Join us on Friday 17 June from 6—8pm to celebrate the opening of backwash, an exhibition of new work by Glasgow-based artist Camara Taylor.
backwash can refer to the cleaning of filters, the receding of waves, backward currents or the reverberations of an event. It is also a name for the saliva-infused liquid at the bottom of drinking vessels.
In this exhibition of new video and mixed-media works by Camara Taylor, forming part of Collective’s Satellites Programme, these fluid actions are mixed with ongoing explorations of silt, slop and snaps.
This is a free event and all are welcome. Much of the event will take place outdoors in our ‘Play Shelter’ so please dress for the weather! Numbers inside the exhibition will be monitored so a short wait may be required.
Collective’s Satellites Programme is supported by Baillie Gifford. backwash is supported by The Elephant Trust.
This June, East Lothian based artist, Andrew Brooks will be exhibiting art focussing on telling the stories of those diagnosed with neurological condition Functional Neurological Disorder, FND, often referred to as the most common condition you’ve never heard of.
Brooks makes art that concentrates on small details of information to tell stories, using the particular to find the universal.
The multidisciplinary exhibition, FND Stories, is based on in-person interviews with six people from around the UK who live with FND along with contributions from over 90 of those diagnosed from around the world.
The interviews gave first-hand accounts of living with FND and include a beauty queen finalist from Croydon who only began competing since her diagnosis in July 2020. The artwork was created using techniques of data analysis from the interviews and contributions in a range of media including silent video, text-based art, and large-scale ink and gold leaf pieces.
The exhibition seeks to raise awareness of the condition and highlights the lived experiences of those diagnosed. It will be on show through the 20m long windows of InSpace Gallery for the full period to engage as many people as possible, as well as a shorter internal show with an opening event.
Functional Neurological Disorder (FND) is a common and disabling cause of neurological symptoms. The symptoms are not caused by a structural disease of the nervous system but it is a problem with the “functioning” of the nervous system.
It is a problem with how the brain and body send and receive signals. The symptoms can cause impairment in quality of life that is similar to and in some aspects worse than other neurological conditions.
Symptoms are highly varied and can include weakness and abnormal patterns of movement, attacks of abnormal movement / change in awareness that resemble epileptic seizures, sensory problems, cognitive problems, and visual and speech problems.
Andrew Brooks began making work involving the condition while studying a Fine Art MA in Bristol: “FND is a constant part of my life as my wife was diagnosed with it in 2015 following a bicycle crash involving a car.
“I began to make and exhibit work about our experiences living with FND reflecting on our married life, subsequently broadening the project making further work with members of Southwest England based charity ‘FND Friends’. Having moved to Scotland I secured funding from Creative Informatics.
“The ‘Connected Innovators’ funding stream has given me the time and resources to continue making work with those diagnosed with FND developing new skills to represent people’s stories and raise awareness about the condition”.
With support from FND Hope UK (whom he is independent from) Brooks has been able to broaden the project and had responses from around the globe, including America, Canada and Gibraltar, with over 90 participants answering the question what three words would you use to describe your FND – the top three responses being frustrating, debilitating and misunderstood. Six in-person interviews with participants from around the UK were filmed and transcribed, these stories are the basis for much of the artwork.
Those interviewed are from a range of ages, backgrounds, types and severity of condition and were asked the same set of questions about life with FND. In response to “what is a good day with FND?” one interviewee answered, “a good day is having a shower and not having to sleep after it (laughing)…good days are when I can do the things I used to take for granted”.
Coverage Briefing
The artwork is multidisciplinary and varied including video, sound, word and physical paper-based art, to tell different facets of stories, often focussing on specific details. Large paper-based pieces, some of which are over 2m long, use ink, water, gold leaf, graphite dust and latex, encoding words, meanings and information.
As Brooks explains “the encoded presentation is to create a slower understanding of what is being discussed or described be it data or words, hopefully enabling a more nuanced interaction with the subject matter.
“The interview films are shown as a pair without sound, one film showing the subject’s reaction while listening to their favourite childhood story and the other show’s them explaining about their life with FND.
