Travellers from Portugal and French Polynesia will be required to self-isolate at home, or another specified address, for 14 days on arrival in Scotland from 4am Saturday morning (5 September).
This is due to a significant rise in cases of coronavirus (COVID-19) in these places, and in Portugal’s case the level of test positivity, which means that the risk of importation into Scotland by people who have visited is too high to ignore.
The Scottish Government has carefully examined the scope of applying measures, such as regional targeting, but consider a whole country approach for Portugal is required. While regional variations in the pattern of cases and level of risk can often be identified in different countries, the Scottish Government is not confident there is strong evidence of clear controls in place limiting travel between different areas. A regional approach will be explored for future application but in the interests of safeguarding public health a whole country approach will be applied at this time.
Justice Secretary Humza Yousaf said: “We are in the midst of a global pandemic and the situation in many countries can change suddenly. Therefore, people should think very hard before committing to non-essential travel abroad.
“With Scotland’s relatively low infection rate, importation of new cases is a significant risk to public health. I would also encourage people who have returned to Scotland from Portugal or French Polynesia in the last few days to be particularly careful in their social contacts and to ensure they stick to the FACTS. I am also concerned by the level of infections in Gibraltar and we will be monitoring the situation there very carefully.
“Regular discussions continue with the other three governments in the UK. We continue to closely monitor the situation in all parts of the world and base the decisions we make on the scientific evidence available.
“It is a legal requirement to complete a Passenger Locator Form and provide it to Border Force, whether you have travelled from an exempt or non-exempt country. The requirement for travellers to quarantine for 14 days on arrival from a non-exempt country is vital to help prevent transmission of the virus and to suppress it – not doing so poses a significant risk to wider public health across Scotland.”
Safe and phased return of visitors who improve quality of life.
Professional health and social care services which improve and enrich the wellbeing of care home residents will be able to resume visits under new guidelines.
Throughout the COVID-19 pandemic, healthcare services have continued to operate in care homes for pressing clinical reasons, however non-essential visits have been paused.
New guidance outlines how from 7 September care homes can resume face-to-face care from a wide range of health and social care professionals, including podiatrists, physiotherapists, optometrists, dentists, social workers and mental health and disability specialists.
The guidance also makes recommendations for the safe resumption of activity in indoor communal areas – for example lounges and dining areas – as long as strict health and safety measures are in place.
The guidance recommends that enhanced visiting is only resumed in care homes where there are no active cases, have been free of COVID-19 for 28 days, and are actively participating in the care home worker testing programme.
Care homes should update their visiting risk assessments to fully consider the safe resumption of visits by health and social care professionals, which will then be approved by the local Director of Public Health.
In addition, the guidance recommends these visits only for care homes which have sufficient PPE and hand hygiene facilities, infection prevention and control protocols, a visitor protocol and visitor log, and resident consent.
Care homes have been supporting residents to receive three outdoor visitors from no more than two households, provided their home meets strict criteria, since 10 August.
Since 24 August providers can also safely allow one designated indoor visitor for residents within their homes, once their plans have been signed off by the relevant health board’s Director of Public Health.
Health Secretary Jeane Freeman said:
“This has been, and continues to be, a very challenging time for care home residents, their families and staff – but we are always aware that care homes are first and foremost people’s homes.
“The safe and phased resumption of visits will not only allow the residents of care homes to have access to a wide range of additional health services, but also experience more personal contact, face to face meetings and interactions which will enrich their daily lives.
“The importance of involving a wide range of professional and people in the life of the care home and the impact this has on the wellbeing of residents is well known – and many clinical health and care professionals who visit care homes have already provided support and care to residents in different ways during the COVID-19 pandemic.
“We are committed to reintroducing measures that allow residents to connect with not only with the full range of health and social care professionals, but also those who enhance and enrich the quality of life for those who live there.”
For the first time, 10 UK charities are uniting to respond against the impact that COVID-19 is having on the charity sector by staging The Massive Get Together – an online charity event comprising of celebrity entertainment, performance, prize draws and lots of laughs, in a bid to raise £500,000!
