As part of the city-wide Edinburgh 900 celebrations, a new exhibition celebrating Edinburgh’s rich sporting legacy opens tomorrow (Wednesday) at St James Quarter.
Free and open to all, the exhibition invites visitors to explore Edinburgh Leisure’s proud history of leisure and sport through engaging displays and stories.
Located in a dedicated Edinburgh 900 pop-up on Leith Street, next to Mor Bakery, the exhibition showcases the “City of Leisure” theme and features highlights from three captivating Edinburgh Leisure displays.
Great Lengths & Your Health is for Life
Discover Edinburgh Leisure’s 27-year commitment to promoting active lifestyles and delve into the fascinating history of the city’s Victorian swimming pools, including the iconic Royal Commonwealth Pool.
Teeing Off Through Time
Celebrate Edinburgh’s prestigious golfing heritage designed to be displayed at the 125th Edinburgh Evening News Dispatch Trophy, held at Braid Hills Golf Course in May.
Learn about the city’s pivotal role in golf’s origins, explore Edinburgh Leisure’s six scenic golf courses, and uncover the stories behind historic tournaments like the Dispatch Trophy and Gibson Cup, which have shaped local golfing traditions for over 130 years.
Whether you’re a sports enthusiast, history buff, leisure enthusiast or simply curious, this exhibition offers a unique opportunity to experience Edinburgh’s sporting spirit – all under one roof.
Admission is free, and no booking is required. If you missed the exhibition at the Royal Commonwealth Pool last autumn, now’s your chance to catch it in the heart of the city.
You can learn about Edinburgh Leisure’s Active Communities programmes, which support over 12,500 people affected by health conditions, disabilities, inequalities, and poverty to get active; membership options including their 4-week summer pass, available now; fundraising initiatives, and volunteering opportunities too.
A colourful exhibition, showcasing the artwork of 3–18-year-olds from across Scotland opens this Saturday [10 May] at National Galleries Scotland: National and is free to visit.
The nationwide call for the Your Art World exhibition has inspired nearly 500 incredible young artists from across the country to get involved, with the opportunity to have their work displayed in Scotland’s National gallery.
Their creations will be on show in the same building as iconic works such as The Monarch of the Glen and The Skating Minister aka Reverend Robert Walker (1755 – 1808) Skating on Duddingston Loch, as well as works by Scottish artists including William McTaggart and Phoebe Anna Traquair.
In the National you can discover over 20 works created by community and school groups who have been collaborating with the National Galleries of Scotland over the last few months.
The talented artists include young people from Redhall School in Edinburgh, Victoria Primary and Nursery in Falkirk, Oban High School and North Edinburgh’s LIFT Kids’ Club (Low Income Families Together).
Separated into four installations, the groups worked to create extraordinary displays ranging from drawings and embroideries engaging with social issues, to 3D sculptures, sensory works and vibrant abstract paintings.
Displayed on screens in the exhibition you can also explore the works of nearly 300 children from across the country who submitted their art digitally.
The young people were invited to be as imaginative as they liked and use any type of materials for their creations. From drawings, paintings, 3-D sculptures or video – there were no limitations on what they could make.
Plus, there is still time for young people to submit their works for display! All 3-18 year olds living in Scotland are invited to send their art for inclusion in the digital exhibition.
All you need to do is photograph their work and upload it to the National Galleries of Scotland’s online gallery, then come along to the exhibition and see their creations featured proudly on digital screens at the National.
New entries will be accepted throughout the exhibition and added to the rolling display on the digital screens every month until the end of September.
Your Art World is a celebration of what happens when young people are encouraged to be wildly imaginative, so why not see what’s possible.
Siobhan McConnachie, Head of Learning and Engagement, National Galleries of Scotland, said: “I’m so excited and proud to be showcasing the artwork of the talented young artists of Scotland. The response so far has been truly inspiring, and we have been so impressed with everyone’s creativity.
“We can’t wait to see what else is still to come! Your Art World is incredibly important to us at the National Galleries of Scotland as it hands over the creative process to young people and celebrates their work.
