M&S café has unveiled its latest seasonal menu and it’s not one to miss!
Topping hot weather wish-lists will be the new range of iced drinks, including a Rhubarb & Raspberry Frappe and a Watermelon Lemonade with juicy watermelon garnish. M&S café baristas will also be blending up Tiramisu Iced Lattes, full of the famous creamy coffee flavours of one of the nation’s favourite puds!
And that’s not all … Enjoy a taste of summer with the new range of salads, including the Chicken and Basil Pesto and the Moroccan inspired Feta and Fruity Couscous salad that’s full of colourful grains, feta and a mint and beetroot dip.
This will be the 39th annual showcase for the renowned institution with expectations high for an extraordinary display of fine furniture crafted by this year’s graduating cohort of talented makers.
From Thursday 13 June to Saturday 15 June 2024, visitors will have the exclusive opportunity to witness an array of exceptional pieces meticulously crafted by those on the intensive 30-Week Professional Course.
Known for its international reputation for kickstarting the careers of skilled woodworkers, the Chippendale School’s Professional Course equips aspiring furniture makers with the essential skills and knowledge needed to thrive in the industry, covering everything from design techniques to marketing strategies.
The 2023/24 course cohort boasts 30 exceptionally talented students hailing from all over the world, from the Dominican Republic to Germany, Holland, France, Canada and the USA.
Among the spotlighted makers is Kevin Tronel from France whose matching pair of mid-century easy chairs and vinyl record cabinet, both made from Oak, are a perfect example of the joy in putting a contemporary twist on a traditional style.
Also gracing the exhibition is Maria Hensley from the UK, presenting her hallway bench in Oak and Danish woven cord. Attendees can also marvel at the striking fluted column cabinet in Sycamore made by Chlomo Hutcheson from Edinburgh.
Tom Fraser, Principal, commented: “Our annual Graduate Exhibition is a testament to the dedication and talent of our Professional Course students.
“Year after year, we are inspired by the creativity and ingenuity displayed in their final designs.
“This event offers a unique opportunity for visitors to witness the finest emerging global furniture design talent and even take home a piece that captivates them.”
Pizza and coffee on the day will be provided by local Edinburgh and North Berwick businesses Pizza Geeks and Steampunk Coffee. Admission to the exhibition is free, with advance booking of time slots required.
THE sister of Ben Kinsella has paid tribute to a new report published by the anti-knife crime charity which set up following his murder.
Former Eastenders actress Brooke Kinsella said too many young people were carrying blades in the “blinkered belief it will make them safer”.
Brooke, whose brother Ben was stabbed to death in 2008, was responding to a major study by the Ben Kinsella Trust which took two years to compile.
The charity spoke to more than 9,500 children and teenagers, and over 240 teachers and youth workers over two years to conduct a review into the impact knives are having across our neighbourhoods.
It revealed more than a third of respondents (36%) no longer feel safe walking the streets, and that one in four (25%) feel carrying a knife makes them safer.
Alarmingly, the report also found 6% of kids aged just 10-11 years old have even considered carrying a blade.
Commenting on the report, Brooke said: “This important report is deeply shocking, and shows just how much more work we have to do.
“Since my brother’s death, the Ben Kinsella Trust has worked tirelessly to help reduce knife crime, and to educate young people about the misery blades bring to communities.
“This report underlines the fact that so many young people are fearful about knife crime. But also, that too many are also prepared to carry one in the blinkered belief they think it will make them safer.
“The number of young people, especially girls, who feel unsafe on the streets is particularly shocking as is the age at which people are thinking of arming themselves with knives.
“Change starts with education. And the Ben Kinsella Trust will continue to help schools to inform young people about the dangers of blades and shatter the myth they keep you safe. This is vital to ensure other families aren’t left devastated like we were by knife crime.”
The report also revealed how:
● Over one-third (36%) of young people no longer feel safe in their own neighbourhoods.
● Two-thirds (64%) feel anxious about knife crime in their area.
● And, notably, 43% of girls specifically mentioned feeling unsafe where they live.
● A quarter (25%) said they knew someone who had carried a knife.
The report, funded by the London Violence Reduction Unit, was based on data collected over a two year period (2022-2023) from participants who visited a Choices and Consequences Exhibition run by the unit in Islington and Barking.
