Unique Bronze Age Hoard acquired for the nation

One of the most significant hoards ever found in Scotland has been saved for the nation, having been acquired by National Museums Scotland.

The Bronze Age Peebles Hoard was discovered in the Scottish Borders by a metal detectorist in 2020. It has since been painstakingly excavated, analysed and catalogued, revealing dozens of rare objects for the first time.

Efforts are now underway to secure funding for the continued research and conservation of the hoard and to uncover the secrets of this one-of-a-kind discovery.

Dating to 1000–800 BCE, the Peebles Hoard comprises over 500 unusual bronze and organic pieces and components that had lain undisturbed for 3000 years. It was allocated to National Museums Scotland under the Treasure Trove process, with an ex-gratia payment made to the detectorist who discovered it.

The hoard represents a complex set of material, some of which has no archaeological parallel anywhere in western Europe. This includes many unique artefacts, the use of which is yet to be discovered and could transform our understanding of life in Bronze Age Scotland. 

Larger and more recognisable objects within the hoard highlight Bronze Age Scotland’s position as part of an international network of communities across the North Sea. Two rattle pendants, the first ever found in Scotland, are more commonly found in Denmark, northern Germany and northern Poland.

These remarkable objects are created from interlinked bronze rings and pendant plates that would have hung from a horse or wooden vehicle and rattled as they moved.  

Other exceptional survivals include a sword still in its wooden scabbard, as well as an array of small bronze buttons looped onto cords. The hoard also contains rare survivals of minute bronze pins, studs and bosses embedded in wood or leather.

The remains of complex decorative straps, the purpose of which remains to be investigated, are preserved still mostly articulated after more than three millennia in the ground. This preservation offers a level of detail and insight not usually glimpsed for the Bronze Age.    

The hoard was found by metal-detectorist Mariusz  Stępień in 2020, after he initially identified unusual bronze objects and reported the find to the Treasure Trove Unit.

This allowed experts from National Museums Scotland and the Treasure Trove Unit to coordinate a complex retrieval process that involved removing the hoard from the ground in a single block and continue excavation and analysis of the find under laboratory conditions. 

The entire block of earth and Bronze Age material was CT scanned by µ-VIS X-ray Imaging Centre, University of Southampton, a partner institution of the National Research Facility for Lab-based X-ray Computed Tomography (NXCT).

This captured crucial details of the internal structure and relationships between materials in their original context. CT scanning also revealed that some of these objects were produced using ‘lost-wax casting’, a rare technique in Bronze Age Britain.

This represents some of the earliest evidence of its use in Scotland. A meticulous excavation by archaeologists and conservators followed at the National Museums Collection Centre in Edinburgh, finally unearthing the fragile components of the hoard after more than 3,000 years hidden underground. 

Dr Matthew Knight, Senior Curator of Prehistory at National Museums Scotland, said: “The Peebles Hoard is exceptional, an utterly unique discovery that rewrites our understanding of both Bronze Age communities in Scotland and our prehistoric international connections.  
 
“Thanks to the diligence of the finder, expertise of colleagues at the Treasure Trove Unit and National Museums Scotland, and the generosity of the team at the µ-VIS X-ray Imaging Centre, University of Southampton, we have made significant progress.

“However, more funding is critical to continue our conservation and research, to preserve the hoard for future generations and uncover the stories of Scotland’s ancient past.” 

Professor Ian Sinclair, founder of the µ-VIS X-ray Imaging Centre, commented:  “We are pleased and excited to have worked as part of this multidisciplinary project.

“CT scanning the hoard was certainly a big challenge due to the scale of the hoard block, but we relished the opportunity to bring our engineering skills to successfully support this research on such an exceptional historical find.” 

The many unique survivals in the Peebles Hoard, most notably fragments of fragile organic material, require essential conservation to prevent further deterioration and to carry out critical research.

To this end, National Museums Scotland is launching a fundraising campaign to support the urgent costs of conserving the hoard and unlocking its enormous research potential.  

Walk for pets in need this October

48 miles for PDSA’s 48 Pet Hospitals

The vet charity for pets in need is calling on dogs and their owners across Edinburgh to get their walking gear on this month and take part in its virtual walkathon.