This special collaborative, relaxed, and fun variety event, the brainchild of one of the UK’s leading charities Volunteering Matters, will be hosted live from London by TV and radio presenters Gaby Roslin and Amanda Byram.
Streaming live and online on Thursday 17th September at 20:00 to an anticipated audience of more than 20,000, these 10 incredible charities are inviting us to ‘take the night off’ and relax with them to enjoy their fun online event which promises to have ‘something for everyone’ – including no 1 hits, comedy, and surprise special guest appearances.
UK charities are facing over £12bn1 loss in income due to the COVID-19 restrictions as critical funding and crucial fundraising events ceased overnight. This means that the UK voluntary sector is expected to face a colossal funding shortfall by the end of the year.
Chief Executive of Volunteering Matters and Founder of the Massive Get Together Paul Reddish said: “This year the nations’ charities have been critical to so many. They’ve been at the heart of much of the COVID-19 response – from delivering food to supporting those most isolated in every community throughout the UK.
“Their staff and volunteers continue to provide these vital services, such as end of life care and key support for the vulnerable, despite of the ongoing conditions created by this pandemic.”
Charities have seen demand rise, and the sector is expecting to see over £12bn loss over the course of 2020. One in 10 charities2 are at risk of closure if things continue as they are. Charities and organisations that do manage to survive will face major constrictions and capabilities to operate the way they once did. Even with the gentle easing of restrictions, large scale fundraising events will not be able to function for many months to come.”
The unique aspect of this campaign is the cooperation and unity of all 10 charities who have seamlessly united together for a common goal of responding to the ongoing challenges and impact COVID-19 is having on their sector.
In the face of coronavirus, charities are #NeverMoreNeeded for the essential support they provide in crisis and beyond, and how they shape our society for the better.
Paul continued: “We thought if leading members of the charity sector could come together and join forces, then collectively we could unite and help each other respond on mass to the impact of COVID-19. That’s the thinking behind the Massive Get Together – When charities unite, to entertain us all.”
The Massive Get Together will provide an evening of entertainment and variety, surprise and intrigue, whilst fundamentally facilitating valuable fundraising for the 10 amazing charities involved – Marie Curie, The Children’s Trust, FareShare, St John Ambulance, Royal Voluntary Service, Love Your Neighbour, Crisis , The Conservation Volunteers, Thames Hospice and Volunteering Matters.
For just £10 audiences will be supporting all 10 incredible UK charities, making a positive difference within action against homelessness and hunger, protecting the vulnerable, connecting communities, supporting end of life care and volunteer provision, as well as helping emergency and crisis response services.
Tickets for The Massive Get Together go live today – people can access the event by donating just £10 to help 10 charities at www.crowdfunder.co.uk/the-massive-get-together.
The Massive Get Together online event will be hosted live from London by TV & radio broadcasters Gaby Roslin and Amanda Byram.
Gaby Roslin said “The Massive Get Together is a really unique online event, with charities coming together to put on a fabulous variety show. The past few months have been challenging for everyone, and this evening will offer entertainment that people can enjoy from the comfort of their own home, whilst raising much-needed money for 10 vital charities.
“I’m grateful to have the opportunity to present The Massive Get Together with Amanda, and do my bit to help these charities, who have all been affected by the impact of COVID-19.”
Amanda Byram said “We find ourselves living in extraordinary times and I think it’s incredible that charities are coming together in this way to support each other. It is such a feel-good event and I am so honoured to be a part of it and also over the moon to be working with the wonderful Gaby for this very special online evening.”
Undeterred by lockdown, the Edinburgh Kiltwalk is happening in virtual form this year, and still inviting people to raise funds for their favourite charity, money that will be topped up by a further 50 percent from Sir Tom Hunter’s Foundation.
Clearly, tartan-clad hordes can’t descend on the streets of the capital as in previous years. Instead, this September the Virtual Kiltwalk can be completed in your local area, keeping within social distancing guidelines. Over the weekend September 11-13th you simply don some tartan, go for a walk of any length, and raise funds for your chosen cause.
But if walking isn’t your thing the organisers invite you to create your own Kiltwalk challenge. You can skip a mile in tartan, do a kilted ‘trampoline-a-thon’, or even an all-day Highland fling!