The report features the views of 9,507 young people aged 10-17 and 247 teachers and youth workers. The workshops conducted at these exhibitions engage young people with real-life stories, immersive theatre and foster open discussions, promoting trauma-informed practices and positive interactions.
And the report found the exhibitions “not only positively impacted young people, but it empowered educators too.
It found teachers are more likely to integrate anti-knife crime lessons into their curriculum after participating in the program and that they felt more equipped and motivated to address this critical issue.
The report gauged beliefs before and after attendance at the exhibitions, and it found:
● The number of young people who thought a knife would protect them drops from 24% to 5%.
● 73% who had considered carrying a knife pledged never to do so following the workshop.
Be inspired by stories of collaboration, creativity and rebellion in Women in Revolt! Art and Activism in the UK 1970-1990 at Modern Two in Edinburgh.
The first of its kind, Women in Revolt! is a major survey of feminist art, celebrating the women whose radical ideas and rebellious methods changed the face of British culture. Come and discover the powerful and often provocative work of over 100 women artists and collectives, forged against the backdrop of seismic social and economic change over two decades. The exhibition will open to the public on Saturday 25 May and tickets are on sale now from the National Galleries of Scotland website.
Curated by Linsey Young, Curator of British Contemporary Art at Tate Britain, in collaboration with the National Galleries of Scotland and The Whitworth, The University of Manchester, Women in Revolt! will take over the entire Modern Two gallery in Edinburgh until 26 January 2025. Following its debut at Tate Britain in November 2023, the exhibition will bring to Edinburgh a select range of works from the London show, drawing from public and private collections across the country in what will be the only chance to see this landmark exhibition in Scotland.
Women in Revolt! spans two decades of art and activism, charting a range of themes and social issues that influenced and impacted on women artists.
Topics such as the Women’s Liberation Movement, maternal and domestic experiences, Punk and independent music, Greenham Common and the peace movement, the visibility of Black and South Asian women artists, and Section 28 and the AIDS epidemic will be explored in six thematic galleries platforming the creative contributions, ideas and activism of a diverse set of communities living and working in the UK throughout this period.
Women in Revolt! will highlight the ways in which women challenged societal norms through their creativity, both collectively and in isolation, using their lived experiences to create art and fight injustice.
Paintings, drawings, sculptures, textiles, films, photography, and documentation of performances will be shown alongside a range of archival materials, with many artworks on display for the first time since the 1970s.
Work by well-known artists including Sonia Boyce, Helen Chadwick and Linder will be displayed side by side with an array of artists who, despite their long careers, have been left out of the mainstream art historical narratives.
Featuring artists from across the UK, the powerful work and pioneering techniques of Scottish-based women artists will also be showcased. Visitors will encounter works such as Cool Bitch and Hot Dog (1978) by Edinburgh-based artist and weaverElizabeth Radcliffe.
Her sculptural three-dimensional tapestry reflectsthe artist’s desire to be a modern woman, defying the passive stereotypes of mother, caregiver, cleaner or sexual object. Glasgow-born artist Rita McGurn utilised a range of found and domestic materials to create work, using techniques such as crochet, a long-undervalued artistic medium due to its domestic associations. Several of McGurn’s characterful life-sized soft sculptures will go on display at Modern Two.
Select works from Scotland’s national collection will also go on display, including two important new acquisitions by Penny Slinger: Wedding Cake – Open Secret (1973) and Bride and Groom – Ceremonial Cutting of the Cake (1973).
Part of her Bride’s Cake series (1973), these works document a performance in which Slinger wears a handmade wedding cake costume. The artist describes the series as ‘both a parody of a wedding ritual, and recreation from a woman’s point of view’.
Further works to be seen from the Scotland’s national collection include Urania from the series Zabat (1989) by the Scottish-Ghanaian artist and writer Maud Sulter.
A significant figure in the Black Arts Movement, Sulter used her practice to challenge white supremacy and reconsider history through a personal lens as a Black woman.
The monumental Warrior Woman V: The Artist (1986), by Glasgow-based Sam Ainsley will be shown in Scotland for the first time in nearly four decades as part of this tour. Standing at over 11 feet tall and brimming with the spirit of protest, Ainsley’s work embodies the artist’s expression of feminist concerns, challenging the patriarchy and asserting female power.
