North Edinburgh News – Page 49 – The NEN

Grammy-nominated composer creates opera after losing family to addiction

Scottish Opera and Opera Ventures Productions present world premiere of The Galloping Cure at Edinburgh International Festival on 9 August 2026

TRAILER AVAILABLE HERE

PHOTO: Composer Missy Mazzoli. Credit Shervin Lainez

Grammy-nominated composer Missy Mazzoli and Pulitzer Prize-winning librettist Royce Vavrek both lost immediate family members to drug overdoses. Now Scottish Opera and Opera Ventures Productions are bringing their opera about it to the world stage.

The Galloping Cure, premiering at the Edinburgh International Festival this August, tells its story through a darkly seductive allegory: a mysterious carousel that arrives in a struggling rural town, promising to eliminate all pain. The first ride is free. Getting off is much harder.

Conducted by Stuart Stratford and directed by Tony Award-winning Tom Morris (War Horse), the production reunites the creative team behind Breaking the Waves, the 2019 Edinburgh International Festival hit that toured internationally to critical acclaim. They have collaborated with Opera Ventures Productions and Scottish Opera to create what they are calling an opera for the age of addiction.

It is co-commissioned with NorrlandsOperan AB (Sweden, supported by Riksbankens Jubileumsfond), Edinburgh International Festival, and San Francisco Opera. The production will be co-produced with State Opera of South Australia and Canadian Opera Company, ensuring the work reaches audiences worldwide. This unprecedented international coalition of funders spans three continents to back a brand-new work tackling one of the defining crises of our time.

Missy Mazzoli said: ‘The opioid crisis is not merely a headline for me and Royce; we have both lost immediate family to overdoses and other drug-related tragedies, and this crisis reverberates through nearly every aspect of our lives.

‘For years we have wanted to write a work about these experiences, and opera provides a large enough palette to create something that is both compassionate and illuminating.’

Tom Morris said: ‘Missy and Royce are Titans of the 21st century operatic stage. They take no prisoners and will tear up trees to show the world that opera can tell powerful, horrifying, tender stories that resonate to the core of our age.

‘The Galloping Cure is exactly that and it is a huge honour to work with them on its world premiere production. And it’s not just an allegory about the opioid crisis. It’s a story about existential pain and the allure of shallow instant solutions. Inspired by texts from Kafka and Karen Russell, they have created a world that is both mythic and brutally recognisable. Their visceral operatic language allows us to hold beauty and horror in the same moment, and to struggle with the compulsions caused by both.’

The story follows Dr Theresa Hart as she struggles to ease the suffering of her community in a forgotten corner of the world. When the charismatic Lucky Mack arrives with his carousel, the town is swept into euphoria. But the ride won’t stop turning.

Mazzoli’s score blends orchestral and choral writing with club rhythms and DJ textures, creating what she describes as ‘a dark parallel to our own world, devastating and gorgeous in equal measure. Swirling brass and winds mesh with exaggerated house music beats, Appalachian folk sounds unite with orchestral strings, and operatic vocals soar over a hallucinatory landscape.’

Leading stage designer Rebecca Ringst matches the ambitious score with cutting-edge immersive audiovisual design evoking a post-industrial town transformed into a fever dream.

Scottish Opera Music Director Stuart Stratford added: ‘Missy Mazzoli’s music has an immediacy that connects with contemporary audiences while remaining deeply operatic. After the success of Breaking the Waves, we knew we wanted to continue our partnership with her. This score is thrilling to conduct. It moves between intimate moments of devastating beauty and these massive, visceral soundscapes that put you right inside the experience of addiction. Working with Opera Ventures and our international partners allows us to take risks on work this ambitious.’

The cast is led by Argentinian mezzo-soprano Daniela Mack in her Scottish Opera debut as Dr Theresa Hart, alongside baritone Justin Austin (Rising Star of the Year at the 2024 International Opera Awards) as Lucky Mack, and Susan Bullock as Ivona Kowalski. They are joined by Scottish Opera Emerging Artists Edward Jowle and Luvo Maranti, and former Emerging Artists Catriona Hewitson, Lea Shaw, and Ross Cumming. The role of Noy is yet to be announced.