Taking place throughout the whole of October, PDSA is asking dog owners to walk their pooches 48 miles to raise vital funds for the charity’s 48 Pet Hospitals across the country – including its Edinburgh PDSA Pet Hospital.

Anna and Bella

All dogs who join #TeamPDSA and take part in the challenge will receive a limited-edition dog bandana and those who raise over £100 will receive a well-earned medal for completing the Walkathon.

“Whether it’s 1.5 miles a day or a longer walk once a week, this is a great chance to set yourself and your furry family member a challenge,” explains PDSA Fundraising Manager Anna Hawkins.

“We all know the importance of walking our dogs, and autumn is a beautiful time to appreciate the great outdoors with your four-legged friends!

“Not only that, but every step you take, and every mile you tick off, you’ll be helping PDSA treat hundreds of thousands of pets in need whose owners who have nowhere else to turn.”

The team at Edinburgh PDSA Pet Hospital saw more than 8,600 pets in 2022, carrying out over 900 surgical operations, 2,300+ x-rays and 1,000+ ultrasounds.

This is the charity’s second annual October Walkathon. Last year, participants raised more than £20,000 for PDSA.

“If you are looking for more of a challenge for your fit, healthy and energetic pooch, you can always test yourself and walk 100 miles for PDSA,” adds Anna.

“And you don’t need to be a dog owner to get involved. Whether you are an animal-lover, pet owner or want to do something in memory of your pet, all ages and abilities are encouraged to get involved!”

Registrations close Sunday 8 October. 

To find out more and secure your place, visit pdsa.org.uk/oct-walkathon 

Festival Fringe Society honorary President Phoebe Waller-Bridge launches new £100k fund for artists

The ‘Keep it Fringe’ fund will support artists bringing work to Fringe 2023

Today, Tuesday 07 March 2023, the Edinburgh Festival Fringe Society is delighted to launch the ‘Keep it Fringe’ fund, a new initiative to support Fringe artists, which is being led by Fringe Society President Phoebe Waller-Bridge.

This fund, supported by the Fleabag for Charity campaign, and funds donated to the Fringe Society through individual donors and our partnership with Edinburgh Gin, will distribute fifty bursaries of £2,000 which will be awarded to individual artists or companies bringing work to the Fringe in 2023. 

Not every artist has the same start in their career, but we believe that shouldn’t stop anyone having access to a stage to showcase their talent at the world’s best-loved festival. There is no Fringe without artists; without risk-taking, and without experimentation. Rooted in our vision to give anyone a stage and everyone a seat, the fund sets out to protect artists’ prospects, by removing some of the growing barriers to performing.

Honorary President Phoebe Waller-Bridge said: ‘For a creative, the festival is one of the most unique places on the planet to launch work, meet other artists and be discovered by audiences, agents, producers and the media.

“For me, today’s announcement is incredibly personal. Edinburgh Fringe gave Fleabag a game-changing platform for everyone involved and we are thrilled that the show can continue to pay-it-forward to the creatives of tomorrow and contribute to those who might not otherwise have the opportunity to take their work to this amazing festival’.

Shona McCarthy, Chief Executive of the Edinburgh Festival Fringe Society. said: ‘We recognise how difficult the last few years have been for the cultural sector, and today’s announcement is a very direct way for us to give some support for artists performing at this year’s Fringe.

“We are massively grateful to Phoebe, and all our donors, for their generosity and ongoing support of the work of the Fringe Society. This fund is a first step in what we hope to be an ongoing opportunity for Fringe artists.

“We will be actively encouraging new donors and Fringe alumni to work with us through this simple initiative, to get support out quickly and effectively to give someone a stage’.

In June 2022 we launched the Fringe’s Future Development Goals, with new commitments and targets created.  Ensuring artists can thrive is key to this work, and today’s announcement will support Fringe artists who face the greatest barriers.  As we work to build a better, more accessible and sustainable Fringe, the fund will be used to help make a difference and support creatives to be part of this extraordinary festival. 