“Art has its place in every school, home and young person’s life, whether that be encouraging people to think creatively, use it as an expressive outlet or simply for some fun. This project and exhibition truly celebrates that art really is for everyone.”
The National Galleries of Scotland working with p1 and nursery children at Victoria primary school in Falkirk.
The exhibition is part of a wider Your Art World project, designed to inspire and engage young people in art. With online resources available for teachers and families, the project supports children in creative activities.
By providing tools and guidance, Your Art World demystifies the creative process and invites everyone to explore and enjoy art.
A colourful exhibition, showcasing the artwork of creative 3–18-year-olds from across Scotland is due to open at the National gallery on 10 May.
Your Art World encourages young people across the nation to get creative, with the opportunity of having their work displayed in Scotland’s National gallery, which is home to iconic works such as The Monarch of the Glen and works by Scottish artists including William McTaggart and Phoebe Anna Traquair.
The young people are invited to be as imaginative as they liked and use any type of materials for their creations. From drawings, paintings, 3-D sculptures or video – there were no limitations on what they could make.
Plus, there is still time to submit works for display! All 3-18 year olds living in Scotland are invited to send their art for inclusion in the exhibition, all you need to do is photograph their work and upload it to the National Galleries of Scotland’s online gallery, then come along to the exhibition and see their creations featured proudly on digital screens at the National! Your Art World is a celebration of what happens when young people are encouraged to be wildly imaginative, so why not see what’s possible.
Discover physical installations created by community and school groups who have been working with the National Galleries of Scotland over the last few months. Groups involved include Redhall School in Edinburgh, Victoria Primary and Nursery in Falkirk, Oban High School and North Edinburgh’s LIFT Kids’ Club (Low Income Families Together).
The groups worked to create extraordinary displays ranging from drawings and embroideries engaging with social issues, to 3D sculptures, sensory works and vibrant abstract paintings.
Siobhan McConnachie, Head of Learning and Engagement, National Galleries of Scotland, said: ‘I’m so excited and proud to be showcasing the artwork of the talented young artists of Scotland.
“The response so far has been truly inspiring and we have been so impressed with everyone’s creativity. We can’t wait to see what else is still to come! Your Art World is incredibly important to us at the National Galleries of Scotland as it hands over the creative process to young people and celebrates their work.
“Art has its place in every school, home and young person’s life, whether that be encouraging people to think creatively, use it as an expressive outlet or simply for some fun. This project and exhibition truly celebrates that art really is for everyone.’
New entries will be accepted throughout the exhibition and added to the rolling display on the digital screens every month until the end of September. All submissions can be made online.
The exhibition is part of a wider Your Art World project, designed to inspire and engage young people in art. With online resources available for teachers and families, the project supports children in creative activities. By providing tools and guidance, Your Art World demystifies the creative process and invites everyone to explore and enjoy art.
An exhibition charting the history of Leith St. Andrew’s Parish Church, and the community around it, opens to the public this Friday.
The church building, on the corner of Easter Road and Lochend Road, has been earmarked for sale by the Church of Scotland and has now closed as a place of worship, with its last service held on 29th December 2024.
The exhibition “The Heart of a Community” marks this moment of transition and has been organised by Leith St. Andrew’s Trust, the charity behind efforts to purchase the Leith St. Andrew’s Church building on behalf of the community and give it a new life as an activity centre and events space.
The artefacts and stories collected in the exhibition are the culmination of four months of work by local historian, Dr. Julian Grant, who undertook archival research and interviews with former congregation members and others with strong connections to the church.
The project was backed by the National Lottery Heritage Fund, whose support has also allowed Leith St. Andrew’s to carry out early-stage feasibility studies on how to ensure a sustainable future for the building.
The Heart of a Community will be on display in the church’s main sanctuary hall, launching 21st February, and then opening over the weekends of 22nd/23rd February and 1st/2nd March.