The dramatic evolution of women’s relationships with work, domesticity and motherhood created an extensive source of inspiration for artists throughout this period. Frustrations fuelled by the expectations of domestic labour are palpable in a range of impactful works on display by artists such as Bobby Baker, Alexis Hunter and the See Red Women’s Workshop whose bold poster works challenge sexist stereotypes and directly reflect the demands and concerns of the Women’s Liberation Movement.
The social and political implications of women raising a family also comes into play in works such as The Hackney Flashers’ Who’s Holding the Baby (1978). The installation critiques the lack of government supported childcare and sheds light on the impossible position of being both a mother and a worker in 1970s Britain.
The riotous and expressive era of Punk and Post-Punk movements will be examined through collage, painting, film and photography by artists and musicians including Marianne Elliott-Said (A.K.A Poly Styrene), Caroline Coon, Linder and The Neo Naturists, whose ritualistic performance art of the 1980s used bold body paint to challenge the objectification of the female form.
Gina Birch, a founding member of the experimental Punk band The Raincoats, also presents her 1977 film 3 Minute Scream, where the artist can be heard screaming for the duration of a Super 8 cartridge. The film communicates a powerful statement of defiance, conveying what many young women felt but were not given the opportunity to articulate.
The art of protest and women’s role in activism will form a key element of the show, with a range of banners, posters and journals, as well as documentary photography by Format Photography Agency, and artists such as Mumtaz Karimjee, and Bhajan Hunjan telling the story of rousing, women-led protests throughout this time.
Women in Revolt! focuses on causes such as the Greenham Common Women’s Peace Camp, established in 1981 to protest the placement of nuclear weapons, as well as the Section 28 protests, fighting against laws prohibiting the promotion of homosexuality.
Materials exploring the 1984 Miners’ Strike and anti-racism campaigns are also represented, highlighting the central role women have played in activism.
Women in Revolt!will also platform the crucial contribution of Black and South Asian women artists and activists.
The exhibition will explore the impact of women involved in movements including the BLK Art Group and the advocacy group and archive Panchayat, as well as their role in the first National Black Art Convention in 1982.
Key works by artists including Sutapa Biswas, Lubaina Himid, Claudette Johnson, Joy Gregory, Pratibha Parmar and Rita Keegan will feature alongside recently conserved works such as Nina Edge’s Snakes and Ladders (1985), an installation made of batik on paper and ceramicsandexhibited as part of Women in Revolt! for the first time in three decades.
The final room brings together work created in the context of the AIDS epidemic and Section 28 in the late 1980s, with a focus on lesbian communities.
Discover the powerful work of artists including Jill Posener, Del LaGrace Volcano, Rosy Martin, Poulomi Desai and Tessa Boffin. Women in Revolt! concludes with works that reflect on the changing economic landscape and women’s place within it by Kate Walker, Franki Raffles and Roshini Kempadoo.
Women in Revolt!is a timely and urgent exhibition celebrating the women who paved the way for future generations through their creativity and activism. The power of their work continues to resonate with audiences today.
Anne Lyden, Director-General at the National Galleries of Scotlandsaid: “We are proud to platform the work of women artists who have been underrepresented throughout their careers and are grateful to Tate for bringing this important exhibition to the forefront.
“Women in Revolt! also presents a fantastic opportunity to consider the Scottish women artists who have contributed significantly not only to the world of art, but the world around us.
“We hope visitors to Modern Two will be inspired by the tenacity, creativity and strength of the remarkable women they will encounter throughout this exhibition.”
Linsey Young, Curator of British Contemporary Art at Tate Britain said: “Being from Edinburgh, I’m thrilled that Women in Revolt! is touring to the National Galleries of Scotland.
“I’m particularly excited to see it take over Modern Two where the gallery’s unique space will allow it to a develop a new character and encourage different readings of the work.
“It’s a real joy to be able to present works by local artists such as Maud Sulter, Sam Ainsley, Rita McGurn, Erica Rutherford and Elizabeth Radcliffe in the exhibition along with so many of their celebrated peers, demonstrating the importance of Scottish women’s artistic practice in the broader context of feminist art history across the UK.”
