To Be Seen: Granton Youth take over Edinburgh’s billboards 

Nine young people from Granton Youth took over Edinburgh’s billboards this week, seeing their bold self-portraits displayed on a giant scale for the first time. Following creative workshops inspired by the National Galleries of Scotland’s Catherine Opie: To Be Seen exhibition, exploring identity and self-expression, the group gathered to see their very own photographs displayed across the city.

This marked a proud moment for the young people whose voices and stories are now impossible to miss. Working with the National Galleries of Scotland and in partnership with BUILDHOLLYWOOD Scotland, their larger-than-life self-portraits have transformed public spaces across the city into a powerful celebration of youth, identity and visibility.

One of the world’s greatest living photographers, Opie’s exhibition at the Royal Scottish Academy building in Edinburgh celebrates the LGBTQ+ community, telling stories of identity, family, love, belonging and community.

Featuring 80 striking portraits the exhibition places Opie’s powerful photographs alongside historic works from the national art collection, creating new narratives and challenging audiences to consider who is seen, celebrated and overlooked in art. With only one week left to see this inspiring exhibition, Catherine Opie: To Be Seen is open now until 1 November.

Taking inspiration from their own experience in the exhibition, the group from Granton Youth worked with artist Matthew Arthur Williams and supporting artist MV Brown, over six sessions to create their own photographs.

The workshops invited the young people to explore portraiture and identity through both analogue and digital photography. Working in a pop-up photography studio at the National Galleries Scotland: National, participants selected their own props and backdrops, made creative decisions about how they wanted to be represented, and considered how photography can communicate personal and collective stories.

The resulting artworks, brought together under the theme of what it means ‘to be seen’ offer a powerful and authentic reflection of the group’s experiences, personalities and perspectives.

The large-scale installations featuring their portraits are now displayed on BUILDHOLLYWOOD Scotland poster and billboard sites across the city, sharing their stories and photos.

You’ll find these inspiring self-portraits on billboards at sites including Wishaw Terrace, Dundee Street, London Road (Meadowbank), as well as posters featuring artworks across Edinburgh.

Beda Rose, a participant from Granton Youth, said: ‘It’s amazing seeing the billboards! I think the photos are really artistic and it’s not just photos of people doing nothing.

“It shows photos of people in a way that deserves to be shown.’

Holly Yeoman, Community Development Officer at the National Galleries of Scotland said: ‘It’s really important for young people’s voices to be heard and for them to be seen.

“We’re living in complex times, and to be able to use the Catherine Opie exhibition as an opportunity to bring young people of different ages and backgrounds together to discuss topics of identity, self-expression, friendship and family through creativity is meaningful.

“Now, these works are in the public, and will catch the attention of people who might not know anything about Catherine Opie, Granton Youth and the National Galleries of Scotland, these intriguing portraits invite people into the worlds of young people and what it truly means ‘to be seen.

“Catherine Opie has been really supportive of a project like this happening, as she knows how important it is to create space for sharing stories, creating connection, and the power of exploring this in through photography.”

Drag Queen launches Pay What You Can Tickets for must-see exhibition Catherine Opie: To Be Seen

Drag Queen Mystika Glamoor surprised visitors to National Galleries Scotland: National to celebrate the launch of Pay What You Can for Catherine Opie: To Be Seen at the Royal Scottish Academy building, with tickets from £5.

Handing out moustaches and offering playful commentary on Scotland’s art, they helped spread the word about this must-see exhibition by one of the world’s greatest living photographers.

Open now, Catherine Opie: To Be Seen celebrates the LGBTQ+ community, telling stories of identity, family, love, belonging and community.

Featuring 80 striking portraits the exhibition places Opie’s powerful photographs alongside historic works from the national art collection, creating new narratives and challenging audiences to consider who is seen, celebrated and overlooked in art.

Limited Pay What You Can tickets from £5 are available now for 5-7 and 12-14 October dates only.

Under 18’s go free for the first time ever at National Galleries of Scotland’s blockbuster summer exhibition of Catherine Opie’s powerful photographic portraits

Catherine Opie: To Be Seen

National Galleries of Scotland exhibition taking place in the Royal Scottish Academy building

Saturday 8 August – Sun 1 November 2026

Tickets £3.50 – £14 | Friends and under 18s go free

Catherine Opie | To Be Seen | National Galleries of Scotland

For the first time ever under 18’s can explore the National Galleries of Scotland’s blockbuster summer exhibition at the Royal Scottish Academy building – completely free!

Opening this weekend (Saturday 8 August), discover powerful photographic portraits by groundbreaking American artist Catherine Opie in this showstopping exhibition. Curated in collaboration with the artist, Catherine Opie: To Be Seen is Opie’s first ever solo exhibition in Scotland.

Specially adapted for the Royal Scottish Academy building in Edinburgh, To Be Seen presents a unique experience of the people, communities and stories in the art of Catherine Opie. The exhibition comes to Edinburgh from the National Portrait Gallery in London, having already received rave reviews from The Guardian and the Independent, with Time Out calling it ‘something worth celebrating’.

Tickets are on sale now.