There will also be a special panel discussion event on Wednesday 26th February hosted by Leith St. Andrew’s Trust volunteer Julia König, and featuring local history expert Fraser Parkinson, award-winning writer Jemma Neville, project lead Julian Grant and Leith St. Andrew’s Trust Chair, Nina Ballantyne.
Nina Ballantyne, Chair of Leith St. Andrew’s Trust, said: “Leith St. Andrew’s Trust is so excited to share the findings from this project with the public, celebrating the people and stories of Leith St. Andrew’s at such a pivotal moment.
“The Heart of a Community” is an opportunity to learn more about the church’s history, its role in the community to date and its future potential.
“We hope that people seeing the memories and connections made here will be inspired to support our campaign for a community buyout of the building, and help make many more memories and connections in future.”
Everyone is welcome to visit the Granton Gasholder Park public art design exhibition opening this Thursday 18th July 9am at Granton Station.
Running until Saturday 20th July 3pm.
On view will be proposal from the six shortlisted artists and artist teams who have been developing ideas alongside the local community in Granton for this permanent art installation opportunity.
Only one artist proposal will go forward. Come along to see all the options available. To be decided by selection panel only.
A new exhibition at the National Museum of Scotland explores Scotland’s critical position on the frontline of the Cold War. Cold War Scotland (13 Jul 2024 – 26 Jan 2025), features dozens of objects on display for the first time, including secret intelligence training documents and a map of central Scotland marked to highlight targets under threat of nuclear attack.
Scotland’s unique geography and topography provided a useful base for NATO military preparations and research during the Cold War, a 40-year nuclear stand-off between the USA and the Soviet Union following the end of the Second World War. Opening this Saturday, 13 June, the exhibition tells the stories of the Scots at the centre of this global conflict.
For the first time visitors will see an Ordnance Survey map of Scotland hand-painted to highlight areas that were expected to be affected in the event of a nuclear attack, particularly major cities, military bases and dockyards.
Created in the 1980s, it is colour coded to indicate the point of explosion and scale of the impact across the central belt and beyond. Atomic power brought jobs and investment to some of the country’s most remote areas, but as global tensions mounted this threat of attack or nuclear disaster became part of everyday life. Cold War Scotland explores both the visible and invisible legacies of the war in Scotland.
The impact of the war still lingers in Scottish politics, culture and memory. Scots played an active role in the global conflict as soldiers, for example, within intelligence services and as part of voluntary civil defences.
2HX4YA3 Britain’s Women Learn Atom Defence — Wearing anti-gas boots and headphones, Pamela Preston of the KVS probes and area with a Geiger monitor for supposed deadly radioactivity. A three-girl team drawn from the Red cross, the Women’s voluntary service and the red cross took part in a demonstration of atomic defence techniques at Winchester. England, Feb 18, The display was given by naval personnel from the Atomic defense school, HMS Phoenix, and was organized by the Hampshire civil defense corps. August 01, 1952. (Photo by Associated Press Photo).
The exhibition also draws on Scotland’s rich history of Cold War-era protest and activism. Firsthand accounts include a young mother who decorated her daughter’s pram with Campaign for Nuclear Disarmament (CND) badges.
A rattle made from an old laundry detergent bottle emblazoned with the CND logo was given to them during the Peace Marches of the early 1980s and is on display in the exhibition.
The exhibition also reveals the physical remains of the Cold War; the ruined bases, forgotten bunkers and decommissioned nuclear power stations still evident across the Scottish landscape.
This infrastructure became part of the fabric of local communities, none more so than the US-controlled listening and monitoring station at RAF Edzell in Angus, now commemorated with its own bespoke tartan.
Dr Meredith Greiling, Principal Curator of Technology at National Museums Scotland, said: “From nuclear submarines to lively peace protests and observation stations perpetually monitoring for devastating attack, the Cold War permeated every aspect of life in Scotland for decades.
“This conflict is so often remembered on a global scale, but this thought-provoking exhibition will offer a Scottish perspective of the period, allowing Scots from all walks of life to tell their remarkable stories for the first time.”
