Tag: arts funding crisis

Arts funding crisis: Ben Macpherson’s letter to Cabinet Secretary Shona Robison

BEN MACPHERSON writes:

For clarity and completeness, this is the full letter I sent on behalf of many affected constituents who wrote to me. The Scottish Government is very strongly committed to supporting the arts and culture and, in a constructive spirit, I hope this particular fund can be restored.

The Creative Scotland Fund for individuals has now closed.

On behalf of Out of the Blue and our studio artists we’ve written to First Minster John Swinney, MSP Ben Macpherson and Angus Robertson, Cabinet Secretary for Constitution, External Affairs and Culture.

You can read the full statement below:

To Ben Macpherson, Angus Robertson & John Swinney: 

Out of the Blue is an arts and education social enterprise that provides studio space to over 200 artists in four buildings across Edinburgh. We have been working with artists and arts organisations for thirty years.

Throughout that time we have been witness, time and again, to the vital contribution they make to communities. Artists produce inspiring work and bring creative opportunities to many people, improving the quality of life in cities, towns and rural areas. Economically, artists, arts organisations and creative enterprises contribute more than £5 billion to the Scottish economy every year. 

However, in working with artists we are constantly reminded of the precarious position in which so many are trying to create new work. Working from project to project, uncertain of how much income they will make from month to month, struggling to find and rent space in which to create.

Yet despite this, our artists remain committed to creating art, and to enriching lives. Artists have always created more value for Scotland than what it has cost Scotland to support them. The least we can do is to treat artists with the same dignity and respect that is afforded to other workers. In a country committed to fair work, this should go without saying. 

Cutting grants to individual artists will have a major impact on their ability to make a living and decimate the plethora of creative projects they undertake individually and with others. Without access to Creative Scotland grants many artists will not be able to continue with their creative practice, which in turn will have a huge impact on the organisations, communities and individuals they work with. 

With local Government spending on the arts also decreasing rapidly we are facing a tipping point. The devastation that this lack of funding will cause to the cultural sector in Scotland may take a generation to recover from. Pursuing a career as an artist will be for the few, not the many, and the lives of every person in Scotland will be poorer because of it. 

We call on you to urgently release the outstanding funding to Creative Scotland and set out a clear timeframe by which you will deliver your commitment to increase funding for culture by £100 million. Each day you delay, more artists will abandon hope and with it their careers. 

Regards 

Rob Hoon – Out of the Blue CEO 

Professor David Stevenson – Chair, Out of the Blue Board

And signed by the following Out of the Blue studio artists: 

Ailis Mundin (Strange Town) 

Alison McConachie 

Ally Hill (The Bongo Club) 

Andres Perez (Urban Works) 

Aoife O’Callaghan 

Beck Elphinstone 

Bethany Thompson (Out of the Blueprint) 

Blyth Mackenzie (Little Yellow Scribbles) 

Bob Giulianotti (Out of the Blue and Strange Town Youth Theatre)

Calum Duncan (Calum Duncan Architects) 

Cameron Murdoch (Cam Life Designs) 

Caroline Grevers 

Casey Campbell 

Catherine Lazcano – Thornton (Catherine Giselle) 

Clare Duffy (Civic Digits) 

Cosimo Damiano Angiulli 

Daisy Crooke (Take One Action Film Festival) 

Daniel Murray (Daniel Murray Artist) 

Dee Thangden 

Duncan Jones (Knockwood Studios) 

Elaine Wilson 

Felicity Inkpen 

Fiona Fraser (Fi Fraser Production Management) 

Frances Priest 

Francesca Grech 

Graeme Walker 

Helen Miles (Helen Miles Mosaics) 

Holly Summerson 

Ian Gonczarow 

Jen Byrne 

Jennifer Paterson (All or Nothing) 

Johnny Gailey (Out of the Blueprint) 

Jolon Yeoman (Knockwood Studios) 

Judy Clark 

Julija Pustovrh (Emporium Julium Ceramics) 

Kate Livingstone 

Kelly Zou 

Kuluna Yoga 

Leanne Bell Gonczarow 

Leigh Robieson-Cleaver (Curious Seed)

