Film fans, families and comic book enthusiasts are invited to rediscover the original big screen superhero team as a series of classic X-Men films return to the big screen at Vue this month.
Marking 25th anniversary of their big screen debut, Marvel’s mutant team-up including favourites such as Cyclops, Storm, Professor X and a career defining role for Hugh Jackman as Wolverine has gone on to become one of the genre’s most beloved franchises with some of the cast even returning in the upcoming Avengers: Doomsday.
Back from today, Friday 16 May, X-Men and X-Men 2 introduces us to the world of the X-Men as Professor Charles Xavier (Patrick Stewart) and his band of heroes must protect the world, and mutant-kind themselves, from the evil forces such as Sabretooth, William Stryker and the legendary villain Magneto (Ian McKellan).
Revisiting the origins behind the friendship and mortal adversary between Professor X and Magneto (this time played by James McAvoy and Michael Fassbender), X-Men: First Class and X-Men: Days of Future Past dives back into the 1960’s & 70’s to explain how the team originally learned how to control their powers and got together from Friday 6 June.
The series most acclaimed spin-offs will also be returning to the big screen as the beloved final tale starring Hugh Jackman’s Wolverine Logan, sees the character embark on a claws out adventure with a mysterious young girl who is showing similar mutant powers to him on Friday 13 June.
Robert Smith, General Manager of Vue Edinburgh Omni, said: “With fantastic stories and climatic action sequences, superhero films have easily become one of the most popular genres to catch up on the big screen.
“That’s why we’re hugely excited to bring one of the first franchises to start it all, The X-Men, back to Vue – offering a way for families and fans to enjoy their favourite mutant moments on the big screen.
“Whether you’re a fan of the original films, the prequels versions of the team or just excited to rewatch these adventures before the X-Men show up in the MCU with Avengers: Doomsday next year, we welcome fans to enjoy these films as they’re meant to be seen on the big screen at Vue.’
Edinburgh International Film Festival (EIFF) has announced the world premiere of Ben Wheatley’s ingenious new film BULK as the opening night film of the Festival’s Midnight Madness strand.
Produced by Andy Starke of Rook Films and financed by Film4, BULK marks a return to the thrillingly free-spirited filmmaker’s homegrown, kaleidoscopic works In The Earth and A Field in England. Executive producers for Film4 are Ollie Madden and David Kimbangi.
BULK will be presented as part of EIFF’s Midnight Madness strand which runs throughout the Festival and unleashes the very best in new genre cinema from around the world.
Edinburgh International Film Festival will run from 14-20 August 2025. Building on EIFF’s reinvigorated vision under new leadership from CEO and Festival Director Paul Ridd and Festival Producer Emma Boa, the Festival will continue to accelerate the discovery of new film talent and engage with audiences, industry members and local, national and international media.
Paul Ridd, CEO and Festival Directorof EIFF, said “I have been sworn on pain of death to not give too much away about BULK!
“Suffice it to say this is a truly unique film that took our breath away then fried our brains. We could not think of a better way for us to launch the second year of Midnight Madness at EIFF than with a new trip from a true visionary of cinema.
“It is guaranteed to bring the house down in August. Bring it on!”
Ben Wheatleysaid: “I’m very excited and proud to be premiering BULK at Edinburgh International Film Festival’s Midnight Madness.
“This is a midnight film through and through. Car chases, gun fights, sci-fi and romance. Thanks to Edinburgh for having us. It’s going to be a wild night.”
Ollie Madden, Director of Film4 comments: “Ben Wheatley is one of a kind, and BULK is truly the result of his unique and brilliant filmmaking brain.
“It was an honour to work with him on this secret project, for which Midnight Madness at EIFF is the perfect launchpad. Can’t wait for it to surprise and delight audiences in the way it did us!”
Helmed by CEO and Festival Director Paul Ridd and Festival Producer Emma Boa, the Festival team aims to create a world-class showcase for independent film and filmmaking talent.
Ridd is supported by the EIFF Board, led by Chair Andrew Macdonald of DNA Films, producer of the iconic Edinburgh-based film Trainspotting; and Vice Chair Amy Jackson, producer of BAFTA award-winning indie, Aftersun; as well as Peter Rice, former Chairman of General Entertainment at Disney and President of 21st Century Fox; Teresa Moneo, Director of UK Film, Netflix; Isla Macgillivray, Partner at Saffrey; and Romana Ramzan, Producer at No Code Studio.
More information will be released on the 2025 Festivalin the coming weeks.
Edinburgh Tradfest’s programme of sensational live music, storytelling and film continues across the city this weekend.
Plus, just announced, BBC Radio Scotland’s Young Traditional Musician for 2025, singer Ellie Beaton will be performing at St Giles Cathedral on the Royal Mile today at lunchtime (1.30pm), ahead of her evening concert at the Traverse tonight.
This half hour event is free and is part of a new pop-up programme of impromptu events happening across the city.
Other highlights not to be missed include:
Gaelic singer, broadcaster, and cultural ambassador Joy Dunlop who is this year’s Rebellious Truth talk guest on Sunday afternoon. Joy will be sharing her story from when she first learnt Gaelic at school in Oban, to reading the weather on the BBC.
Finnish throat singer Pelkkä Poutanen (above) who mixes different folk traditions with classical, roots, electronic and pop music and, whose unique vocal techniques, rarely performed by women, are not to be missed!
A line-up of incredible emerging musicians performing at this year’s ETF Spotlight concert including Miwa Nagato-Apthorp whose debut album Noren is released this month; Parsisonic led by Iranian duo Aref Ghorbani and Amir Hossein Feyzi, a Glasgow based quartet bridging cultural gaps with their unique cross genre sound. Plus, one of the most respected Gaelic trad fusion bands Dlù, whose members originate from school days at the Gaelic School in Glasgow.
For film-goers the Folk Film Gathering continues its fantastic programme of world film which includes a whole day dedicated to the work of the late Douglas Eadie on Sunday, 11 May; and a screening of Gerda Stevenson’s recent documentary Paper Portraits which celebrates the history and working people of Penicuik’s paper mills.
Over at the Storytelling Centre The Poet and the Moon led by three Spanish artists including celebrated storyteller Inèz Àlvarez Villa of TuFlamenco presents a tribute to Federico Garcia Lorca, Spain’s most iconic poet, told through poetry and flamenco dance. And, storyteller and journalist Rachel Pugh shares her gripping true story about an ancient bog man found in Lindow Moss in Bog Standard, accompanied by award-winning harpist Lucy Nolan.
Finally, bringing the whole festival to a close will be Siobhan Miller with her sensational band at the Traverse on Monday night.
