We’re excited to announce our next exhibition, Fire on the Mountain, Light on the Hill, by leading visual and performance artist Mercedes Azpilicueta, originally from Buenos Aires, now based in Amsterdam.
The exhibition will run from 20 June – 7 September 2025, and will be her first solo show in Scotland. Fire on the Mountain, Light on the Hill will form part of Edinburgh Art Festival’s programme, taking place from 7 – 24 August 2025.
The exhibition is centred on a monumental human-scale Jacquard tapestry entitled ‘Potatoes, Riots and Other Imaginaries’ (2021). Accompanying the tapestry will be a sound piece that introduces whispered gossip and glimpses of songs from social demonstrations.
This mixed media installation weaves together historic and contemporary themes – inspired by the artist’s research of the 1917 Potato Riots in the Jordaan neighbourhood of Amsterdam, directly organised by working class women of this community in response to the extreme food shortages they faced during the First World War.
The work also references contemporary collective action in the form of Ni Una Menos – the feminist grass roots social movement in Argentina, in which Azpilicueta has played an active role since 2015.
A newly commissioned performance on Friday 22 August will draw connections between the themes of the tapestry to Collective’s site on Calton Hill.
Azpilicueta has come together with award winning, Edinburgh-based artist and choreographer Janice Parker to devise this live event along with other Scottish performers. The exhibition will present drawings relating to the choreography and costumes that will be worn as part of the performance for Edinburgh Art Festival’s closing weekend.
Azpilicueta’s work is committed to an exploration of care and resistance, often considering and revealing less well-known stories from history, and platforming the role of women who have made a difference in the past, and who continue to inspire in the present.
Her recent exhibitions include a solo exhibition at Centro de Creación Contemporánea de Andalucía-C3A, Córdoba (2024), alongside presentations at the Barbican, London (2024) and Gasworks, London (2021).
EDINBURGH CELEBRATES THE START OF SUMMER WITH BELTANE FIRE FESTIVAL
Last night, thousands of revellers gathered on Calton Hill to mark the turning of the seasons and reconnect with nature through this year’s re-wilding-themed Beltane Fire Festival.
Just under 7000 people joined in celebrating this powerful Edinburgh tradition, immersing themselves in a vivid, elemental journey of fire, rhythm and transformation.
The night was filled with drumming, hundreds of performers and plenty of fire – illuminating Calton Hill with a fierce and joyful energy. An unseasonably hot day with the clearest of skies made Beltane Night a night to remember!
Jenny Bloom, Beltane Fire Society’s Chair said: “Another year, another magical Beltane! As we roll into summer and carry the May Queen’s message of renewal with us, a huge thank you to the hundreds of volunteers and thousands of witnesses who made it all happen.
“What a night! See you at Samhuinn!”
The modern Beltane Fire Festival has been running since 1988 and is the spring and summer counterpart to Samhuinn Fire Festival, which is held at Holyrood Park on 31 October.
The events are immersive experiences, which involve modern re-imaginings of ancient celtic festivals to mark the turning seasons.
The Beltane Fire Society is a charity run by volunteers, dedicated to marking the fire festivals of the ancient celtic calendar and keeping traditional Scottish skills of street theatre, music and pageantry alive.
Join us this Thursday 9 Novemberfor the launch of:asweetseaby Liza Sylvestre and Johnby Thomas Abercromby.
asweetsea explores what it means to communicate. As an artist who is deaf, and whose child and partner are both hearing, Liza Sylvestre seeks to locate where her disability lives within their family structure.
Sylvestre has collaborated with her 6 year-old child to reimagine her fond memories of the 1985 TV show ‘Sweet Sea’. The works shown at Collective as part of asweetsea were originally commissioned for Liza Sylvestre | asweetsea, John Hansard Gallery (2022).
John explores the intricate ties between family, grief and the multifaceted layers of social class.
The exhibition is centred around a film installation that juxtaposes childhood paintings made by Abercromby’s late father with opulent gallery interiors, painterly images of urban landscapes, and behind-the-scenes moments of the film’s all-working-class cast and crew.
Refreshments will be served from our Play Shelter outdoors, so please dress for the weather.
COLLECTIVE on CALTON HILL REVEAL BIRTHDAY CELEBRATION PROGRAMME
We are so excited to welcome you to our Collective Gala this Sunday 17 September, celebrating five years since opening the newly restored City Observatory as a centre for contemporary art.
Please see the full schedule for the day (above) to help you plan your visit.
We have a special programme of activities running throughout the day, with free drop-in creative play sessions by Frieda Ford, makers’ stalls, introductions to our exhibitions, bookable tours of the site including Cooke telescope and Observatory House, and culminating in a newly commissioned performance by Zoë Gibson.
