Tag: 25 – 30 April

Pomegranates Festival kicks off this Friday

There’s less than one week to go before the 4th Pomegranates Festival of International Traditional Dance (25-30 April) kicks off at the Scottish Storytelling Centre and various venues across Edinburgh. 

The Festival celebrates Scottish traditional dance alongside traditional dance practised by cultural migrant communities across Scotland. The festival includes exhibitions, films, workshops, masterclasses, talks, shows, walking tours and ceilidh dancing. 

Pomegranates is produced by the Traditional Dance Forum of Scotland and this year’s themes that run through the programme are Masks – the mystery and power they present when used in different dance traditions, and Intangible Cultural Heritage. 

Programme highlights include:

●      A discussion about safeguarding our Intangible Cultural Heritage and the opportunities for Scottish traditional dance with Steve Byrne Director of TRACS (Traditional Arts and Culture Scotland), Rachel Hosker of the Centre for Research Collections, University of Edinburgh and Árpád Vörös, recipient of the knighthood award for lifetime contribution towards Hungarian folk dance. 
The discussion will be combined with demonstrations of traditional dance accompanied by live music including Scottish Country Dance, Step and Highland, with a Flowers of Edinburgh set by Scottish Step Dance artist Sophie Stephenson. There will also be a short display of two examples of traditional dances from Hungary and Poland that were recently inscribed in UNESCO’s Intangible Cultural Heritage list: Csardas (performed by Hungarian folk dancer Árpád Vörös) and Polonaise (performed by Anthony Carter, Fiona Lynch, Natalia Nowak and Renata Grillanda of Parzenica, Scotland’s  Polish Folk Dance Group).

●      A packed programme of ten short films celebrating Scottish Step, Highland, Indian Classical, East African, Chinese, and more. Including two short films directed by award-winning Canadian filmmaker Marlene Millar: To Begin the Dance Once More and Bhairava; Home directed by Kes Tagney and featuring Scottish stepdancer Sophie Stephenson; new work Second Guessing by Bgirl Emma Ready; and The Bright Fabric of Life commissioned by the Traditional Dance Forum of Scotland in 2024 and created by Estonian filmmaker Mare Tralla.

●      New dance theatre piece not for glory devised and performed by award-winning dance artists Jack Anderson, Charlotte Mclean, and in collaboration with composer, and musician Malin Lewis. This contemporary and radical performance piece combines mesmerising and unique sounds from bagpipe, fiddle and loop pedal with energetic and raw dance and movement. Claiming to dissect heritage and resuscitate tradition whilst exploring kilts, queerness and ceremonial violence. 

●      For International Dance Day (29 April) audiences will be treated to a new dance piece Hidden Faces created by festival choreographer Jonzi D with support from B-girl Emma Ready and B-boy Sean Edwards. This new piecewill be performed by more than 15 Scotland-based dancers. Jonzi D is a MC, dancer, spoken word artist and widely recognised for his influence on the development of the UK British hip hop dance and theatre scene. Emma Ready is a breakdancer, choreographer and creative educator based in Glasgow. Sean Edwards is a multi-disciplined award-winning artist with roots in community theatre, B-boying, street jazz, clowning and mime. 

Plus, there are tours of Edinburgh’s Old and New Town’s dance history, with dance historian Alena Shmakova; a special festival edition of the Traditional Dance Forum’s Ceilidh Plus which includes three hours of Scottish, Polish and Hungarian trad dances, all called on the night, with live music; and this year’s festival exhibitions by Lorraine Pritchard: Masks at the Scottish Storytelling Centre until 12 May and Venice Carnival (also inscribed in the UNESCO Intangible Cultural Heritage list) at the Edinburgh City Library celebrates the popularity of mask-wearing traditions and the making processes behind this traditional craft.

Pomegranate Festival co-producers Wendy Timmons and Iliyana Nedkova said: “We are delighted that this year’s Pomegranates Festival is reaching new heights. With 15 events serving a ‘fascinating cocktail of movement’ this year’s Pomegranates highlights the intimate links of traditional dance with live music, film, fashion, poetry, art and heritage craft.

“Once again, we celebrate Scottish traditional dance alongside world-traditional dance practised by New Scots and cultural migrant communities across Scotland. However, we have two new festival themes – Masks and Intangible Cultural Heritage which we are delving into with our festival partners and over 100 artists.

“We can’t wait to share our discoveries over the long festival weekend with our new and returning audiences! Heel, toe, we are ready to go!”

The Pomegranates Festivalwill run from Friday 25 April to Tuesday 30 April 2025 and is Scotland’s annual festival of international traditional dance. Initiated and curated by Traditional DanceForum of Scotland it is presented and produced in partnership with Traditional Arts and Culture Scotland, Moray House School of Education and Sport, University of Edinburgh, Edinburgh City Libraries, Dance Base and the Scottish Storytelling Centre. 