Louise Lacaille 

Mairi MacSween (Mairi MacSween Designs) Mark Whyles (Mark Whyles Management) Matthew Shepherd 

Max Machen 

Meg Buick 

Megan Chapman 

Nicole Lambeng (Out of the Blue) Pierre Forissier (Biomorphis) 

Pippa Lobban 

Rabiya Choudray 

Remode Collective 

Robin Paine 

Sandy Lobban 

Sheena Walker (The Clarsach Society) Snap Elastic 

Solen Collet (Solen Collet Photography) Steve Small (Strange Town) 

Susan Scarth 

Tim Licata 

Trista Yen 

Wendy Ball

‘There is no future for the Fringe without art. There is no art without artists’

FRINGE BOSS WADES IN TO ARTS FUNDING FURORE

To whom it may concern: As the 2024 Edinburgh Festival Fringe comes to a close, an open letter from SHONA McCARTHY, Chief Executive of the Edinburgh Festival Fringe Society

As the curtain falls on the 2024 Festival Fringe, much is being discussed in the spaces,  rooms, cafes, and streets of Edinburgh, on the success of this year. 

Today it was announced that 2.6 million tickets were issued during the 2024 Fringe, however there is no doubt that the current environment for artists across the UK is of great concern; and the fragility of the performing arts community is palpable.

An outward veneer of success cannot mask the struggle for artists to emerge let alone thrive in the UK right now. While Fringe 2024 has been brilliant, and it is to be celebrated that artists, companies, venues, producers and promoters took huge financial risks and pieced it together and put on the show.

However, the dominant message as we close this year’s festival is that there is no Fringe without art. There is no art without artists.

The cumulative effect of the relentless rise in the cost of everything, and an unhelpful policy environment facing the arts sector has resulted in widespread concern that is keenly felt by artists. 

From the availability of affordable accommodation, blunt policy changes which have consequences for major events, to continuous public sector cuts; we need to ensure that the hard won and fragile success isn’t met with complacency by those who can influence change. 

It is not enough to have old stories of how important Edinburgh’s festivals were in providing healing and connection after the Second World War. They are important now, contributing hugely to health, well-being, joy and job creation.

The Edinburgh Fringe vision is to give anyone a stage and everyone a seat. That is a commitment to inclusion, to freedom of expression and to being allowed to try and to fail. It is a vision that is increasingly easier to say than it is to do.

I have worked in the arts across the UK for 35 years now, and in the last two decades there has been a journey away from elitism, monoculturalism and exclusion with inspiring developments in access to the arts for all, with still a long way to go.

If the UK continues on an upward trajectory of cuts to arts education, and Scotland continues to decimate  investment in the sector, breaking  promises of support;  then we are on a direct course to job losses, exclusion and boring art that is only the privilege of those who can afford to be part of it, as performers or as audiences.

Here at the Fringe and across the UK, the pipeline of creative potential is under threat. Artistic risk and ambition is hamstrung by an operating context that squeezes out emerging artists that have made the Fringe globally renowned, unique and joyful. 

How can the Edinburgh Fringe remain exemplary, exciting, experimental; the only place in the world to be every August?  As the most influential arts marketplace in the world, this year over 1,800 arts industry accredited with the Fringe Society, and came to Edinburgh to seek new work for onward touring and broadcast opportunities. Nearly 900 accredited media reviewed shows, interviewed artists and worked tirelessly to support the 3,746 shows that took place this year.

There is no future for the Fringe without art. There is no art without artists. Artists and the venues who host them are at the heart of this event, and there would be no Fringe without them. 

They take the risk of bringing work to the festival every year, and while the arts landscape is at a crossroads, we need to ensure that the Fringe, one of the greatest celebrations of arts and culture in the world, is protected for the future. 

As we celebrate the hundreds of thousands of people who have been moved, delighted, awed, shocked and entertained by the stories artists present across Fringe stages, it feels that now, more than ever, we must not take artists for granted; we would do so at our peril.

SHONA McCARTHY,

Chief Executive of the Edinburgh Festival Fringe Society