UNCANNY MACHINES: International artist Kasia Molga awarded The New Real’s major AI Art Commission

The New Real, a world-leading and Edinburgh-based AI research hub. has premiered its leading international AI Art award and commission that brings together the foremost institutions in both the AI and the arts, and announced UK and Netherlands-based Polish artist Kasia Molga as the winner of The New Real 2023 AI Art Commission: Uncanny Machines.

This award and commission gives artists an unrivalled opportunity to extend their practice by providing them a powerful and accessible generative AI tool, The New Real’s own AI Platform.

This is a fascinating and unique ‘tool box’ created with and for artists, to gain increased access and control over an AI model and to creatively explore AI.

This addresses limitations in the current crop of generative AI applications, in order to open new thinking which can lead to better art, and also provides a basis to probe and question urgent issues of today. Introduced as part of The New Real’s AI Art Programme: Uncanny Machines which explores the uncanny interplay of humans and machines, and the social implications of recent developments in AI.

The winner was publicly revealed on Friday at the event entitled The New Real Salon: The Algorithmic Turn at the Edinburgh Futures Institute.

The event culminates the EFI’s Love Machine season of events bringing into light the intimate relationships between humans and algorithms. 

At this event the artist was joined by guest speakers; activist and self proclaimed cultural engineer Phoenix Perry, who shared insights into generative AI creative work, and leading academic in the fields of AI, Data Arts and Society, and Drew Hemment, who hosted a debate with Kasia Molga on the societal and ethical issues of digital reincarnations of deceased persons, a topic the art commission will explore.

The Open Call received a huge volume of outstanding submissions which the Jury whittled down to just five astonishing candidates who each received Development Awards. Kasia Molga is now revealed as the artist awarded the full commission allowing her to bring her concept to life.

The commission is designed to provide transformative experiences for audiences, fuelled by AI, and present an artwork that addresses key challenges in AI, such as consent, agency and confusion of humans and machines

In her project entitled How to find the Soul of a Sailor, Kasia Molga presents a very personal journey to find the soul of her father in data from a life spent on the seas. As a child, Molga travelled with her sailor father on merchant navy vessels. Her father often was the lone parent caring for her on board the ship.

They were two people who understood each other without words – sometimes Molga felt she could read her dad’s thoughts. He passed away quite unexpectedly 15 years ago leaving a huge hole in Molga’s heart and many diaries from his journeys.

Sometimes when Molga fears that her memories of being on the open sea with him are fading, she rereads his diaries trying to hang on to his voice.

In her commission, Molga will draw on her experiments using The New Real’s AI platform to recreate stories in his voice.

Having constructed a dataset from ships’ logs, her dad’s own diaries, and a British Library collection of maps from the Mediterranean Sea, Molga uses a Word2vec feature to explore, among others, whether AI can convincingly recreate a way of writing such that aspects of her dad’s personality can be ‘sensed’ and what are the implications and emotional effects of such a way of ‘resurrecting’ a person who is no longer with us. More on Kasia Molga’s project can be found here.

Announced earlier this year, The New Real 2023 Development Awards allowed five artists; Kasia Molga, Johann Diedrick & Amina Abbas-Nazari, Alice Bucknell, Sarah Ciston and Linnea Langfjord Kristensen & Kevin Walker, to conduct research and development (R&D) using The New Real’s AI Platform: a fascinating and unique ‘tool box’ created with and for artists, allowing them to manipulate a model, in order to enable profound artistic experiments with AI.

The output of the R&D phase is a visual presentation and talk. These five talks were screened at Inspace alongside this event.

The Uncanny Machines Art Commission will be presented later this year. Details to follow.

Drew Hemment, Director and Principal Investigator of The New Real, said: “We have achieved something truly unique in bringing together new ideas in both science and the arts to tackle urgent challenges just at the moment that Generative AI has exploded into the world’s consciousness.

“It is with huge pleasure we announce today that Kasia Molga has been awarded our coveted New Real 2023 Art Commission. Kasia blew us away with her vision and the intensely personal journey she wants to take with The New Real. She hopes to use AI to give new life to her father’s memories, and to bring a fresh perspective on the world’s oceans that he travelled his entire life.