“Removing the sound avoids the primary forms of storytelling and shifts focus from what is being said to the emotional communication of the person. Relying on body language and the contrast of the two films allows the viewer to emotionally engage with the teller.”
Brooks added: “My aim is to make work that can portray some of the lived experiences and stories of those diagnosed with FND. I don’t want to portray a list of symptoms but reveal different facets of people’s stories.”
FND Stories will be partially on display on Inspace City Screen (Inspace windows facing on to Potterrow), Monday 6th – Sunday 26th June, with full exhibition inside Inspace Thursday 23rd June – Sunday 26th June, 11am – 5pm.
There will be an opening event on Wednesday 22nd June 5-7pm.
Tickets to the opening event can be booked through Eventbrite here:
A prestigious evening Awards Ceremony recognising the best of the independent care home sector will be held tomorrow (Friday 1 April) at the Hilton Hotel in Glasgow. The National Care Home Awards 2021 (rescheduled from November 2021) is an important opportunity to highlight the contribution of care homes and their staff during the Covid-19 pandemic.
88% of all care home support in Scotland is delivered by the independent sector, with these services caring for over 33,000 older individuals and employing nearly 46,000 people.
Scottish Care, the representative body for independent social care services across Scotland and organisers of the event, are encouraging those working in the sector and the wider public to join the Awards Ceremony to recognise and celebrate the role of care home workers.
Winners will be announced by the Awards Host – Pop Idol winner, Michelle McManus.
Awards will be presented over fourteen categories:
Ancillary & Support Staff Award
Meaningful Activity Award
Nutrition & Eating Well Award
Training, Learning & Staff Development Award
Emerging Talent Award
Outstanding Achievement Award
Management & Leadership Award
Palliative & End of Life Care Practise Award
Nurse of the Year Award
Carer of the Year Award
Specialist Service/Unit of the Year Award
Care Home Service of the Year Award
Positive Impact Award
Strategic Contribution Award
Dr Donald Macaskill, CEO of Scottish Care and the co-host of the Awards Ceremony said:“Over the past two years, care home staff have demonstrated resilience whilst adapting to the challenges of Covid-19. The dedication and professionalism of care home staff in supporting residents, families and each other has been exceptional.
“We have witnessed new innovative activity and unprecedented collaboration in care homes, with staff often going above and beyond the call of duty.
“The care home workforce has behaved with such dignity, compassion, professionalism and skill over the last few years, as they always do. The awards ceremony is a chance to say thank you and to recognise the particular skills of a few.
“But it is also a night to acknowledge all the individuals, teams and companies delivering care at an incredibly high standard in a challenging period and within an increasingly demanding work environment. We owe them a debt of gratitude.”
The awards have been hailed a huge success in recognising individuals, teams and companies, with more entries than ever flooding in each year from employers, care home staff, residents and relatives nominating their peers, colleagues and local services.
The Care Home Awards follows a full-day conference for the care home sector with speakers including the National Clinical Director, Professor Jason Leitch and the Minister for Mental Wellbeing and Social Care, Kevin Stewart MSP.
The Scottish Care National Care Home Conference & Exhibition, which is now in its 22nd year has incorporated an awards ceremony for the last 17 years.
The conference will be the first in-person event hosted by Scottish Care since the start of the pandemic.
The title of the conference is ‘Care Chrysalis: An emerging future’, bringing people together from across the sector to share their experiences from the Covid-19 pandemic and plan for the future of care homes in Scotland.
The conference will explore topics as diverse as the role of technology, care home nursing, business and finance, restoring relationships, the importance of family, the role of creative arts in wellbeing and recovery, and workforce.
The conference, exhibition and care awards are the largest of their kind for the care home sector in Scotland.
· More Than a Muse launches on Tue 8 March (International Women’s Day) at The Scottish Storytelling Centre’s Exhibition Space in Edinburgh. Launch is free but ticketed.
· Eight contemporary artists will showcase new work that highlights women from art history who have been eclipsed by the title of ‘The Muse’
· The exhibition will run from Tue 8 March – Sun 10 April and is free entry.
More than a Muse, a new exhibition launching tomorrow, Tue 8 March (International Women’s Day) at the Scottish Storytelling Centre in Edinburgh will celebrate the lesser-known narratives of women from art history whilst simultaneously showcasing new work from current women artists.