Annette West is both walking and talking the walk. She will be raising much needed funds for sight loss charity RNIB Scotland, which is based in Edinburgh.
“I have experienced sight loss for over 30 years but have always been helped and supported by RNIB Scotland,” says Annette (60). “Since having two successful eye operations to restore my sight four years ago my life has changed again. I now feel that I want to give back something to RNIB Scotland by taking part in the Virtual Kiltwalk.”
Annette aims to walk the Water of Leith on Sunday, September 13th, starting from Cannon Mills and finishing at Colinton, a distance of six miles.
“People can either join me at the start and do the whole walk to the finish, or join me anywhere along the route,” she says. “I was inspired by listening to Kings Church Sunday service on YouTube and they talked about walking along the Water of Leith. It was a light-bulb moment as I live in Leith and can invite a few of my friends to join me along different sections and make my way back home.
“The Water of Leith is beautiful and local so, taking into account social distancing and restrictions which may still be in place, I can do a mini walk.
“I decided to do the Virtual Kiltwalk after a conversation with a friend, Irene, who I have known and have worked with for many years but who is terminally ill with cancer. She suggested to me that I could get a piece of paper and write whatever came into my head relating to why I might want to do the virtual Kiltwalk.
“So I thought, firstly, this is my way of saying thank you to the RNIB Scotland for all the years that they have helped me on my sight loss journey. I want to help other people with sight loss by sharing my story, knowledge and experience. I want to help them feel confident about themselves in order to live happy, meaningful and purposeful daily lives.
“I also believe that staying mentally healthy is essential. During this period of lockdown we all have to take responsibility for our own mental state and this has given me something to focus on. I feel that a healthy mind and body go hand in hand. During lockdown, I have found it very difficult to take exercise and stay motivated. But since hearing about the Virtual Kiltwalk, I have become re-energised and it has rekindled my passion for walking.
“And as a radio presenter with the Heart Song Live station, I can appreciate the value of sharing my story and hope that it can help to inspire, encourage and help others to fully live their lives.”
TV electrician helps to share SP Energy Networks’ electrifying safety advice
Popular TV electrician Billy Byrne is helping people in Edinburgh stay safe with a series of videos sharing his top tips for people turning to DIY at home and in the garden.
The 65-year-old, famous for his role on BBC television show DIY SOS, is working with SP Energy Networks to promote good practice when it comes to working near electricity.
The number of safety incidents involving electricity around homes and gardens has risen steeply since last year, with more people digging out the toolbox or paintbrush during lockdown.
Figures from SP Energy Networks show a surge in DIY garden projects led to a 24% increase in reported incidents across the UK – rising from 126 incidents from January to June 2019 to 161 incidents in the same period this year. This spike in domestic incidents involved activities such as digging up trees, cutting high hedges, hammering in fences and painting over electricity service positions.
Billy, who has witnessed his fair share of electrical disasters over the years, has worked with SP Energy Networks to develop straight talking advice to ensure people stay safe while working in the garden, in the home and near overhead power lines, which people can often forget about when they take on DIY.
Billy, who has starred on DIY SOS since 1999, said:“Most of us have spent more time at home over the last six months than we have in the last six years. For me, it was a chance to tackle the odd jobs I’ve been putting off. But before you get cracking, you need to stop and think about the risks.
“The guys at SP Energy Networks really are a go-to source for easy to understand advice that anyone thinking of undertaking DIY should check out before they get started. It’s better to be safe than sorry.”
Billy’s top tips are:
Electricity cables and power lines should always be treated as live. Check for overhead power lines when working with ladders, scaffold or when pruning and cutting trees in your garden.
Shut off the power. If you’re doing any work near electrical wiring or power supplies, where possible, shut off the power in your fuse box and use battery powered tools.
Use a cable detector to locate cables in your walls. A common DIY mistake is accidentally drilling, nailing or screwing things into cables hidden inside your walls.
Don’t assume that overhead lines on wooden poles are telephone wires – look for the “Danger of Death” sign as this tells you it’s an electricity pole. Touching anything with power lines can be deadly so remember you don’t have to make direct contact with an overhead line to receive a shock as electricity can jump gaps.
