taylor Dyson.

“Push the Boat Out brings this all into the heart of Edinburgh, inviting everyone – from curious newcomers to seasoned poetry lovers – to experience something unforgettable.”

Culture and Communities Convener Margaret Graham, said: “Edinburgh has long been recognised as a hub of culture and creativity, and festivals like this are testament to that legacy.

“With 63 events featuring fantastic voices from Scotland and beyond, Push The Boat Out adds to the city’s diverse and thriving festival scene that we are proud to host.

“I’m very much looking forward to a weekend that brings together poetry, performance, music, and art in such an exciting way.”

The full programme and line-up can be found at: www.pushtheboatout.org   For full programme and event listing PDF – please see here

Stockbridge Library Poetry Contest

POETRY WRITING CONTEST FOR YOUNG WRITERS!🤩

To celebrate the upcoming National Poetry Day on 5th October 2023, we invite kids and teens to enter Stockbridge Library’s Poetry Contest.

The theme this year is Refuge. No rules! Write a poem of any style or length. You decide! Drop it in the poetry contest box at the library and win prizes!

Entries are open from Friday 1st Sept to Saturday 30th Sept 2023

#NationalPoetryDay

A poem for National Poetry Day

A poem to celebrate National Poetry Day

chry

LUCOZADE

by JACKIE KAY

My mum is on a high bed next to sad chrysanthemums.
‘Don’t bring flowers, they only wilt and die.’
I am scared my mum is going to die
on the bed next to the sad chrysanthemums.

She nods off and her eyes go back in her head.
Next to her bed is a bottle of Lucozade.
‘Orange nostalgia, that’s what that is,’ she says.
‘Don’t bring Lucozade either,’ then fades.

‘The whole day was a blur, a swarm of eyes.
Those doctors with their white lies.
Did you think you could cheer me up with a Woman’s Own?
Don’t bring magazines, too much about size.’

My mum wakes up, groggy and low.
‘What I want to know,’ she says,’ is this:
where’s the big brandy,the generous gin, the Bloody Mary,the biscuit tin, the chocolate gingers, the dirty big    meringue?’

I am sixteen; I’ve never tasted a Bloody Mary.
‘Tell your father to bring a luxury,’ says she.
‘Grapes have no imagination, they’re just green.
Tell him: stop the neighbours coming.’

I clear her cupboard in Ward 10B, Stobhill Hospital.
I leave, bags full, Lucozade, grapes, oranges,
sad chrysanthemums under my arms,
weighted down. I turn round, wave with her flowers.

My mother, on her high hospital bed, waves back.
Her face is light and radiant, dandelion hours.
Her sheets billow and whirl. She is beautiful. 
Next to her the empty table is divine.

I carry the orange nostalgia home singing an old song.