OperaVision to stream Scottish Opera’s double bill of Trial By Jury and A Matter of Misconduct

The sprightly double bill of Scottish Opera’s new staging of Gilbert & Sullivan’s Trial by Jury and the world premiere of Emma Jenkins and Toby Hession’s A Matter of Misconduct! will be available to watch on OperaVision from 3 August for six months.

The production opened in May at Theatre Royal Glasgow, before touring to Festival Theatre Edinburgh and Opera Holland Park, with Trial by Jury directed by John Savournin, and A Matter of Misconduct! directed by Laura Attridge. Both operas are conducted by Toby Hession, and designs are by takis.

The film of the double bill was produced for the freeview streaming platform OperaVision by Gemma Dixon of Maestro Broadcasting, who also directed the A Matter of Misconduct! film, with Jonathan Haswell directing the film of Trial by Jury. Audio production was by Floating Earth Ltd., and the recording was made at a Festival Theatre Edinburgh performance.

First performed in 1875, Trial by Jury (a co-production by Scottish Opera, D’Oyly Carte Opera and Opera Holland Park), was the first major hit from the partnership of WS Gilbert and Arthur Sullivan. Set around a classic case of broken vows – the defendant having literally left the claimant at the altar – the trial bubbles over with emotion, humour, and downright chaos, leaving the jury divided. How will they decide between the charming yet swindling defendant and the utterly captivating claimant?

This production, which marks 150 years of Gilbert & Sullivan’s collaboration with D’Oyly Carte Opera, formed upon the first performance of Trial by Jury, has a fabulous comic cast which includes Richard Suart (The Gondoliers & Utopia, Limited 2021), Jamie MacDougall (Albert Herring 2024) and 2024/25 Emerging Artists Kira Kaplan (Opera Highlights 2025), Chloe Harris (Opera Highlights 2025) and Edward Jowle (The Makropulos Affair 2025).

It is performed alongside Emma Jenkins and Toby Hession’s A Matter of Misconduct!, a new co-commission and co-production by Scottish Opera and D’Oyly Carte Opera.  

Following the crowd-pleasing political satire In Flagrante, also by Jenkins and Hession, which premiered on the 2023/24 Opera Highlights tour, A Matter of Misconduct! tells the story of how when a scandal threatens to break about the front runner in a bloody leadership campaign, a lawyer is needed to prevent information from reaching the press. Sylvia Lawless from the firm Lawless, Lawless, Lawless and Crook must find the loopholes in this modern take on unsavoury behaviour. 

Jamie MacDougall stars in this daring new operetta, alongside 2024/25 Emerging Artists Ross CummingKira KaplanChloe Harris and Edward Jowle.

Launched in 2017, OperaVision – curated by Opera Europa, the European association of opera companies and festivals – streams performances from all over the world, allowing viewers to watch productions from the greatest European opera houses from the comfort of their own home. As well as full-length performances shown with subtitles, it features extracts, interviews and behind the scenes footage.

Scottish Opera General Director Alex Reedijk said: ‘We are absolutely thrilled that our film of Trial by Jury A Matter of Misconduct! will reach global audiences through OperaVision this summer.

‘We hope viewers all over the world enjoy this brilliant double bill, and it’s a great opportunity to share the exceptional artistry of Toby Hession and Emma Jenkins, and directors John Savournin and Laura Attridge, as well as the talented cast and The Orchestra of Scottish Opera.’ 

In 2019, in a very important first for Scottish Opera, Stuart MacRae and Louise Welsh’s Anthropocene was featured on the platform, followed in 2023 by the Company’s production of another Gilbert & Sullivan classic, The Gondoliers.

It has been watched more than anything else since Christmas 2023, amassing almost 70,000 views to date.Audiences praised the production calling it ‘magnificent’, ‘truly first rate’ and ‘superb’.

Karen Stone, Opera Europa Executive Director said:‘Scottish Opera is respected internationally for the quality of its productions, its commitment to creating new work and its dedication to serving many communities across Scotland.

“I am delighted that the double-bill of Trial by Jury & A Matter of Misconduct! will find new audiences across the world through Opera Europa’s streaming platform. “We look forward to Scottish Opera becoming a more regular contributor to OperaVision, which showcases all the vibrancy of opera-making in Europe today.’ 