Douglas Robertson and Jane-Ann Purdy, co-producers of Edinburgh Tradfest said: “Don’t miss the final weekend of this year’s festival, there are some amazing bands coming up, and fantastic films and storytelling events still to come.
“The festival’s strength of programming this year is exceptional. So, make sure you squeeze in everything you can.”
Edinburgh Tradfest runs until Monday 12 May. For tickets and more information visit edinburghtradfest.com
CLASSIC FAMILY TITLES IN 4DX: MOANA, PADDINGTON & HARRY POTTER
ONE-DAY EVENT TO BE HELD ACROSS ALL 4DX CINEMAS NATIONWIDE
Get ready for a family adventure like no other! Cineworld is excited to launch its first-ever 4DX Family Day on Sunday 18 May at all 34 Cineworld 4DX screens nationwide – with tickets available now for just £4/€4 (online, including booking fee).
Available only at Cineworld, 4DX is a thrilling multisensory experience, featuring motion-synchronised seats, gusts of wind, sprays of water, aromatic scents, bubbles, fog and strobe lighting, bringing every scene to life in the comfort of your seat. For one day only, families across the UK and Ireland can dive into some of the most beloved family classics in an entirely new way.
Film line-up for 4DX Family Day:
Moana (2016) – 10:00am
Paddington (2014) – 12:30pm
Harry Potter and the Philosopher’s Stone (2001) – 2:45pm
For the first time ever, Moana and Paddington will be brought to life in 4DX – with ocean sprays, tilting seats and sea breezes pulling you into Moana’s voyage, and bursts of air, playful splashes and sweet peach aromas capturing Paddington’s every marmalade mishap. Plus, the magic of Harry Potter and the Philosopher’s Stone will sweep through the auditorium with swirling winds, rumbling seats and spellbinding effects like fog, bubbles and snow.
Adding even more magic to the day, participating cinemas will also host a range of family-friendly activities in the foyer, including bubble-blowing fun and temporary 4DX tattoo stations – perfect for young adventurers. All adults must be accompanied by a child – young explorers lead the way!
Casey Cohen, VP of International Marketing at Cineworld, said: “We are thrilled to launch our first-ever 4DX Family Day, where seats move, oceans splash, and marmalade mischief fills the air.
“4DX is hands down, the most fun you can have as a family in a cinema – like a multisensory rollercoaster ride, but with popcorn.
“On Sunday, May 18th, experience Moana, Paddington, and Harry Potter like never before, in 4DX. Get ready for the ride of your life – you’re welcome!”
Tickets for 4DX Family Day are available now via theCineworld websiteand Cineworld app.
Leading film education charity, Into Film, has today announced this year’s Into Film Awards nominees including three nominations for filmmakers and filmmaking teams based in Scotland.
Nominated for the Time forAction Award (Sponsored by Swatch) are 8 young people aged 16-19 from CITADEL YOUTH CENTRE, Leithfor the film Can we talk about Mental Health.
The filmmakers are Holly Watson (18), Nyah Sallan (16), Sophie Hunter Little (16), Brian Hainey (17), Levi Bennet (18), Ellie Pullar (18), Joshua Moohan (19), Jack Fyffe (18).
This call to action film utilises many different kinds of animation to highlight not only the mental health struggles that many young people face, but to also address the systemic difficulties that exist in trying to access support. In the young people’s own voices this is a direct plea asking all of us, from teachers to government ministers, to do better.
Nominated for the Best Film – 16-19 (Sponsored by Warner Bros. Discovery) are 9 filmmakers aged 17-19 from West Pilton’s SCREEN EDUCATION EDINBURGH for the film Come Inside.
The filmmakers are Aaron McCrossan (19), Allair Ayeni (18), Ben Emmel (18) CJ Reeder (17), Emma White (18), Jasmine Mooney (17), Kirk Kerrane (18), Lili Quigley (19) and Albie Kerlaff (17).
In this deeply affecting drama, a young woman named Mia tries her best to take her of ailing father, who is suffering from early-onset dementia, his memory and mental faculties diminishing by the day.
Nominated for Best Story (Sponsored by Amazon MGM Studios) is 14 year old Edward Ryan from Sanquhar, Dumfries and Galloway for the film More Than One Way to Go Home.
Inspired by the filmmaker’s own personal experiences, this film follows a young autistic girl, who has to find her own way home when her brother leaves her to fend for herself. A well shot film that conveys some of the difficulties that autistic people might experience. Nominees in this category were selected from among all of the films submitted to this year’s Into Film Awards, across all categories
The Awards, sponsored by the UK film industry, celebrate young people’s creativity in film, showcasing and highlighting the wealth of tomorrow’s creative talent.
Young people from across the UK whose short films have been nominated across the Awards categories will be recognised at a glitzy afternoon ceremony, which has previously been attended by some of the biggest stars in the industry including Daniel Craig, Lashana Lynch, Eddie Redmayne, Lily James, Luke Evans, Gemma Arterton, Charles Dance, Ruth Wilson, Bill Nighy, Simon Pegg, Martin Freeman and Naomie Harris.
This year’s nominated films cover a wide range of compelling and timely subjects for young people including mental health, the war in Ukraine, gender identity, neurodivergence, multiculturism, the potential harms of AI, feeling disconnected and isolated in modern society, nature conservation, immigration and identity, looking after an unwell parent, the need to stop scrolling on social media, and much more.
The nominees have been recognised across 11 awards categories in different age groups and the winners will be announced and presented with their awards by stars of the film and entertainment industry at the afternoon ceremony at Odeon Luxe, Leicester Square, on June 24 in London.
The award ceremony will be hosted by BAFTA Breakthrough Brit, BAFTA TV winner, actor, presenter and author Rose Ayling-Ellis MBE.
This year’s Into Film Awards received an unprecedented number of film entries from children and young people across the UK. Into Film believes that every child should be given the chance to learn hands-on filmmaking skills and be able to tell their own stories in film, which is the central aim of its Young Creatives programme, supported by the BFI awarding National Lottery Good Cause funding.
14 year old Edward Ryan has said: “I’m over the moon to have been nominated, I feel very happy that my film has been chosen for the Best Story category.
“It makes it feel like all the hard work has been worth it. Filmmaking is important to me because I enjoy it and it allows me to express myself in ways I was unable to before.”
17 year old Albie Kerlaff, part of theScreen Education Edinburgh filmmaking team, said: “I’m extremely excited that Come Inside has been selected — there aren’t enough opportunities like the Into Film Awards, so being part of this feels very special.
“I felt like Scorsese for a minute… then spilled my drink on my T-shirt, which brought me back down a bit! Films, to me, are a little like sandboxes where I can explore and play with emotions. Both watching and making films have been a constant way for me to process my feelings since I was small, and I hope they always will be.”