Underground cables don’t run in straight lines, they can change direction and depth. If your electricity is supplied by an underground cable and you’re planning digging work in your garden, please proceed with caution. If you are planning deep excavations, network plans are available from SP Energy Networks by calling 0141 614 0085.
In an emergency, dial 999 and let the emergency services know your location and that live electricity is involved. This can save lives.
SP Energy Networks’ safety campaign is designed to get people thinking about the dangers of electricity before attempting DIY.
Guy Jefferson, Customer Service Director at SP Energy Networks, said: “Since the start of the year, there has been a sharp rise in safety incidents as people do more DIY around their homes and gardens where there are lots of hidden electrical hazards.
“It’s important to consider these risks and make sure you follow the advice Billy outlines in the videos to ensure you can carry out projects as safely as possible. We want to help people plan ahead so we’ve put together some top tips to avoid some of the mishaps Billy has witnessed over the years.”
SP Energy Networks provides free safety advice on its website for those who are planning to do work near powerlines and underground cables.
Edinburgh’s City Art Centre is to re-open its doors to the public on Saturday 12th September 2020 with a full range of new safety measures in place to ensure the safety of visitors and staff.
The gallery reopens with two new exhibitions, City Art Centre at 40: Highlights from the City’s Art Collection marking the City Art Centre’s 40th anniversary and Bright Shadows: Scottish Art in the 1920s.
Having first opened its doors on 15th August 1980, heralded as combining; ‘Scotland’s largest air-conditioned fine art exhibition space, with specialist environmental and security facilities … a must for the display of world masterpieces’ – the City Art Centre celebrated its 40th anniversary last month (15th August).
As the gallery doors reopen and to mark the anniversary, the City Art Centre is mounting a special ‘highlights’ exhibition, City Art Centre at 40: Highlights from the City’s art collection from the City’s collection of Scottish art.
Widely recognized as being one of the finest in the country, the City’s collection numbers over 5,000 artworks ranging from some of the earliest views of Edinburgh to works by many of Scotland’s leading contemporary artists. Visitors will be able to see artworks by major historical figures such as Allan Ramsay, the pioneer photographers Hill and Adamson, and the Scottish Colourists, as well as contemporaries such as John Byrne, Alison Watt and Adrian Wiszniewski.
Bright Shadows: Scottish Art in the 1920s a new exhibition exploring the work of Scottish artists during the 1920s – an evocative period of social, political and economic change also opens on the 12th September as visitors are welcomed back to the gallery as it reopens.
The forthcoming exhibitions mark the public re-opening of the venue on 12th September. In keeping with Government advice in order to protect and maintain the safety of our visitors and staff, the City Art Centre has introduced a range of new safety measures and procedures throughout the venue, including a one way system, installation of screens at reception, hand sanitiser stations, extra barriers and signage and staff will of course be wearing masks while offering visitors a very warm, socially distanced welcome.
Visitors are asked wear face coverings and to pre-book free tickets for allocated time slots in advance via edinburghmuseums.org.uk
City Art Centre at 40
Over the past 40 years the City Art Centre has housed over 500 exhibitions, shown priceless treasures from across the world to priceless paintings made by Edinburgh children and welcomed 100,000’s of visitors through its doors and is now a well-established, respected and cherished Scottish cultural resource.
Other activities marking the 40th anniversary in the coming weeks include; The City Art Centre is 40!, a curated a digital exhibition of much-loved and favourite paintings chosen by past members of staff, artists and people closely involved with the City Art Centre over the years presented via Art UK’s ‘Curations’ series.
Tessa Asquith-Lamb, one our best-loved local artists, has created two special videos with the City Art Centre’s Public Programmes section to celebrate the milestone, featuring the artist’s favourite painting, ‘Tristan and Isolde’ by John Duncan. Asquith-Lamb tells us why Tristan and Isolde is so special, and demonstrates a special art activity everyone can do at home while we are not able to visit the gallery in person.
Having moved from its original home at The Royal High School on Regent Road to make way for the intended Scottish Assembly following Scottish Devolution, the City Art Centre found a new home in a purposefully refurbished five storey warehouse dating back to 1899 on Market Street, which was designed as an extension to The Scotsman building on North Bridge, having once housed the city’s fruit markets.