For tickets and more information visit https://www.tdfs.org/pomegranates/

Celebrating Traditional Dance on Screen

Friday 25 April at 18:30 – Scottish Storytelling Centre

The opening night of this year’s Pomegranates Festival of international traditional dance (25 – 30 April), kicks off with a packed programme of ten short films celebrating traditional dance on screen.

Traditional dance is rarely presented through the genre of screen dance, and this exclusively curated programme aims to fill in this gap. It honours multiple types of trad dance styles and diverse cultural heritage traditions, including Scottish Step and Highland, Indian Classical, East African, Chinese, Hip Hop, and Breakdance.

The programme includes three diverse films directed by award-winning Canadian dance filmmaker Marlene Millar, Firstly,  To Begin the Dance Once More – the newly revisedTraditional Dance Forum of Scotland’s first-ever screen dance production exploring Scottish and Egyptian stories of motherhood, featuring choreography by Vincent Hantam, andset to the new epic poem about Beira and Bride (the Queen of Winter and the Goddess of Spring) by Scottish storyteller Donald Smith. 

Secondly, Offering – inspired by traditional dance processions from the Quebec-based Migration Dance Film collective, world-renowned for their innovative use of vocals and body percussive movement.  Offering is directed by Marlene Millar in collaboration with choreographer Sandy Silva with the guest appearance of street dance sensation Omari Motion Carter. And thirdly, Bhairava filmed on the ancient site of Hampi in India, directed by Marlene Millar and Philip Szporer (Mouvement Perpétuel, Montréal) with cinematography by Kes Tagney.

Kes Tagney’s recent short Home featuring Scottish step dancer Sophie Stephenson accompanied by musician Ronan Martin is also featured in the programme. 

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The Bright Fabric of Life directed by Mare Tralla

Other highlights include The Bright Fabric of Life directed by celebrated Estonian artist and filmmaker Mare Tralla; Deer Dancer which was first released as a major commission at the Edinburgh Art Festival in 2019 and features three dances, including Highland Fling, by Hanna Tuulikki exploring male masculinity in dance; two breakdance shorts Autocorrect commissioned by Sadler’s Wells and directed by this year’s choreographer-in-residence MC, hip hop dance artist Jonzi D; and Second Guessing by Glasgow Bgirl Emma Ready which explores the harm experienced by coercive control.

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HOME directed by Kes Tagney

Two other rarely screened films include Chinese short Crowned by Flame directed and performed by Lyuxian Yu; and Echoes of a Taiko Drum which was produced by Billingham Festival Director Olga Maloney, and features a unique fusion of Taiko Drums, Georgian, Irish and Indian Kathak Dance.

This 80-minute shorts film programme will be followed by a Q&A with featured creatives, including Scottish Bgirl Emma Ready, Estonian filmmaker  Mare Tralla and Canadian filmmaker Kes Tagney. 

Iliyana Nedkova, who together with Wendy Timmons is co-founder and curator of the Pomegranates Festival said: “I  am very pleased that this year’s Pomegranates Festival’s opening evening show is all about world traditional dance and music specifically devised for the camera, not for the stage.

“I believe that magic happens where cinematography meets choreography. Following years of curating, judging and producing short dance films and screen dance festivals, I always wondered why we don’t have a dedicated platform for trad dance on screen.

“Well, while waiting for the dance film festival circuit to create such a platform, we decided to launch our own global programme and perhaps sow the (pomegranate) seeds of world trad dance on screen by selecting some of the best and rarest examples in this emerging new genre.”

Mare Tralla, the Estonian-born and Edinburgh-based artist, as one of the creatives featured in the programme said: ‘I can’t wait for the launch on the big screen of the latest Traditional Dance Forum of Scotland’s screen dance production The Bright Fabric of Life at the opening night of the Pomegranates Festival.

“I designed the set and costumes, shot and edited this new film in the summer 2024 with a great team of creatives using the body language of traditional African dance choreographed specifically for the camera by the esteemed Vincent Hantam. 

“The film tells stories of motherhood and kinship, love and loss from Sub-Saharan Africa and Scotland. Also on the night we will celebrate the paperback release of Mhairi Collie’s book which inspired our film.

“The book, just like the film, explores the dramatic life story of Sylvie, an Ethiopian patient and Juliet – a Scottish surgeon.’

The dance films featured in the World Trad Dance on Screen programme at the Pomegranates Festival are:   

AUTOCORRECT (2022, Dir. Jonzi D)
Commissioned by Sadler’s Wells and directed and performed by Jonzi D, AUTOCORRECT features three male hip hop dancers from New York, London and Kampala. The short film takes inspiration from the cerebral poetry of Saul Williams, supported by Soweto Kinch’s textured soundscape.

