– New For Farmers ‘Chuckle Eggs’ give an extra 1p per egg back to farmers –
– Money will be invested in planting woodland and creating insect-friendly habitats –
– Enriched environments will mean healthier happier hens who naturally lay more eggs –
– This is the fifth For Farmers product launched by Morrisons giving part of the retail price directly back to farmers –
For the first time, Morrisons is giving an extra 1p per egg back to farmers on every For Farmers medium egg sold – so that they can create more biodiverse farmland for their free-range chickens to roam around in.
The money raised from the sales of Morrisons For Farmers ‘Chuckle Eggs’ will be ploughed back into establishing better free-range farmland to create a healthier environment for happier hens, who naturally tend to lay more eggs.
Morrisons became the first major supermarket to sell only free-range eggs in February 20201 . Free-range hens cost farmers significantly more to keep2 as they need large outdoor woodland and grassland areas in which to exercise, along with enriched nesting boxes and undercover areas.
Morrisons For Farmers contributions will help egg farmers to plant and manage woodland and wildflowers on their farms. Free-range hens should roam during daylight hours in fields planted with 20 per cent trees. When outside, hens naturally use trees for roosting – which keeps them off the ground but under cover.
The extra investment may also be used by many farmers to create new or adapted buildings for their birds. Free-range hens require an indoor environment with more space and light, nest boxes with wide perches, and spaces for scratching and dust bathing.
Farms will also be encouraged to set aside land for wild bees and insects to increase their numbers, and in order that they can continue to pollinate the nation’s crops and flora. Morrisons agriculture team have helped to formulate a unique pollen and nectar rich flower mixture – to establish dedicated bumblebee and insect habitats. For every 16,000 birds they have, farmers have been asked to plant one acre of seed mix.
Sophie Throup, Head of Agriculture at Morrisons said: “Improving animal welfare and looking after our farmed and natural environment is important for us and our customers.
“By giving back to our egg farmers, they can create the highest welfare outside and indoor conditions for their hens. Planting woodland, pollen and nectar rich habitats will also bring huge and wider benefits to our countryside, and support sustainable food production into the future.”
Mark Williams, CEO at The British Egg Industry Council, said: “We applaud Morrisons for this move. We believe it is very important to encourage free-range hens to go outside and fully explore the range around the hen house.
“That’s why the British Lion Scheme actively encourages farmers to plant trees that give a natural canopy for the hens, helping the birds to feel protected, alongside activities that encourage the birds to come outside and enjoy the natural environment.”
A 12 pack of Morrisons For Farmers medium ‘Chuckle Eggs’ are available in 491 Morrisons stores and online from this week costing £1.99. Twelve pence from every pack will go back to the farmers who produced the eggs.
All of Morrisons fresh eggs are free-range, sourced from 44 free-range egg farms country-wide. 1.5million free-range birds will be laying medium eggs for Morrisons For Farmers ‘Chuckle Egg’ range.
Morrisons launched its range of For Farmers products in October 2015, and became the first supermarket to give part of the retail price directly back to farmers. The range now includes milk, cream, cheese, butter and eggs.
To date, the For Farmers range has given back £17m directly to British farmers.
· 55% say economy currently takes priority over the environment
· Scotland ranked first in the UK when considering the environment since pandemic began
A whopping 95% of Scottish consumers say that since the Covid-19 outbreak, it is more important than ever to take care of our planet and the environment, a European-wide study by drink can recycling initiative, Every Can Counts, has found.
The stats show that Scots are leading the way in the UK for feeling the importance of recycling in current times.
The majority (94%) of survey respondents in Scotland said it is an urgent task to tackle recycling, while 96% said that considering recycling and its importance for the planet is an obligation of all citizens and consumers, not just world leaders. Despite this however, the survey also discovered that in these uncertain economic times, 55% of Scottish consumers say that the economy is currently a priority over the environment.
In the wake of Sir David Attenborough’s latest film, A Life On Our Planet, as well as his joining Instagram at 94 and achieving one million followers in record-breaking time, it seems environmental issues are finally coming to the fore.
Within the film’s poignant and hard-hitting introduction, Attenborough says, “The natural world is fading. This film is my witness statement and my vision for the future. The story of how we came to make this, our greatest mistake, and how, if we act now, we can yet put it right.”