The building was selected not only because of its architectural significance but also for its wrought iron framed structure which made it suitable to carrying the heavy floor loads required to house large volumes of visitors.
As part of the significant renovation project, the building’s original stonework and metal frame windows were preserved, while the interior was repurposed to create four new gallery spaces, artist studios and a licenced café, designed to reflect the building’s late Victorian origins alongside minimal natural décor, complimented by a state of the art lighting system to protect the delicate works on show.
The City Art Centre was designed to be ‘more than just a gallery’, providing studio and meeting spaces for artists, ‘craftsmen’ and for the people of Edinburgh.
The City Art Centre first opened its doors on 15th August 1980 with two major exhibitions as part of the Edinburgh International Festival – The Legacy presenting historic and contemporary Canadian/Indian art from the Provincial Museum in British Columbia and an exhibition by the Prescote Gallery near Oxford, showing outstanding examples of British Craft.
Robert Blomfield: Edinburgh Street Photography An Unseen Archive Pictured Robert Blomfield, Girl on a Swing,Edinburgh, Black and White Photograph,1966.
Since that day, the City Art Centre has housed many hundreds of exhibitions and has continued to work with the city’s festivals; including The Edinburgh Festival Fringe, International Festival, Edinburgh Art Festival, The Edinburgh Jazz and Blues Festival and Edinburgh Science Festival.
From blockbuster exhibitions in the 1980’s and 1990’s which many residents in the city will remember, including The Emperor’s Warriors (1985), Thunderbirds are Go! (1986), Gold of the Pharaohs (1988), Dinosaurs Alive! (1990) and Star Trek: The Exhibition (1995), to hugely significant international art shows including; Abstract Expressionist Paintings from MOMA New York (1981), Michelangelo Drawings (1994) and Alphonse Mucha (2000) as well as a huge array of solo shows from Scottish artists and craft makers, such as James Cowie (1981), Charles Rennie Mackintosh (1987), Peter Howson (2007) and Victoria Crowe (2019).
From 1985 onwards, the City Art Centre’s programming expanded to reflect many new threads and artistic disciplines, ranging from photography; Cecil Beaton (2004) Ansel Adams; Snowdon; Albert Watson (2006) and Coming into Fashion (2013) alongside major survey and group shows championing Scottish art and craft; Hand, Heart and Soul (2007), Window to the West: The Rediscovery of Highland Art (2011) and A-Z: An alphabetical Tour of Scottish Art (2014).
As the City Art Centre’s exhibition programme and audiences grew, remaining rooted in the city and its people was key, with exhibitions and works often reflecting Edinburgh’s history as well as local and global social issues such as; Anne Frank in the World (1987), Chernobyl – The Legacy (1993), Rainbow City (2006), Leith – The Turning Tide (1987), Edinburgh Re-discovered: Thomas Begbie (1990) and Robert Blomfield (2018).
The City Art Centre’s now well-established reputation as a key cultural Scottish institution is evidenced in its 40-year exhibitions history and audience loyalty. As well as an ambitious and ever-changing exhibitions programme, an additional vital aspect of the City Art Centre is its role in housing the City’s Collection of Scottish Art – one of the finest in Scotland.
The collection, which supported through donations, bequests and gifts as well as purchases, features works from many of ‘The Glasgow Boys’ as well as the Scottish Colourists – John Duncan Fergusson, Samuel Peploe, Francis Cadell and Leslie Hunter.
Some of the best-known artists of the Edinburgh School, including William Gillies, John Maxwell and Anne Redpath, all have several works in the collection, and featured post-war artists include Alan Davie, Eduardo Paolozzi, Elizabeth Blackadder and John Bellany. The contemporary collection includes artists such as Christine Borland, Callum Innes, Rosalind Nashashibi and Toby Paterson.
When the City Art Centre reopens and looks forward to the next 40 years, the continued focus will be to champion historic and contemporary Scottish visual art and craft.