Lesley Williamson of Citadel Youth Centrehas said: “We are thrilled to be nominated for this award. This is a great achievement for the young people involved.
“This film speaks from the young people’s hearts and is very open, honest and raw. All the young people involved have never had the opportunity to create a film before, and the fact they chose this outlet to discuss their mental health and the (lack of) support offered to them regarding their mental health says a lot about the film making process and how it can bring people together.
“This film discusses the mental health crisis, support available for young people and how they are made to feel regarding government funding allocation. At a time where third sector organisations are facing substantial cuts to their funding (we personally have faced a 72% funding cut from Edinburgh Council), this film was organically created by the young people expressing their views and how this impacts them.
“This topic is important to the young filmmakers as it speaks about issues that are close to them and is an honest representation of how they have been made to feel.
“All the young film makers involved are from homes that face low income, poverty, areas of deprivation and struggles with their mental health so this is a true representation of how young people are impacted by socio-economic differences.”
Actor, Presenter, author and host of this year’s awards Rose Ayling-Ellis MBE has said: “I am really honoured to be the 2025 Into Film Awards host and I am so impressed with the creativity and brilliance of all the young people involved.
“The standard of the nominated films is extraordinarily high and just shows how important it is to give young people a voice through filmmaking.”
Rose is a BAFTA Breakthrough Brit and a BAFTA TV winner, and she recently won an RTS and a Broadcast award for her work as the first deaf presenter of live sport hosted at the 2024 Paralympics; her stage debut in As You Like it was has been nominated for a Laurence Olivier Award and won the Stage Debut Award and she is the recipient of the Visionary Honours for Inspirational Person of the Year.
This year alone has already seen her front her second documentary for the BBC, release her first children’s book Marvellous Messages and appear in critically acclaimed BBC drama Reunion. Next, she will next guest star in an episode of Dr Who and lead ITV drama Code of Silence on 18th May.
THE NOMINEES ARE:
Best Animation – 5-11 (Sponsored by Walt Disney Studios Motion Pictures, UK)
Cae yr Arth (Cae the Bear)
Made by a class of 30 young people aged 9-10 from Caedraw Primary School – Merthyr Tydfil, Wales
Feeling disillusioned by life in a bustling city, a kindly bear stumbles upon a rare piece of nature, and decides to try and help it flourish. But despite his best efforts, the big city may not be the right environment…
Offline Virus
Made by Dulcie-Bella, aged 11 – Banbury, England
Animated in a striking Japanese-influenced manga style, this vibrant music video shows a social media-obsessed girl losing all of her colour and vitality as she spends too much time online.
The Wellington Cobbler and Wrekin Giant
Made by 23 young people aged 8-11 from the film club at Meadows Primary School and Nursery – Ketley, England
Visible from their own film club window, this stop motion animation depicts the myth of how The Wrekin, a famous hill in Shropshire, was supposedly formed, by way of a clever shoe repairman and a fiendish giant…
Best Animation – 12-19 (Sponsored by Walt Disney Studios Motion Pictures, UK)
And Then What?
Made by Evie, aged 18 – Croydon, England
Created with animation software Blender, this short 3D animation is a cautionary tale about pervasive social media and the risk of jumping to conclusions, as two friends discuss a classic case of crossed wires.
Animated Voices
Made by 10 young people aged 13-14 working with Gritty Realism Productions – Cardiff, Wales
Made by young people living in Cardiff that hail from ethnic minority backgrounds, this animation sees them exploring their personal experiences of life in the UK, in their own words, and using their own animation.
Mouse House
Made by Katie, aged 16, from Pate’s Grammar School – Cheltenham, England
In this charming stop motion animation for all ages, a family of mice set out for a local allotment in search of food, only to return home and find that one of their number has been left behind to fend for himself. Will he ever make it back home to the Mouse House?
Best Documentary (Sponsored by IMDb)
The Freedom of the Sea
Made by Rosie, age 17, from Varndean College – Brighton, England
Having emigrated in the wake of the Iranian revolution in the 1970s, one family – now long-settled in Brighton – discuss the difficult decision to leave their home, and the way being able to swim in the sea together is a perfect encapsulation of the freedom they found in the UK.
Kicking through Transition
Made by Indy, aged 15 – Woking, England
A teenager named Indy reminisces about his decision to come out as trans, and how that decision went on to affect his passion for playing football and his love of the beautiful game.
Mariupol
Made by Daria Savchenko, aged 18, from Gower College – Swansea, Wales
This affecting documentary sees one woman recounting her harrowing experiences in Mariupol, Ukraine, as the Russian invasion unexpectedly turned her life upside down. And though she’s now settled in Swansea, Wales, her testimony demonstrates the extreme and enduring trauma that many survivors continue to face.
Time for Action (Sponsored by Swatch)
Can we talk about Mental Health
Made by 8 young people aged 16-19 from Citadel Youth Centre – Edinburgh, Scotland
This call to action utilises many different kinds of animation to highlight not only the mental health struggles that many young people face, but to also address the systemic difficulties that exist in trying to access support. In the young people’s own voices this is a direct plea asking all of us, from teachers to government ministers, to do better.
Severn Wild
Made by 18 young people aged 16-19 working with MediaActive Projects and BFI Film Academy – Wem, England
This lyrical film is an impassioned plea to protect our country’s rivers, using beautiful animation, historical materials, and a poetic script to detail the far-reaching and catastrophic effects that humanity and civilisation have had on the River Severn, but also highlighting hopeful plans to restore the river and return it to a more natural state.
Tipping Point
Made by Araminta, aged 16 – Conwy, Wales
A short film that nevertheless packs a mighty punch, this is a stark wake-up call for anyone who’s ever found themselves spending hours mindlessly scrolling on their phone; a film with a vital message, urging and reminding us all to live our lives to the fullest.
Best Film – 5-11 (Sponsored by Working Title Films)
Ballet d’Or
Made by Fletcher, aged 11, and Jude, aged 9 – Newcastle, England
Eight year old Frankie finds himself caught between two passions when he contemplates quitting ballet to focus on football, until he makes a surprising discovery about his football coach that changes everything.
S.I. – Superficial Intelligence
Made by 20 young people aged 10-11 from Burnham Market Primary School – Burnham Market, England
Worried by the amount of homework they’ve been given, two children build their own deep thinking artificial intelligence robot named S.I. to complete all their homework for them. However, the more S.I. learns, the more out of control it seems to become…
Ynyr yr Ysbryd (Ynyr the Ghost)
Made by Briall (aged 10), Celt (10), Elai (9) and Fflur (10), from Clwb Ffilm Dyffryn Nantlle – Penygroes, Wales
When a young boy named Ynyr wakes up as a ghost, he finds that the experience isn’t as fun as he might have imagined. And when he’s interviewed for the local news channel about his lonely new existence, he draws the attention of the Council of Ghosts… can they help him find his place?