It seems this seed has been well and truly planted in the minds of Scots with 73% stating that, during the pandemic, they have recycled more than ever, suggesting that the increase in time spent at home has made it easier for people to do their bit and recycle more. Only 48% however, said they often or always recycle when at work and less when out and about at 45%.
Commenting on the figures, Rick Hindley, Director of Every Can Counts says, “The figures imply that given the time and correct resources, we’re all more than capable of recycling everything we can.
“It’s when we’re out and about or at work that it becomes more difficult. The findings from the survey also suggest that Covid-19 has prompted us to consider our own fragility as human beings and look at the way we treat the planet, our home.
“The Covid-19 outbreak has of course brought about devastating effects. However, as we can see from these survey results, one positive is that people are beginning to sit and up and take notice of the vital environmental issues we are facing. We do not have forever to rectify the damage that has been done to our planet. The time is now.
“Recycling – and especially recycling drink cans given that aluminium is infinitely recyclable – is something we can all do to help the planet. Over the past five years, the UK recycling rate for drink cans has increased by 16% to an impressive 76%. Our vision is to get that to 100%.”
Scottish respondents echoed this call to action with a massive 92% saying they would like to do more when it comes to recycling and 84% feeling that more needs to be done in general to encourage recycling amongst consumers.
Of the 12 UK regions surveyed as part of the wider European study, Greater London, Yorkshire & Humberside, the South West and South East came up top when quantifying the importance of recycling with scores of 80% plus, closely followed by Scotland and the West Midlands with scores of 79%.
It appears that the challenges of Covid-19 have further inspired Scots to care for the environment. 95% of Scots agreed that Covid-19 has made taking care of the planet and recycling more important than ever, the highest level of agreement recorded across all 12 UK regions, shared with the East of England.
Below: UK regions ranked in order of agreeing with the following statement: After Covid-19 it is more important than ever to take care of our planet / environment and recycle.
The amount of single use face masks that cannot be recycled in the UK will hit 6.3 billion in the 4 months to March weighing an incredible 20,000 tonnes – leading to claims that the laws on throw away masks need changing to prevent an environmental disaster.
“6.3 billion face masks is the amount the UK will throw in the bin in just 4 months – if the rules on mask wearing continue throughout 2021, this could top 19.2 billion – the numbers are absolutely mind blowing”, explains Charlotte Green from National recycling company TradeWaste.co.uk
The eyewatering number of non-recyclable single use face masks being thrown away in the UK:
53m a day are sent to landfill
This is 742 million a week
Or 1.6 billion a month
So, 6.3 billion will be binned in the 4 months to March
This will weigh 20,000 tonnes in total
In one year, we will use 19.2 billion which weighs as much as 5 1/2 Eiffel Towers
The main problem with disposable face masks is that currently as they are formed from heated and pressed plastics, they cannot easily be recycled. So, the only place they can end up will be in the ground.
“When you put your face mask in the bin, it will most likely end up in landfill. However, it gets even worse if the face mask is either deliberately or accidentally dropped – they are blown around and end up in watercourses, rivers and eventually the ocean. This impact can have awful consequences if wildlife comes entangled in the fibres, or ear loops”, explains Green.
Disposable face masks are typically made from plastic in 3 layers with a metal strip and ear loops:
Non-woven plastic fabric outer
Melt-blown polymer filter such as polypropylene
Non-woven plastic fabric inner
Other – cotton ear loops and metal nose piece
What can we do to prevent environmental harm caused by disposable face masks?
The main thing to remember is that if we choose an alternative before buying a disposable mask then we have prevented the manufacture of that mask and therefore halted much of the potential environmental harm.
Buy a washable face mask made from either recycled materials or washable cotton
Use a paper facemask that can be recycled – these are becoming more widely available
Use a recycling service which accepts disposable face masks made from plastic, such as dust masks, FFP2 (or so-called “N95”), FFP3 and surgical masks
“If you can use a mask where there are no parts to throw away, then you are doing your bit to prevent excess plastic from going to landfill, and in the worst case being blown into local rivers and streams”, concludes Charlotte Green from recycling company TradeWaste.co.uk
“If you think in a year we will dump the equivalent of 5 1/2 Eiffel Towers in 3.5g face masks, you’ll see the scale of the problem we are facing at the moment”.