Executive Producer Gemma Dixon said: ‘Producing the fabulous Trial by Jury & A Matter of Misconduct! double bill for streaming on OperaVision was a real joy.

‘Our job is always to cherish a production and tell the story through the lens, matching the quality of what we see on stage with what we put on the screen.

“The beauty of our work is in capturing the extra details, the story beats, reactions and facial expressions that can be missed in the auditorium when watching from a distance, and they are in abundance here! The quality of both productions and the superb cast and production teams made the job easy for us.

‘Although both productions are brilliant on screen, A Matter of Misconduct! was particularly fun to direct because of the level of detail in the musical score, the witty libretto and the close interplay between the score, libretto and action. I’ve tried to highlight these moments and replicate the energy and comedy of the production in the choice of framing and the timing of camera shots.’

Trial by Jury & A Matter of Misconduct! are available to watch from 6pm BST (7pm CET) on 3 August at https://operavision.eu/en

Trial by Jury is supported by the Michael Bishop FoundationLord Glendonbrook and the D’Oyly Carte Charitable Trust.

A Matter of Misconduct! is supported by Scottish Opera’s New Commissions Circle.

Trial by Jury creative team and cast

Conductor                                           Toby Hession

Director                                               John Savournin

Choreographer                                    Kally Lloyd-Jones

Designer                                              takis

Lighting designer                                Ben Pickersgill

The Learned Judge                            Richard Suart

The Plaintiff                                         Kira Kaplan*

The Defendant                                    Jamie MacDougall

Counsel for The Plaintiff                     Chloe Harris*

Usher                                                  Edward Jowle*

A Matter of Misconduct! creative team and cast

Conductor                                           Toby Hession

Director                                               Laura Attridge

Designer                                              takis

Lighting designer                                Ben Pickersgill

Roger Penistone                                 Ross Cumming*

Sandy Hogg                                        Jamie MacDougall

Cherry Penistone                                Chloe Harris*

Sylvia Lawless                                    Kira Kaplan*

Hugo Cheeseman                               Edward Jowle*

*Scottish Opera Emerging Artist 2024/25     

Fringe 2022: Trial by Jury

The year is 1968 and the British legal system is as corrupt as ever. The ‘breach of promise of marriage’ law is still technically in force and Juries remain predominantly male.

The arrogant Edwin has been summoned to Court by his ex-fiancée, Angelina, under said law, and against each other they fight to win The Trial! Complete with a dodgy Judge, a questionable jury, and some dubious decisions, chaos inevitably ensues…

Trial by Jury is a one-act operatic satire of the British legal system, which will be brought into the ’60s in our exciting rendition of Velocirapture Production’s debut show!

Despite being the shortest of Gilbert and Sullivan’s operettas, Trial by Jury is no less packed with musical complexity, catchy solo songs and bombastic full company numbers. The show continues at a quick pace, during which the music never ceases for the entire time. Spoken scenes are replaced with recitatives (sung dialogues), and are characterised by frequent pauses and tempo changes.

Director Tiffany Charnley talks about her decision to move the production out of its traditional Victorian era into the late sixties: “[it] was because of its close proximity to the date of the [breach of promise of marriage] law’s repeal, making the show’s setting as contemporary as possible while still making legal sense – the law was repealed 1971.

“I hope that by bringing the show out of the time period of its original context and placing it at a much later time, the ludicrous nature of Gilbert’s satire of the legal system can be further heightened.”

She goes on to talk about how this change in setting would change our perception of the Plaintiff: “Our setting has allowed us to remove the character of Angelina from a position of victim in this Trial, to a more powerful role who manipulates this outdated law to her own advantage.”  

One of the musical challenges for the show has been in reducing a score written for full orchestra to one with only 8 players, and half the number of parts.

Musical Director, Robert Nicholas, says: “[we] had to carefully select the instruments to best cover the textures and harmonies in the original score, whilst [still] producing a voluminous, but easily blended sound.

“As the conductor, I am not exempt from multitasking, aiming to also cover the Bass Drum, Cymbals, Triangle and, occasionally, Second Violin!”

Trial by Jury promises to be an afternoon of stunning vocals and comedic satire!

Listings Information:

Trial by Jury, theSpace Triplex (Big), 22 – 27 August, 1:45pm

Tickets: £10/8, https://tickets.edfringe.com/whats-on/trial-by-jury

Edinburgh Fringe Box Office: 0131 226 0000