Further highlights of the exhibition include artwork from Glasgow’s 1951 Exhibition of Industrial Power and a toy nuclear power station, operated by steam and hot to the touch when played with.
Both these examples highlight the spirit of optimism, progress and modernity associated with atomic energy in postwar Britain. In contrast, a Geiger counter used by farmers in East Ayrshire to test for radiation in sheep following the Chernobyl Disaster illustrates the enduring but unseen impact of the Cold War on Scotland’s landscape.
The exhibition will be supported by a book and programme of events including curator tours and talks. Cold War Scotland is an output of Materialising the Cold War, a collaborative research project between National Museums Scotland and the University of Stirling.
The project explores how the Cold War heritage is represented and how museums can adapt to tell this story in future. Materialising the Cold War is funded by a major grant from the Arts and Humanities Research Council.
Cold War Scotland is part of Edinburgh Art Festival, taking place between 9 – 25 August 2024.
Cold War Scotland is part of Edinburgh Art Festival, taking place between 9-25 August 2024.
The Royal College of Physicians of Edinburgh (“the College”) is launching a new public exhibition next week: Wild & Tame: Animals in History.
The exhibition will explore the history of animals, real and imagined, and their impact on human lives and culture. From unicorns and the first Renaissance animal encyclopaedia to Charles Darwin, it will show how humans exploited animals and how they cared for them, creating our shared history.
As well as providing us with food and labour necessary for our survival, animals were essential in the development of medicine. They were our test subjects, as well as a source of medical ingredients – from the fat of whales to treat haemorrhoids in the past to modern use of venoms to treat heart disease.
The exhibition will show the instruments used to treat animals in the past and explore the modern idea of One Medicine – a call for closer cooperation between physicians and veterinarians for the benefit of all species on Earth.
Using the remarkable collection of the Royal College of Physicians of Edinburgh natural history books, the exhibition will show the changing ways we depicted animals and studied them, finally unlocking the mysteries of evolution and our place in the natural world.
The exhibition will also explore the vital role animals played in our cultural history, from myths and monsters to modern pets and companions.
As well as books and objects, the exhibition has an interactive digital display which further explores the place of animals in popular culture as symbols and mascots.
Estela Dukan, co-curator of the Wild and Tame: Animals in History said:“ Close links between animal and human health call for closer communication and cooperation between human medicine and veterinary medicine.
“Animals have been essential to human survival for thousands of years, but increasing number of humans living today and modern international travel mean we are coming into closer contact with different animals and environments across the planet.
“The Royal College of Physicians of Edinburgh recognises the importance of globally connected health research and education to improve wellbeing of humans and animals. Our exhibition explores the history of these links and the role animals played in development of modern medicine.”
Kate Aitkenhead, co-curator of the Wild and Tame: Animals in History, said: “Animals are an integral part of our daily lives. Our relationship with them has often been fraught and overbearing, whilst still maintaining a core of respect and companionship.
“We have included them in our heraldry, such as the rampant lion on the Scottish coat of arms, or the unicorn as the national animal of Scotland, seen as a creature of courage, purity and healing.
“Through artworks, objects, encyclopaedias and viewpoints both historical and modern, we explore the impact this ubiquitous relationship has had on medicine and science as a whole. Animals aren’t going anywhere.
“Our exhibition aims to provide an understanding of our shared history in order to help ensure the continued health and safety of humans and animals alike.”
The exhibition will also include contributions and quotes from people and organisations dedicated to conservation and animal health around the UK, such as Prof Neil Fitzpatrick, veterinary surgeon, and Sheila Voas, Chief veterinary Officer for Scotland.
The National Galleries of Scotland is delighted to announce the acquisition of Encounter (1959), by world-renowned Surrealist artist Remedios Varo (1908-1963). Extremely rare and sought-after, this is the first painting by Varo to enter a public collection in Europe. Encounter is on display and free to view at Modern One.