Best Film – 12-15 (Sponsored by Paramount Pictures)
Daydreaming
Made by 24 young people aged 11-14 from Sawston Village College – Cambridge, England
Seemingly caught daydreaming in their classes, we see the inner thoughts of three pupils. Between a meeting with artist Frida Kahlo, an encounter with Isaac Newton, and even a trip back in time to the Battle of Hastings, it’s clear that vacant looks and blank faces in the classroom may not always be telling the whole story!
Superhero School
Made by 11 young people aged 12-13 from Park School – Belfast, Northern Ireland
In a school for superheroes, the rivalry between Speedy and Quicklight usually ends with Speedy in front. However, that all changes when Quicklight steals Speedy’s superpowered trainers. Can the class of colourful heroes band together to help Speedy regain his powers?
Vacation
Made by Indi, aged 15 – Waterlooville, England
Bored out of his mind, a teenage boy finds himself captivated by a mysterious new video game. As he becomes increasingly hooked, he finds that eating, hygiene, and all other aspects of life simply fade away, until a concerned neighbour finally comes to check on him. But not all is as it seems…
Best Film – 16-19 (Sponsored by Warner Bros. Discovery)
Beware the Zoomies: An Unsolved Mystery
Made by Araminta, Cole, Micah, and Ethan – Conwy, Wales
In this pitch-perfect and very funny documentary pastiche, one poor girl’s unfortunate case of ‘the zoomies’ is explored by a doctor, her two long-suffering friends, and the uncontrollably energetic victim herself.
Come Inside
Made by 9 filmmakers aged 17-19 from Screen Education Edinburgh – Edinburgh, Scotland
In this deeply affecting drama, a young woman named Mia tries her best to take her of ailing father, who is suffering from early-onset dementia, his memory and mental faculties diminishing by the day.
No Dice
Made by Grace Holt, aged 19, from Wales High School – Sheffield, England
Four people of a certain age embark on an epic fantasy adventure by virtue of a role playing board game in this hilarious comedy that makes great use of special effects, and shows that there’s no age limit on having fun.
Best Story (Sponsored by Amazon MGM Studios)
Nominees in this category were selected from among all of the films submitted to this year’s Into Film Awards, across all categories
Deadlines
Made by Ben Melocha, aged 19 – Leicester, England
As the work piles up, a put-upon office worker lashes out and discovers something sinister and unsettling about her office computer. This smart, David Cronenberg-inspired horror taps into modern insecurities around AI and the replaceability of humans in the face of ever-advancing machines, as well as commenting on the faceless, sterile nature of some corporate jobs, and the mental health struggles that can arise when the pressures of work become overwhelming.
More Than One Way to Go Home
Made by Edward, aged 14 – Sanquhar, Scotland
Inspired by the filmmaker’s own personal experiences, this film follows a young autistic girl, who has to find her own way home when her brother leaves her to fend for herself. A well shot film that conveys some of the difficulties that autistic people can face, and demonstrates how the right support can be key to overcoming those challenges.
Tragicake
Made by a group of 10 young people aged 18-19 from the BFI Film Academy – Holywood, Northern Ireland
On her 18th birthday, a girl sets out to bake the perfect birthday cake. However, a past baking misadventure hangs heavy on her shoulders and comes back to haunt her in unexpected ways. Can she overcome her baking demons? It is a funny, smartly made film with a lovely story about perseverance and putting past mistakes behind us.
Ones To Watch (Sponsored by EON Productions)
The following are our chosen 2025 Ones to Watch
Dinah Naitamu, aged 18 – London, England
Dinah is a director, writer and actor who is currently attending the London Screen Academy. Her biggest goal is to increase opportunities for underrepresented groups, both in front of and behind the camera, and tell stories that are often excluded from the mainstream.
In 20 years, she wants to be halfway to EGOT status (winning an Emmy, a Grammy, an Oscar, and a Tony award), and working with the likes of Zendaya, Quinta Brunson and Ayo Edebiri.
Indi, aged 15 – Waterlooville, England
Indi is one of only two people to receive multiple nominations at this year’s Into Film Awards. He was also nominated at last year’s Into Film Awards for his film film Saving Yourself (and the World), which went on to be nominated for several other film festival awards, including the Horsham Film Festival.
Indi is a prolific filmmaker who has already created two horror films and a short production for his Film Studies GCSE this year, as well helping a local drama group create and edit a series of short films.
This year he plans to enter more film festivals, including Brighton Rocks, and aspires to one day have a film shortlisted by the Sundance Film Festival.
Michael Smith, aged 18 – Newton Aycliffe, England
Michael started making films at just 8-years-old, and by 16 his first feature film, documentary Streets of Steel: The History Of Witton Park, was screened at Witton Park Village Hall in January 2024.
The positive response he received from the local community underlined how important and successful his commitment to unearthing hidden histories has proved. Continuing in this vein, Michael has recently been commissioned by Teescraft Engineering and councillors from Durham County Council to create a documentary on the Stockton and Darlington Railway to celebrate its 200th anniversary in 2025.
This dedication to working with and in his local community is also apparent in Michael’s work with Kynren (an outdoor theatre event) and the Hardwick Live music festival. Michael has also volunteered as a videographer for Bishop Auckland FC for the past 5 years, filming matches and conducting post-match interviews.
Filmmaking Champions (Sponsored by Lucasfilm Ltd.)
The following are all Into Film Awards 2025 Filmmaking Champions
Dale Forder from St Luke’s CE Primary School – Northampton, England Dale has been supporting young people’s filmmaking since 2021. He started working on film projects during the COVID lockdown, when working with youth theatre groups and needing to find alternate ways for them to be creative without directly working in large groups, as well as a way to demonstrate their progress to parents.
Dale now runs an extra-curricular film club at St Luke’s CE Primary School in Northampton. The club is available to children across years 1-6, with the older children often helping the younger ones, helping them learn responsibilities and the importance of helping others.
Dale strives to give the young people as much creative freedom as possible and encourages them to only create films that help tackle topical issues of importance to young people. Previous films include You Are Enough, a film about exam stress and secondary school anxiety; Dyslexia & Me, a documentary/drama hybrid exploring children’s understanding of dyslexia (which won Best Film – 11 and Under at the 2024 Into Film Awards); and their most recent project, Navigating The Net, which is about internet and computer safety.
Steve Swindon from TAPE Community Music and Film – Llandudno, Wales Steve runs TAPE Community Music and Film, a community arts charity in North Wales that he started 17 years ago, where filmmaking is a cornerstone of their work.