This fund is a pilot as part of the Fringe Society’s wider fundraising campaign for the Fringe, and our ambition is to provide direct financial support for Fringe artists every year. We recognise that these funds won’t make or break a show but should provide a little bit of financial help to those who want to take part in the Fringe.

Be a part of the creation of the world’s most remote art installation

Fundraising campaign launched for landmark artwork that will inspire the world with South Georgia’s remarkable recovery and fund vital whale research

An international fundraising campaign has begun, giving people across the globe an opportunity to sponsor part of the world’s most remote permanent art installation which will raise awareness of the whale’s story on South Georgia, and fund vital research into future threats such as climate change.

The campaign, run by conservation charity the South Georgia Heritage Trust (SGHT), follows their international competition seeking an artist to create an installation telling the incredible story of South Georgia’s remarkable environmental recovery. Now, people worldwide are invited to sponsor a key component of the artwork in a bid to spread this message of hope.

In November 2020 Scottish artist Michael Visocchi was announced winner of SGHT’s competition with Commensalis: The Spirit Tables of South Georgia. The artwork commemorates the loss, but also celebrates the recovery, of whales in the Southern Ocean.

From the early 1900s to the 1960s South Georgia was the epicentre of the whaling industry but more recently has become a beacon of hope as an ecosystem in recovery.

Michael Visocchi’s sculpture changes the narrative on South Georgia from whaling to whales – creating a focal point for everyone who cares about nature and supporting vital research to protect the future of whales in the Southern Ocean. 

At the heart of his artwork are the Spirit Tables representing the different whale species that were hunted and processed at Grytviken, an abandoned whaling station on the island, but which are now recovering thanks to a change in humanity’s attitude to nature and the decades-long, research-led conservation activities and environmental management of this precious ecosystem.

The tables are punctuated by an estimated 17,000 stainless steel rivets in various mesmerizing patterns inspired by the natural histories of each species, with each rivet symbolising a live whale or the spirit of a live whale.

The artist’s design will allow light to bounce off each one, illuminating the space and conveying a feeling of hope that is reflected in the growing numbers of whales in the waters around South Georgia.

The fundraising campaign will give people the opportunity to sponsor these gleaming rivets to light a beacon of hope for whales, conservation and ecological restoration everywhere. 

Different levels of support are available to allow as many people as possible to support what’s been dubbed the world’s most remote permanent art installation: 

  • £33 to sponsor a small rivet because the returning humpback whales’ beautiful and complex songs last up to 33 minutes – we’re so thankful to hear these melodies again in the bays of South Georgia.
  • £90 for a medium rivet because the fin whale has an average lifespan of 90 years – to see these long living giants returning to the island after being the most persecuted species during the whaling era is incredibly inspiring.
  • £199 to support a large rivet because the world’s largest whale, the blue whale, can weigh up to a staggering 199 tons – that’s equivalent to 398 Grand Pianos!     

To sponsor a rivet or to find out more, visit: www.sght.org/commensalis-donor-appeal/

Sponsors will be allocated their very own rivet(s) in the artwork and sent a digital certificate confirming their support of Commensalis. The rivet(s) will be an integral part of the artwork, giving people a rare opportunity to leave a legacy and have a permanent presence on South Georgia.

Alison Neil, CEO of the South Georgia Heritage Trust said: ‘Tragically, from 1905 to 1965 whales were hunted to near extinction at South Georgia. Thankfully, they are now slowly returning to the island’s waters thanks to ongoing conservation efforts.

“We want to tell this remarkable story of recovery to inspire people around the world that there’s always opportunity for environmental turnaround. South Georgia is the evidence that we have the power to change other under-pressure ecosystems.

“Art is a really powerful way of conveying a complex message and getting people interested and involved in conservation.  By launching this campaign we hope to get people excited about Michael’s beautiful artwork and also the power of collective action to bring about change in our environment. We think sponsoring a rivet on the Spirit Tables embodies what this project is all about.’

Artist Michael Visocchi, who was selected from over 150 artists to take on this project, has just arrived at South Georgia to visit the site at Grytviken where the whaling station was and where his artwork will be.