The work was acquired in time to mark the centenary of the publication in Paris of André Breton’s Manifesto of Surrealism in 1924, which effectively launched the movement. A significant and exciting acquisition for the people of Scotland, Varo only completed about 100 paintings in her lifetime, with most in public collections in Mexico. Only able to dedicate herself fully to creating art in the last decade of her life,Encounter was produced in 1959, at the height of Varo’s career.
The concept of the encounter – especially the chance encounter – was a subject favoured by the Surrealists for its mysterious potential.
In this striking composition, a seated figure carefully lifts the lid on a tiny casket to find her own eyes staring back at her. Several similar boxes sit on the shelves in the background, suggesting that there are more “selves” to be discovered.
Many of the figures that Varo painted resemble the artist herself, and this work is believed to be a self-portrait.
Varo said of the work: “This poor woman, full of curiosity and expectation as she opened the little coffer, encounters her own self; in the background, on the shelves, there are more little coffers, and who knows whether on opening them she will find something new.”
Born in Girona, Catalonia, in north-east Spain, Remedios Varo was a Surrealist painter and poet. Her father, an engineer, recognised her artistic talent from a young age and encouraged her to copy his technical drawings, which would influence her compositions for the rest of her life.
She was one of the first female students to attend the Academia de San Fernando in Madrid, where she enrolled at the age of 15, and later received her diploma as an art teacher. In 1935, after moving to Paris, Varo encountered artists engaging with Surrealist concepts, and was later introduced to the poet and founder of the Surrealist movement, André Breton.
After fleeing Nazi-occupied France in 1941, Varo settled in Mexico, where she was one of a small but important group of Surrealist poets, painters and photographers. These artists include Kati Horna and Leonora Carrington, with whom she forged a creative alliance but also an enduring, life-long friendship.
Using a combination of chance and planned techniques, Varo produced work that was influenced by science and the occult in equal measure. The resulting images are as mysterious as they are technically brilliant, often depicting enchanted domestic scenes and strange encounters with otherworldly beings.
Playing with the magical and spiritual potential of interior spaces, Varo sought power in ordinary rooms — in dusty corridors, and creaking doorways — transforming them into fantasy realms that overflow with possibility.
In the last ten years, the National Galleries of Scotland has made efforts to acquire major works of art by female artists.
This latest unique acquisition will help to expand the collection and give a more comprehensive view of Surrealism as a diverse, international movement, rather than one simply centred in Paris.
Other recent acquisitions include major artworks by Leonora Carrington, Dorothea Tanning and more recently, archival material related to Edith Rimmington.
Simon Groom, Director of Modern and Contemporary Art at the National Galleries of Scotland, said: “We’re thrilled to have acquired this incredibly rare and important painting by Remedios Varo. Her career as a full-time artist lasted little more than a decade.
“She worked slowly and meticulously, completing only about a hundred paintings, many of which are now in museum collections in Mexico and the USA. They are breathtaking gems which one seldom sees outside books.
“There’s not a single painting by her in a public collection outside the Americas. Or rather that was the case until now. Moreover, Encounter is a key work in her oeuvre, a self-portrait which deals with self-discovery and identity.
“It cements the National Galleries of Scotland’s collection of Surrealist art as one of the very finest in the world.”
Jenny Waldman, Director, Art Fund, said: “Artist Remedios Varo’s haunting painting, ‘Encounter’ into the Scottish National Galleries’ collection will captivate visitors from Scotland and across the UK.
“This painting is a key addition to Scottish National Galleries’ growing collection of major works by women artists. I’m delighted that Art Fund has been able to support this important Surrealist work to enter the permanent collection, thanks to our generous donors and National Art Pass members.”
The acquisition was made possible thanks to the Walton Fund, along with support from Art Fund and the Wendi Norris Gallery, San Francisco.
Local artists work on display during the Edinburgh Festival
The award-winning five-star Kimpton Charlotte Square Hotel is celebrating this year’s Edinburgh Festival by launching a new exhibition in partnership with &Gallery.
