Hidden Door Festival reveals local acts selected through Music Open Call

Hidden Door announces more music acts in festival’s showcase of Scottish talent

Hidden Door Festival 2025 takes place from 11th – 15th June 2025, transforming The Paper Factory, a huge disused industrial space in west Edinburgh, into a vibrant celebration of music, art, dance, spoken word and more. 

Last month, Hidden Door launched an Open Call inviting Scottish-based musicians, bands and electronic artists to join the 2025 music programme. With 200 applications received, organisers have sifted through hours of music to select 10 exceptional acts to feature at the festival.

The acts join an ever-growing programme of music, visual art and performances featuring hundreds of creatives. The packed line-up will fill the festival’s largest ever venue for five days of immersive entertainment.

Hazel Johnson, Festival Director of Hidden Door, said: “Hidden Door exists to showcase incredible emerging talent, and our open calls are a key way for us to discover and present that talent to large audiences.

“We had 200 applications to our music open call and the sheer volume and quality of submissions demonstrates the wonderful breadth of creativity that exists across Scotland.

“The selection process was tough and we would have loved to include everyone, but we’re thrilled to reveal some exceptional acts who truly embody the raw energy and diverse talent that we’re known for showcasing.”

The selected acts are:

Eloi – Wednesday 11 June

Eloi are an Edinburgh based 7-piece future-jazz group. Alongside numerous sold-out headline Edinburgh gigs, they have supported bands such as Surprise Chef at Glasgow’s Broadcast, alongside local Scottish groups including Grace and the Flatboys, Dinosaur 93 and Nani.

In 2022, they secured a slot at Edinburgh’s Hidden Door Festival through the Edinburgh-based community radio station EHFM, and also hold a monthly show on the station called Eloi Selects.

Inspired by the likes of Nubiyan Twist, Ezra Collective and Hiatus Kaiyote, their debut EP ‘Maya’ was released in 2022, and the follow up ‘Bloom Again’ was released in 2023.

HENS BENS – Friday 13 June

HENS BENS make pop music in BLOCK CAPITALS.  Their live shows aren’t like those by other bands. They incorporate fresh fruit, balloons, archery and power tools.

HENS BENS do not speak between songs, with the band instead relying on computer-generated crowd banter over which they have no control. There are LEDs attached to things. There are costume changes. 

Their 2025 album WORLD’S STRONGEST BAND features songs about steroids, revenge, Clint Eastwood’s 1988 film ‘The Dead Pool’, having an argument with the guy from Sleaford Mods, politicians the singer went to school with, Jerry Seinfeld becoming a bit right-wing these days, the band’s great great granddaughters, nuclear war and more.

Humour – Sunday 15 June

Humour live together in Glasgow. They formed across the 2021 lockdowns, writing and recording their material at home, with the music intended as a backdrop to Andreas’ lyrics.

Sometimes they’re about letting people down, sometimes they’re about pets dying, sometimes they’re about trying to say something when you don’t have anything worth saying. 

Signing to SoYoung Records off the back of a few rough demos, it was clear Humour had a unique sound. Their first release ‘Yeah, Mud!’ gained critical acclaim from NME, Clash Magazine, DIY, Dork and more. 

With two EPs released to date, they have now announced their debut album Learning Greek which is set for release in August 2025.

Nick Dow – Sunday 15 June

Scottish electronic music producer Nick Dow blurs the lines between club, ambient and experimental music, combining cinematic melodies with organic instrumentation and visceral textures, enveloping the listener in a world of surging musical landscapes.

Night Caller – Saturday 14 June

Night Caller is made up of members from established Scottish acts including Callum Easter, Neon Waltz, The Stagger Rats, The Merrylees and more – instantly asserting their experienced presence within the Scottish music scene. Band members have recorded with the likes of Paul Weller, The Coral and The Zombies.

They brand their music as “gutter pop – fun, fast, kinky and chaotic!”. Expect deep vocals and ballad-inspired melodies with a sing-along chorus.

Puppy Teeth – Saturday 14 June

Puppy Teeth is an independent Edinburgh based band composed of singer and rhythm guitarist Anna Trost, singer and lead guitarist Theo Black, bassist Ed Meltzer and drummer Niamh Jordan. The band has been described as heady, dreamy, 90s melodic, shoegaze/grunge with psychedelic, hypnotising female vocals.

Huge influences for Puppy Teeth‘s music are artists such as Men I Trust, Jeff Buckley, Mazzy Star, Big Thief, Sorry and Deftones.

racecar – Thursday 12 June

racecar is an alt-pop trio composed of Izzy Flower (vocals, keys, synthesizer), Robin Brill (guitar, drums), and Calum Mason (bass).