The report finds that it is clear the civil service has more to do to promote a culture supportive to whistleblowing, and calls for a cultural change to raise awareness and provide assurance on whistleblowing processes and create a ‘speak up’ environment.
Following the PAC’s findings in 2016 of disappointing progress from Government in improving whistleblowing arrangements, Saturday’s report finds that the Cabinet Office is still missing key metrics on whistleblowing concerns across the civil service, and lacks assurance over the completeness and consistency of data being reported by departments.
As anticipation mounts for Taylor Swift’s highly anticipated summer concerts, Swifties looking for a last-minute bargain for her BT Murrayfield shows are grappling with steep increases in costs.
New data compiled by UK Debt Expert has revealed a huge increase in resale ticket prices, hotel and Airbnb rates, and car parking fees – with hotel prices in Edinburgh rising by as much as 186%.
The UK leg of the Eras tour kicks off at BT Murrayfield in Edinburgh on June 7, followed by performances at Liverpool’s Anfield Stadium and the Principality Stadium in Cardiff, culminating in eight nights at Wembley Stadium in London.
Recent reports indicate that some American fans are travelling to Europe to find cheaper ticket prices, but anyone seeking a last-minute ticket in the UK could face significant expenses.
Hotel and Airbnb prices have skyrocketed to eye watering levels, shattering previous records. Edinburgh’s hotel costs have surged from an average of £209.30 to £600.18 marking an alarming 186% increase during Taylor’s concert dates.
Similarly, Airbnb rates have surged by 69% climbing from an average of £166.60 to £281.93.
As for ticket resale costs, Edinburgh sees an average of £1,274.
When factoring in parking, hotel, and ticket expenses, the cumulative burden for those attending Edinburgh shows averages at a staggering £1,918.06
However, fans in Scotland may find the best deals on tickets, with resale prices for the Edinburgh show on June 8 averaging £1,230.
Commenting on the data, Maxine McCreadie, a personal finance expert at UK Debt Expert, said: “We know how eager some fans are to see Taylor in the UK, so it’s clear that some will incur significant expenses to do so; hotels for the Edinburgh shows are the most expensive in the UK, with an average price of £600.”
“I’d strongly advise anyone thinking about making a last-minute decision to buy tickets or book accommodation to be cautious. Consider your overall financial situation before making such a significant investment, and explore all reasonable options to reduce costs where possible.”
The law surrounding the misuse of pyrotechnics at football will be the focus of a new short-life working group set up by the Scottish Government.
The group will consider the evidence on, and possible barriers to, the use of Football Banning Orders as a penalty for pyrotechnic possession and misuse.
It is already a criminal offence to take or try to take a pyrotechnic into football matches, while carrying pyrotechnics in public without a reasonable excuse was recently made an offence through the Fireworks and Pyrotechnic Articles (Scotland) Act 2022. The Act gives police powers to stop and search someone where they have reasonable grounds to believe that the person may be in possession of a pyrotechnic in a public place.
Football Banning Orders (FBOs) can be imposed by a Court for up to ten years for violent offences at matches, which could include throwing a lit pyrotechnic as a weapon. The working group will consider if extending the scope of FBOs would be an effective way to further deter the carrying and misuse of pyrotechnics at football.
The expert working group includes representation from the Scottish Professional Football League (SPFL) and Scottish Football Association, Football Safety Officers Association, Police Scotland and the Crown Office and Procurator Fiscal Service and is expected to report next year.
Community Safety Minister Siobhian Brown said: “Everyone should be able to enjoy the excitement and atmosphere of a football match without the fear of serious injury from pyrotechnics.
“We have considerably strengthened pyrotechnic laws, and those who carry fireworks and pyrotechnics in public and into football stadia can face fines and up to six months in prison. Despite this, pyrotechnic misuse at football matches remains an issue.
“We have been working closely with football’s governing authorities and with police on what more can be done to stop this antisocial and dangerous behaviour at football matches.
“Football Banning Orders of up to 10 years, are already an effective measure courts have at their disposal to deal with violent behaviour and I have asked this working group to consider whether extending their reach would be a further deterrent to pyrotechnic possession and misuse.