The City’s art collection continues to grow, and going forward the curatorial team will actively seek to diversify the collection in the coming years to better reflect the range of artists and work being produced in Scotland today. Visitors will be able to see the fruit of this with a new exhibition of recent acquisitions next year.
David Patterson, Curatorial and Conservation Manager, City Art Centre said;“Since we opened in 1980, staff at the gallery have worked with artists who live in some of the most densely populated cities on the planet as well as others who live in some of the remotest places on earth.
“We’ve tackled global tragedies and local issues, and shown paintings, drawings, watercolours, sculpture, tapestry, photography, silver, glass, interior design, film and installations among many other media. We’ve displayed works made from ice, oil, wood, metal, matchsticks, coat hangers, parachute fabric, nylon, gold, even old welly boots!
“We are thrilled to be reopening on the 12th September, and fittingly with two exhibitions drawn from our Scottish art collection. In the months and years to come, we’ll continue to shine the spotlight on Scottish artists of the past who have been overlooked in the story of Scottish art as well as curate major displays by some of the country’s leading artists past and present.
“The topography and people of Edinburgh will remain a consistent strand in our programming, as will the display of the finest contemporary and historic applied art and craft. We’ll continue to work with our partners Edinburgh Science Festival to bring some of the best Science and Art to a family audience, and our wonderful collection will continue to be shown throughout the year in a series of temporary exhibitions.”
Herbert Coutts, City Art Centre Curator (1971-1999) said:“Having been in at the birth of the City Art Centre, I am immensely proud of the myriad exhibitions it has sourced from all parts of the globe, and from its own important fine art collection.
“This remarkable achievement has been due to the creativity, commitment and hard work of its staff, past and present, which I hope will continue long into the future.”
**Pics free to use**
Pictured Curator Dr Helen Scott
New exhibition places Edinburgh-born female artist back in the spotlight over 150 years after her birth
Mary Cameron: Life in Paint
Saturday 2 November 2019 – Sunday 15 March 2020
City Art Centre, 2 Market Street, Edinburgh EH1 1DE
Free admission
Images available to download here
Opening this Saturday (2nd November) Edinburgh’s City Art Centre brings the Edinburgh-born artist Mary Cameron (1865-1921) back into the spotlight, displaying over forty rarely-seen artworks from public and private collections.
Mary Cameron: Life in Paint explores the life and career of a woman who was truly ahead of her time, charting her creative journey from elegant family portraits to breath-taking Spanish scenes.
Born in Portobello, Edinburgh, Cameron began her artistic career as a portraitist and genre painter in her native city, before venturing abroad to study in Paris. Foreign travel proved to be a life-long source of inspiration. In 1900 she visited Madrid for the first time, where she became captivated by the Spanish culture, people and scenery. Establishing studios in Madrid and Seville, she painted large-scale compositions of traditional peasant life, dramatic bullfights and rural landscapes.
A thoroughly modern and adventurous woman, Cameron exhibited widely during her lifetime, with her talents being admired by contemporaries such as John Lavery and Alexander Roche. However, like so many female artists of her generation, her name is little-known today. This exhibition aims to change that, with examples of her impressive work complemented by historic photographs and archival material.
The display is the first dedicated exhibition of Cameron’s paintings since her death in 1921. It is accompanied by the forthcoming illustrated catalogue Mary Cameron: Life in Paint, written by Helen E. Scott and published by Sansom & Co.
Councillor Donald Wilson, Edinburgh’s Convener of Culture and Communities said: “I’m delighted that the City Art Centre is able to showcase this fantastic exhibition of the rarely seen works of Mary Cameron. It’s incredible to think this is the first exhibition dedicated to her since her passing in 1921. Life in Paint will take visitors through her creative journey from starting out in Portobello to international travel. Not only will it be an opportunity to celebrate her work, it is also a chance for people to learn about the artist herself and the important role she played in Scottish artworld history and the positive strides she made for women.”
Curator Dr Helen Scott said: “This is a really exciting opportunity to showcase a female Scottish artist whose work will be new to most people. During Mary Cameron’s lifetime she was fairly well-known. She won prizes for her work, staged prestigious solo exhibitions in Edinburgh, London and Paris, and was well-respected by other artists, including prominent members of the Glasgow Boys. Today, however, her name is scarcely recognised, let alone celebrated.