The Scottish National Investment Bank has officially opened for business with the completion of its first major investment. It is the UK’s first mission-led development bank and it is being capitalised by the Scottish Government with £2 billion over ten years.
The bank’s proposed missions will focus on supporting Scotland’s transition to net zero, extending equality of opportunity through improving places, and harnessing innovation to enable Scotland to flourish.
It will provide patient capital – a form of long term investment – for businesses and projects in Scotland, and catalyse further private sector investment.
Today’s £12.5 million investment in Glasgow-based laser and quantum technology company M Squared will support the company’s further growth in Scotland and speaks to the bank’s proposed core missions.
First Minister Nicola Sturgeon said: “The Scottish National Investment Bank will help to tackle some of the biggest challenges we face now and in the years to come, delivering economic, social and environmental returns.
“It is hitting the ground running with its first major investment in M Squared – a great example of the ambitious and innovative companies we have here in Scotland that will be key to our economic recovery and future prosperity.
“The launch of the bank is one of the most significant developments in the lifetime of this parliament, with the potential for it to transform, grow and decarbonise Scotland’s economy.”
Scottish National Investment Bank Chair Willie Watt said: “Today is a key milestone for the Scottish National Investment Bank. Our launch enables us to make mission-led, strategic, patient investments in businesses and projects that can deliver benefits for the people of Scotland. I am excited about the role the Bank will play in supporting and enabling growth in the Scottish economy.
“We are particularly pleased that our first investment is in M Squared which is at the cutting edge of innovation and is a recognised world-leader in its field. It is our firm belief that the bank will make many more investments that deliver positive mission impacts in the years and decades to come.”
Dr Graeme Malcolm, CEO and founder of M Squared, said: “Science and advanced technologies have a major role to play in Scotland’s future economic prosperity. By increasing investment in research and development with a mission-based approach, Scotland has a real opportunity to actively tackle climate change and benefit from the coming quantum revolution.
“We are delighted that the Scottish National Investment Bank has invested in M Squared as its very first business – our shared commitments to society and the environment makes this an ideal partnership that will enable accelerated growth and progress in frontier technologies.”
Benny Higgins, Strategic Adviser to the First Minister on the establishment of the bank, said: “It has been a privilege to be part of an outstanding effort to make this a reality.
“We could not have predicted that the current pandemic renders the need for mission-led investment even more vital to create a robust, resilient wellbeing economy in Scotland.”
The ‘Spirit Tables’ will represent the fall and rise of whales in the oceans of the sub-Antarctic
After a year-long search, the South Georgia Heritage Trust and the Government of South Georgia & the South Sandwich Islands are delighted to announce the winner of a major international artistic commission that was designed to highlight the environmental recovery of the stunning sub-Antarctic island of South Georgia, a UK Overseas Territory in the Southern Ocean.
The idea of the commission was to challenge artists to find a way to tell the powerful conservation messages of South Georgia, an island that was at the centre of the whaling industry for decades, but is now a modern rarity: an eco-system in recovery and a beacon of hope for conservation activities worldwide.
The winning artist is Scottish sculptor Michael Visocchi, with his work called ‘Commensalis – the Spirit Tables of South Georgia’. This site-specific piece will be situated on South Georgia at the Grytviken Whaling Station, with Michael’s concept drawing inspiration from a number of sources to tell the island’s powerful story.
The artwork will be made up of three main elements that all interlink to tell the story from devastation to the recovery of whale populations in the oceans around South Georgia, and more widely.
Visually it will make a connection between the barnacles found growing on the skin of various whale species and the steel rivets which literally held together the structures and vessels that powered the whaling industry for nearly a century. It will also reference the industrial nature of the whaling station and materials used in the derelict buildings that bore witness to the processing of so many whales.
The Key Table sets the scene through a series of rivets arranged in a Nightingale chart*. It will visualise for visitors the stark reality that 175,250 whales were processed at South Georgia between 1904 and 1966. The Key Table will help unlock the message of what will follow with the other elements of the artwork.
The Footbridge is being explored as an element of the project, once Michael has had the opportunity to visit, and crossing it will provide a moment of reflection and contemplation as visitors walk across the slipway area where thousands of whales were dragged up and processed.
It will act as a transition point from the Key Table area to the Flensing Plan – the name given to the platform where the processing took place. The Footbridge will guide visitors to the final element of the artwork – the Spirit Tables.