“Consisting of representatives from football and the justice sector, their review will also take views from clubs, fan groups, as well as front-line services.”
Calum Beattie Chief Operating Officer of the SPFL, said: “The dangers of pyrotechnics in crowded football stadia are significant and our clubs are keen to work with the Scottish Government, police and the courts to find meaningful ways of tackling this growing problem.
“Recent surveys have also shown that most fans believe there is no place for these devices at games. We are looking forward to playing an active role in this group to examine further how football banning orders can form part of a package of deterrence for any fans tempted to smuggle these dangerous items into grounds.”
Superintendent Chris Stewart of Police Scotland said: “The public have the right to feel safe when they attend football matches and we work with a range of partners, including the clubs, to make sure these events are safe and secure.
“We will engage with the review and support partners involved.”
LAST this week (Wednesday 22 May) leading figures in agriculture, primary food production and land management in Scotland came together with MSPs at Holyrood at a parliamentary reception sponsored by Elena Whitham MSP.
The reception, attended by more than 130 guests, was hosted by the newly constituted Food and Agriculture Stakeholder Taskforce (FAST) and sponsored by Ms Whitham, MSP for Carrick, Cumnock and Doon Valley, to stimulate discussion and understanding with Members of Parliament about what is needed to promote sustainable and profitable agricultural production in Scotland.
Next generation farmers Nicola Wordie from Aberdeenshire and Cameron Wilson from Ayrshire were the main speakers, detailing what they want to see for the future of the sector and what those in the room can do to help them and the wider industry achieve this. The guests were invited to sign a pledge board to champion the industry in the future (see below).
During the evening, FAST Chair Neil Wilson emphasised the significance of the multi-faceted agricultural and primary food production supply chain to Scotland’s economy and the importance of pragmatic policy for its sustainable future:
“Agriculture generates more than £3.3 billion for Scotland’s economy and there are some pivotal decisions being made in parliament in coming weeks that will impact the future economic success, or otherwise, of the nation’s agriculture and sustainable food production.
“At a time when food security, cost of living and environmental pressures put the industry at the heart of matters, last night at Holyrood was an excellent platform to launch FAST as a formalised group and to have direct conversations with those who will be influencing future policy developments.”
Jim Fairlie, Minister for Agriculture and Connectivity also gave an address highlighting the important UK Government deliverable of Scotland retaining at least 17% of the total farm budget going forward.
Mr Wilson, who is also Executive Director of the Institute of Auctioneers and Appraisers in Scotland (IAAS), welcomed the recognition from Parliamentarians of the sector coming together to clarify and constructively address key areas of concern: “FAST is strongly supportive of the principles of co-design and collaboration, and we want to work constructively with government, politicians and other stakeholders to ensure a resilient and thriving farming and primary food production sector in Scotland.
“We know parliamentarians value the support from FAST members who have done a lot to help them understand the complex nuances and interdependencies within Scotland’s farming businesses and how policy changes might impact them.
“The reception gave FAST the stage to remind policymakers of the extensive and varied expertise within the organisation and how easily they can access people to sense check sectoral implications of agricultural policy changes via one body. Since its formation, FAST has aimed to be included at the sharp end of forming policy and how to best support Scotland’s rural economy and people to thrive.”
FAST first met in September 2022 and was recently formalised to speak collaboratively as one voice on common objectives. The aim is to identify the most effective proactive and reactive action for the industry in response to opportunities and threats affecting Scottish food production and farming through changing policy.
FAST has been providing information to MSPs ahead of the amendments being considered at Stage 2 of the Bill in the Scottish Parliament during May. This reflects the group’s desire for policy that supports agricultural businesses and communities and ensuring a robust level of expert scrutiny from the sector.
The 16 founding organisations of FAST are: Agricultural Industries Confederation (AIC), Institute of Auctioneers and Appraisers in Scotland (IAAS), National Beef Association (NBA), National Sheep Association Scotland (NSA Scotland), NFU Scotland (NFUS), Quality Meat Scotland (QMS), Royal Scottish Agricultural Benevolent Institution (RSABI), Scottish Agricultural Organisation Society Ltd (SAOS), Scottish Association of Meat Wholesalers (SAMW), Scottish Association of Young Farmers Clubs (SAYFC), Scottish Beef Association (SBA), Scottish Craft Butchers, Scottish Land & Estates (SLE), Scottish Pig Producers (SPP), Scottish Quality Crops (SQC), Scottish Tenant Farmers Association (STFA)
A paramedic in the Scottish Ambulance Service’s Special Operation Response Team (SORT) has become the first female trumpeter of His Majesty’s State Trumpeters of Scotland.
