Service to Empire: First abridged rehearsed reading of Maud Sulter play

Rehearsed Reading: Service to Empire, a play by Maud Sulter

6-7.30pm, Monday 28 November.

Free but ticketed. Online broadcast via YouTube Live.

Book a ticket here

In a unique live broadcast, National Galleries of Scotland present the first abridged rehearsed reading from the play by Scottish-Ghanaian artist Maud Sulter, Service to Empire. Directed and abridged by Adura Onashile and co-curated with Mother Tongue, the reading will be followed by a live Q&A.

Best known as an artist and poet, Sulter wrote Service to Empire, published with her imprint A19, in 2002. In this play she reimagines the relationship between the parents of Jerry Rawlings, the former President of Ghana: his father was a Scot, his mother Ghanaian.

Exploring long-lasting colonial legacies across two continents, Sulter considered her play provided “an incisive observation of the explosive reverberations” of their affair and its impact on Ghana’s former President (in office 1979-2002). Although the play was written 20 years ago, it has never been performed. This reading is long overdue, bringing to light the work of this internationally renowned artist.  

The National Galleries of Scotland collection includes two works by Sulter: Urania from the series Zabat (1989) and La Chevelure (2002) which is currently on display at the Scottish National Portrait Gallery in The Modern Portrait exhibition. 

Through her multi-disciplinary practice Sulter questioned the representation of Black women in art and literature: “I’m interested in absence and presence in the way that particularly Black women’s experience and Black women’s contribution to culture is so often erased and marginalised … it’s important for me as an individual, and obviously as a Black woman artist, to put Black women back in the centre of the frame.”   

Mother Tongue has researched and curated Sulter’s work for several years. In 2018 they were awarded an Art Fund New Collecting Award with Glasgow Museums which resulted in Revisiting Black Artists in Scotland Through New Collecting at Gallery of Modern Art, Glasgow 12 March – 3 July 2022, a group show featuring Sulter’s work, with Art Fund support and funded by The National Lottery through Creative Scotland, with generous input from the Estate of Maud Sulter. 

“The Estate is thrilled that Sulter’s words are being brought to life in this spell binding reading directed by Adura Onashile. The estate offers warmest thanks to the director, the cast, Mother Tongue and National Galleries of Scotland for bringing this project to fruition.” The Estate of Maud Sulter.

Adura Onashile, Director said: “It felt really important to me to present this rehearsed reading of Maud Sulter’s only play for the first time. As an interdisciplinary artist her approach to playwrighting is incredibly visual and rich in its scope and rigour.

“It’s been exciting to delve into her vision of a story that is both personal and universal. Although this is  only a rehearsed reading, we hope introducing the work to a wider audience will continue to highlight the breadth of Maud’s vision and inspirations.”

“Maud Sulter’s work was so ground-breaking that even 20, 25, 30 years on from its production,  it feels very much of our present. She was a visual artist, poet, curator and cultural historian amongst other facets of her practice, and it’s important to us that her words are lifted from the page and vocalised making the play accessible to a much larger audience than it’s been able to have to-date.”  Mother Tongue, co-curators.

Sir John Leighton, Director-General, National Galleries of Scotland said: National Galleries of Scotland is delighted to support this vital and long overdue project to stage a reading of Maud Sulter’s play Service to Empire.

“Sulter is an internationally recognised Scottish contemporary artist whose visual and literary legacy is in the process of being rediscovered and reinterpreted by a new generation of artists.

“It is an honour to work with Adura Onashile, a director held in such high esteem in her field. We are grateful to the Estate for their kind co-operation and to our partners, cast and crew for the painstaking care they have taken in representing Sulter’s intentions and making this essential project happen.”