The Spirit Tables are at the heart of the Flensing Plan and consist of six tables representing the six different whale species that were hunted and processed at Grytviken: Blue Whale, Fin Whale, Southern Right Whale, Sei Whale, Sperm Whale and Humpback Whale.
The Spirit Tables are punctuated by stainless steel button head rivets in various patterns, with each rivet symbolising a live whale or the spirit of a live whale. Michael’s design allows light to bounce off each rivet, illuminating the space and emitting a feeling of hope that is now evident around the waters of South Georgia following the end of whaling and the return of a number of species.
Recent expeditions by British Antarctic Survey have resulted in an unprecedented number of sightings of both blue and humpback whales, suggesting that the waters of South Georgia are once again becoming an important summer feeding ground for both species.
The title of the artwork Commensalis is derived from the biological term commensal, which defines a biological relationship where two species benefit from one another and where neither species suffer. Michael’s artwork focuses on the commensal relationship between whales and the whale barnacle. The artwork’s title more broadly proposes whether humankind ought to aspire to have that same commensal relationship with planet earth.
On being awarded this prestigious commission artist Michael Visocchi said: “This is an enormous honour and an extraordinary opportunity to engage creatively with such an important story in a truly remarkable place. It is going to be a real privilege to work alongside the many skilled and dedicated people who are so deeply invested in South Georgia and its wildlife.
“It is very rare for an artist to have the opportunity to respond to and work in such a genuinely special place and with such a deeply emotive subject matter. I have tried to weave a sense of hope into this work in an otherwise tragic and charged location in the whaling station. The Flensing Plan was where the more brutal physical aspects of whaling took place. I hope though that future visitors will gain some insight and hope from my Spirit Tables.
“As a sculptor and maker my work has always attempted to deal with our interaction with the landscape. This is what drew me to applying for this commission in the first place. It isn’t often that ‘site specificness’ or responding to a particular context is written into a commission brief.
“I hope the scale of this work in some way evokes the majesty of these amazing creatures and the magnitude of this story about humankind’s quite often troubled relationship with other species and the environment, but also humankind’s amazing ability to steer ultimately towards enlightenment.”
The South Georgia Heritage Trust, the Scottish-based charity that has organised this artistic commission, has been working on the island in close partnership with the Government of South Georgia & the South Sandwich Islands (GSGSSI) since 2005.
Its hugely successful Habitat Restoration Project has reversed two centuries of human-induced damage to the island’s wildlife, eradicating the mice and rats that arrived as stowaways on sealing and whaling vessels from the late 18th century onwards that preyed on ground-nesting and burrowing birds.
As a result, millions of birds reclaimed their ancestral home when South Georgia was declared rodent-free in May 2018 – the largest invasive species eradication in the world.
Alison Neil, Chief Executive of SGHT said: “We were delighted with the responses from all over the world to the commission and it was heartening that so many artists were moved by the compelling story of South Georgia and wanted to be part of making a difference.
“The competition was tough, but the entire judging panel led by Elaine Shemilt (Vice Chairman of SGHT and Professor at Duncan of Jordanstone College of Art & Design, University of Dundee), was impressed by the level of research Michael had undertaken and were struck by how his concept so effectively captured the essence of the brief, which was to shine a light of hope onto what can often seem a bleak future for our environment.
“This is just the start of the journey for SGHT and Michael, who will have the opportunity to visit South Georgia and evolve his concept once he has physically seen the site at Grytviken.
“The era of whaling and sealing was a dark period in our planet’s history, but the tide is turning.
“Now, not only are South Georgia’s birds free from invasive rodents, but whale species are starting to recover in the seas around the island too, which thanks to the GSGSSI now encompasses a 1.24 million km2 Marine Protected Area.
“We are thrilled that this artistic commission will sit at the heart of the work we are embarking, on as part of a cultural heritage programme to tell the world more about the human story on South Georgia.”
Helen Havercroft, Chief Executive of GSGSSI and a member of the judging panel said: “The Government looks forward to working alongside Michael and our Heritage Advisory Panel to ensure that the impressive concept Michael presented works to enhance the visitor experience at Grytviken and provide that critical ‘hope’ that humankind’s ability to destroy can be repaired through collective effort and a world-class management.