Please note, Lisa Williams’ Black History walking tour has been postponed to October for Black History Month.
The Presiding Officer’s chair from what would have become the Scottish Parliament building in the event of a vote for devolution in the 1979 referendum has been gifted to National Museums Scotland.
It had been intended that the Scottish Assembly, as it was referred to at the time, would sit in the former Royal High School building on Calton Hill in central Edinburgh, and plans were sufficiently advanced for the Debating Chamber to have been furnished.
However, the referendum did not secure the required number of votes to achieve devolution. When the vote for devolution was later carried in 1997, the decision was taken to build a brand-new purpose-built Scottish Parliament building and so the chair was never used for its intended purpose.
Georgia Vullinghs, Assistant Curator of Modern and Contemporary History, said: “We’re very pleased to be able to acquire this object. The furniture represents a key moment in the story of devolution and the history of Scottish politics.
“This large, blocky chair and its futuristic design is emblematic of a confidence in significant political change for Scotland in the late 1970s, but which did not ultimately happen at that time. This generous donation will allow us to better tell the story of that fascinating moment in Scotland’s history through our collections.”
The former Royal High School building is now undergoing a major restoration which will see it repurposed as a world-class centre for music education and public performance for the benefit of the whole of Scotland as the National Centre for Music. The Royal High School Preservation Trust (RHSPT) is leading the project and took possession of the building in March.
William Gray Muir, Chair of the RHSPT said: “We are delighted that this piece of constitutional history will have a fitting home in the national museum, where it can help tell the story of how modern Scottish politics encountered the legacy of the Scottish Enlightenment.
“The significance of the Thomas Hamilton building – the Old Royal High – and its symbolic importance to our national political and social ambitions is indisputable and its past, present and future form a critical part of Edinburgh’s status in the world. The Trust’s aim is that we add a new chapter to that story and the building’s relationship with Scottish heritage and our national museum will continue.”
Although the Scottish Assembly never occupied the building, the site of the Royal High School remained a focal point in the debate over devolution, with images of the building used in campaign material, and a Vigil for a Scottish Parliament was held outside the building for 1,980 days from 10 April 1992 until the 1997 referendum.
The tent from the touring campaign and related material are on display in the National Museum of Scotland. The chair is now at the National Museums Collection Centre in Edinburgh where it will undergo conservation treatment.
Satellites is Collective’s development programme for emerging creative practitioners based in Scotland. In 2023, four creative practitioners at a pivotal point in their practice will be selected to participate in a peer development programme.
The programme includes discussions, workshops, events, retreats and public presentations of new work.
As part of our Collective Play programme, we are excited to invite emerging artists and practitioners with an interest in child-led approaches to play, nature and the outdoors to submit a proposal for our Lead Artist opportunity.
The Lead Artist will devise and deliver one year of Friday Play sessions, as well as one Play Weekend.
2-3pm: In conversation: Sebastián Díaz Morales and Luciano Piazza 3-4pm: Opportunity to watch Smashing Monuments and enjoy refreshments.
Exhibition dates 25 March – 11 June 2023
Join us for the opening ofSmashing Monumentsby Sebastián Díaz Morales, from 2–4pm on Saturday 25 March 2023.
Originally comissioned for documenta fifteen, Smashing Monuments explores the relationships we have with urban monuments. The film follows five members of the Indonesian art collective ruangrupa as they walk the streets of Jakarta, engaging in one-sided conversations with the monuments around them.
The afternoon will include an ‘in conversation’ event with Sebastián and fellow artist Luciano Piazza, who has created an accompanying essay for the exhibition.
Sebastián and Luciano will discuss how urban developments, along with the passage of time, impact our everyday relationships with the statues and monuments that populate our cities. Afterwards, there will be an opportunity to watch the film and enjoy refreshments.
Capacity for the artist talk is limited, so please book your free ticket here if you wish to attend.
All welcome from 3.00pm to view the work.
Access information about our site can be found here.
Smashing Monuments produced with financial support of documenta fifteen, Mondriaan Fonds and The Kingdom of the Netherlands.
Dandelion’s cubes are going on tour, starting on top of the iconic Calton Hill in Edinburgh. Special cargo bikes, featuring Dandelion’s unique ‘growing cubes’ called ‘Cubes of Perpetual Light’, will be touring Scotland in Dandelion’s latest initiative to bring music, nature, art, science, community food growing and more, to as many people as possible.
The Cubes Bike Tour forms part of Dandelion, a major creative programme demonstrating the power of collective action through an ambitious ‘grow your own’ initiative that aims to reach hundreds of thousands of people throughout Scotland and further afield this summer.
The creative programme has been following the arc of the growing season, spanning from April to September 2022, bringing together music and art with science and technology to inspire people to ‘Sow, Grow and Share’ music, food, ideas and stories.
