Tag: Chambers Street

Doctor Who Worlds of Wonder opens this weekend

Doctor Who Worlds of Wonder 
9 Dec 2022 – 1 May 2023 
National Museum of Scotland, Chambers Street, Edinburgh  

nms.ac.uk/doctorwho 
#DoctorWhoWoW 

The Scottish premiere of the exhibition Doctor Who Worlds of Wonder opens at the National Museum of Scotland in Edinburgh this weekend. In celebration of the television show’s Scottish connections, a suit worn by David Tennant to play the Fourteenth Doctor in special episodes airing next year, will also go on display in the museum. 

This ground-breaking new exhibition, which runs from 9 December 2022 to 1 May 2023, explores the science behind the global hit television series Doctor Who and gives fans a chance to experience the Doctor’s adventures from a scientific perspective.  

Produced by leading experiential design experts Sarner International under license from BBC Studios, the exhibition invites fans of all ages to explore the role science has played in the world’s longest running action-adventure show. The eight zones set within this educational exhibition cover a diverse selection of exciting scientific topics while drawing in content from across the full canon of Doctor Who.   

Doctor Who Worlds of Wonder offers a thrilling exploration of science for both established fans of the TV show and newcomers alike. Actor, director and author Mark Gatiss – writer of several episodes of Doctor Who – narrates the exhibition, guiding this journey through space and time. 

Mark Gatiss said: “So many people who have gone on to work in science have had their interest piqued by watching Doctor Who, and one of the amazing things about the show is i2ts ability to make us wonder. I’m thrilled to be part of the exhibition and I do hope as many curiously minded people as possible take the opportunity to visit at the National Museum of Scotland.”  

A range of hands-on immersive experiences and interactive features take visitors on a journey through Cosmic Curiosities, a TARDIS Tech room and the science behind time travel asking whether it really is possible. In the Monster Vault, visitors also come face to face with the Doctor’s most famous foes including Cybermen, Weeping Angels and Daleks.

Alison Cromarty, Head of Exhibitions & Design at National Museums Scotland, said:  “We are tremendously excited that the premier of this exhibition opens at the National Museum of Scotland this weekend.

“From the wonder of the science fiction of the TV show to our present-day understanding of the big scientific topics it touches on, there is something for everyone.”  

Ed Cookson, Projects Director, Sarner International: “For almost 60 years Doctor Who has been exploring mind-bending scientific developments. The iconic characters, monsters, stories, and settings of the television series provide a perfect guide through the wondrous worlds of space, time and science.”

Doctor Who has strong Scottish connections. To date three Scots have played the role of The Doctor, Sylvester McCoy, David Tennant and Peter Capaldi (the Seventh, Tenth and Fourteenth, and Twelfth Doctors respectively) with a fourth, Ncuti Gatwa, recently announced as the new Doctor. 

A suit worn by David Tenant in a series of special episodes airing next year will be displayed alongside companion Catherine Tate’s costume by the entrance to the exhibition. Other notable Scottish cast members have included Companions Karen Gillan and Neve McIntosh as well as Michelle Gomez as Missy (The Master), with Alan Cumming having also appeared recently as King James VI & I. Another Scot, Steven Moffat, was showrunner from 2008 to 2017. 

The show has featured several other Scottish icons. The Loch Ness Monster appears in 1975’s Terror of the Zygons with Tom Baker, while the Picts featured along with the 9th Legion of the Roman army in 2017’s The Eaters of Light (which starred Peter Capaldi and Michelle Gomez). Other episodes set in Scotland include 2006’s Tooth and Claw, set in the Highlands and Under the Lake/Before the Flood (2015), set in Caithness.  

The National Museum of Scotland is supported by players of People’s Postcode Lottery in mounting the exhibition.  

The exhibition is proving to be hotly anticipated with tickets for the opening weekend already sold out.  Pre-booking is recommended, tickets are available from www.nms.ac.uk/doctorwho

National Museums Scotland Members free.  

Book in advance to save, general admission: Adult £12-16.50, Over 60s £11-15.50, Student, Unemployed, Disabled, Young Scot £10-14.50, Child 5–15 £8-12.50, Under 5s Free  

10% off family bookings*  

Discounts available for groups of 10 or more  

 *10% off when you buy up to three Child 5–15 ticket alongside up to any two Adult, Over 60s, Student, Unemployed, Disabled, Young Scot tickets, with a maximum of five tickets in total. Cannot be used in conjunction with National Museums Scotland Member tickets or any other discount or promotional offer. 