He is with childhood schoolfriend Stewart Garden from WSP, an engineering firm which is generously supporting SGHT with the complex task of transporting and installing the artwork to ensure it is resilient to South Georgia’s extreme climate and remains in place for generations to come.

Michael Visocchi said: ‘I’m so very thrilled to be back on South Georgia. The sights and colours and sounds have never really left my mind since my first visit. It’s good to be back.

“The majesty of the landscape and wildlife here continues to catch me off guard and it’s all helping me put the final touches to the concept for Commensalis. And to be here with my old best friend is something I never could have imagined.’

Commensalis will encourage the environmental management of South Georgia by raising funds for whale research. 10% of every rivet sponsorship will directly fund research, helping to anticipate and manage threats to South Georgia’s whales like rising sea temperatures and the impact on the marine ecosystem.

By deepening knowledge and informing environmental management at South Georgia, SGHT will set whales on their road to recovery.

SGHT aims to work with all who wish to preserve the island’s natural and historical heritage for future generations – to redress past damage to its environment, to protect its wildlife now and in the future, and to preserve the human heritage of the island which so clearly shows the best and worst of humanity.

It also runs the South Georgia Museum on behalf of the Government of South Georgia & the South Sandwich Islands.

The island is famed for its iconic wildlife, including humpback whales, southern elephant seals, vast colonies of king penguins and an array of seabirds, and for its links with world-famous explorer Sir Ernest Shackleton who is buried on the island.

Each year about 10-15,000 people visit South Georgia to admire the island’s stunning scenery and burgeoning wildlife, and to learn about its fascinating heritage. Commensalis will be a new addition for visitors when it is installed.

To find out more about South Georgia and the work of the South Georgia Heritage Trust, visit https://sght.org, and to find out more about the South Georgia Museum, visit https://sgmuseum.gs

Julia Donaldson and Axel Scheffler back Scottish Book Trust major fundraising mission for Scotland

National charity Scottish Book Trust has today launched a major fundraising campaign, backed by The Gruffalo author Julia Donaldson and illustrator Axel Scheffler, to drive its new ambition of ensuring everyone in Scotland has access to books and that no one misses out on the many lifelong benefits this brings.

Since the pandemic, the charity has been overwhelmed by increasing demand for its vital work to support vulnerable children and families.

Featuring a woodland illustration of The Gruffalo’s ‘deep dark wood’ from the iconic picture book, with the main Gruffalo character missing from the scene, the campaign refers to the famous line from the story that ‘there is no such thing as a Gruffalo’ and uses it to illustrate that for many children this is true because they don’t have books at home.

Without books, children are missing out and the impact of this lasts a lifetime. Books help families bond, bring joy and comfort, give children a sense of escapism and, importantly, improve their mental health and wellbeing.

New research conducted by Scottish Book Trust revealed that 85% of parents from Scotland’s most deprived areas said that reading helps them bond with their child and that reading makes their children happy, while 95% of all parents in Scotland said they think it is important for children to own their own books.

Julia Donaldson said: “I have read and performed my stories to many children in Scotland and when The Gruffalo was published, I was writer-in-residence at Easterhouse in Glasgow. I have seen first-hand how books can light up a child, catch an imagination and change a life.

“A lot of the work I have done has been alongside Scottish Book Trust and I have seen the important and effective work that they do for children and families throughout Scotland.

“I couldn’t be more pleased that The Gruffalo is now leading a fundraising campaign for the charity at a time when families need books and support more than ever.”

Axel Scheffler said: “It is sobering to see these well-known pictures from The Gruffalo without the characters included and to be starkly reminded that so many children and families have no access to books.

“Helping them to gain access is an urgent issue and I hope that this campaign will be able to raise the funds needed for Scottish Book Trust to make a difference to children’s lives in Scotland.”

Scottish Book Trust also surveyed education and early years practitioners and their responses underlined the need for books at home was great, with over two thirds stating some children they work with only own books gifted to them by Scottish Book Trust. Over 90% of respondents also stated that some pupils had lost reading skill and vocabulary due to lockdown.