They are based in Edinburgh, Scotland, and formed in 2018. They released their debut album, Orange Car, in 2022.

Their latest album, Pink Car, a bold fusion of nostalgia, coming-of-age themes, and genre-blurring sounds, was released earlier this year. With festival-ready anthems like ‘Zephyr’ and ‘Fall Leave’, the album expands on their signature style with a fresh, dynamic energy.

samwooddoowmas – Saturday 14 June

samwooddoowmas is a musician and visual artist based in Edinburgh. He records out of a DIY studio held together with electrical tape.

He makes sounds using a variety of techniques including tape loops, digital processing and analogue instrumentation. He is known for performing in unusual spaces (such as a urinal) and using instruments in strange ways live, such as a bass guitar played with a bicycle.

San Jose – Sunday 15 June

Their name pinched from a Dionne Warwick song, San Jose wield their forthright, raucous and versatile reputation with a snarled grin. With ever-evolving theatrics and everything you’d expect from a circus with the exception of the caged animals, San Jose, are the only 5 piece band with an average of more than 5 members.

Although falling under the ever expanding umbrella term of “post-punk” San Jose have a dedication to avoid musical confinement, the five piece often incorporate instrumentation uncommon to heavier styles of music, such as brass and accordion, and interweave it with their punk attitude.  

With a background in musical theatre, San Jose blur the lines between performance art and concert. With people in bear costumes, auctions, fine dining, plumbing and pantomime levels of audience interaction all to be expected from their shows, the five piece sonically and visually paint a picture of the inherent absurdism that lies within Scottish culture.

Their live performances have been described as “the ideal descent into hell”. 

The Era – Saturday 14 June

The Era are a duo from Glasgow consisting of Electric Harp player Lochlann and Singer/Guitarist Cal. Taking as much influence from pop icons such as Sky Ferreira and Charli XCX as they do from indie references like Arctic Monkeys, The Kills & Nine Inch Nails. 

The Era are pushing the boundaries of modern pop/rock music by using their USP; unlike any other band on the scene The Era use an electric harp played through a selection of amplifiers and effects pedals to create a face pounding wall of sound.

Recent shows include support slots for 80’s legends Heaven 17 as well as notable slots with GGLUM for Plastic Factory LDN, The Ninth Wave, Vlure as well as a sold out  debut headline show in Broadcast, Glasgow – all within their first 8 months as a band.

Tickets are now available at www.hiddendoorarts.org/tickets

Edinburgh International Mural Festival to debut at Hidden Door 2025

Edinburgh International Mural Festival (EIMF) will make its debut at The Paper Factory this June, in collaboration with Hidden Door.  

EIMF is set to revolutionise the city’s public spaces, harnessing the power of street art to inspire, connect, and transform communities. The organisations bold mission is to turn Edinburgh into a global hub for street art, driving urban renewal, sparking vital conversations, and boosting the city’s international reputation.  

EIMF brings together local and international artists to create vibrant, community-driven murals that reflect the unique identity of each neighbourhood. These large-scale artworks don’t just beautify the city—they foster pride, stimulate economic growth, and revitalise local businesses.  

Committed to inclusivity, EIMF ensures all projects are accessible to people of all abilities, backgrounds, and experiences. By breaking down barriers and challenging preconceptions, the festival empowers everyone to be an artist and a storyteller.  

EIMF is more than art on walls – it’s a platform for social commentary, environmental responsibility and sustainable urban development. 

EIMF founder and director Ross Blair tells us: “We are super excited to be able to launch EIMF alongside our friends at Hidden Door.  

“Hidden Door have been at the grass roots of the arts in Edinburgh for over a decade, establishing meaningful creative networks across the sector. We Hope EIMF can establish itself with the Edinburgh festival landscape over coming years.  

“Edinburgh International Mural Festival is not just a festival, it’s a year-round programme on a mission to elevate muralism and street art culture. Offering a platform for artists to showcase their talents and inspire the next generation of muralists.  

“Join us in celebrating a bold new chapter for mural art in Scotland.”  

For more information, partnership opportunities, or to get involved, visit the website at www.eimf.co.uk or contact the EIMF team on info@eimf.co.uk

More about EIMF  

Edinburgh International Mural Festival will launch in June 2025.

The organisation, established by local Edinburgh artist Ross Blair, has been set up as a transformative cultural initiative dedicated to revitalising local urban spaces through high-quality public street art.

The project hopes to engage with local communities and international artists to create meaningful works, on-going engagement and long-term positive impact. 

The Paper Factory is located at 1 Turnhouse Road, Edinburgh EH12 8NP

Hidden Door 2025 will take place from Wednesday 11th – Sunday 15th June 2025.