“Past human activities pushed some species to the brink of extinction but today, through hard work and commitment, South Georgia is a global rarity; an ecosystem in recovery with the recently published papers on returning whales to South Georgia’s waters serving as evidence of that recovery.”
Amanda Catto, Head of Visual Arts at Creative Scotland, who was also part of the judging panel, said: “Art is a really accessible and emotive way to tell powerful stories about the environment and engage people who might otherwise not be interested. The level of interest and entries to the competition demonstrates that.
“I am particularly impressed with the way the competition has been run and the quality of entries was incredible. Michael’s winning concept is exceptionally powerful and the way he proposes using the site and the materials to bring it to life is something I look forward to following as this project develops.”
Michael was due to visit South Georgia in the coming months, but due to COVID-19 this has been rescheduled to autumn 2021. Given the site-specific nature of the piece, it is imperative the artist has the chance to visit and adjust their concept accordingly, something that is particularly important for Michael who hopes to include disused materials from the whaling station in his construction.
The artwork will be permanently installed at Grytviken Whaling Station located in Cumberland Bay, South Georgia. Grytviken is the only visitor-accessible whaling station on South Georgia and receives around 10,000 visitors per year under usual circumstances.
Michael’s artwork will also be part of an outreach programme in the UK (currently under development), which may see Spirit Tables placed in a number of locations to engage a wider number of people in the story of South Georgia.
Lothian MSP, Miles Briggs, has said that Edinburgh Council must urgently review their Space for People project to meet the needs of people with sight loss.
A recent FOI request by Mr Briggs revealed that no safety audits had been carried out by Edinburgh City Council ahead of putting new measures in place.
Guide Dogs Scotland have contacted Edinburgh City Council about a number of concerns they have with the Space for People initiative, the foremost being the lack of consultation with most vulnerable road users.
A key concern is that the Commonplace online map, an online tool for consulting on changes, has not been fully accessible to people with sight loss.
Another concern raised is a lack of transparency, with the walking and cycling charity Sustrans, managing the funds, providing advice and having developed the evaluation framework for the programme.
Particular safety concerns which have been highlighted include ‘floating bus stops’ and ‘bus boarders’ that require pedestrians to cross an uncontrolled crossing before and after they board a bus. For people with sight loss, this presents a particular challenge as many won’t be able to see approaching cyclists.
Lothian MSP, Miles Briggs, said:“The ill-thought-out Spaces for People initiative has created a number of significant changes to streets and roads across Edinburgh and has clearly impacted negatively on people with sight loss.
“From the outset Edinburgh City Council has failed to consult with local residents and must now act and take on board this guidance from Guide Dogs Scotland and fully consult with those who are visually impaired.
“Floating bus stops and bus borders are issues which have been highlighted as especially hazardous for people who have sight loss and these real concerns must be addressed urgently.”
This latest boost will help us to complete the proposed programme of temporary improvements first approved by Policy and Sustainability Committee in May. It will also allow the Spaces for People team to enhance schemes where possible, carry out more road and pavement resurfacing and increase the removal of street clutter.
Since May, we’ve introduced many temporary changes across the city to provide safe and protected routes, helping pedestrians and cyclists to travel while physically distancing. Amongst these are widened pavements in key shopping streets, segregated cycle lanes on main roads, closures on roads leading to popular parks and beauty spots, and improvements around schools.
Transport and Environment Convener Councillor Lesley Macinnes said: “This is fantastic news and is testament to the hard work of our Spaces for People team, who are developing schemes which support people to walk, cycle and wheel while COVID restrictions are in place.
Additional funding will help us to deliver an even better package of routes and improvements which not only create more room for physical distancing but help residents to make healthy, active travel choices whenever they can.
Transport and Environment Vice Convener Councillor Karen Doran said: “We’ve already delivered a whole range of projects – helping children to get to school safely, creating space to spend time on shopping streets and giving cyclists safer, segregated routes for travel.
“This funding will help us provide additional improvements including removing street clutter to help reduce obstacles to pedestrian movement and improving some projects already on the ground, for example by renewing surfacing, and potentially adding some new projects.”
An update report to Transport and Environment Committee last week outlined the next steps for Spaces for People in Edinburgh, including amendments to existing interventions, several more complex schemes and improvements developed as a result of public feedback.