“This is the next step in our journey to develop more fair and inclusive technologies, and to support artists to develop significant works.”

Winning artist, Artist Kasia Molga, said: “It is a huge pleasure and delight to work with The New Real, they are the leading group spanning the arts and AI in this way.

“This project is of the greatest personal importance to me. My dad’s diaries are extremely precious, and this is my way of showing my love for my father, and my shared concern for the ocean, his life’s passion.

“I’m excited to go to places I could not have imagined before using AI, and I can think of no one better to share this journey than The New Real.

“On one hand, this new body of work is about the transition of marine ecosystems. Yet it also probes the emotional implications of giving away data – almost fragments of personality – of departed loved ones and the ethics of AI in the context of digital afterlives.

“The work will use AI wisely to reveal unexpected interconnections between the words of those no longer with us and such large subjects as oceans and climate change.”

Seeing North Edinburgh through the eyes of the internet

Free event at City Art Centre, Saturday 11 February 2pm

Are you a tech geek and love seeing Edinburgh represented digitally? Well this free event is just for you!

Join us for an event hosted by the Data Civics team at the Edinburgh Futures Institute. Liz McFall, Darren Umney and Vassilis Galanos will talk about their recent work exploring North Edinburgh through the ‘eyes’ of internet platforms including Instagram, Twitter, Google Earth, street photography and community archive.

The work was conducted with help from local organisations including Screen Edinburgh, North Edinburgh Arts, Granton Hub and Edinburgh Palette among others.

The aim is to use digital methods to show the vibrancy of the area from the perspectives of people who live, work and play there.

The event will showcase the Granton CivicScope website and its collection of photographs, films and maps of the past, present and future of the area, and give the audience a chance to add their own images to the collection.

Brutalist photographer Simon Phipps and Darren Umney will talk with Liz McFall, Kath Bassett and  Vassilis Galanos about their recent work exploring North Edinburgh through the ‘eyes’ of internet platforms including Instagram, Twitter, Google Earth, street photography and community archive. 

Complimentary refreshments will be served. 

For more information and booking, follow this link:

https://edinburghmuseums.org.uk/whats-on/seeing-north-edinburgh-through-eyes-internet

Tourism receives hi-tech boost

A new organisation has launched to help Scotland’s beleaguered tourism sector make a sustained recovery driven by technological innovation.

Traveltech for Scotland will build a support network for travel technology pioneers whose ingenuity could help turn the sector around following the devastating impacts of Covid-19.

The venture will create opportunities for businesses, including digital tour operators, online booking providers and companies developing robotic devices that improve the hotel experience.

Traveltech for Scotland will foster an online community of entrepreneurs, promote industry events and create a digital marketplace to encourage growth in the sector.

It builds on the country’s traveltech leadership, demonstrated by pioneers such as flight-booking giant Skyscanner, hotel guest app provider Criton and trip-planning company Whereverly.

The £342,000 initiative – led by the University of Edinburgh and funded via the Scottish Government and Scottish Enterprise – will tap into Scotland’s research excellence and seek to nurture the country’s tech graduate talent.

Traveltech for Scotland involves two strands of the University of Edinburgh – its commercialisation service, Edinburgh Innovations, and the Edinburgh Futures Institute, which has a particular focus on harnessing big data and digitisation to promote social good.

Scottish Government Cabinet Secretary for Rural Economy and Tourism, Fergus Ewing, said: “The tourism and hospitality sector has been hit hard by this pandemic and we do not underestimate the crisis this has created.

“Protecting jobs and businesses is a key focus of the Scottish Government’s efforts to respond to the pandemic.

“As we start to see more and more of the sector re-opening, the launch of Traveltech for Scotland will support the sector further in its road to recovery. I welcome this innovative approach and look forward to seeing how the community is strengthened as a result.”

The Chief Executive of Scottish Enterprise, Steve Dunlop, is confident Traveltech can support economic recovery in communities that rely on tourism and help the sector to ‘build back better’ by developing sustainability and resilience.

Mr Dunlop said: “By bringing together our digital and visitor economies, there’s a real opportunity for the Scottish technology sector to lead the way in creating innovative solutions to the challenges faced by the tourism industry on a global scale.”