A lot of TAPE’s recent work has been with young people at Ysgol Y Gogarth, an additional learning needs school in Llandudno. Working with 16-19 year olds with a wide range of additional needs, Steve strives to be a creative advocate for the ideas and ambitions of the young people he works with.
He is committed to creative inclusion and encouraging new ways of working, giving as many people as possible the opportunity to have their ambitions and ideas heard and explored through film.
St. Colmcille’s Primary School – Crossgar, Northern Ireland Based in a small, rural community, where young people face a number of challenges, and limited access to opportunities and the arts, St. Colmcille’s has gone above and beyond in using film to broaden the horizons of its pupils and open up a world of possibilities.
In February 2022 the school began a cross-circular project focused on the use of film. Departments across the school worked together to provide pupils with a range of transferable film-based skills, weaving filmmaking into normal lessons, and ultimately seeing each class create their own films.
Now, each year they host a glitzy premiere evening, complete with red carpet, a limousine, photo booth, ‘paparazzi’ and popcorn, giving the young filmmakers and the wider community – a unique and unforgettable experience.
A packed programme of music, film and storytelling kicks off Edinburgh Tradfest next weekend (2 May to 12 May) thanks to continued support from The National Lottery through Creative Scotland and the William Grant Foundation.
The Festival opens with Terra Kin supporting celebrated piper Ross Ainslie and the Sanctuary Band (Greg Lawson, Paul Towndrow, Steve Byrnes, Hamish Napier, James Lindsay, John Blease),who have featured on Ross’s last four albums including Pool released in 2024.
Terra Kin aka Hannah Findlay has been a dynamic force in Glasgow’s jazz, folk and pop scenes for many years, and for this year’s opening they will be joined by master musicians and rising stars: Su-a-Lee (cello), Roo Geddes (violin) Emma Pantel (violin) and Sarah Hanniffy (viola).
This opening night concert at the Queens Hall in Edinburgh kick starts an incredible 11 days of traditional and traditional-inspired music taking place at The Traverse Theatre in Edinburgh, and other film and storytelling events happening across the City.
Other opening weekend highlights include Leveret, made up of some of the finest tunesmiths in modern folk music (Andy Cutting on melodeon, Sam Sweeney on fiddle, and Rob Harbron on English concertina); and the rich darkly-toned fiddle sounds of Lauren MacCollwho is joined by Rachel Newton (harp), Anna Massie (guitar), Mhairi Hall (piano), Mairearad Green (accordion) and James Lindsay on (bass) to play tunes from her most recent album Haar, along with a delve into her back catalogue.
This year’s festival commission on Monday night is For the Love of Trees featuring new tunes and old, by Mary Macmaster (The Poozies) and Donald Hay. Including The Cedar, Silent, a new piece about the tallest tree in Edinburgh’s Botanic Gardens that was felled by Storm Éowyn earlier this year, The Trees by rock band Pulp, and Chraobh nan Ubhal a traditional Gaelic waulking song.
Joining them will be super group of Scottish traditional musicians: Amy MacDougall (vocals, sampling), Mairearad Green (accordion, pipes, vocals), Pete Harvey (cello) and Ciaran Ryan (banjo/fiddle/guitar); andspecial guest Fiona Soe Paing who will open the concert with a selection of her electro alt-folk sounds.
Other hot tickets include: The Traveling Janes; BBC Scotland’s Young Trad Winner Ellie Beaton; Seckou Keita dubbed the ‘Hendrix of the kora’; Virginia’s finest string band The Hot Seats; piping legends the Finlay Macdonald Band; national treasures the Siobhan Miller Band; and singer, broadcaster and cultural ambassador Joy Dunlop who is this year’s Rebellious Truth guest. She will be sharing her story on 11 May, from when she first learnt Gaelic at school in Oban, to reading the weather on the BBC.
Plus, on Saturday 3 May, folk musicians playing at any level, can take part in #WorldPlayAStrathspeyDay by uploading a strathspey tune online using the hashtag, or by joining fiddlers, Anna Robertson, Catriona Price, Adam Sutherland and pianist extraordinaire Rory Matheson for a live afternoon of Scottish music to celebrate the beauty of the humble Strathspey. Alternatively, there is also the traditional May Day Parade which sets off down the Royal Mile at mid-day and finishes with a rally, music and speeches.
Fans of traditional storytelling can enjoy events at the Scottish Storytelling Centre including an introduction to Gaelic storytelling with the University of Edinburgh’s first Gaelic Writer in Residence Martin MacIntyre; storytelling from the Highlands and islands with Bea Fergusonand Heather Yule; and stories and songs told in the North-East Bothy Tradition by Phyll McBain, Jackie Ross, and ballad singer Allan Taylor, accompanied by fiddler Karin Paterson. In addition,storyteller Inez Alvarez Villa of TuFlamenco presents a tribute toFederico Garcia Lorca, Spain’s most iconic poet told through poetry and flamenco dance.
For film-goers there is this year’s Folk Film Gatherin’ – a fantastic programme of world film which includes a whole day dedicated to the late Douglas Eadie on Sunday, 11 May. This tribute includes screenings of docudrama An Ceasnachadh – An Interrogation of a Highland Lass starring a young Kathleen MacInnes, Ian MacRae and Dolina MacLennan.
The film tells the legendary story about the band of students who took the Stone of Destiny from Westminster Abbey on Christmas morning 1950. National treasure Kathleen MacInnes, fresh from starring in the acclaimed production of Macbeth in London’s West End, will also perform her latest songs at the festival on Friday 9 May, all of which are set to appear on her next album.
Douglas Robertson and Jane-Ann Purdy, co-producers of Edinburgh Tradfest said: “This year’s line-up represents the wealth of Scottish musical talent with some very special visitors from England and overseas.
“The breadth of musical brilliance that will open the festival next Friday at the Queens Hall is incredible, and reflects the festival’s strength of programme and position as a key player in Scotland’s year-round calendar of unmissable events.
“Be there!”
Edinburgh Tradfest runs from Friday 2 May to Monday 12 May.
Following the great box office and family audience success of Bluey at the Cinema: Family Trip Collection, Vue Lumière is releasing a second Bluey adventure on the big screen. Bluey at the Cinema: Let’s Play Chef Collection will be playing in over 500 cinemas across the UK and Ireland from Saturday 3rd May, just in time for the Early May Bank Holiday weekend.
Bluey at the Cinema: Let’s Play Chef Collection is an hour-long treat courtesy of BBC Studios and Ludo Studios, made up of eight episodes from the TV show’s three series, all based around the fun of food. The compilation will showcase memorable moments such as Takeaway, Fancy Restaurant, and highlight the Heeler’s skills in the kitchen with episodes such as Omelette and Duck Cake.
