In 2026, the Royal Scottish Academy, one of the oldest and most prestigious cultural institutions in the UK, will be 200 years old.
An independent artist-led organisation with links to every part of Scotland and beyond, the Royal Scottish Academy is planning a unique celebration involving hundreds of artists, partners, galleries and institutions across the country and with an ambitious programme at their Edinburgh home; the largest and most expansive yet, including a major focus on women artists past and present.
Today, the RSA are delighted with the exhibition programme for the gallery spaces in Edinburgh, including major solo shows with RSA members past and present, including Joyce W. Cairns and Barbara Rae, a celebratory Annual Exhibition, the annual New Contemporaries moment for emerging Scottish artists, as well as fresh takes on the institutions collection; curated by a wide range of artists and experts from the RSA and across the Scottish artworld.
RSA Director Colin Greenslade said: “I am delighted to share the full gallery programme for our 200th anniversary year.
“There is truly something for everyone; the finest in Scottish contemporary art and architecture, made by those just beginning their careers, through to those with a revered, established practice.
“For the Summer we have an important retrospective by Joyce W. Cairns and we round off the year with a major new exhibition by Dame Barbara Rae. As a membership organisation with threads of activity across the sector, our group exhibitions for 2026 will explore our history, our legacy and our future.
“Complementing the vast range of associated activities of our partners across the length and breadth of Scotland, the exciting programme for the galleries here in Edinburgh will be an opportunity to learn more about our extensive support of Scottish artists’ and architects’ practice during this important anniversary moment”
More information can be found here about the UK wide celebrations which were announced earlier this summer.
In chronological order the RSA exhibitions are:
Generation
24 January – 8 March 2026
Curated by Richard Murphy RSA OBE, Generation explores the idea of the architectural family tree, bringing together the work of sixteen architects, all of whom formerly worked at the Edinburgh practice of Richard Murphy Architects and have since gone on to establish their own successful practices.
Richard Murphy acknowledges Ted Cullinan (1931-2019), Richard MacCormac (1938-2014), Isi Metzstein RSA (1928-2012), Glen Murcutt and Carlo Scarpa (1906-1978) as influential on his own practice. Now he is looking to the next generation to see how this legacy is continued.
Origin Stories
24 January – 8 March 2026
Everyone remembers their favourite teacher. For art students, the intensely creative environment of art school can make their tutors hugely important influencers and facilitators of their future careers.
Origin Stories will explore the web of artistic relationships that have manifested through the evolution of art teaching in Scotland. Since its foundation, the Royal Scottish Academy has put the support of teaching and training of artists at the heart of its endeavours.
Royal Scottish Academicians have been involved in the art teaching institutions that have evolved in Scotland over the last two hundred years.
Flowing from tutor to student, a fascinating lineage of influence can be traced from the nineteenth century to the present day, involving multiple interconnecting narratives via many hundreds of artists.
Curated by the RSA’s Head of Collections Sandy Wood, this exhibition will tell this previously untold story of influence and legacy, with artworks by some of the best-known names in Scottish art on view alongside those by emerging artists.
New Contemporaries (2022), artwork L-R Jack Whitelock, Jess Townley Hume, Josie Jones. Photo: Julie Howden
RSA New Contemporaries 2026
28 March – 22 April 2026
For 200 years the Royal Scottish Academy has been a champion of knowledge and education in the visual arts.
RSA New Contemporaries represents the Academy’s commitment to supporting and promoting emerging artists and architects in Scotland.
Now in its seventeenth year, it offers a unique opportunity to see some of the most promising talent in Scotland in one single, large-scale exhibition in the heart of Edinburgh. Supported by the RSA Blackadder Houston Bequest and showcasing 64 graduates selected from the 2025 degree shows, the exhibition is the best overview of the current outlook of emerging Scottish art and architecture.
The 2026 exhibition is convened by Michael Visocchi RSA, with assistance from his fellow Royal Scottish Academicians, and Architecture Convenor Christopher Platt RSA.
The 200th Annual Exhibition of the Royal Scottish Academy
9 May – 14 June 2026
The Annual Exhibition of the Royal Scottish Academy is the largest and longest running exhibition of contemporary art in Scotland.
A yearly barometer of Scottish art, the exhibition has been at the heart of the Academy’s activity since its founding in 1826. For 200 years, the exhibition has captured art and architecture at a moment in time, reflecting the world as it has changed with the Industrial Revolution, two world wars, the invention of the telephone and the birth of the internet.
The 200th edition of the Annual Exhibition will be a melting pot of contemporary art from across Scotland and further afield, with all artworks shown side by side in the Academy’s grand Neoclassical galleries in the heart of Edinburgh.
This year’s Exhibition Convenor is artist Annie Cattrell RSA, assisted by Architecture Convenor Fergus Purdie RSA. This significant year for the RSA also marks the tricentenary of the birth of James Hutton (1726–1797), the ‘father of modern geology’.
Reflecting on the RSA’s philosophical and physical foundations (with the building constructed on ancient volcanic rock), Cattrell’s curation will explore the RSA’s rich and layered development over time. She has invited artists interested in ideas of geology and the passage of time, including Martin Creed, James Geurts, Cathie Pilkington and Stephen Skrynka, to take part in the exhibition.