Marc Lambert, CEO of Scottish Book Trust, said: “The need for our work has never been greater than now, and the stark, long-term effects of the pandemic have only exacerbated this. Access to books and reading are absolutely essential for a child’s development and life chances – without books at home, young people in Scotland are missing out.

“By supporting Scottish Book Trust’s fundraising campaign, you can help us deliver more of our vital work to support those who need our help the most. We are incredibly grateful to Julia Donaldson, Axel Scheffler and Macmillan Children’s Books for their support.”

Funds raised from the campaign will enable Scottish Book Trust to deliver more of its life-changing work. Some examples of its programmes include specialist outreach support for young families through Bookbug for the Home, providing tactile books for children with additional support needs, supporting those living with dementia and the people who care for them, and giving books to families in need through food banks and community hubs.

http://www.scottishbooktrust.com/donate

Fundraisers encouraged to put their best foot forward as Walk for Autism launches annual campaign

Thousands of people across the UK and Ireland will walk 10,000 steps a day for eight days starting this March, raising vital funds for people with autism and their families as part of the fourth annual Walk for Autism campaign.

Registrations are now officially open, giving everyone time to fundraise ahead of the walk which will begin on March 26 ending on World Autism Awareness Day on 2nd April.

Despite a challenging year in 2020 with a number of Covid related restrictions in place, the charity initiative raised over £90,000, which supported hundreds of individuals and funded more than 20 projects that improve quality of life, promote physical activity and help autistic adults and children learn and develop every single day.

Fundraising Manager at Autism Initiatives Group, Liz Oakley said: “Typically we would encourage our walkers to become part of a community that would meet up and take on the challenge together. Although last year this wasn’t possible, we were blown away by the comradery that we saw among participants on a virtual level.

“This inspirational team spirit is something that we are passionate about bringing into our 2021 campaign and we want to reassure people that they can still take part safely in line with the current lockdown measures.

“Although the challenge can be done solo, anywhere at any time within those eight days, it’s the message behind it that links us all and has the power to create lasting bonds and ultimately make a real difference to autistic people alongside their families and support networks.

“Now in its fourth year, we’re encouraging people to sign up to Walk for Autism and support us in raising funds that will help us to change lives one step at a time. Autism affects more than 700,000 people in the UK and Ireland and it’s so important that we help as many of those people as we can through the projects undertaken by Autism Initiatives.

“As we all continue to adjust to a ‘new normal’, the change is especially difficult for people with autism and for their families to comprehend and manage. With that in mind, we hope that by collectively taking part in Walk for Autism we can contribute to something positive among the disruption and help to secure support where it’s needed.”

The team are encouraging walkers to raise £10 a day across the eight-day challenge although greater donations will really help to make a difference.

Once registered, walkers will be able to set up their own unique fundraising page and connect with others online via a dedicated Facebook group. After an initial donation, participants will receive their very own Walk for Autism t-shirt.

Liz added: “This campaign is especially important to us as we have seen first-hand how much it can improve people’s lives. It’s also an opportunity for us to don our trainers and get outdoors.

“The last year has been tough for everyone and walking has been proven to help with mental wellbeing – just another positive reason to get involved. As we face the prospect of continued lockdown restrictions in the months ahead, we hope that this challenge will keep people motivated to put their physical and mental health first, whether that’s by stepping outside for fresh air or simply using it to help build a routine that adds some structure to our day-to-day lives.

“Walkers can complete their steps at any time and in whatever way suits them, whether it’s walking the dog or stepping on the treadmill. Participants can use their walking time to reflect, de-stress or to catch up with friends and loved ones via call or video chat.

“It’s important to remember that each and every step counts so even if you can’t get out and about, steps around the garden or even around your home will all contribute. You can track your steps easily using a pedometer or smart phone apps to make sure you’re hitting your target. The concept is simple, but the rewards are huge.”

Walk for Autism is a fundraising campaign led by charity Autism Initiatives Group (registered charity number 1170634) who have been working to improve the lives of autistic people and their families across the UK and Ireland for almost 50 years.

For more information or to sign up visit www.walkforautism.co.uk