The production is inspired by Franz Kafka’s 1917 short story A Country Doctor and based on an original tale by Pulitzer Prize finalist and MacArthur “Genius Grant” recipient Karen Russell. She is the author of short story, Proving Up,which was also made into an opera by Mazzoli and Vavrek in 2016.

Opera Ventures Productions has pioneered a new model for creating opera in the 21st century, bringing together international houses and festivals to share resources and risk. Founded by John Berry (former Artistic Director of English National Opera), Opera Ventures has previously commissioned and produced with partners including Scottish Opera, Greek (Mark-Anthony Turnage) and Ainadamar (Osvaldo Golijov), all of which have toured internationally. In an era when commissioning new opera has become increasingly rare, Opera Ventures has proven it is still possible, if you are willing to think globally.

Scottish Opera has been a key partner in this model, bringing seven years of collaboration with Opera Ventures to The Galloping Cure. As Scotland’s national touring company, Scottish Opera’s workshop and production skills are specifically designed to create sets that adapt to theatres of different sizes, making them the ideal partner for international touring productions. This expertise, combined with Scottish Opera’s track record of championing contemporary opera, has been crucial to bringing Mazzoli’s ambitious vision to life.

‘Commissioning new opera is one of the hardest and most essential challenges the art form faces’, said John Berry. ‘Opera can be as immediate and relevant as cinema, and The Galloping Cure reminds us of opera’s communicative power through the combination of music, theatre, and design. This piece exists only because ambitious organisations across continents have chosen to back a brand-new project with something urgent to say.’

Performances of The Galloping Cure are on 9, 11 and 12 August 2026, at Edinburgh International Festival.

Tickets are available from www.scottishopera.org.uk/shows/the-galloping-cure/

Supported by a syndicate of donors including Sarah and Howard Solomon Foundation, Susie Thompson, Eli & Ashley Wald, Malcolm Herring, Sally Groves in memory of Dennis Marks and the New Commissions Circle.

www.scottishopera.org.uk

You can follow Scottish Opera on BlueSky, Instagram, Facebook, TikTok and YouTube @ScottishOpera

Cast

Theresa Albertine Hart, The Doctor Daniela Mack

Lucky Mack Justin Austin

Ivona Kowalski Susan Bullock

Samatha (Sam) Edward Jowle

Megan (Meg) Catriona Hewitson

Mayor Luvo Maranti

Zoe Rosie Lavery

Erin Lea Shaw

Shawna Donna Bateman

Duane Connor James Smith

Jackie Boy Frank Church

Warren Ross Cumming

Creative team

Conductor Stuart Stratford

Composer Missy Mazzoli

Libretto Royce Vavrek

Original story Karen Russell

Director &Dramaturg Tom Morris

Set and props designer Rebecca Ringst

Associate Director & Movement Director Leah Hausmann

Costume Designer Christina Cunningham

Lighting Designer Lucy Carter

Projection Designer Will Duke

Beats by Blume and Lorna Dune
Mixed by Lorna Dune

Performance diary

9,11 &12 August 7pm

Festival Theatre Edinburgh

Young Carers Action Day: Celebrating Scotland’s young carers and calling for better support in education

Young Carers Action Day is an annual event that raises public awareness of young carers, the challenges they face and the extra support they need to balance their caring responsibilities and ensure they can have a Fair Future.

The day is led by Carers Trust in collaboration with its network of 135 local services that support unpaid carers. Young Carers Action Day is not only about celebrating their incredible contributions, but also about taking action to make sure young carers are given the support they need to thrive.

This year, young carers across Scotland are highlighting how caring impacts their education and calling for practical changes, including a designated Young Carer Lead in every school, college and university, to help ensure their needs are recognised, supported and understood.