Architecture Convenor Fergus Purdie will reflect on the themes of identity and beginnings by inviting his fellow Academicians to design an imagined, alternative building for the RSA in Glasgow. Sam Ainsley RSA has been commissioned to design banners for the iconic columned façade of the Academy building.
Chaos & Control: Printmaking in Scotland Now
27 June – 26 July 2026
This timely survey exhibition will explore the contribution of printmaking to the landscape of contemporary art in Scotland.
Described by Niki de Saint Phalle as ‘controlled chaos,’ printmaking encourages collaboration, offering artists opportunities to share knowledge and working practices.
Printmaking studios have been community hubs for artists in Scotland since the first open access workshops opened in the 1960s and 70s. Whilst other visual arts organisations have struggled to secure funding and support in Scotland in recent years, printmaking studios continue to thrive, with strong artist-led memberships and affordable art at the centre of their purpose.
Curated by acclaimed printmaker Ade Adesina RSA and the RSA’s Head of Programme Flora La Thangue, the exhibition will give visitors the opportunity to view artworks by the foremost names in contemporary Scottish printmaking, as well as lesser-known and emerging artists pushing the boundaries of contemporary printmaking techniques.
Joyce W. Cairns: A Personal Odyssey
1 August – 2 September 2026
The Royal Scottish Academy will mount a wide-reaching exhibition exploring the career of acclaimed artist Joyce W. Cairns as part of its 200th anniversary celebrations.
As the first woman to be elected President of the RSA and an influential educator to generations of Scottish artists, Cairns has long been an important voice in Scottish art. A major exhibition of her practice is long overdue.
Joyce W. Cairns PPRSA, Bonjour Matelot
This exhibition will explore major bodies of work from across Cairns’ career, with the haunting characters of her Aberdeen harbour scenes on view alongside monumental paintings from her seminal War Tourist project.
Early works from the artist’s days as a student at Gray’s School of Art will be on view alongside her distinctive figurative painting, pulling from memories of her childhood and her home in the once fishing village of Footdee.
The exhibition will trace the progression of Cairns’ intensely personal, autobiographical style of painting and position her as a linchpin in the trajectory of contemporary Scottish art.
Born in Edinburgh, Joyce W. Cairns PPRSA studied painting at Gray’s School of Art, Aberdeen (1966-71), and at the Royal College of Art (1971-74).
Following a fellowship at Gloucester College of Art and Design, she studied at Goldsmiths College, University of London. In 1976 she returned to Aberdeen to teach Drawing and Painting at Gray’s until 2004 when she left to complete a substantial body of work culminating in the exhibition War Tourist at Aberdeen Art Gallery. Cairns was President of the Royal Scottish Academy from 2018 to 2022.
This 26: Contemporary Scottish Art and the Academy
12 September – 11 October 2026
Every year the Royal Scottish Academy supports hundreds of artists through awards, residencies, exhibitions and scholarships.
Since the start of this century, the Academy has given over £5.5 million to artists, many of whom have used the financial support as a springboard for professional success and artistic acclaim.
Curated by Edward Summerton RSA and Amy Cameron, This 26 will look at the recent history of the RSA’s artist opportunity programme, presenting works by 26 artists, one selected for each year of this century so far.
200 Years
17 October – 15 November 2026
Taking cue from the 200th anniversary of the founding of the Royal Scottish Academy, 200 Years will celebrate the rich history of Scottish art in all its forms over the last two centuries.
Reflecting the centrality of the Academy to the development of Scottish art, the exhibition will include works created by Royal Scottish Academicians since its founding in 1826.
The exhibition will give visitors the opportunity to explore paintings, sculptures, drawings and prints by the foremost artists working in Scotland over the last 200 years.
James Good Tunny, Interior of the Great [Octagon] Room in the shared National Gallery, RSA Annual Exhibition 1860, RSA Collections
Ade Adesina RSA in front of Revolver II and Revolver III, Photo Alan Dimmick
Barbara Rae: Charting South
21 November 2026 – 24 January 2027
In the wake of the hugely popular exhibition Barbara Rae: The Northwest Passage in 2018, the Royal Scottish Academy will present a major, new exhibition.
The Northwest Passage was the culmination of Barbara Rae’s travels following in the footsteps of her namesake, the explorer John Rae. The resulting body of work drew on the intense colour and light of the Arctic in monumental, luminous paintings.
Her interest piqued by the history of exploration, in late 2022 Rae took her work from one pole to the other, travelling to Antarctica to trace the ill-fated journey of explorer Sir Ernest Shackleton during the Imperial Trans-Antarctic Expedition (1914-17).
This exhibition presents a significant body of new work by Rae, relating to locations along Shackleton’s route, including South Georgia and Elephant Island.
Born in Falkirk, Dame Barbara Rae RSA RA studied painting at Edinburgh College of Art (1961-1965). Travelling to France and Spain on a postgraduate scholarship, her early work drew upon trends of abstraction and mixed media practices in European art at the time.
Since her first solo exhibition in Edinburgh in 1967, she has gone on to exhibit worldwide. She was elected Associate of the Royal Scottish Academy in 1980 and became a full Member in 1992.
In 1996 she was elected a Member of the Royal Academy. She holds honorary doctorates from Napier University, Aberdeen University and the University of St Andrews; and is an Honorary Fellow of the Royal College.
Barbara Rae was made a dame in the New Year’s Honours 2025.
Dame Barbara Rae RA RSA in front of her work Exit (2015), photo Gareth Wardell.