As the city welcomes visitors from around the globe for the world-famous Edinburgh Festival which celebrate arts and culture, the design-led hotel has unveiled a free art exhibition showcasing work from two local artists, Anna Somerville and Emily Moore.
Passionate about paint, mark making and colour, Anna Somerville creates expressive, painterly landscapes that conjure up hazy memories of places that she has visited. Her pieces on display at Kimpton Charlotte Square include ‘Highland Scape’, ‘Rapolano Neon Scape’ and ‘Tuscan Scape’.
Emily Moore’s paintings focus on the stark facades of modern tower blocks, inspired in part by a trip to Berlin, and latterly, places closer to home. The sharp lines of these modernist forms are overlaid with intricate patterns of leaves and tree branches.
Established in 2017, &Gallery is a contemporary visual art gallery located in the heart of Edinburgh’s New Town and the well-known art gallery district. &Gallery curates a specialist programme of solo exhibitions of represented artists along with curated group shows.
Its emphasis is on abstract and minimal painting, drawing and sculpture, by artists at various stages of their career who are located in Scotland, as well as throughout the UK and worldwide.
Both artists are graduates from Edinburgh College of Art and regularly exhibit with &Gallery. The new exhibition will be displayed throughout the ground floor of the hotel including the lobby, The Garden as well as the bar and restaurant area. All work is available to purchase through the &Gallery.
Avril Nicol, owner of &Gallery said: “We have really enjoyed collaborating with the Kimpton for our exhibition taking place during the renowned Edinburgh Festival and following months. I
“t was a pleasure curating a selection of work to compliment Charlotte Square’s unique interior, and a great opportunity to highlight the work of two talented local artists.”
Kieran Quinn, general manager at Kimpton Charlotte Square said: “The Edinburgh Festival is a time for the world to celebrate our city, its culture, and the arts.
“It’s important for us to make the most of this special time, giving local artists access to our guests and ensuring our guests are surrounded by wonderful talent.”
Guests and members of the public are invited to see Emily and Anna’s work on display at Kimpton Charlotte Square from today (Monday 14 August) until November.
Celebrating the work of resident artists and makers
Outside + In exhibition – Monday 15th to Saturday 20th May
Exciting FREE exhibition showcasing the work of Drill Hall residents
Featuring 14 artists and makers from paintings and illustration to jewellery.
Out of the Blue Drill Hall is excited to host an exhibition showcasing the work of 14 of its resident artists and makers, from painters and illustrators to jewellery makers and printers.
Organised by resident visual artist Felicity Inkpen, the exhibition, Outside + In, will run from Monday 15th to Saturday 20th May (10am to 5pm), with an opportunity to meet the artists on Wednesday 17th May from 5:30pm to 7:30pm..
The artists of the Drill Hall have collaboratively designed the exhibition, and are excited to invite the local community, family and friends to marvel at their creations.
With so many artists taking part, there really is something for everyone. Artists include abstract painter and surface pattern designer, Catherine Lazcano-Thornton. She is inspired by the love of colour and seasonal change, using acrylic paints and a combination of mixed media to create textures and marks.
Tom Duncan of Twin City Pictures will be showing his photography at the exhibition. He specialises in providing industry standard headshot and showreel material to actors, as well as creating marketing posters and social content for theatres.
The poster for the exhibition was designed by resident, and exhibition organiser, Felicity Inkpen. Practicing and exhibiting as an artist since 2012, she draws on her experience as a working research scientist to inform her contemporary works that attempt to explore and communicate all the strange ways in which the mind works.
Felicity comments: “Out of the Blue Drill Hall is such an important space within the creative community of Leith. The artists and makers within its walls work incredibly hard, and to be able to display their talents in this showcase is a joy.
“After a difficult few years, Leith feels like a very exciting place to be, creatively. I hope that anyone who is curious will come to see the exhibition, and to find out more about the creators in this space.”
Details of the Outside + In exhibition, as well as a list of participating artists and makers can be found on the Drill Hall website.