Most of Cameron’s surviving paintings are held in private collections, so there have been very few chances for audiences to view them since her death in 1921. In fact, many of the artworks that feature in the exhibition have not been seen in public for over a century – so it should be a real eye-opener.
As a female painter practicing in the late 19th and early 20th centuries, Cameron faced many obstacles in pursuing her ambition to become a professional artist. Women of her generation had far fewer training opportunities than their male peers, and they often encountered discrimination when exhibiting, selling and promoting their art. They had to work doubly hard to succeed as artists and gain recognition. Even when they managed to establish themselves, their posthumous legacies were often eclipsed by the reputations of their more famous male counterparts. Over the years, many of these women have slipped into obscurity and been virtually forgotten.
Now, however, the situation is beginning to change, with increasing numbers of historic female artists being brought to public attention. And there’s a very real, growing appetite among audiences to find out more about these pioneering women. Mary Cameron was one of those who helped to lay the foundations for greater gender equality in the Scottish art world, and I think it’s so important that we celebrate her contribution.”
ENDS
For more information, image and interview requests please contact Kate Bouchier-Hayes – kate@thecornershoppr.com / 07825 335 489
Images can be downloaded here
Venue Details:
Address: City Art Centre, 2 Market Street, Edinburgh EH1 1DE
Telephone: 0131 529 3993
Website: edinburghmuseums.org.uk
Twitter: @EdinCulture
Facebook: Facebook.com/City.Art.Centre.CAC
Instagram: instagram.com/museumsgalleriesedinburgh
Opening hours: Monday to Sunday 10am – 5pm
NOTES TO EDITORS
City Art Centre
The City Art Centre is one of Edinburgh’s main public art galleries. It is owned and managed by the City of Edinburgh Council. It is home to the City’s collection of historic and contemporary Scottish art, one of the best in the country. The gallery hosts a vibrant programme of exhibitions from its collection and by contemporary local, national and international artists and makers.
Ian O’Riordan, City Art Centre Curator (1984-2015) said;“I can’t be dispassionate about the City Art Centre. I started working there on Monday 5th November 1984, my 31st birthday, and stayed for 30 years!
“We put on the most fantastic exhibitions and built up the most brilliant collection of Scottish art. In retrospect, it all feels truly amazing – what we managed to do and how hard we all worked. People came and loved it and kept coming back. It remains a fabulous place, still with loads of potential. In these challenging times, Edinburgh is truly lucky to have it. Here’s to the next 40 years!”
Councillor Donald Wilson, Culture and Communities Convener said: “Over the last 40 years our City Art Centre has hosted more than 500 exhibitions, housed works from across the globe and welcomed hundreds of thousands of visitors.
“As we celebrate this milestone it’s a great opportunity to look back at our favourites over the years as well as look ahead to reopening our doors on September 12th.
“Our collection of Scottish art is one of the finest in the country and this special ‘highlights’ exhibition is a fantastic way to celebrate the past 40 years as well as welcome our community back. We wanted to mark this significant anniversary of a very special place and celebrate the city’s artistic collections in a safe way when we open our doors and gather together again.
“When it opened in 1980 the City Art Centre was designed to be more than a gallery, providing studio and meeting spaces for artists, craftspeople and art lovers. I’m very much looking forward to the exhibition and to welcoming visitors back when we reopen next week.”
City Art Centre at 40: Highlights from the City’s art collection runs from 12th September – 18th October 2020.
Bright Shadows: Scottish Art in the 1920s runs from 12th September – 6th June 2021.
More than £1.2m in funding has been awarded to local authorities in the south east of Scotland for emergency measures to prioritise public transport.
Transport Scotland has allocated the funding from its £10m Bus Priority Rapid Deployment Fund, which will support temporary changes to improve bus journey times and reliability on some of the region’s most congested routes.
A package of interventions has been developed by the South East Scotland Transport Transition Group, which involves Edinburgh, East Lothian, Midlothian, West Lothian, Fife, Scottish Borders, Falkirk and Clackmannanshire councils.