Heavy caring responsibilities for young carers

Across the UK it’s estimated that over one million children and young people have caring responsibilities, with thousands in Scotland supporting parents, siblings or other relatives.

A recent UK wide survey by Opinium, published by Carers Trust, highlights the scale of responsibility many young carers hold; from helping relatives with personal care to managing medication and supporting household tasks. These findings mirror what young carers and services tell us every day.

The same research found almost half (44%) of young carers spend around 3 to 4 hours a day on their caring role, severely restricting the time they have for homework. And over one third (36%) told the survey caring had left them tired or worn out at school.

Impact of caring responsibilities on young carers’ education and attainment

Young carers in Scotland consistently tell us that caring has a significant impact on their learning. Many describe struggling to balance schoolwork with caring responsibilities, often feeling tired, stressed or unable to complete homework because of the demands at home.

Education staff, local young carer services and families also report that young carers may arrive late, miss lessons or find it harder to focus in class, not because of a lack of ability or motivation, but because of the pressures they carry.

These experiences show why greater recognition, flexibility and support in education settings are essential. Young carers are determined, capable and ambitious, but they should not have to overcome unnecessary barriers to succeed.

That’s why young carers across Scotland are calling for a Young Carer Lead; a designated member of staff who identifies and supports young carers in every school, college and university. Evidence shows that a trusted lead in education settings can make a significant difference, ensuring young carers are understood, supported and able to thrive.

Young carers take centre stage at Edinburgh Zoo

Carers Trust Scotland is partnering with The Royal Zoological Society of Scotland (RZSS) Edinburgh Zoo to host a Young Carers Action Day Hustings, a lively event bringing together over 150 young and young adult carers from across Scotland.

The hustings gave young carers the chance to speak directly with candidates ahead of the Scottish Parliament Election, ask questions and highlight the importance of Young Carers Action Day in their own words.

Alongside the discussion, attendees can enjoy a well earned break in a fun, supportive setting surrounded by others who understand their experiences. The RZSS Edinburgh Zoo event was the heart of the day, a chance for young carers to be heard, celebrated and connected.

Young carers were also involved in a Scottish Parliament exhibition and evening event. Head of External Affairs, Carers Trust Scotland, Paul Traynor said: “Young carers take on responsibilities far beyond what most of their peers will ever experience. Some of these tasks are incredibly demanding; physically, emotionally and mentally.

“Too often, we assume young carers are coping because they stay quiet, keep going and try to manage as best they can. But behind that strength can be exhaustion, worry and pressure no child or young person should carry alone.

“One of the biggest challenges we see is that many young carers aren’t recognised or identified early enough. When their caring role is invisible, so are their needs, and that’s when young people can slip through the cracks.

“Young carers tell us time and time again that being understood at school makes an enormous difference. When education settings know who their young carers are, recognise the realities of caring and offer flexibility and support, it helps young people feel seen, respected and able to focus on their own futures.”

Erin, a young adult carer, said: “I’ve been a carer from my mum since the age of 8. Young Carers Action Day is such an important occasion for us young carers as it is a day to give us a voice and it can make us finally feel heard.

“What decision makers do on this day has a lasting impact on us and our futures and that is something we are so grateful for.”

Festival of Fermentation at Lauriston Agroecology Farm

FREE PICKLE PARTY!

Join us for the Festival of Fermentation & Pickle Party at the farm …

Saturday 28 March 1:30 – 3:30pm

Book your free ticket on Eventbrite: https://tinyurl.com/ycxtcdc2

For thousands of years, people around the world have used fermentation and pickling to make and preserve food, handing the knowledge down through generations.

Whether you are a total beginner, or already surrounded by bubbling jars, come along to this celebration of human x microbe collaboration.

Edinburgh Agroecology Co-op, Grass Roots Remedies and Rhyze Mushrooms are hosting a fermentation and pickling Tasting Fair, tours and workshops, and opening our brand new food processing space.