This has been referred to Full Council today (Thursday 19 November) for final approval.
The UK is binning an incredible 53,000,000 disposable face masks every single day, with reports that many face masks are ending up being carelessly discarded in the street ending up in streams and rivers.
“If you walk around any street now you will see disposable face masks being blown around with leaves in the gutter – they are the new cigarette butt – people are simply chucking them after use.
“We know that 53 million are being sent to landfill each day – but just how many end-up elsewhere is the very scary part”, says Charlotte Green from waste company TradeWaste.co.uk
Now that face mask wearing has become a standard part of lockdown life, their disposal is being highlighted as a major new environmental crisis, with masks being found in streams, rivers, and oceans – like the modern-day plastic bottle.
Disposable face masks are typically made from plastic in 3 layers:
Non-woven plastic fabric outer
Melt-blown polymer filter such as polypropylene
Non-woven plastic fabric inner
Other – cotton ear loops and metal nose piece
The other issue with a disposable mask are the ear loops and metal piece used to grip the nose – often thrown with these in-tact they can become entangled around animals and wildlife, especially so when they end up in water courses.
A survey of 4,500 members of the UK public by TradeWaste.co.uk found that the numbers of masks being discarded daily are truly staggering:
58.8 million face masks are being used daily in the UK currently (November)
10% are reused, 90% are discarded
53.3 million face masks are sent to landfill each day
Globally we are use 129 billion face masks per month
The main problem is that they are specifically designed to be chucked away after each use. In a medical setting this is controlled, but out in our towns and cities this is not controlled, and generally masks are thrown in residential and street waste bins for landfill.
“We as a country need better disposal methods to cope with the huge numbers of disposable masks being thrown away – most cannot be recycled. If restrictions and mask use continue then this issue is going to get progressively worse – action needs to be taken today”, concludes TradeWaste.co.uk‘s Charlotte Green.
– Morrisons to work with brands to reduce plastic in products and packaging –
– Supermarket’s packaging and technical teams on hand to offer support –
Morrisons has asked its branded suppliers to help fight the war on plastic, as part of its commitment to reduce the amount of the material in its stores and supply chain operations.
The supermarket made the appeal at its annual supplier conference, to which 1,600 suppliers were invited.
Morrisons is asking its branded suppliers to reduce plastic in both product packaging and on the shelf display packaging, as well as in the materials in which these products are transported to stores.
It is hoped that this will remove thousands of tonnes of plastic from the supermarket’s shelves a year – and make it easier for customers to reduce the amount of plastic they are purchasing.
Advice and guidance will be offered by Morrisons technical teams to help brands to reduce their plastic packaging. As the supermarket is ‘vertically integrated’ – and manufactures more than half of the fresh food it sells – it is in a unique position to be able to offer support to the industry.
Andy Atkinson, Group Commercial Director at Morrisons said: “As the UK’s biggest fresh food maker we are committed to helping our customers live their life with less plastic. So we are asking our branded suppliers to join with us in reducing our plastic footprint as this is a priority for our customers.”
Morrisons has committed to a 50% reduction across its own brand primary plastic packaging by 2025. Initiatives introduced over the last 12 months will remove 9,000 tonnes of unnecessary or problematic plastic each year. Eighty three per cent of its own-brand plastic packaging is now able to be recycled.
In 2019 Morrisons was voted the most environmentally responsible company in the UK for its work on plastics reduction at the Responsible Business Awards, run by HRH The Prince of Wales’ Business in the Community Network. Greenpeace has also repeatedly ranked Morrisons second in the supermarket industry for its plastic reduction achievements.
Morrisons work on plastic reduction sits alongside other sustainability commitments made by the supermarket including net zero emissions by 2040, a zero-deforestation plan and a 50% reduction in operational food waste by 2030.
For more details on Morrisons sustainability commitments visit:
The Leith Collective leads the way in making 2021 the year of going green
As far as New Year’s resolutions go, to become the UK’s first ever plastic-free shop of its kind is quite an ambitious one. But local business owner, Sara Thomson, is determined to kick off 2021 in the most environmentally friendly way possible, and she’s hoping other businesses will be inspired to follow suit.
Sara is the founder of The Leith Collective which showcases the work of more than 120 artists and makers from all over Scotland, brought together by a common aim to reuse, recycle, reclaim, and resell items that may otherwise have been destined for landfill. As of 1st January 2021, The Leith Collective will ban all new plastic in its Edinburgh store.