Tickets are now available at hiddendoorarts.org/tickets

Hidden Door reveals festival line-up

Edinburgh’s grass roots arts festival, Hidden Door, is set to transform a huge abandoned industrial site into an ambitious and unique multi artform experience.  

Responding to the vast complex of forgotten warehouses, factory floors, offices and outbuildings, this year’s Hidden Door festival programme is built around the theme of ‘Building as a Myth’, with every rusted pipe, defunct machine and weathered surface becoming part of an artistic reclamation.

From Wednesday 11 – Sunday 15 June 2025, the festival brings together the talents of more than 100 creatives to offer live music, immersive art installations, dance performances, poetry, spoken word, unique collaborations and much more.

Music

The five nights will host a diverse roster of acts, kicking off with an unmissable opening night offering energetic and theatrical fare from Bikini Body, Mermaid Chunky and Snapped Ankles.

Thursday brings punk/pop attitude with Witch Fever, Sprints and SISTER MADDS, whilst Friday night sees Alice Faye’s lyrical Cabaret-come-Queen stylings programmed alongside Hidden Door favourites Tinderbox Orchestra and the dreamlike compositions of Erland Cooper

No Windows, The Orielles and Katy J Pearson promise an alternative indie Saturday night to remember, with Sunday’s closing line-up welcoming Moor Mother’s poetic power alongside Bee Asha, MC Yallah & Debmaster and Ishmael Ensemble’s eclectic jazz infused energy.

Edinburgh institutions Samedia Shebeen and Paradise Palms Records are on board to bring the weekend club vibes, and an open call will shortly be launched to invite emerging local talent to join the line-up.

Other acts confirmed so far include Isabella Strange, Pearling, Roller Disco Death Party, Smag På Dig Selv, The Orielles, Theo Bleak, Tina Sandwich and Y with many more to come.

Visual Art

In true Hidden Door style, the visual art programme will make the most of the unique setting, inviting audiences to explore and discover every nook and cranny of The Paper Factory – from the cavernous Crane Shed and the labyrinthine Factory Floor, to transforming the mundanity of The Office Block.

Over 30 visual artists will show a range of work including large sculptural installations, wall-based work, projection and textiles, curated amongst the defunct machinery and spaces.

The visual artists confirmed so far include Adam Hogarth, April Lannigan, Claire Marion Black, David Lemm, Dorsey Kaufmann, Ewan Douglas, Felicity Saravia White, Gosia Walton, Iona Peterson, Izzy Osborn, Jackie Bell, Jo McDonald, Juliana Capes, Laura McGlinchey, Lucas Chih-Peng Kao, Lucy Mulholland, Molly Wickett, Muireann Nic an Bheatha, Olivier Jacques Julien, Paul Meikle, Sam Sharma, Silas T Parry, Sue Sim, Tom Fairlamb, Valerie Reid, Vicky Higginson and Waad AlBawardi.

Poetry and Spoken Word

Thought provoking, personal, funny and moving – this year’s programme brings the power of spoken word performance into a building that has fallen silent; the factory’s atmospheric chambers echoing with the voices of raw human expression. Expect stand out shows every night from 10 poets and performers including award winning Theresa Muñoz, Glasgow poet Charles Lang and post-punk-music-spoken word-comedy duo FEVER PEACH

The spoken word programme also includes Aileen Lees, Imogen Stirling, Josh Cake, Julia Sorensen, Sarah Forbes Stewart, Theresa Muñoz and Victoria McNulty.

Dance

Expect dance at its most unconventional as Hidden Door presents a programme like no other in remarkable surroundings. Highlights include Yuxi Jiang’s ‘The Circle Unbound’, an immersive dance theatre inspired by Tibetan Buddhist circular culture, reimagining rhythmic machinery as a meditative force.

Participatory and playful performance ‘Dance Makes The Floor’ by Mark Bleakley centres around the creation of a collectively made dance floor, conjuring past dance floors, both loved and lost.

The dance programme will also feature works by ELELEI, Jessie Roberts-Smith, Katie Armstrong, Dorine Mugisha with even more to be announced.

Creative Collaborations

Threading throughout the 2025 programme are four newly commissioned interdisciplinary collaborations, waiting to be encountered by visitors as they explore The Paper Factory’s labyrinths. Visionaries from radically different disciplines – from electronic musicians and installation artists to contemporary dancers and theatrical innovators – have been challenged to create something that could only exist in this distinct moment and place.

Appearing each night of the festival, these utterly unique multi- disciplinary projects are not to be missed.

