QMU talent set for stardom with coveted Spotlight Prize finalist spot

A graduating Acting & Performance student from Queen Margaret University, Edinburgh has been named a finalist in the prestigious Spotlight Prize 2025 – one of the industry’s most esteemed platforms for emerging talent. 

24-year-old Gregor Curran from Laurencekirk is one of just 20 students to be selected from more than 65 drama schools and universities across UK and Ireland

The Spotlight Prize is widely renowned for showcasing the very best of drama school graduates – Gregor’s selection is a testament to his exceptional ability and a shining reflection of the talent QMU nurtures. 

Marion Scott, Lecturer in Acting and Performance at Queen Margaret University, said: “Over the past two years, Gregor has demonstrated exceptional commitment, collaborating with his peers to create work of outstanding quality.

He is a student who perfectly embodies the spirit of QMU—intellectually curious, ambitious, creative, respectful, and genuinely supportive of others.  

“When we invited professionals from the industry to help our students with audition preparation and assess both their live and digital performances, we asked them which three students stood out.

“Gregor consistently appeared in their top three choices, making him a clear front runner for the Spotlight Prize. Having initially stepped away from acting after his HND to pursue a career in Early Years Education, we are absolutely delighted that he had a change of heart and chose to return to acting with us at QMU.” 

Each year, nominated graduates for the Spotlight Prize submit a self-tape audition which is reviewed by an independent panel of experts.

From this, 20 outstanding performers are selected to take part in the annual Spotlight Prize Showcase, where they will present both a screen performance (recorded in advance under the direction of Paulette Randall MBE) and a live stage performance in front of a room of casting directors, agents, producers, and other industry professionals. 

Gregor’s nomination was announced during QMU’s Acting and Performance Showcase at the end of April, where he was recognised as the University’s official nominee. Gregor has now gone on to secure a place in the national final — an exceptional achievement and a testament to his dedication and talent. 

Gregor said: “I’m very honoured to have been recognised by my lecturers and external industry guests from a class with such incredibly talented people who over the past two years, I’ve had the privilege of working alongside.

“To be a finalist and to represent QMU in London is to put it simply, pretty incredible. Right now, I’m feeling a mix of gratitude, nerves, and excitement, but I know that the training I’ve received at QMU, along with the support of my classmates and lecturers, will help me through.

“The BA (Hons) Acting and Performance course provides a real sense of family, where every effort is noticed and valued, and that’s something I’ll carry with me well beyond this experience.” 

The 2025 Spotlight Prize Showcase will take place on Wednesday 2 July in London, where awards will be presented for Best Stage and Best Screen performance. 

Past Spotlight Prize winners and nominees include some of the most recognisable names in the industry today, such as Ben Whishaw, Gwendoline Christie, Jodie Whittaker, and Sam Heughan. The prize, which evolved from the Rodney Millington Award, continues a rich tradition of spotlighting the UK and Ireland’s brightest new talent. 

In 2008, another QMU graduate, Chloe Thorpe, made it to the finals of the acting competition and after wowing the judges, won the prize for best female actor and £1,500 for her performance of ‘Cowboy Mouth’. 

Matt Hood, Spotlight’s Managing Director, said, “I am thrilled to welcome the finalists for the Spotlight Prize 2025.

“The UK and Ireland’s drama training is, rightly, world renowned and selecting the finalists from this year’s nominees proved challenging and exhilarating for our judges. We’re looking forward to welcoming the industry to our annual showcase in July, and to adding two more names to the long list of Spotlight Prize winners.” 

QMU extends its heartfelt congratulations to Gregor and looks forward to supporting him as he prepares for the final stage of this incredible opportunity. 

A full list of finalists and further details about the Spotlight Prize 2025 can be found at: Spotlight Prize 2025 Finalists Announced. 

EIFF to support bold new voices with talent development programmes

Edinburgh International Film Festival (EIFF) has today revealed an inclusive range of new and continuing programmes created to support and develop burgeoning filmmaking and curatorial talent across the film industry.  

With EIFF celebrating its 75th anniversary this year, these programmes feed into the film festival’s history of supporting new film talent by connecting audiences with innovative and essential storytellers. 

The programmes are supported both through the PLACE programme, a partnership between the Scottish Government – through Creative Scotland – the City of Edinburgh Council and the Edinburgh Festivals and also through the Scottish Government’s Festivals Expo Fund

Kristy Matheson, Creative Director of EIFF said“This suite of programmes acknowledges that storytelling takes infinite forms – from the production of new films to the creative interpretation of cinema for audiences. 

“Creating meaningful connections is a value we hold dear, and as we celebrate our 75th anniversary, Edinburgh International Film Festival is excited to look to the future of our industry and the makers and audiences who will shape it.” 

