Katherina Radeva’s life-affirming performance piece, 40/40, has been specially selected to showcase at the world’s most prestigious international contemporary dance industry gathering, internationale tanzmesse nrw, taking place in Dusseldorf from 28 – 31 August.
The critically acclaimed 40/40 from Two Destination Language (a collaboration between Katherina & Alister Lownie) is one of a small number of full-length, tour-ready productions invited from across the world (and the only one from the UK from 900 proposals) for the event’s revered Performance programme.
Designed to showcase the latest ‘originality of movement and choreographic practice, relevant topics and aesthetics, a wide geographic spread, and a diversity of backgrounds’, the Programme is keenly anticipated by international artists, promoters and programmers.
Described as ‘dancing joy in defiance of convention’, in 40/40, Katherina celebrates her 40 years as a woman, a migrant and an artist.
Katherina says: “The production is the result of 40 years of joy, migrancy and hardship, laughter and tears, super tunes and super moves.”
Audiences are invited to ‘join the middle-aged woman revolution by dancing, claiming and reclaiming the beautiful, glorious and messy complexities of womanhood. From the little girl dancing at her parents’ student parties, to the teenage rhythm gymnast who was body-shamed, to the creative who refuses to be categorised, 40/40 comprises all the joys and sorrows of 40 years.’
Katherina added: “40/40 is a work which pushes at so many boundaries with humour and joy and for us it is a real privilege to be a part of the current dialogues and critical thinking in dance.”
40/40 received research and development funding from The National Lottery through Creative Scotland and support from Tramway Glasgow and Dance Base Scotland.
Alongside 40/40, Scotland-based artist, Dr Aby Watson has been selected to present their work Back and Forth and Forth and Back – a new work in development as part of the event’s Insights programme.
Commissioned by Unlimited, with funding from Creative Scotland and support from The Work Room, The Royal Conservatoire of Scotland and Level Centre, Aby’s emerging piece is an immersive, experimental choreography of rhythm, repetition and sensorial play that centres neurodivergent adult audiences, with the performance embodying Aby’s innovative practice research in neuroqueer choreography.
Ahead of the gathering, Aby says: “I hope to connect with delegates who share my values with radical access and inclusion, and make connections with producers, venues, festivals, and other artists to support the development of my work, whilst experiencing exciting international dance work to nourish myself creatively.”
In addition to the artists who will be performing, The Work Room (supported by The National Lottery through Creative Scotland) is supporting a delegation of independent dance artists and choreographers from across Scotland to attend including Mark Bleakley, Mele Broomes, Salma Faraji, Bridie Gane, Dorine Mugisha, Skye Reynolds and Kathryn Spence.
For full information about our delegates, take a look at our dedicated Tanzmesse 2024 webpages on the Creative Scotland website.
Anita Clark, Director at The Work Room said: “International collaboration and exchange expands our perspective and understanding.
“Through the Dance from Scotland presence at International Tanzmesse nrw 2024, dance artists from Scotland will have the opportunity to meet with peers from across the world and develop vital international connections to further their work.”
Paul Burns, Interim Director of Arts at Creative Scotland said: “We are excited to be spotlighting the incredible talents of Scottish artists at this most important of international platforms for contemporary dance and performance.
“Scotland rightly has a strong reputation for both showcasing and creating world-class dance, with Scottish companies regularly touring the globe, or welcoming exceptional international artists to our shores.
“The event has an unparalleled potential to support delegations from Scotland to develop their networks and unlock a range of international opportunities.”