‘Ghost in the Machine’ is a site-responsive performance developed by Jill Martin Boualaxai, exploring memory, transformation, and industrial folklore through movement, drawing, and sculptural installation. The piece blends physical theatre, dance, visual art, and costume, evolving over time into performance drawings and sculptural traces that blur the boundaries between ritual, history, and the factory’s own mythology.

‘Time and Memory’ presents a narrative-driven installation by Eszter Marsalkó, featuring Stephanie Lamprea, exploring the lives of the factory’s former workers, weaving together real and imagined stories. This project includes film footage of the site, archival materials, and sculptural elements, bringing the past into dialogue with the present. It connects with broader festival themes of industry, labour, and personal histories embedded in place.

‘A Production Line’ by Acolyte is a poetic and psychedelic ensemble, blending soundscapes, spoken word, and rhythmic loops to reflect factory production cycles. Featuring bassist Ruairidh Morrison, synth and vocals by Gloria Black, percussion by Daniel Hill, and poet Iona Lee, the performance mirrors the repetitive rhythms of labour, incorporating field recordings from the site and hypnotic musical structures to create an immersive, trance-like experience.

‘SPECTRAL’ brings immersive dance and aerial performance to the Crane Shed, a work by Tess Letham developed in collaboration with All or Nothing. Performers move fluidly between floor-based choreography and aerial movement, embodying the physicality of labour and its transformation into something transcendent. Featuring lighting design by Sam Jones, aerial choreography, and a live music set by Dave House, SPECTRAL is a visually striking and physically immersive experience. 

Film work created by Abby Warlow and Lewis Gourlay will be projected across the factory’s vast walls to bring moving image and cinematic storytelling to the Paper Factory.

Ticket prices for all

With an ongoing commitment to inclusivity, Hidden Door has expanded its concessionary ticket options, ensuring that financial barriers and accessibility won’t prevent anyone from experiencing the event:

  • As always, the festival will be free to attend each day until 6pm
  • D/deaf, disabled and neurodivergent people are entitled to 30% off the standard price ticket for each price tier
  • Anyone who is currently unemployed can also benefit from the 30% discount
  • Students and those under 26 are entitled to 20% off, whilst over 65s can claim 10% off the standard price ticket
  • And going even further to include as many people as possible, for those who need them, a limited number of “Pay What You Can” tickets are available for every evening.

Creative partnerships

Hidden Door is proud to partner with valued sponsors Artisan Roast and Bellfield Brewery, who will both craft limited-edition Hidden Door brews that will capture the spirit of artistic collaboration. Elsewhere, Jack Daniel’s Tennessee-inspired music stage will transport audiences to another continent.

Hidden Door gratefully acknowledges the support of Creative Scotland and other funders who continue to make this ambitious and unique celebration of creativity possible.

About The Paper Factory

The colossal 15.5-acre Paper Factory site sits in Edinburgh’s Maybury Quarter, a former paper and cardboard manufacturing facility on the western edge of the city. The site features a mix of warehouses, factory floors, offices and outhouses.

The site is well served by a variety of public transport links, with frequent bus, tram and train services all stopping nearby, making it easy to reach from anywhere in the city or beyond to the west and Glasgow.

The full address is 1 Turnhouse Road, Edinburgh EH12 8NP.

Hazel Johnson, Festival Director of Hidden Doorsaid: “Since November’s venue launch party, we’ve been busy clearing more of the vast industrial site and getting ready to fill every corner with our most ambitious programme yet. 

“We exist to support the creative community and to connect audiences with emerging artists, and The Paper Factory will be at the heart of that ambition in 2025.”

The Paper Factory is located in the Maybury Quarter, a 15.5-acre site occupied by the former Saica paper and cardboard manufacturing facility on the western edge of Edinburgh. The site features a mix of warehouses, factory floors, offices and outhouses. Bounded by the Edinburgh Gateway tram and rail station, there are excellent transport links to the city centre as well as to Glasgow and the west.

Hidden Door will transform the entire site for a full-scale multi arts festival. The property has been empty since Saica’s relocation to a purpose-built facility in Livingston. Regeneration specialists Summix Capital are now developing proposals for the future of the site, and have offered Hidden Door access until the end of 2025.

Jill Martin Boualaxai, Creative Lead, said: “Our 2025 festival program, titled ‘The Building as a Myth,’ invites artists to collaboratively develop ambitious multidisciplinary projects. 

“Guided by the overarching concepts of Transformation and Reclamation, Time and Memory, Rituals and New Narratives, and Feminisation and Reimagining the Space, the programme encourages exploration of how industrial spaces can be reclaimed by nature, layered with temporal narratives, and reimagined as inclusive, symbolic environments.”