The food processing space, and this opening event, is kindly funded by Edinburgh Communities Climate Action Network Greenlight seedgrant fund.

Thank you to ECCAN and to everyone who voted for us to receive this grant.

The funding means we can make this event free – but spaces are limited, please book a ticket to attend.

Rhyze Mushrooms

@Grass Roots Remedies Co-op

North Edinburgh Community Festival

BE PART OF THE NORTH EDINBURGH COMMUNITY FESTIVAL!

Deadline closes in 14 days!!!! MONDAY 30th MARCH.

Even if you don’t know what you might do, or cant fill in the details yet, register so that we know you require a stall or pitch.

Funding apprenticeships

Review to examine how best to meet the needs of the future economy

A review of the publicly-funded contribution rates paid to help deliver modern apprenticeships (MAs) will be undertaken soon to ensure they continue to meet the country’s economy priorities and maximise public value.

Contributions are made to training costs for around 39,000 MAs each year from £90 million of Scottish Government funding. The review will look at the levels of contribution.

It will also assess how the current approach, delivered by Skills Development Scotland, operates across key sectors and age groups, while meeting the Scottish Government’s priorities for growing the economy.

Ministers committed to a review when Parliament was considering the Tertiary Education and Training (TET) Act – passed by MSPs earlier this year to simplify the funding system for post-16 education and skills. The first stage of this review will get underway later this month.

Higher and Further Education Minister Ben Macpherson said: “Apprenticeships help create positive futures for people, including many of our school leavers, as well as developing the skills required to meet the changing needs of the 21^st century economy.

“The Scottish Government recognises that there are financial pressures surrounding the current apprenticeship model. That is why we are reviewing contribution rates, to look at whether current public funding for the Modern Apprenticeship programme is still appropriate and sustainable, as well as meeting our priorities and Scotland’s labour market needs.

“The Scottish Government will do more to help ensure that smaller employers can recruit more apprentices, for the benefit of their businesses and those in training.”

Scottish Training Federation Chief Executive Stuart McKenna said: “The Scottish Training Federation welcomes the Minister’s commitment to review funding rates for modern apprenticeships.

“To ensure the continued success of the programme, it is essential that we review the current funding model to ensure it remains fit for purpose.”

Letter: Mother’s Day call for change

Dear Letters Editor,

Many families are getting ready to celebrate Mother’s Day this weekend, but for too many female cats, motherhood looks very different.

Cats Protection is campaigning to ensure cats are not forgotten by decision‑makers in England. As part of our Cat Manifesto, we are calling on Westminster to introduce regulations on cat breeding, and to ban the breeding of cats with extreme characteristics.

A lack of breeding regulations leaves female cats at risk of being used as breeding machines, producing multiple litters a year in poor and sometimes dangerous conditions. These cats are often kept solely for profit, with little regard for their health or wellbeing.

Stronger safeguards would help ensure female cats are better protected, and that anyone breeding cats meets clear welfare standards.

Motherhood matters – for humans and for animals. This Mother’s Day, we are asking readers to join us in calling for change, to give cat mums and their kittens the best lives possible.

The Government has left cats behind by failing to include any regulation on cat breeding in the new Animal Welfare Strategy.

Readers can add their names to our open letter calling for urgent action here:

Sign our Open Letter.

Yours faithfully,

Annabel Berdy,

Cats Protection Advocacy & Government Relations Manager

Edinburgh pupil designs eco-friendly guitar that switches between acoustic and electric

A pupil at an Edinburgh school has designed an eco-friendly guitar that can switch between acoustic and electric sounds, allowing musicians to change tone without needing multiple instruments.

The design uses interchangeable components to alter the guitar’s sound, removing the need to buy multiple instruments and helping reduce material waste.

Chester, aged 19, from Edinburgh, began developing the idea after noticing how expensive it can be for musicians to own several guitars to achieve different sounds.