Explore nearly 80 vibrant portraits by Opie alongside her selection of works from Scotland’s national art collection. Displayed across seven rooms in the Royal Scottish Academy building, come face to face with Opie’s mentors and collaborators, Queer communities, children, surfers, high school footballers and political crowds as well as self-portraits of the artist.

See Opie’s work alongside a selection of 13 paintings from the national collection in arrangements prompting new narratives around ideas of identity. Join Opie as she questions ‘what is identity right now, and how do we look at it? Where and how do we belong’.

Documenting people brought together by common experiences or a shared sense of identity, Opie celebrates these communities by making them visible and offers us a platform to recognise ourselves in her exquisite and colourful images.

Thought-provoking and visually powerful, her striking work challenges who is represented in art and who remains unseen. Depicting a world made meaningful through connection, the artist says: ‘If you can walk away having a little better understanding about being human, that’s what I care about the most.’

One of the most influential artists of our time, Opie’s work is driven by the urgency to examine the ebb and flow of human culture and communities. Journey through 35 years of the artist’s work as she questions representations of home, intimacy and family, and explores politics, identity and power structures.

At the basis of her practice is her ongoing questioning of evolving ideas of community, identity and belonging. For Opie, portraiture is a radical act of representation – a desire to make the invisible visible and a gesture of belonging and resistance. Opie’s art attests to a great sense of humanity and care.

Whether as a university professor, a mother, a member of the Queer community, an American, or a world citizen, her portraits of fellow artists, friends, children and protestors draw attention to the power of visibility.

From photographs covering Barack Obama’s presidential inauguration, Tea Party rallies, and LGBTQ+ rights protests, to tender family moments and vulnerable self-portraits, Opie’s photographs collapse divisions between the personal and the political. 

Experience Opie’s portraits alongside works such as Benedetto Gennari’s Elizabeth Murray, Duchess of Lauderdale and Pablo Picasso’s Mère et enfant and consider how history is recorded through portraiture.

Opie says, ‘What first drew me to photography was the idea that history was being made and language was being made through images.’ The artist has long been influenced by historic portraits, taking early inspiration from Hans Holbein the Younger. Inspired by Holbein’s precise renderings of nobility, Opie sought to give stature to her friends and challenge notions of ‘normality’.

Opie’s first major work, Being and Having (1991) is her own representation of identity challenging gender norms. Comprised of 13 closely cropped portraits of Opie and her friends enacting their masculine personas, Opie considers these her ‘own royal portraits,’ and affirms that ‘without representation, there is no visibility’.

To Be Seen will span the artist’s most famous works, with Opie’s own identity also threaded through the exhibition. Works range from ennobling portraits of the artist’s LGBTQ+ friends, Baroque inspired portraits of artists, images chronicling the likes of 1990s West-Coast leather dyke scene alongside her own experiences of family life and community.

Opie says, ‘I like to think that portraiture literally creates a history of one’s community’. The exhibition’s wide-ranging portraits span intimate studio shots capturing moments of vulnerability, pride and resilience to socially engaged documentary narratives.

Born 1961 in Sandusky, Ohio – the American Midwest – Opie got her first Kodak camera at the age of 9 and remembers, ‘I photographed everything around me’. Her fascination with photography continued throughout her childhood after she moved to California at the age of 13. She fashioned her teenage years, through friendships forged by taking photographs of school plays.

Opie was later encouraged to study photography at the San Francisco Art Institute. Moving to the city she worked and lodged at the Kenmore Residence Club, coming out as a lesbian and having her first significant relationship.

Later, Opie studied for a master’s at the California Institute of the Arts, where she developed her critical approach and secured her technical knowledge. Rising to prominence in the early 1990s,

Opie has since been at the cutting edge of documentary and portrait photography. She taught at UCLA for 25 years and was the Endowed Chair, Department of Art at UCLA (2021–23), retiring in 2023. Opie currently lives and works in Los Angeles. 

Catherine Opie said: ‘After my first visit to Edinburgh it is a deep privilege and honour in bringing To Be Seen to a place that immediately felt like home.

“I’m looking forward to getting to know Scotland in the exchange of ideas and humanity.’

Anne Lyden, Director General of National Galleries of Scotland, said: ‘One of the most significant artists of our time, Catherine Opie is really not to be missed this summer!

“We are so excited to be working with the National Portrait Gallery, London, to host the artist’s first ever solo exhibition in Scotland. We cannot wait to share these incredibly powerful and human portraits with the people of Edinburgh and beyond.

“Opie’s life’s work resonates with our values to offer our audiences a feeling of community, connection and fun! We hope that our visitors find these moments while they explore this wonderful exhibition by a truly groundbreaking artist.’

Catherine Opie: To Be Seen is a National Galleries Scotland exhibition taking place in the Royal Scottish Academy building, opening on 8 August 2026. 

Tickets on sale now! The exhibition also forms part of the Edinburgh Art Festival, the UK’s largest annual festival of visual art, from 14 – 30 August, presenting alternative perspectives across the breadth of the city.

Catherine Opie: To Be Seen is kindly supported by the players of Postcode Lottery and Friends of the National Galleries of Scotland.