A paramedic in the Scottish Ambulance Service’s Special Operation Response Team (SORT) has become the first female trumpeter of His Majesty’s State Trumpeters of Scotland.
Gerry Goodall, who works out of SORT’s Newbridge base, joined the Service 14 years ago after serving in the army for nine years.
In March she was invited to attend an interview by the country’s Lead State Trumpeter, Stewart Malcolm.
Successful at the interview, her first assignment was the General Assembly for the Church of Scotland in Edinburgh, attended by Prince Edward, on Saturday (18 May).
Alongside three other State Trumpeters, she welcomed and farewelled the Duke of Edinburgh. She was also recognised at the first female State Trumpeter for Scotland and received an official decree.
The mum of two girls said: “It was an honour and a privilege to be asked. I was really happy and felt quite a sense of achievement as well.
“Having my career as a paramedic, I almost left that world so it’s quite nice to be back involved again in ceremonial events. The kids and family are also chuffed. They are proud, my work colleagues are really proud, and everyone is really supportive.”
Having played the trumpet since she was seven, she went on to study at the Royal Military School of Music before she served in the army as a musician.
After leaving the army, she joined the Service, starting out in patient transport in Galashiels, before she completed her technician course working out of Dalkeith. She joined SORT two years ago, now working out of ECHO team.
SAS Chief Executive Michael Dickson said: “This is an amazing achievement from Gerry and on behalf of everyone at the Scottish Ambulance Service we congratulate her on becoming the first female State Trumpeter for Scotland.”
Business software experts join efforts to restore an iconic coastline
THE UK’s leading finance software implementation specialists have taken to the beach to help a conservation charity restore an historic Scottish coastline.
A team of 30 employees from Eureka Solutions descended upon the Cramond Foreshore and assisted The Conservation Volunteers (TCV) charity in restoring the coastal habitats and dune systems in the area.
The team’s efforts were part of the Sage Foundation’s initiative to support UK charities by providing volunteers to help achieve tasks relatively quickly that would otherwise take months to complete.
The volunteering work centred around removing invasive non-native plant species like Japanese Rose and suckering ash and sycamore to allow native plants to re-establish.
Volunteers also helped sow a special ‘Edinburgh coastline’ wildflower seed mix to create new pollinator corridors and extended protective fencing to prevent further degradation of sensitive grassland spots.
David Lindores, CEO at Eureka Solutions, said: “Our team was proud to roll up their sleeves and make a tangible difference in restoring such a unique and ecologically important area.
“We had a great day working alongside colleagues from TCV as well as volunteers from Modulr – it was wonderful to see different organisations coming together for a common cause.
“The Sage Foundation contacted us and asked if we could lend a hand to the vital conservation work happening along the Cramond coastline, and we couldn’t be happier to get involved. As an established business of twenty years, we feel it’s important to support community and environmental initiatives like this.”
Cramond Foreshore is a designated Site of Special Scientific Importance (SSSI) and holds historical significance as the location of the “Dragon’s Teeth” anti-tank defences, Cramond Island and Lauriston Castle.
The extensive coastal path stretches from the mouth of the River Almond in the west, past the historic Roman village of Cramond, across the tidal causeway to Cramond Island, and continues eastward towards Granton Harbour.
The volunteering day was organised through the Sage Foundation, which facilitates charitable donations and volunteering opportunities for Sage employees and partners worldwide.
Eureka Solutions also has a long-term charity partnership with the Ayrshire Cancer Trust in which it raises funds through team events and initiatives throughout the year.
The East Kilbride firm specialises in implementing business software solutions and is one of the UK’s leading experts in Oracle NetSuite, iplicit and Sage 200, as well as producing its own complementary software solutions including the integration application, Besyncly.
With over 20 years of expertise, the firm works with hundreds of clients across multiple sectors providing consultancy, implementation, training and technical support.