He designed a single instrument capable of producing multiple tones while also using more sustainable materials, including FSC-certified wood and water-based finishes. The design also allows parts to be repaired or replaced rather than the whole instrument being discarded, helping reduce waste.

Chester said: “The guitar’s most unique feature is a removable modular block which houses all of the electronics and pickups. Different pickups create different tones, which is why musicians often need several guitars to achieve particular sounds.

“With this design, guitarists can swap components and customise the sound of the instrument, even mid-performance.”

Working on the prototype for more than a year, he experimented with a range of materials, from traditional timber to experimental resin, before refining the final design. The result is a fully functioning guitar that can be adapted for different styles of music.

Florence Chapman, Head of Faculty for Technologies and Creative Arts and Design Technology teacher at Merchiston Castle School, said: “This is a brilliant example of how the disciplines within STEM can work together to complement one another in producing a single creative outcome.

“Chester has used knowledge from subjects like maths and physics alongside design and music to create something genuinely innovative. Projects like this show how pupils can take an idea, test it, refine it and turn it into something real.”

Music lover Chester added: “I’ve played guitar for about six years and realised that musicians often need several guitars to achieve different sounds, which can be really expensive.

“I wanted to see if it was possible to create one instrument that could produce the sound of many guitars while also being more sustainable. It took a lot of trial and error, but seeing the final guitar working has been incredibly rewarding.”

The guitar has already been tested by fellow pupils and teachers performing classic rock tracks in the school’s music department.

Chester added: “I play in a band with my friends at Merchiston called Sleet. We play 80s and 90s rock music, including Smashing Pumpkins, Radiohead and Red Hot Chili Peppers. It would be amazing to see John Frusciante play this guitar one day.”

Chester, a senior prefect at the school with a strong interest in both STEM and design, plans to study Design Engineering at university.

He hopes to continue exploring the intersection between design, engineering and music in the future.

To learn more about Merchiston Castle School, please visit:

https://www.merchiston.co.uk/

Venue and weekend headliners confirmed for Hidden Door 2026

Edinburgh’s pop-up arts festival announces final takeover of iconic factory with weekend headliners Jenny Hval and Valtos Presents: High Water Mark

Hidden Door is set to stage a final spectacular takeover of The Paper Factory, a massive industrial site in west Edinburgh, for the 2026 edition of the multi arts festival.

From Wednesday 3rd to Sunday 7th June 2026, the site will be reimagined as a living, evolving space, giving audiences one last chance to rediscover this iconic location before the festival moves on.

“Returning to The Paper Factory for a final year allows us to go deeper into the history and texture of the site,” said Hazel Johnson, Hidden Door’s Director. “We aren’t just putting on a show; we’re building a myth.

“The support from Creative Scotland allows us to develop an ambitious programme that will treat the space as a living, breathing canvas, where the work of our artists and performers becomes the architecture that shapes the festival.”

Friday and Saturday headliners revealed

Festival organisers have also revealed the weekend headliners who will take to the stage for The Paper Factory’s final shift.

On Friday 5th June, Norwegian singer-songwriter, record producer, and novelist Jenny Hval pushes boundaries with a live performance that demands to be witnessed firsthand, with her experimental, feminist and avant-garde work scooping several notable awards.

The night will climax with a special late night club presented by EPiKA, Edinburgh’s own femme techno collective.

On Saturday 6th June, Skye natives Valtos bring a dancefloor-ready take on their already unique sound with their acclaimed DJ/Live hybrid project High Water Mark, fusing folk and electronic beats for an energetic and dynamic experience.

The action will then move to the club space with Fred Deakin (Lemon Jelly/Club Life) taking audiences through the decades of his legendary Scottish club nights.