Eight contemporary artists will showcase new work in celebration of women from art history who have been eclipsed by their title of ‘The Muse’. Artists whose stories deserve to be told and who deserve to have their work celebrated. Who didn’t just inspire great art, but also created it, yet are rarely seen as a creative force in their own right. Not just a face on another artist’s canvas, they are more than that, more than a muse.
This exhibition is an opportunity to tell and reclaim these lesser-known narratives and will spotlight the lives of women such as Stella Cartwright known as ‘The Muse of Rose Street’. Stella was the lover and muse of many Scottish poets including George Mackay Brown. Although her poetry was unpublished, she was an artist and poet in her own right. Stella’s life will be reimagined in a monologue by playwright and performer, Jo Clifford.
Dora Maar was a French photographer, painter, and poet. She is often referred to as lover and muse of Pablo Picasso and is depicted in several of Picasso’s paintings. She was a rising star in the surrealist circle of the 1930s and a great commercial and fashion photographer, but under Picasso’s influence she gave up photography and withdrew from the art scene altogether.
By some accounts, the beginning of Dora Maar’s relationship with Pablo Picasso marked the end of her own artistic career. It wasn’t until her death in 1997 that art historians were finally able to examine Maar’s masterful body of work in full. Maar’s work will be creatively interpreted by photographer, Monchromemaud.
Kitty Garman was muse to Lucian Freud but was an artist in her own right. Their five-year relationship was turbulent and became increasingly unstable due to Freud’s alleged infidelities and womanising, which took their toll on Garman’s health. Her life will be celebrated in a new series of acrylics by artist Harry Mould.
Others in the series are as follows:
The Muse
Backstory
Contemporary Artist and art form
Stella (‘Muse of Rose Street’) Cartwright
Cartwright was a Scottish muse and lover to a number of Scottish poets including George Mackay Brown. She was a poet and painter in her own right.
Jo Clifford, poetry
Dora Maar
Maar was muse to Picasso but was a photographer and painter in her own right.
Monochromemaud, Photography
Kitty Garman
Garman was muse to Lucian Freud but was an artist in her own right.
Harry Mould, acrylic and oil
Julia Warhola
Muse and mother of Andy Warhol but was an artist in her own right
Emma Macleod, sculpture
Lee Miller
Muse to Man Ray but was a photographer in her own right
Maria Poyato, sculpture
Elizabeth Siddal
Pre-Raphaelite muse but poet and artist in her own right.
Geraldine Brennan, illustration
Hannah Höch
Muse to Raul Haussman but artist and photomontagist in her own right.
Lada Wilson,Photomontage
Georgia O’Keeffe
Muse to Alfred Stieglitz, celebrated artist in her own right
Misia-O, photography
The launch is supported by a performance organised by the Scottish Storytelling Forum. Performance poet Imogen Stirling will share spoken word poetry whilst storyteller, Ailsa Dixon will tell inspirational tales of women from folklore to celebrate International Women’s Day and to mark the exhibition launch.
More Than A Muse will be displayed at the Scottish Storytelling Centre from Tue 8 Mar – Sun 10 April. No tickets required. (Please note in March 2022 the Centre is closed on Wednesdays).
Tickets for the launch on Tue 8 March are free or by donation and can be found on the Scottish Storytelling Centre’s website. https://www.scottishstorytellingcentre.com/ 0131 556 9579
COLLECTIVE are delighted to launch our 2022 programme with a presentation of Cauleen Smith’s film H-E-L-L-O, which brings together themes of historic erasure, presence and loss.
H-E-L-L-O takes John Williams’ famous five-note musical motif from Stephen Spielberg’s Close Encounters of the Third Kind, translating it into a greeting for sites across post-hurricane Katrina New Orleans.
The various interpretations of the sequence speak to the enduring spirit of the city. Although situated in the geography of New Orleans, Smith’s film allows us to contemplate Edinburgh’s relationship to its own landscape, inhabitants and history in a time of turbulence and change.