Bernat Klein: Design in Colour opens this weekend

5 November 2022 to 23 April 2023 
National Museum of Scotland, Chambers Street, Edinburgh 
Admission: Free 

nms.ac.uk/designincolour 
#BernatKlein 

A new exhibition at the National Museum of Scotland explores the life and career of one of the 20th century’s leading forces in Modernist design, in the centenary year of his birth.

Bernat Klein: Design in Colour celebrates the work of the Serbian-born textile designer Bernat Klein (1922 – 2014) who settled in the Scottish Borders after the Second World War.

The exhibition examines his creative process and varied career; from supplying innovative couture fabrics to some of Europe’s top fashion houses to his strong influence on architecture and interior design in the UK and Scandinavia.

Opening on 5 November, it marks the centenary of Klein’s birth and is part of a series of cultural events developed by the Bernat Klein Foundation to celebrate the designer in 2022. It charts his 60-year career as a textile designer, artist, educator, and colour consultant.

National Museums Scotland acquired his archive in 2010. This internationally significant collection of around 4,000 objects ranges from fabrics and garments to design development material.

Highlights from the collection are on display in the exhibition – including couture fashion, interior designs, textiles and original artworks – alongside newly acquired pieces which contextualise Klein’s work and recognise his legacy. Made possible with Art Fund support through the New Collecting Awards, these acquisitions include creations by fellow textile designers Ascher Ltd and Tibor Reich.

Bernat Klein was born in Yugoslavia (now Serbia) in 1922, to an Orthodox Jewish family who ran a wholesale textile business. He attended the Bezalel School of Art & Craft in Jerusalem in the 1940s, where his exposure to Bauhaus ideas and the modernist architecture of Israel had a profound influence on him.

He escaped the rise of Naziism across Europe, going on to study textile technology at Leeds University before settling in the historic textile centre of Galashiels in the Scottish Borders, establishing his design and manufacturing business, Colourcraft in 1952.

Part of a new wave of designers re-invigorating British industry and contributing to economic regeneration in the post-war period, he is best known for his highly original fashion textiles, with their rich textures and exuberant colour palette.  A significant career breakthrough came when Coco Chanel selected one of his mohair tweed fabrics for her spring/summer 1963 collection.

His couture cloths quickly came to dominate international catwalks throughout the 1960s, with designers such as Balenciaga, Dior, Yves Saint Laurent and Hardy Amies all featuring his work.

The company established offices in London and Paris and sold fabrics to the American womenswear market. Klein also designed ready-to-wear fashion and textiles for home dressmakers.

He had a lifelong passion for colour and worked as a colour consultant and industrial designer for various national and international firms. In 1966 he set up a design consultancy company, collaborating with progressive interior firms in Britain and Scandinavia.

He was an accomplished painter and found inspiration in the landscape surrounding his Borders home, High Sunderland. Klein commissioned the architect Peter Wormersly to design the building, which is recognised today as one of Scotland’s finest modernist homes.

Lisa Mason, Assistant Curator of Modern & Contemporary Design at National Museums Scotland said: “Bernat Klein was a key figure in Modernist design, and one of the 20th century’s most celebrated textile designers.

“His archive is remarkably broad and rich, and this stylish exhibition will display some of its highlights, examining his exceptional contribution to the design world and his ongoing legacy and influence.

“The Scottish Borders were his home and inspiration for six decades, and the exhibition will also explore the story of the relationship between his work, the landscape and the local textile industry.”

Ferryhill children put their Thinking Caps on

Exhibition now on display at the Museum of Edinburgh

The Put Your Thinking Cap On Exhibition, a collaboration between youth Samba band Pulse of the Place and Ferryhill Primary School, is now on display at the Museum of Edinburgh.

Inspired by the drumming sessions hosted by Rohan Seilman at Ferryhill Primary School and spurned on by an invitation to perform in a music video for the Edinburgh Festival Carnival, the exhibition shows portraits of students wearing their ‘thinking caps’ that were used at the Pulse of the Place performance. 

The headgear was designed and fashioned by students with guidance and oversight from teacher and art specialist Dr Anke-Beate Stahl. The materials used were papier mâché, paper, wire, straws, pipe cleaners, pompoms, and glue. This provided an opportunity for pupils to express themselves creatively and experiment with different designs.

Many more pupils performed for Pulse of the Place than those whose portraits are displayed at the exhibition and their contribution should also be recognised. The portraits were shot in the school dining hall with this being the first experience of its kind for many students.