Creative collaborations

Once again, Hidden Door is working with a wide range of creative partners to build an eclectic programme offering something for everyone, including:

Five nights of music programmed in collaboration with the likes of Paradise Palms Records, Hobbes Music, 432 Presents and independent programmers Jacob Brailsford and Arusa Qureshi
10 emerging music acts selected from an open call co-curated with the National Centre For Music and Creative Edinburgh
Specially curated theatre, dance and spoken word performances scattered throughout the venue
A brand new collaborative installation from Tinderbox Collective, experimenting with electronics and sensors, microcontrollers, code and responsive visuals.
An evolution of Edinburgh International Mural Festival’s 2025 residency at The Paper Factory, which brought together mural artists from around the world to produce iconic large scale works

The festival’s full programme of music, art, performances and special events will be revealed in April.

The announcement follows confirmation of vital support from Creative Scotland’s Multi-Year Fund, a major funding commitment that secures the future of the festival through to 2027 and enables the volunteer-run charity to embark on ambitious planning for 2026.

Tickets on sale now

Tickets for each evening of the festival are now available online at http://hiddendoorarts.org/tickets

As always, the festival will be free to explore during the daytime, with tickets on sale for the evening line-up from 6pm each day.

Open Calls for Hidden Door 2026

Hidden Door is currently inviting submissions for dance, spoken word and music acts to be part of the 2026 programme: https://hiddendoorarts.org/call-for-submissions/

Hidden Door is committed to ensuring fair pay for all artists. The funding from Creative Scotland, alongside ticket revenue, donations and sponsorship, means the festival has created paid opportunities for thousands of artists and performers since 2010.

Hidden Door is a volunteer-run, independent charity that organises cultural events in Edinburgh.

It works to transform forgotten urban spaces into temporary platforms for new and emerging artists, musicians, theatre-makers, film-makers, dancers and poets.

Since its inception, Hidden Door has attracted over 70,000 visitors to its events and created a vibrant showcase for over 3,000 artists.

Scotland’s award-winning adventure hub announces April reopening

New reimagined wakeboarding experience

Foxlake Adventures, East Lothian’s award-winning outdoor adventure destination, has officially announced it will reopen for the 2026 season on April 3rd, debuting a completely revamped wakeboarding programme designed to get more people on the water than ever before.

Known for offering a wide variety of unique and exhilarating adrenaline-filled outdoor activities, Foxlake Adventures is gearing up for its busiest season to date. From Foxlake’s unique Foxfall ropes course to the high-energy Aqua Park, the East Lothian destination provides an escape for everyone – from adrenaline junkies to families looking for a memorable day out on their doorstep.

This season, Foxlake Adventures is putting wakeboarding front and centre, introducing a completely revamped range of sessions designed to welcome first-timers, develop regular riders and bring the wakeboarding community closer together. New for 2026, the RiDE Session offers a 15-minute coached set on the water, a high-excitement way to build skills or ride freely after exploring what else the site has to offer.

For those looking to take their first strokes on the board, Foxlake’s Learn 2 RiDE session provides 45 minutes of expert, qualified instruction, complete with structured training to guide beginners from the dock to the water with confidence.

Rounding out the new programme is the Jam Sessions. An hour-long social session for groups of up to four riders, where participants can take turns on the water, share skills and enjoy the kind of community spirit that has always set Foxlake’s wakeboarding scene apart.

James Barbour, Director of Foxlake Adventures, said: “The winter always feels a bit long when you’re waiting to get back on the water.

“We are incredibly excited to welcome guests back this April. All our offerings – Aqua Park, Ringo Rides, and stand-up paddleboarding – are returning in 2026, and we have now created an improved programme for wakeboarding, leaning on the experience of our dedicated and growing community.

“Foxlake Adventures is ideal for those serious about making 2026 their year on the water. We’re looking forward to a fantastic season ahead and can’t wait to welcome everyone back.”

To learn more about Foxlake’s array of offerings or to book your session, you can visit https://www.foxlake.co.uk/.

Wild water swimming inspires new art exhibition

Work inspired by natural landscape “reflect need to stay connected with nature at a time when technological progress draws us further indoors and deeper online”
Praise at preview evening with Dundas Street Gallery showcase running until March 22

Wild water swimming – and the landscape in which it is embraced and enjoyed – has inspired a new exhibition of paintings.