Cauleen Smith is an American born filmmaker and multimedia artist, best known for experimental works that address African-American identities. Smith currently teaches at the California Institute of the Arts.
H-E-L-L-Owill be screened on loop in the City Dome from 22 January – 1 May. Entry is free and there is no need to pre-book, but some social distancing measures will be in place.
Collective is currently open Thu-Sun, 10am-4pm (Tue-Sun, 10am-5pm from April 2022).
Funded by Creative Scotland, The Flourish Jewellery Project is an exciting craft jewellery project. Working in partnership with North Edinburgh Arts and Four-Square’s Womanzone, Jewellery Artists, Lisa Arnott and Jessica Howarth have enabled women who are recovering from trauma from domestic violence, drug and alcohol addiction, social isolation, and economic hardship to develop new skills in jewellery design and making.
Working with a variety of organisations who support women, Lisa and Jessica created a series of outreach jewellery sessions introducing and enabling the women to make rings, pendants and bangles from silver. For these participants, being part of this project has provided a space for them to dare to dream and have a moment in their week where their creativity is realised.
From the outreach session, 12 women then went on to engage with the project on more intensive weekly jewellery and metalwork sessions. During this time, they learnt the foundations of metal and jewellery work which included saw piercing, soldering, texturing and shaping metal.
Despite the various challenges the women experienced, the project has provided materials, travel and childcare alongside safe and high-quality jewellery workshops.
Having never made any jewellery out of metal at the start of the project, the women from the Flourish Jewellery Project have now produced a small collection of silver jewellery which will be on display at the project’s exhibition, which takes place from 22nd until the 25th January at Custom House in Leith.
The exhibition, which is sponsored by fine jeweller, Hamilton & Inches, with support from the Scottish Goldsmith Trust and Scottish Historic Building Trust, will display beautifully handcrafted items.
Lisa Arnott (above) and Jessica Howarth said: “We were both delighted to have received funding from Creative Scotland for the Flourish Jewellery Project.
“By working in partnership with Foursquare’s, Womenzone project and North Edinburgh Arts in Muirhouse we have been providing jewellery making opportunities for women from across the city.
“This project has enabled women who have experienced trauma, social isolation and/or economic challenges to develop traditional jewellery making skills.”
AFlourish participantsaid: “The Flourish Jewellery Project has made me find myself. I’m shocked at who I was when I first started coming as to who I am now”.
Earlier this Autumn the Flourish Jewellery Project was featured at The New York Jewellery Week 2021’s the ‘Power of Jewellery’ and was shortlisted for a Creative Edinburgh Award for Best in Collaboration.
Lisa and Jess (above) have also taken part in research undertaken by University College London and Birmingham City University and collaborated with a host of local artists and designers.
This has included Professor Sandra Wilson from Duncan of Jordanstone College of Art and Design, furniture designer Colin Parker, web designers Erin Smith and Zena Walczynska, illustrations by Kinship Press, Photographer Shannon Tofts and Media Scotland who are co-producing a film reflecting the women’s experience of the project.
The project is now becoming a community interest company and has secured further funding to enable six women to continue to develop their jewellery training further.
Hidden Door will return in 2022, breathing life into a secret new location in Edinburgh. We are now inviting visual artists to get involved.
For next year’s festival we’ve found a stunning, forgotten complex in the city centre which we plan to transform into live music venues and performance spaces for theatre, dance and spoken word, alongside pop-up bars and a multitude of art exhibition and installation spaces.
We’ll reveal more about our new venue in the new year, but for now we are inviting submissions to our visual art programme; seeking innovative and striking projects across a variety of artistic disciplines.
Our main aim is to create opportunities for artists so we are particularly looking for projects that allow artists to develop their practice and encourage new graduates and emerging artists to apply. We do however welcome applications from artists at any stage in their career.
Each project selected will receive a fee of £500 towards the artist’s time plus project expenses, as well as free access to the festival.
The deadline for visual art submissions is Monday 24 January – please help us spread the word and share this with the creatives in your life!
We’ll be launching our calls for other art forms in the New Year.