However, it is a task that has proved to be more difficult than first expected according to Sara: ‘There is plastic in so many everyday things – things you would never have imagined contain plastic; it can be incredibly deceptive. So we’ve had our work cut out for us researching and sourcing alternatives.’
From re-imagining their visual displays and finding upcycled and biodegradable packaging, right down to the finer details such as switching to non-plastic sticky tape and barcode stickers, they’ve thought of everything.
Describing how it all started, Sara explained; ‘The idea came to me during Lockdown. It was amazing going for a walk each day and seeing nature flourish untouched, right before my eyes. Then came the stark contrast, seeing just how quickly single-use masks and plastic gloves were being discarded on beaches and roadsides, causing untold damage. I couldn’t just sit back and do nothing, I had to take action.’
Sara’s biggest hope is that other businesses will learn from her example and adopt a similar approach. ‘It’s not easy to find accurate plastic usage statistics because generally businesses don’t want to broadcast the fact they have a huge plastic waste problem. However, we just hope our pledge to become a plastic-free shop inspires other businesses to think about their own environmental impact and what steps they too can take to minimise their effect on the world around us.’
With this in mind, The Leith Collective is inviting local business owners to visit their store or get in touch via phone, email or social media where Sara will be happy to pass on any information that might help them in their own quest to go green – from ideas on how to avoid plastic and reduce waste, to tips on where to find the best alternatives.
Ultimately, Sara’s hope is that her New Year’s resolution inspires a new plastic ban revolution.
The Leith Collective can be found at RU65, Ocean Terminal, Ocean Drive, Edinburgh, EH6 6JJ. Opening hours are Monday – Saturday 11am – 6pm, and Sunday 11am – 5pm.
Sustainable living app showcased at Global Grad Show
Edinburgh Napier product design graduate Rachel Naysmith has won international recognition for a project which rewards good environmental deeds and helps combat climate anxiety.
M.O.S.S. – My Own Sustainable Self – has been selected for the Global Grad Show, an initiative by the Art Dubai Group which showcases 100 potentially world-changing ideas.
The newly-opened exhibition, normally in Dubai but being held online this year, attracted 1,600 applications from 270 universities in 60 countries.
Rachel’s work, and that of three Glasgow-based students, features alongside ideas like a diabetes monitoring earring, a London Underground air pollution solution, an alternative to Styrofoam made of food waste, a Sudden Infant Death Syndrome prevention device and a skin patch that monitors nutrition data.
Rachel, 23, of Insch, Aberdeenshire, developed M.O.S.S. as her major project on her way to a first class B Des (Hons) Edinburgh Napier degree and the 2020 Class Medal, and she was encouraged to enter the Global Grad Show after her work was spotted on Instagram.
The project appears at the interactive online show under the category, “Coping in a complex world: Supporting mental health in challenging online and offline environments”.
M.O.S.S. recognises that people doing their best to follow environmentally-friendly lifestyles can easily become disheartened and feel their personal initiatives count for little when set against the catastrophes which play out on the news.
However, the app-based project keeps motivation levels high by providing targets and allowing users to keep tabs on their own sustainable efforts, and it rewards the achievement of goals with a M.O.S.S. panel housing a mini ecosystem which can be attached to the outside of any building.
“A one metre squared area of moss produces the same amount of oxygen as 78 trees,” said Rachel. “You are not only provided with a visual representation of your efforts but you also help purify the air, reducing air pollution one M.O.S.S. panel at a time.”
She added: “I am very proud of the project and also proud to be one of the first four graduates from Scotland to be represented on this international platform.”
Global Grad Show was launched in 2015 as an exhibition of impact-driven designs from 10 universities, but has grown quickly.
Tadeu Baldani Caravieri, director of Global Grad Show, said: “The diversity of the community of young talented researchers we bring together at Global Grad Show has many facets: they span across six continents, institutions from Ivy League to regional colleges and disciplines from bioengineering through to architecture.
“They do have however, a reassuring common denominator: they investigate problems, social and environmental, that matter for everyone.
“Today we present 100 projects that are, in essence, alternatives and remedies put forward by our global community of graduates whose ambition is to create a future-ready world.”