The newly appointed Director of Traveltech for Scotland, Joshua Ryan-Saha, of the Edinburgh Futures Institute, believes it is in moments of great crisis that new ideas are born.

He said: “The travel industry faces unprecedented challenges and we need to invest now in Traveltech to build a better, more resilient and sustainable future for Scotland’s travel industry.”

COVID-19 has impacted heavily on the travel, tourism and hospitality sectors, forcing redundancies and reduced operations for airlines, hotels, bars, restaurants and tech businesses, and leading to the cancellation of Scotland’s major events and festivals in 2020.

In 2018 Scotland’s tech industry was valued at £4.9 billion, with over 100,000 people employed in the sector. Demand for tech recruits continues to grow rapidly: it is estimated that Scotland needs around 13,000 new people to work in tech every year.

The CEO of the Scottish Tourism Alliance (STA), Marc Crothall, said the launch marks a vital step forward in providing Scotland’s tourism businesses access to new technology solutions, which can build customers’ trust around virus control and safety.

He said: “It will offer reassurance that challenges can be overcome to aid a sustainable recovery for the industry and, I hope, put Scotland on the map as a leading destination for travel technology.”

Traveltech for Scotland is initially a three-year project funded under Scottish Enterprise’s Cluster Builder programme – supported by the 2014-20 European Structural and Investment Fund through a programme of jointly funded projects with the European Regional Development Fund (ERDF), and managed by the Scottish Government.

A total of up to £342,000 has been allocated towards creating a Cluster Builder for traveltech in Scotland over three years. The ERDF contribution is up to £171,000.

Lothian MSP Miles Briggs has welcomed the boost. He said: “The creation of Traveltech is a positive move for Edinburgh’s tourist industry, which has been hit so hard by Covid-19 and lockdown.

“Social distancing has created many challenges for tourist businesses and the development of technology to allow companies to make a profit and keep people safe is welcome.”

Edinburgh Culture Conversations resume on Monday

We are pleased to announce the second half of Edinburgh Culture Conversations, a series of live, online events staged in conjunction with the Edinburgh Futures Institute debating the future role of arts and culture, and examining how the arts and creative sectors can help society recover from the effects of Covid-19.

The events bring together members of the public, artists, academics and cultural leaders to discuss how culture contributes to our lives and what it could do in the future.

Join us at 6pm over the next five Mondays, 03 August to 14 September, for weekly conversations to debate the value of creativity, not only to the arts, but also to society and the wider economy.

Hosted by Janet Archer, the University of Edinburgh’s Director of Festivals, Cultural and City Events, each panel features distinguished guests with a truly diverse range of professional, expert and practitioner experience and knowledge.

They include:

Lesley McAra, Director of the University of Edinburgh’s Futures Institute
Dorothy Miell, Vice-Principal and Head of the College of Arts, Humanities and Social Sciences, University of Edinburgh
Simon Brault, Director and CEO Canada Council for the Arts and Chair IFACCA: International Federation of Arts Councils and Culture Agencies
Jackie Wylie, Artistic Director and Chief Executive of the National Theatre of Scotland
Tamara Rojo, Artistic Director and Lead Principal Dancer of the English National Ballet
David Greig, Artistic Director and Joint Chief Executive, Royal Lyceum Theatre
Leonie Bell, Strategic Lead for Future Paisley and Director Designate, V&A Dundee
Professor Siddharthan Chandran, Macdonald Chair of Neurology, Centre for Brain Sciences, University of Edinburgh
Imam Razawi, Director General and Chief Imam, Scottish Ahlul Bayt Society
Amanda Parker, Director Inc Arts and Editor Arts Professional.

We are recording and uploading each event to our website so you can watch at any time. Ask us questions at the Live Events, comment on our Facebook page  or write to us at festivals@ed.ac.uk with your responses, we’d love to hear from you on any of the topics we’re discussing.
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The conversations have been organised by the University of Edinburgh Festivals Office and are being staged in conjunction with the University of Edinburgh’s new centre for interdisciplinary learning and research, the Edinburgh Futures Institute.