Hymn From a Valley by Ryan McGoverne opened to the public yesterday (Friday March 13) at Dundas Street Gallery in central Edinburgh. It runs until March 22.

Invited guests from Lindsays, the city legal firm sponsoring the exhibition, enjoyed a special preview evening on Thursday.

The collection of oil paintings depict figures immersed in natural bodies of water, many of them locations from throughout the Lothians and Scottish Borders.

Artist Ryan McGoverne, whose new exhibition, Hymn From A Valley, is sponsored by legal firm Lindsays. It celebrates the people and landscapes of wild water swimming and takes place at Dundas Street Gallery in Edinburgh until March 22. Picture: Jamie Simpson / Lindsays March 12th 2026

Ryan, who lives in Biggar, said: “The work is inspired by our natural landscape and open water wild swimming – celebrating a life-affirming, temporary disconnection from the modern world.

“The paintings reflect a need to stay connected with nature at a time when technological progress draws us further indoors and deeper online.

“Each work shows a simple nourishment for the soul. They make a positive and quiet statement about action – about embracing life, nature and beauty with courage and curiosity.

“They depict places of accessible tranquility found just behind our roads, towns and cities, capturing the emotional and physical experience of cold open-water immersion.

“I am really grateful to Lindsays for their sponsorship, which has allowed me to share this work, of which I am incredibly proud.”

The exhibition is a celebration of immersing yourself in nature – something Ryan himself has done in order to create the work, which is in the tradition of Impressionist greats including Degas and Manet.

The artist, who completed a Masters in Fine Art through Cardiff University and Kansas State University, began exploring landscapes in detail following the coronavirus pandemic.

He discovered the diverse and accessible beauty of the landscape which surrounds where he lives.

And, looking at how people spend time in it, became intrigued by wild swimming and cold water immersion as its popularity has grown across Scotland – so much so that he too is now also a wild swimmer.

Ryan, who is also a corporate and commercial photographer, said: “I thought I couldn’t do it. But then I got to know people who convinced me otherwise.

“In January last year, I took myself to a reservoir. It was obviously one of the coldest times of the year. It felt amazing.

“The exhibition celebrates that feeling. It’s a call for people to get out there and enjoy the wonderful, accessible landscape that we have.

“Cold water immersion is good for the soul – for your mental and physical health. It can give you huge confidence – such a boost. The work which features in the exhibition celebrates that.”

Guests at Thursday’s preview evening were impressed by what they saw. They included lawyers and clients from sponsors Lindsays.

Ryan has been commissioned by the firm for many years in his “other” role of corporate photographer.

Lindsays Managing Partner Andrew Diamond, left, and artist Ryan McGoverne. Legal firm Lindsays is sponsoring Ryan’s new exhibition, Hymn From A Valley, which celebrates the people and landscapes of wild water swimming. It takes place at Dundas Street Gallery in Edinburgh until March 22. Picture: Jamie Simpson / Lindsays March 12th 2026

Andrew Diamond, Managing Partner at Lindsays, said: “This really is an impressive and memorable collection of work.

“It really gives you a sense of not only the elation that cold water immersion gives, but the confidence that flows from it.

“It is a reminder too of the amazing landscape that we are blessed to have – and how taking time away from our screens to enjoy it can make a positive difference to our lives.

“As a firm, we have worked with Ryan for over a decade. It’s a pleasure for us to be able to support this side of its work.”

Lindsays has a strong track record of supporting the arts. The firm has supported the ArTay programme in Perth in recent years, as well as sponsoring a number of events in Edinburgh, including Van Gogh Alive with SAMH, Art Friends of St Columba’s Hospice and Postcards for the Sick Kids Friends Foundation in previous years.

More details about Ryan’s work can be found at www.ryanmcgoverne.co.uk.