Commenting on the new and continued offer of Bluey in cinemas, Johnny Carr, Head of Event Cinema and Distribution, Vue Lumière said: “Following the tremendous success of Bluey at the Cinema: Family Trip Collection, which garnered over 250k admissions at the box office last summer, we’re delighted to announce this unmissable cinema event – the world’s leading animated series and global phenomenon – for the May Bank Holiday weekend and beyond.”
Vue Lumière is the new film distribution division of Vue, bringing the best of independent and international films directly to audiences. Launched in 2024 with the release of the Italian break-out There’s Still Tomorrow and family hit Bluey at the Cinema: Family Trip Collection, the company is now building a slate for 2025 with the aim of releasing 10-12 films per year in the UK and Ireland – and ultimately beyond to other Vue territories. Vue is one of the world’s leading cinema operators, managing the most respected brands and spanning eight countries with 223 sites and 1959 screens.
About Bluey
The series follows Bluey, a loveable, inexhaustible, Blue Heeler dog, who lives with her Mum, Dad and her little sister, Bingo. Bluey uses her limitless energy to play games that unfold in unpredictable and hilarious ways, bringing her family and the whole neighbourhood into her world of fun.
Bluey is created and written by Joe Brumm and produced by Emmy® Award-winning Ludo Studio for ABC KIDS (Australia) and co-commissioned by ABC Children’s and BBC Studios Kids & Family. Financed in association with Screen Australia, Bluey is proudly 100% created, written, animated, and post produced in Brisbane Queensland, Australia, with funding from the Queensland Government through Screen Queensland and the Australian Government. BBC Studios Kids & Family hold the global distribution and merchandise rights.
In Australia, the show is broadcast on ABC. The series airs and streams to U.S. and global audiences (outside of Australia, New Zealand and China) across Disney Channel, Disney Jr. and Disney+ through a global broadcasting deal between BBC Studios Kids & Family and Disney Branded Television.
Bluey has won multiple craft and production awards around the world, including the 2019 International Emmy Kids Award and a 2022 BAFTA Children & Young People Award in the International category. In 2024 alone, Bluey won a Peabody Award, Television Critics Association (TCA) Award for “Outstanding Achievement in Children’s Programming” and a Rose d’Or award in the “Children & Youth” category, and many others.
Older autistic people must be involved in decisions about their health and social care services, a new research project from Heriot-Watt University in Edinburgh and charity Scottish Autism suggests.
The project, titled “Autism, Ageing and Social Care”, used creative methods to begin a wider conversation about the support that autistic people will need when they get older.
The research team worked with autistic film-makers to create a documentary about the hopes, concerns and needs of autistic people as they get older.
Workshops with autistic adults, whose ages range from 45 to 80, and care professionals, led to a series of artworks reflecting on what good support looks like for this population in older age.
Professor Mary Stewart, Director of Social Interaction, Mental Health and Wellbeing at Heriot-Watt University, and member of the University’s Global Research Institute in Health and Care Technologies, is the academic lead for the project.
Professor Stewart said: “Using filmmaking and art helped us to ask autistic people who communicate in diverse ways to express what’s important to them and how to plan for ageing and change.
“Everybody finds ageing difficult, but it can be particularly challenging for autistic people to access appropriate health and social care provision.”
Dr Joe Long, Director of Practice and Innovation at Scottish Autism, was a co-researcher on the project. He said: “The children Scottish Autism first supported in the 1960s are now reaching retirement age, so we know there’s a real need plan properly for the support that older autistic people will need.
“It’s really important that those future services are shaped by the people who use them, so this project is about starting those conversations and amplifying the voices of older autistic people.”
In the documentary film, autistic adults are interviewed by Iceberg Productions, a group of autistic filmmakers who are supported by Scottish Autism, and The Untold Motion Picture Company, which specialises in filmmaking for the voluntary and community sectors.
In the artworks, older autistic people’s visions of ageing and support are captured in hand-drawn scenes and diagrams by artist Clare Mills of Listen, Think, Draw.
Emma Stanley, a co-researcher on the initiative and a member of the Iceberg Productions team, sadly passed away during the project. Speaking in the films, in which she acted as interviewer, Emma said: “It’s an important project, because no matter what walk of life you’re in, you get old.
“My mum died a couple of years ago and there’s still not enough help out there for autistic people suffering bereavement.
“It will get more important when you get older.”
The researchers say the project provides insights into how to start conversations around what a good life will look like in older age and the need to support understanding of change and loss.
The project also shows the need for creating safer spaces for those dialogues, and for working together to develop a shared understanding of a person’s need – as well as the need for effective care pathways for older autistic people.
The NHS estimates that at least one in 100 people in Scotland is autistic, with some research showing more than double that number. Many older autistic people will not have a diagnosis. Scottish Autism says these figures underline the need to plan properly for inclusive and person-centred services in older age.
The findings of the research will be presented at an event in the Scottish Parliament at Holyrood today (Wednesday 19 March).
The event will be chaired by Daniel Johnson MSP and attended by Minister for Social Care, Mental Wellbeing and Sport, Maree Todd. The event will include a screening of the documentary and display of the artworks created from the project.
As a result of this research, project partners are calling for:
Timely, multi-agency planning for transitions across the lifespan of autistic people, including the transition to older age
Tools and resources to support autistic people to understand the changes they may face and to co-design their care as they age
Holistic care pathways in older age, incorporating multi-disciplinary collaboration and bringing healthcare into familiar and safe environments for autistic people
Data, transparency and accountability relating to the support provided for older autistic people and to the resulting outcomes. This will help maximise the lessons learned, in order to establish best practice.
Edinburgh Tradfest is delighted to announce full details of its 2025 programme of traditional music, storytelling, film, workshops, talks, ceilidhs, and special events taking place at various venues across the city, thanks to continued support from The National Lottery through Creative Scotland and the William Grant Foundation.
The festival’s music programme kicks off on Friday 2 May at the Queen’s Hall with Scotland’s most sought-after piper and composer Ross Ainslie performing with the Sanctuary Band, and special guest Terra Kin.
Then, over the 11 days of the festival, there will be live music every night at the Traverse Theatre, Folk Film screenings predominately at the Cameo, and storytelling, music and special events taking place at the Scottish Storytelling Centre.
Some of the musicians headlining include folk song sensation and multi award-winner Siobhan Miller; Scots singer of the Year 2024 Beth Malcolm; Aberdeenshire’s crowning light, folk singer and Young Musician of the Year 2025 Ellie Beaton; national treasure Kathleen MacInnes; and cutting-edge piper Finlay MacDonald performing with his band which includes award-winning piper Ailis Sutherland (Hecla), guitarist/piper Ali Hutton (Ross & Ali, Old Blind Dogs, Treacherous Orchestra, Tryst), and drummer Paul Jennings (Croft No 5, Treacherous Orchestra). Plus, there will be a special event on Sunday 4 May featuring the music and enduring legacy of piper Martyn Bennett.