Commissioned by EventScotland and funded by the Scottish Government, Dandelion is Scotland’s contribution to UNBOXED: Creativity in the UK.
A touring fleet of cargo bikes displaying Dandelion’s growing cubes – miniature vertical farms – will travel the Highlands and Lowlands throughout August.
Four custom-made, electrically assisted bikes – each carrying a cube – will visit ten towns and cities, stopping at school playgrounds, green spaces, town centres, and Dandelion’s Unexpected Gardens, among other locations.
The bikes team will also be giving away free seeds to encourage people to grow their own food. As we come to grips with the impacts of climate change, the need to travel sustainably have never been more important, and the cargo bikes show one way to what is possible.
The bikes also embed active travel at the core of the tour by cycling across the country, as Scotland prepares to host the UCI Cycling World Championships in 2023.
The 1m x 1m cubes are designed to foster accelerated plant growing and have been developed to grow hundreds of seedlings under LED light, combining design craft, traditional horticultural expertise and technological innovation.
The Dandelion team will also be giving away free seed packets and sharing their expertise, so that everyone can grow their own herbs at home and also find out more about Dandelion’s Harvest celebrations in September.
At each stop, the cubes will play new music specially commissioned for Dandelion by Scottish and international artists, inspired by the natural world and can only be heard at the sites, including Vendanth Bharadwaj, Arooj Aftab & Maeve Gilchrist, 2022 Mercury-nominated Fergus McCreadie, Ravi Bandhu, Trio Da Kali, and amiina & Kathleen MacInnes.
Featuring programmable, immersive lighting integrated with speaker systems designed to best showcase the new music playing from the cubes. Each new music piece is commissioned by Dandelion with additional support for international work from British Council Scotland.
Neil Butler, Director of Festivals and Events at Dandelion, said: ‘We can’t wait for the Cubes Bike Tour to begin. It’s a great way to share Dandelion’s message and reach people in locations throughout Scotland.
“The bikes will be travelling all over the country so we’d love to see people coming along to witness some of the magic, get seeds to grow your own at home and hear more about our upcoming Harvest celebrations.’
Paul Bush OBE, Visit Scotland Director of Events said:“The Dandelion programme is creating an incredible array of events across Scotland this summer, each finding unique moments to connect with people all over the country through growing.
“The Cubes Bike Tour is another engaging example of this, taking Dandelion right into the heart of locations right across Scotland to be enjoyed by locals and visitors alike.
“It’s also fantastic to see events like this embed active travel as part of their programme, and it’s particularly exciting to see biking at the core of this tour as Scotland gears up to celebrate cycling on the world-stage in one year’s time, hosting the 2023 UCI Cycling World Championships”.
Cosmo Blake, Network Engagement Manager at Sustrans Scotland “We are delighted to be able to support Dandelion by supplying four cargo bikes for the Cubes Bike Tour this August.
“By utilising the National Cycle Network, the UK-wide network of signed paths and routes for walking, wheeling and cycling, the tour will be able to reach communities sustainably. With the ever-present impacts from climate change, the importance of both food and transport sustainability are becoming more and more relevant.
“Bringing together active travel, growing, and the arts is a fantastic way to demonstrate the huge breadth of possibilities of cycling for transport as well as for leisure.”
The Cube Bikes will be passing through the places below:
Edinburgh, Tue 2 August
1pm, Edinburgh Botanic Gardens
4pm, Unexpected Garden, Lauriston Farm
Hawick, Wed 3 August
4pm, Hawick Museum, Wilton Lodge Gardens
Stranraer, Fri 5 August
1pm, Unexpected Garden, Harbour Street
Greenock, Sat 6 August
10.30am, Battery Park and along the esplanade
11.30am, Beacon Arts Centre
2pm, The Drying Green, Inverkip Road
Glasgow, Sun 7 August
10.00am, Govan Cross
12noon, Glasgow Science Centre
Forres, Tue 23 August
1pm, Market Square
7pm, Grant Park
Inverness, Wed 24 August
5.30pm, City Centre
Alness, Thu 25 August
Schools tour only
Wick, Fri 26 August
11am, Harbour tour
1pm, Market Square
Thurso, Sat 27 August
1pm, Town Centre
7.30pm, Unexpected Garden
Further locations to be announced throughout August.
For more information and location updates, please see: www.dandelion.scot
Dandelion is commissioned by EventScotland, funded by the Scottish Government and is part of UNBOXED: Creativity in the UK. The bikes were commissioned for Dandelion by Sustrans. The Cube Bikes Tour route will follow the National Cycle Network where available. https://www.sustrans.org.uk/national-cycle-network/