Councillor Val Walker, Culture and Communities Convener said: This exhibition represents an important addition to our collection of community-led displays and showcases the innovation and talent of our young people here in Edinburgh.

“I am sure this exhibition will be well-received by visitors to the Museum of Edinburgh. I would like to thank the pupils and teachers of Ferryhill Primary School and Pulse of the Place for undertaking this dynamic project, Councillor for Inverleith Ward, Hal Osler for her brokering and championing of this exhibition and to Museums & Galleries colleagues for their ongoing hard work.

Dr Anke-Beate Stahl, art specialist and teacher at Ferryhill Primary School said: “This exhibition highlights the creativity that our pupils can demonstrate when given the extra time, space, and specialist support.

“Connecting music and visual arts with the bonus of a public display is a great learning experience for the children.”

Inverleith councillor Hal Osler said: “I am so unbelievably proud of the pupils of @Ferryhill_PS who are presently appearing in an exhibition at the Museum of Edinburgh. Thanks to all involved – the exhibition looks fantastic and it’s well worth a view”

The exhibition runs until February 26, 2023 and is located in the community display area of the Museum of Edinburgh on the ground floor. 

Anatomy: A Matter of Death and Life opens this weekend

Opening this weekend, a major new exhibition at the National Museum of Scotland will look at the history of anatomical study, from artistic explorations by Leonardo da Vinci to the Burke and Hare murders.

Anatomy: A Matter of Death and Life (2 July to 30 October 2022) will examine the social and medical history surrounding the practice of dissection of human bodies. It looks at Edinburgh’s role as an international centre for medical study and offers insight into the links between science and crime in the early 19th century.

In 1828, William Burke and William and Margaret Hare killed 16 people in the impoverished Edinburgh district of West Port and sold the bodies to an anatomist for dissection.

The exhibition examines the circumstances that gave rise to the murders and asks why they took place in Edinburgh. It unpicks the relationship between science and deprivation and looks at the public reaction to the crimes and the anatomical practices responsible for them.

Covering 500 years of medical exploration, Anatomy opens with early examples of anatomical art, including sketches by Leonardo da Vinci, lent by Her Majesty The Queen from the Royal Collection.

These introduce the search for understanding about the human body and anatomy’s place in the development of medical knowledge across Europe.

Visitors to the exhibition, which is sponsored by Baillie Gifford Investment Managers, will find out more about the role anatomy played in the Enlightenment.

In the 18th century, Edinburgh developed into the leading centre for medical teaching in the UK, and the demand for bodies to dissect and study vastly outstripped legitimate supply. The acquisition of bodies was intertwined with poverty and crime, with grave-robbing – stealing unprotected bodies for dissection – becoming a common practice.

On display will be a ‘mort safe’; a heavy iron box placed over a coffin to deter would-be body snatchers. Other notable objects in the exhibition include a full-body anatomical model by pioneering model maker Louis Auzoux, ground-breaking casts of body parts and William Burke’s skeleton and written confession.

The exhibition closes by highlighting the changing practices and attitudes around body provision in the century and a half since the Burke and Hare murders, bringing the story right up to date. It looks at the modern approach to body donation at universities in Scotland and contrasts the ethics, practices and beliefs today with those of two centuries ago.

Dr Tacye Phillipson, Senior Curator of Modern Science at National Museums Scotland said: “Anatomical knowledge is crucial to medicine, and Edinburgh was a key centre for medical teaching and the development of modern medicine. However, this work relied on the dissection of bodies, the sourcing of which was often controversial and distressing.

“Anatomists could only get the quantity of bodies they wanted through dehumanising the dead and financing a murky industry. Murder was a particularly shocking consequence of this, with people killed for the sale price of their bodies. This fascinating exhibition explores the relationship between society, poverty, ethics and science at that time, and exposes the human cost of early medical advancement.”

Admission: Adults: £10, over-60s £8.50, concessions £7.50. Free entry for National Museums Scotland members and under 16s.

Christmas tree unveiled at the National Museum of Scotland

Ahead of Scotland’s Year of Stories 2022,  decorations have been recycled from the pages of children’s storybooks. The museum will be open throughout the festive period and entry is free.

Gail Thow from National Museums Scotland puts the finishing touches to the Christmas tree at the National Museum of Scotland in Edinburgh.

To discover more about upcoming exhibitions and events at National Museums Scotland, visit nms.ac.uk