Bhairava (2017, Dir. Marlene Millar and Philip Szporer)
This short evokes facets of Shiva, the Lord of Dance, as both the destroyer of evil and the guardian of time. Carried by a strong and deeply evocative musical score and by the singular energy of the ancient site of Hampi, dancer and choreographer Shantala Shivalingappa embodies the presence and distinctive qualities of Bhairava. With her technical mastery and refined expressivity, she alternates between moments of precise symbolic gestures and more abstract body language surging from the powerful and omnipresent persona of Bhairava, creating a vivid incarnation of the deity.

Crowned by Flame (2024, Dir. Lyuxian Yu)
In this work,  the artist uses cigarette boxes (the world’s smallest drum), fire, and the traditional Ji Guan Headpiece (Cockscomb Headpiece)—key symbols of the Chinese ethnic minority Yi culture—to tell a powerful story about navigating cultural heritage and personal freedom. The performance contrasts black modern props with vibrant, traditional ethnic objects, creating a striking collision between cultural pride and the push for liberation.

Deer Dancer (2019, Dir. Hanna Tuulikki) 
A cross-artform project that grew out of research into the Deer Dance of the indigenous Yaqui of Sonora, Mexico, and their Pascua Yaqui descendants in Arizona, USA; the Highland Fling of the Scottish Highlands; and the Abbots Bromley Horn Dance of Staffordshire, England. The piece was further informed by experiential research into hunting practices and by direct observation of deer in their habitat and explores the mimesis of male deer behaviours, from the capering fawn, to the rutting stag, and how they can inform a ‘performance’ of masculinity by male dancers, and the implications of these gendered performances in society today.

Echoes of a Taiko Drum (2022, Dir. Olga Maloney)A new short screen dance and music film, produced by Billingham Festival Director Olga Maloney, featuring a unique fusion of Taiko Drums, Georgian, Irish and Indian Kathak Dance.Winner of the Best Audience Award at the European Short Film Festival in Berlin in 2022.

HOME (2024, Dir. Kes Tagney)

Shot in Scotland and Cornwall, HOME premiered last year at the Inverness Film Festival. It features Scottish step dancer Sophie Stephenson accompanied by musician Ronan Martin. Inspired by Stepheson’s love for Scotland, at its heart is a real sense of belonging and feeling of deep connection with the place you call Home.

Offering (2023, Dir. Marlene Millar)
Using the traditional dance procession choreography, Offering creates a meaningful and joyful conversation between the body percussion artists featured in all Migration Dance Film Projects to date and new emerging artists from street, hip hop and gigue dance and circus arts. Special guest appearance by the British hip hop artist OmariMotion Carter. 

Second Guessing (2023, Dir. Emma Ready and Therese Lynch )
Second Guessing investigates coercive control from the victim’s perspective. Emma Ready is a Bgirl, choreographer, and creative educator. During her 25 years of breaking, Emma has established an international reputation as an inspirational, and empathetic motivator. 

The Bright Fabric of Life (2024, Dir, Mare Tralla)Using the body language of traditional African dance choreographed specifically for the camera, The Bright Fabric of Life tells stories of motherhood and kinship, and love and loss from Scotland and Sub-Saharan Africa. It captures the poignant story of Sylvie – a beautiful Ethiopian girl, whose dreams are destroyed when a disastrous childbirth leaves her broken both emotionally and physically, facing rejection and isolation.

To Begin the Dance Once More (2023, Dir, Marlene Millar) Four international dancers based in Scotland and Egypt reimagine the mythological world inhabited by the Celtic and Egyptian mothers of Earth. A beautifully compelling and vital piece of storytelling and movement for the screen. Featuring choreography by former Scottish Ballet Principal Dancer Vincent Hantam, and set to a new epic poem about Beira and Bride (the Queen of Winter and the Goddess of Spring) by Scottish storyteller Donald Smith. 

The Pomegranates Festival (25 – 30 Apr) is the annual platform for the diverse 250+ individual and organisational members of the Traditional Dance Forum of Scotland to teach, learn and perform in new dance theatre and screen dance shows, as well as new productions and residencies. This is the fourth edition of Scotland’s annual festival of international traditional dance, initiated, curated and produced by the Traditional DanceForum of Scotland. It is presented in partnership with TRACS (Traditional Arts and Culture Scotland), Moray House School of Education and Sport, University of Edinburgh, Edinburgh Central Library, Dance Base and the Scottish Storytelling Centre.

In 2025 the Pomegranates Festival is funded by Creative Scotland Multi-Year Funding through TRACS (Traditional Arts and Culture Scotland); the City of Edinburgh Council and University of Edinburgh through the Edinburgh Local Community Fund. 

For tickets and more information visit https://www.tdfs.org/pomegranates/