Also headlining are virtuoso English folk trio Leveret; leading Scots fiddler Lauren MacColl who will be playing tunes from her most recent album Haar; and Mary Macmaster (The Poozies) who will curate and perform as part of this year’s festival commission For the Love of Trees with some of Scotland’s finest musicians: Amy Macdougall (vocals), Donald Hay (percussion), Mairearad Green (accordion, pipes), Pete Harvey (cello) and Ciarán Ryan (banjo/fiddle).
Other Scottish highlights include Morag Brown and Lewis Powell-Reid who perform pacy traditional tunes from Scotland and as far afield as the Balkans; Divergence (Freya Rae, Siannie Moodie and Tim Lane) so named because of their passion for playing non-traditional instruments in traditionally inspired music; cinematic alt-folk duo Rhona Stevens and Joseph Peach; and the unmissable annual #WorldPlayAStrathspey Day presented by Hands Up for Trad and featuring Rory Matheson (piano), and Anna Robertson, Catriona Price and Adam Sutherland (fiddle) who will take audiences through some of the world’s best known strathspeys, reels and marches.
International musicians headlining at this year’s festival include Pelkkä Poutanen whose music weaves together Scandinavian and Finno-Ugric folk singing with electronic, roots and traditional world folk influences; Canadian singer Catherine MacLellan, and English folk musician Lucy Farrell, also based in Canada, who’ll be presenting a selection of self-penned songs; legendary Kora virtuoso Seckou Keita who has been dubbed the ‘Hendrix of the Kora’; Finnish power-fiddle duo Teho; and the Hartwin Trio from Belgium.
Plus, TheTravelling Janes led by Ali Affleck bring their unique mix of Americana, jazz and blues; and The Hot Seatsfrom Virginia whose combination of old-time, bluegrass and country make them the hot ticket of the festival.
At the Scottish Storytelling Centre there will be stories and music from the Highlands and Islands of Scotland (A Necklace of Stories) with Bea Ferguson and Heather Yule; and tales and tunes from in the North East Bothy Traditionwith ballad singer Allan Taylor, fiddler Karin Paterson and storytellers Phyll McBain and Jackie Ross; storyteller Rachel Pugh and harpist Lucy Nolan present Bog Standard the gripping true story of a tip off which led a rookie journalist to one of the most important archaeological finds of the 20th century; and MAIK (folksingers Jamie Cook and Kirsty Law) present folks songs in Scots and Cumbrian dialects; whilst cinematic-folk duo Dowally and innovative French drummer Philippe Boudot celebrate the release of their album Ici et Là-Bas.
Plus, TuFlamenco celebrates the rich cultural heritage of Spain with a tribute to poet Garcia Lorca, with Inma Montero (dance & vocals), Danielo Olivera (guitar & vocals), and Inés Álvarez Villa (storyteller); the Sangstream Scots Folk Choir led by renowned musician Corrina Hewat perform a cappella in Let Them Be Heard; and author Stuart McHardy launches his new book Scotland’s Ancient Goddess: Hidden in Plain Sight exploring the mythology of creation and the pre-Christian beliefs of the Scottish people, published by Luath Press.The popular Hearth Fire Sessions return with storytellers Dougie Mackay and Niall Moorjani, Moroccan filmmakers/storytellers Tizintizwa and musician Evie Waddell.
The Folk Film Gathering returns to Edinburgh Tradfest this year with a selection of films from the world’s archives including a screening of Ukranian film The Enchanted Desna (1964) directed by Alexander Dovzhenko’s widow Yuliya Solntseva; Fertile Memory (1981) the first full length film to be shot within the occupied Palestinian West Bank ‘Green Line’ introduced by Scottish-Palestinian poet Nada Shawa; George Nasser’s Ila Ayn (1957) the first ever Lebanese film to screen at Cannes; The Nouba of the Women of Mount Chenoua (1977) which explores the intergenerational experiences and histories of women in Algeria and of speech and silence; and Icelandic film The Juniper Tree (1990) which stars Björk in an early performance of this adaptation of a Brothers Grimm fairy tale.
Staying with horror, O’r Ddaear Hen (1981) the first horror film to be made in the Welsh language and set in a council house in Bangor about a mysterious stone head, will be screening; along with the Scottish premiere of the new restoration of cult classic of Irish independent cinema The Outcasts (1982); and a series of short dark Gaelic tales from 1996-1999 introduced by Edinburgh-based Gaelic storyteller Martin McIntyre who is also doing a separate session introducing Gaelic storytelling culture and history at the Storytelling Centre.
Also from Scotland there will be a screening of Paper Portraits (2025) a new documentary from Gerda Stevensoncelebrating the history and working people of Penicuik’s paper mills; and a rare chance to see Emma Davie’s Flight(1997) exploring how Scottish traditions continue to be expressed in Canada by the diaspora.
Finally on Sunday 11 May, to close the Folk Film Festival, in collaboration with the Storytelling Centre, there will be a full day of screenings celebrating independent film in Scotland through the lens of filmmaker Douglas Eadie hosted by poet Jim Mackintosh and author James Robertson who will be joined in conversation by former colleagues of Eadie including Robbie Fraser, Fiona MacDonald and Christeen Winford.
Screenings include Haston-A Life in the MountainsAn Ceasnachadh – An Interrogation of a Highland Lass (with Kathleen MacInnes, Dolina MacLennan and Kenny MacRae) and Down Home (with Aly Bain).
Families, at the Scottish Storytelling Centre can enjoy a morning of face painting and crafting ahead of the traditional May Day Parade down the High Street to the Pleasance; storytelling with the Beltane Fire Society; a traditional street games, rhymes and songs session with Claire McNicol and Fergus McNicol; sensory stories and play with Ailie Finlay; and family ceilidhs.
In addition, the Edinburgh Youth Gaitherin (EYG) returns with a three-day workshop programme supported by the William Grant Foundation for 13-18 year olds and led by some of Scotland’s finest musicians; and Claire Hastings hosts an hour-long relaxed session for babies and upwards, playing songs to join in with, accompanied by Ali Hutton and Adam Sutherland.
Other workshops held during the festival include: a singing workshop with Chandra Mather where participants will learn a selection of traditional songs from around the world picked up by Chandra on musical travels; a strathspey fiddle workshop with Lauren MacColl; tune writing with one of Scotland’s finest composers Adam Sutherland; and a masterclass in Highland piping from master of the pibroch Allan Macdonald. Plus, the Traditional Music Forum will present an interactive and fun workshop for musicians who want to improve their patter and be better storytellers on stage.