Launch Event Friday 03.12.21, 7–9pm Book free tickets here
In 2011, the explosion of riots in English cities prompted much moralising from Scotland’s political, policing and media establishments on why the outbreak never reached Glasgow. Not for the first time, the country’s elites appeared to be attributing the lack of rioting to the particular characteristics of Glasgow’s working class communities.
The fearful part of it was the absence is a new exhibition by writer Joey Simons which investigates the periodic eruption and absence of rioting in Glasgow, and its effect on the shape of the city.
Taking its title from Henry Cockburn’s observations on the ‘terrible silence’ and ‘fearful absence of riot’ that characterised the great demonstrations in Scotland in support of parliamentary reform in 1832, Joey’s exhibition pieces together a constellation of historical and contemporary sources to explore a recurring pattern of response and erasure to collective violence in the city.
For the exhibition, Joey presents a montage of audio-visual material, texts, poetry, a wall drawing and audio. Videos made by Joey and the photographer Jack Wrigley depict their friends reciting texts ordered around riots and their relationship to silence, language, violence, geography and weather.
Recitals take place on sites of historical riots in Glasgow, today many of which are derelict, demolished in preparation for private development, or in the process of gentrification.
Join us on Friday 3 December, 7-9pm, to celebrate the opening of the exhibition. This is an open event and all are welcome. Much of the event will take place outdoors in our new ‘Play Shelter’ so please dress for the weather!
Numbers inside the exhibition will be monitored in line with social distancing advice so a short wait may be required.
Capacity is limited due to social distancing so please RSVP by booking a free ticket on Eventbrite.
Thirteen creative projects from Edinburgh-based artists and creative organisations are taking place thanks to more than £253,000 National Lottery funding through Creative Scotland.
And If Not Now When? – a new audio-visual installation being exhibited at National Museum of Scotland;Open Book – a project aimed at making literature accessible to diverse populations and Positive Imaginings, an innovative outdoor show presenting the issue of climate change for young audiences are among 44 projects in total sharing in £903,734 of funding.
And If Not Now When? (above) is a new work from sound-designer Philip Pinsky and film-maker Karen Lamond. The interactive audio-visual installation aims to inspire a re-imagining of our urban spaces and what our human experience of them is and can be.
The installation will be on public display at National Museum of Scotland, Edinburgh from 1st to 14th November 2021 (during COP26).
Co-creator and sound designer Philip Pinskysays: “Through our work we are inviting the public to experience a transformed urban reality with the aim of inspiring social change and provoking answers to the question, how can we respond to the climate emergency?”
Open Book uses literature as a tool for combating social isolation, supporting wellbeing, inspiring creativity and amplifying marginalised voices.
Open Book’s co-founder and development director Marjorie Lotfi says: “Participants describe our groups as ‘a lifesaver’, an ‘oasis’ and a ‘way to connect’ with others when they feel isolated by geography, disability or circumstance.
“Funding means we can continue this work from Shetland to Ullapool to Stranraer, in community groups, groups for the elderly and refugees and migrants, in prisons, and in public sessions in English, Gaelic, Scots and Arabic.”
Speactramis the debut album from vocalist, lyricist and poet Marcas Mac an Tuairneir. This debut release will see Marcas embrace the Gaelic language whilst showcasing musical influences from the genres of pop, pop-folk, R&B and dance.
A key element of this new work will be an exploration of LGBTQ’s place within the Gaelic corpus.
Marcas Mac an Tuairneir says: “I am grateful to Creative Scotland for seeing the worth in me as an artist and this new development in Gaelic music.
“As an urban new speaker of Gaelic, it is important to me that Gaelic arts represent the myriad experiences of the community across Scotland and in Canada too.”
Director Arran Sheppard said: “Creative Scotland funding will enable us to bring the Positive Imaginings show to communities in Edinburgh and Glasgow during COP26, giving children from disadvantaged backgrounds the opportunity to engage with the Climate Emergency in a creative and empowering way.”
Iain Munro, CEO, Creative Scotlandsaid: “Thanks to the generosity of National Lottery players who raise £34 million for good causes across the UK every week, our Open Fund awards are helping artists and creative organisations develop innovative projects that enrich the lives of people across Scotland, while raising questions about the important issues of our time and ensuring our collective creative voice continues to be heard.”
