City of Edinburgh Music School Open Day this Saturday

The City of Edinburgh Music School at Broughton High School, East Fettes Avenue will throw open it’s doors on Saturday (3 November) to welcome people in to see for themselves what makes this renowned school so popular and successful. Between 10.30 and 12.30 students, staff and parents will be on hand to answer questions and demonstrate various activities that take place throughout a normal week.

The City of Edinburgh Music School is unique. It is the only specialist Music School that covers the whole age range from 4 to 19 and is totally funded by the Scottish Government, so it does not charge any fees. Entry is by audition and the gifted children selected receive specialist tuition in all aspects of music while based full-time at newly built state-of-the-art facilities in Flora Stevenson Primary and Broughton High Schools.

The school was selected to become the first UK All Steinway School of Excellence in the UK and has 25 Steinway pianos – at least one in every teaching space. There are also professional standard recording studios, rehearsal rooms and performance spaces seating up to 500.

Students from the school were recently invited to perform at the 2012 Olympic Celebrations in London, accompany the National Youth Orchestra of Iraq’s first British tour with Julian Lloyd Webber, take part in both the International and Fringe Festival and have also been featured on national radio and television programmes!

Sir Simon Rattle, CBE is the patron of the Music School. Financial assistance is given for travel if students live further afield, and there is also a trust fund to provide scholarships and resources for specialist music students.

With all the advantages of expert individual tuition and the social mix of a large, successful state school – each child’s gift for music is developed in a well-balanced and happy environment.

For more information contact:

Tudor Morris (Director) 0131 332 7805

www.edinburghmusicschool.co.uk

musicschool@broughton.edin.sch.uk

Broughton welcomes Iraqi Youth Orchestra

Broughton High School welcomed the National Youth Orchestra of Iraq yesterday.

Tudor Morris, who is Director of The City of Edinburgh Music School based at Broughton, explained: “This is the orchestra’s first ever visit to the UK, where they are performing at the Edinburgh Festival with Julian Lloyd Webber, Khyam Allami and players from the Edinburgh Youth Orchestra, conducted by Paul MacAlindin.

“The National Youth Orchestra of Iraq is a remarkable project set up by a brave 17-year-old Iraqi, Zuhal Sultan, just four years ago. Although many musicians had fled the country during the war, Zuhal was determined to create a national youth orchestra, which has since enjoyed great success in Iraq and abroad.

They were featured in a Channel 4 documentary last week and have been on several news programmes this week, and we are delighted to welcome them to Broughton.”

The Iraqis are spending three weeks working with the Edinburgh Youth Orchestra
before the 26 August concert at Greyfriars Kirk. They will join cellist
Julian Lloyd Webber and their repertoire will include a concerto by Scottish composer Gordon McPherson.

Find out more at www.nyoiraq.com.

Triumphant Technophonia!

Triumphant Technophonia! Local students perform Olympic music

Disabled musicians using new technology took centre stage with City of Edinburgh Music School students when they performed Technophonia, an orchestral arrangement to celebrate the Olympics, to great acclaim recently.

The disabled musicians played specially designed, weird and wonderful instruments – with brilliant names like skoog, soundbeam and brainfingers! – which detect tiny movements, making it easier for people with disabilities to perform. The ensemble rehearsed weekly at Broughton High School, home of the renowned City of Edinburgh Music School, the new wave instruments playing in harmony with the conventional.

The children have been working with the charity Drake Music Scotland, established in 1997 with the ethos that ‘disability is no barrier to making music’. DMS’s Thursa Sanderson said: “We had no pre-existing link with the school, but our artistic director knew Tudor (Morris, head of the City of Edinburgh Music School). When we were applying for the New Music 20×12 funding for the commission, we thought it would be great to approach Tudor and ask if pupils from the City of Edinburgh Music School would like to be involved as they are recognised as the best young players from Edinburgh and the surrounding area.”

She went on: “It makes a huge difference for our young musicians with disabilities to play in an ensemble with them, because they rarely, if ever, get the chance to play or perform along with their peers, so it is a great experience for them. I think it works both ways, as it opens the eyes of the CEMS students to the technology and what you can do creatively with it, allowing them to see how young people with disabilities are able to play music – they just need the right resources and support.”

Tudor Morris said: “We were delighted to be involved in this initiative with Drake Music Scotland. It has been an incredibly rewarding project and a really great experience for our students.”

Scots composer Oliver Searle (pictured above) was one of twenty composers commissioned to write a twelve-minute piece to celebrate the Cultural Olympiad. He said: ”Part of this project was trying to write specifically for these instruments so you could say: this is a skoog piece, this is a piece for soundbeam and chamber ensemble, or this is for brainfingers. Not only have we used these instruments, but there are also solos for them!”

The soloists were Anthony Swift and Chris Jacquin, who both have cerebral palsy, and Stephanie Forrest on soundbeam, brainfingers and skoog respectively.

Andrew (15) said: ”When I was wee all I wanted to do was play an instrument. It’s just so amazing to get the opportunity to show people what I can actually be capable of.”

Technophonia, Scots composer Oliver Searle’s specially commissioned piece, was premiered in Edinburgh’s Queens Hall on 15 June, followed up with a Royal Conservatoire of Scotland on 22 June before a gala performance at London’s Southbank Centre on 15 July as part of the New Music 20×12 Weekend Celebration.

The performances received great acclaim. Triumphant Technophonia!”, “momentous achievement”, “brilliantly conceived” and “astonishing demonstration” were just a few of the many glowing comments on the three performances.

Technophonia demonstrated just how technology can aid disabled musicians perform on an equal footing with their peers, and that skoogs, soundbeams and brainfingers could become a regular sight in orchestras and bands. And yes, that disability is no barrier to making music. Congratulations to all concerned – bravo!