These aim to encourage and incentivise bus travel as an attractive, sustainable mode of transport as lockdown restrictions are lifted and traffic begins to return to previous levels.
Amongst proposals are the introduction or extension of bus lanes including on the A90 citybound between Cramond Brig and Barnton and on the A89 eastbound approach to Newbridge, various signalling improvements for smoother flow of traffic and enhanced bus stops at key locations.
Led by the City of Edinburgh Council, the South East Scotland Transport Transition Group has worked with bus operators and SEStran to develop the measures, which it is estimated could reduce journey times by up to 12 minutes in some areas.
The City of Edinburgh Council’s Transport and Environment Vice Convener Councillor Karen Doran said: “This funding award is extremely welcome and demonstrates the value of months of close partnership working between neighbouring local authorities, bus operators and SEStran.
“The way we travel has significantly changed over recent months and it’s clear commuting patterns won’t be returning to ‘normal’ anytime soon. This funding allows us to quickly prioritise public transport into and around the region, improving bus journey times and making bus travel a reliable, attractive mode of transport as restrictions are eased.”
Cabinet Secretary for Transport, Infrastructure and Connectivity, Michael Matheson said: “I’m pleased that passengers across the south east of Scotland will soon experience the benefits of these temporary bus priority infrastructure measures. These measures will remove pinch points and keep buses moving, resulting in faster end to end journeys.
“We know that in some cases, bus passengers have fewer alternative travel options, and so it’s right that buses are prioritised to help improve journey times and reliability across congested routes.
“While these measures will help make bus journey times faster on pinch points and undoubtedly makes bus travel more attractive, let’s continue to leave public transport for those that need it most.
“Walk, wheel or cycle where possible and use temporary active travel infrastructure which helps with physical distancing. Plan ahead if using public transport to help manage demand.
“By thinking about how and when we travel – collectively, we can keep Scotland moving during the COVID-19 crisis.”
Changes will be implemented using Temporary Traffic Regulation Orders and engagement with local stakeholders will be carried out before any proposals are put in place.
Detailed designs and additional traffic modelling work are ongoing, with further information on the next steps for each of the schemes to be made available in the coming weeks.
The Bus Priority Rapid Deployment Fund was announced by Transport Scotland in July and aims to provide immediate relief to some of the most congested bus routes in line with the Scottish Government’s route map through the COVID-19 pandemic.
Full list of proposed measures:
Citybound A90 bus lane from Cramond Brig to Barnton
Extension of westbound bus lane on Hillhouse Road towards Blackhall
Optimisation of Blackhall bus priority scheme
Temporary bus lane on A89 eastbound approach to Newbridge
Temporary bus lane on A8 westbound approach to Newbridge from airport on-slip
Short temporary bus lane on citybound approach to Maybury
Temporarily lengthen bus stop at Drum Brae Roundabout and increase waiting bays
Full/part signalisation of Riccarton Mains Road roundabout at Hermiston to aid bus access and egress from Park & Ride
Temporary kerb build out in bus stops e.g. North Bridge and South Bridge, Bathgate and in Uphall and Broxburn
Use layby areas as passenger waiting areas and temporary kerbs in Mid Calder on Bank Street
Extended bus lane operating hours on A71 heading towards Hermiston Park & Ride site
A70 westbound bus lane on approach to Gillespie Crossroads
Introduction of temporary traffic signals at Melville Dykes Rd/B704 Hillhead junction (Lasswade) give more priority to A7 and A6106 approaches
Gilmerton crossroads – parking restrictions on approaches to junction
Changed signal timings and yellow box markings at Straiton junction to aid entry of traffic to the junction from B702 Loanhead Road
Introduction of continuous bus lane on A701 southbound approach to Kaimes Crossroads
Introduction of bus lane on Captain’s Road westbound approach to Kaimes Crossroads
Extension of northbound bus lane on Duddingston Park (A6106) northbound approach to Milton Road (A1)
Bus lane on Linkfield Road between racecourse and Musselburgh High Street
Parking/waiting restrictions on Prestonpans and/or Tranent High Streets to ease congestion and reduce delays to buses
Split bus stop outside Musselburgh Police Station into two stops.