Rebellious Truth,this year’s popular talk presented in collaboration with Celtic and Scottish Studies at the University of Edinburgh, features Joy Dunlop who will give an insight into her Gaelic journey; from learning Gaelic songs phonetically to being the face of multi-platform learning brand SpeakGaelic. Joy is in high demand as a singer, broadcaster and Scottish step-dancer and is a well-known face on BBC Scotland, BBC Alba and host of the BBC Radio Scotland Traditional Musician of the Year. The talk will also include a special performance by musician Fraser Fifield.
ETF Spotlight, this year’s showcase concert presenting some of the most exciting new performers in folk and traditional music today returns with artist and musician Miwa Nagato-Apthorp, Parsisonic led by Iranian duo Aref Ghorbani and Amir Hossein Feyzi, and trad fusion band Dlù.
And, finally Masks: An Exhibition by Lorraine Pritchard (5 April to 12 May)displaying hand-crafted Venetian masks will be on at the Storytelling Centre alongside a series of photographs and a new behind-the-scenes documentary by Franzis Sanchez shot in Edinburgh and during this year’s Venice Carnival. This exhibition is part of the Pomegranates Festival of world trad dance and presented by the Traditional Dance Forum of Scotland.
Alan Morrison, Head of Music at Creative Scotland said: “Scotland’s traditions are vividly expressed and deeply felt in our words, our images and our music. As the beating heart of our national identity, they’re filtered through the 2025 Tradfest programme and across Edinburgh’s stages and screens, its walls and its streets.
“Supported by Creative Scotland through National Lottery funds, this important and inspiring event recognises not only the roots of Scotland’s revived folk culture in the city’s past but also the international ambition of our increasingly diverse country’s future.
“Thought-provoking, thrilling and straight-up fun in equal measure, Tradfest is a highlight on our cultural calendar.”
Douglas Robertson and Jane-Ann Purdy, co-producers of Edinburgh Tradfest said:
“Each year we give ourselves the challenge of building a festival packed with more superlative music than the preceding year. With more shows booked for 2025 than ever before, we think we have achieved that. It’s a wonderful mix of the exotic and the home grown. Virtuoso visitors from Senegal, Finland, Belgium, Canada, the US and England will grace Edinburgh’s stages joining an extremely strong Scottish contingent. Appearing are some of the best singers that Scotland has ever produced, the finest fiddle-players, harpists, strings-players, pianists, and, of course, pipers. We are also indebted to our partners at TRACS and the Folk Film Gathering who have provided a fabulous array of storytelling, family events and folk cinema that complement the musical offerings perfectly.”
Daniel Abercrombie, Head of Programming, Scottish Storytelling Centre said: “Edinburgh Tradfest is a great time of the year, with lighter nights and a chance for storytellers to celebrate with musicians, dancers and other creatives. We are offering a variety of traditional arts activities for all to enjoy, with several exciting new performances alongside workshops and family events. It is a highlight of our calendar at the Scottish Storytelling Centre and we’re delighted to be involved once again.”
Jamie Chambers, Folk Film Gathering said: “We are really excited to be collaborating with our sister festival Tradfest once again, to present a programme of films screenings, in parallel with their exciting music programming. Our 2025 programme features a number of very rare films from Scotland, alongside films from Algeria, Iceland, Lebanon, Morocco, Palestine, Ukraine and Wales, and provides a chance to once again consider how we look outwards from Scotland towards the rest of the world. We hope to see you there.”
Edinburgh Tradfest 2025 will run from Friday 2 May – Monday 12 May. For tickets and more information visit edinburghtradfest.com
Edinburgh-based talent take home top accolades at industry event
The winners of this year’s prestigious Gaelic short film competition, FilmG, were revealed on Friday night in front of a packed audience of 500 filmmakers, industry professionals and FilmG enthusiasts at the SEC in Glasgow.
Hosted by BBC ALBA’s Siobhan Sutherland, the 17th annual ceremony showcased an impressive range of films, including drama, documentary, and comedy, in separate under-18 and over-18 competitions.
The competition’s expert judging panel awarded top prizes based on originality, storytelling, technical execution, and overall impact.
Edinburgh-based production company Riochdachadh Rambling Celt (Rambling Celt Productions) won Best Comedy 18+ for their film, A’ Cluich, which sees two musicians compete for a prime spot on an Edinburgh street.
Director, Róise Nic An Bheatha, who hails from Edinburgh, incorporated a number of her family members into the production, with her younger siblings even playing the lead roles. Róise’s recent bilingual Gaelic and Irish short film Le Chèile has also collected multiple awards after being screened at festivals worldwide.
Rob MacNeacail, also from Edinburgh, collected the individual Technical Excellence Award 18+ for his audio production of the film.
Best Drama (-18) went to Parker Dawes for Air Choire, marking another milestone for the young filmmaker, whose first commissioned film, Dà Sgadan, aired on BBC ALBA at Christmas – all while still in high school. Parker is the most successful individual winner in the history of FilmG, with this being his sixth win.
Parker Dawes expressed his excitement: “Winning Best Drama means so much to me. I loved making Air Choire, and to see it recognised in this way is amazing. FilmG has played a huge part in my journey, and I’m grateful for the support and inspiration it has given me.”
In the 18+ competition, the coveted Best Drama award went to AllanWith1Eils for their thrilling short, Falach-Fead, a twist on hide and seek that gripped the audience. Filmmaking couple Allan Crook and Eilidh Johnson are frequent FilmG entrants and similarly collected the top award two years ago.
Eilidh Johnson said: “We’re thrilled to win Best Drama! FilmG gives us a creative outlet, and it’s an honour to be recognised by the judges again. We always try to surprise the audience, so I’m really happy that’s worked, and hopefully, we can surprise them again in the future.”
Public votes determined the FilmG Choice Awards, with Glen Urquhart High School’s Am Blà… taking the under-18 prize for their witty spoof of BBC ALBA’s An Là, while content creator Lauren Smith won in the over-18 category for Gàidhlig, a’ Choimhearsnachd agus Mise, an intimate exploration of her personal connection to the language.
FilmG Project Director Murdo MacSween said: “It’s inspiring to see over 500 attend the awards to help celebrate Gaelic short films, and we’re excited to see what the future holds not just for the winners but also those who might be spurred on by what they saw.”
Maggie Taylor, Head of Publishing at MG ALBA, which owns FilmG, added: “A huge congratulations to all our nominees and winners and a special thank you to Siobhan for keeping the audience captivated throughout the evening.
The FilmG Awards continue to highlight the importance of Gaelic voices in Scotland’s storytelling landscape.”