Sambrooke Scott, Head of Audience Development at Screen Scotland said“Screen Scotland and Creative Scotland are proud supporters of EIFF. As the festival celebrates its 75th year we’re excited that the talent-development programme offers a suite of forward-looking initiatives and bold new schemes that will support voices at different points in their careers from across the film industry.

“The programme sets out an exciting new vision for EIFF’s talent development activity, defined by experimentation and inclusion.” 

Cllr Amy McNeese-Mechan, Culture and Communities Vice Convener for the City of Edinburgh Council, said: “The festival’s continued commitment to emerging talent is further cemented with this announcement. 

“We’re proud to support the city’s Film Festival as it continues to identify, support and highlight new screen talent. It is a great example of what the PLACE festivals funding programme can support, which in this instance is providing pathways to television and film industry skills development for participants from across Scotland.” 

Running since 2011, EIFF Talent Lab sees four days of workshops, masterclasses and 1-2-1 sessions bringing together 30 emerging writers, writer/directors, directors and producers with established industry professionals. Past participants in the programme include: Anna Griffin (CALIBRE); Ben Sharrock (LIMBO); Claire Oakley (MAKE UP); Daniel Kokotajlo (APOSTASY); Eva Riley (PERFECT 10); John McPhail (ANNA AND THE APOCALYPSE); Lucy Brydon (BODY OF WATER); Moin Hussain (BIRCHANGER LANE); Rob Savage (HOST); Sarah Brocklehurst (ANIMALS). 

Talent Lab Connects, running since 2019, is a 9-month programme to help support filmmaking teams with professional script editing and mentoring.

The initiative is open to EIFF Talent Lab alumni and their collaborators to develop a feature film or serial drama project. EIFF will work with story editor Kate Leys and industry mentors to guide the 6 selected teams towards achieving a series of specific goals for their projects. 

The 6 selected projects are:  

  • BEFORE I WAKE | Producer: David Brown (Talent Lab 2017) | Writer/Director: Kevin Pickering (Talent Lab 2018)  
  • DROVERS ROAD | Producer: Deb Charles | Writer: Morna Young | Director: Robin Haig (Talent Lab 2016)  
  • PUNZEL | Producer: Rajita Shah (Talent Lab 2012) | Writer: Polly Courtney | Director: Tessa Joffe  
  • SUNBURN | Producer: Hollie Bryan | Writer/Director: Jack King (Talent Lab 2021)  
  • THE COMPUTER | Producer: Jessie Mangum (Talent Lab 2018) | Writer/Director: Lynsey Murdoch (Talent Lab 2018)  
  • ULA (working title) | Producer: Cat Marshall | Writer: Lucy Kaya & Mandy Lee (Talent Lab 2012) | Director: Alex Browning  

EIFF & Curate-It Fellowship is a 12-week online curatorial training programme for 7 early career programmers created to develop an online programme with digital access on the Curate-It platform and a public event for EIFF in 2022. This programme is developed and delivered by professional curators, Justine Atkinson (director) and Carmen Thompson (producer) of Curate-It.    

EIFF Curatorial Commission is an annual commission for world class film programming based on a particular theme or provocation. In 2022, EIFF will invite 3 mid-career programmers to develop a programme for public presentation. 

EIFF Curatorial Mentoring Programme is a 1:1 mentoring programme pairing 3 mid-career programmers with a leading international curator. Support will also include actively connecting participants with key decision makers at institutions. 

EIFF Critical Writing Commission is an annual writing commission based on a particular theme or provocation that connects 10 mid-career Scottish born or based cultural critics to global editors and audiences. This opportunity opens soon! 

Justine Atkinson, Director of Curate-It said ‘We are delighted to be partnering with the EIFF this year to create the Fellowship programme.

“Curate-It uses the digital space to make information about film curation more accessible, creating a unique platform to learn and share curatorial perspectives. Through this we hope to bring together a programme of films that will inspire, entertain and inform audiences as we celebrate the historic 50th anniversary of the Women’s Film Festival”. 

Curate-It is a training app that uses the digital space to make information about film curation more accessible. Through doing this it creates a unique platform through which people from all over the world can learn the processes of implementing their own screening event, connect and collaborate. 

The app will be launched during EIFF in August. 

EIFF 2022 Theme

In 1972, the Edinburgh International Film Festival (EIFF) presented the first global film event entirely dedicated to the cinematic achievements of female directors. Comprising works drawn from historical and contemporary cinema, the Women’s Film Festival was produced by Claire Johnston, Lynda Myles, Laura Mulvey.

Honouring the spirit of the original event, in 2022, EIFF welcomes the opportunity to work with independent collaborators to craft a bold, political, and wildly celebratory responses to the 50th anniversary of the Women’s Film Festival that acknowledges the multiplicity and variety of feminisms.