Day: July 8, 2016

Exhibition features works by William Gillies and John Maxwell

This summer the City Art Centre stages William Gillies & John Maxwell, a major new exhibition exploring two of the best-loved Scottish artists of the 20th century.

The exhibition features over 70 artworks and archival objects displayed across two floors of the gallery. It includes drawings and paintings from the City Art Centre’s own collection, supplemented by loans from the Royal Scottish Academy of Art & Architecture, the University of Edinburgh Art Collection and several private lenders.

At the heart of the exhibition is the Fletcher Collection, a group of 43 artworks that has been on long-term loan to the City Art Centre since 1995. This is the first time in over 20 years that the Fletcher Collection has been displayed together in its entirety.

Councillor Richard Lewis, Edinburgh’s Convener of Culture and Sport, said: “This is a rare opportunity to see some of the finest artworks by William Gillies and John Maxwell – two very distinctive Scottish artists.  This exhibition is particularly exciting considering the Fletcher Collection is being shown together for the first time in 20 years.”

The exhibition is timed to coincide with the 2016 Edinburgh Art Festival. Entry is free of charge and further information is given below:

William Gillies & John Maxwell
30 July – 23 October 2016
City Art Centre, Edinburgh
Free Admission

William Gillies and John Maxwell were among the most significant and distinctive Scottish artists of the 20th century. Gillies is best known for his tonal Borders landscapes, spontaneous Highland watercolours and carefully constructed still life compositions, while Maxwell is remembered for his expressive, dream-like depictions of creatures, flowers and timeless nudes. The two artists pursued differing approaches in their work, and had contrasting personalities, but remained life-long friends.

Gillies and Maxwell met at Edinburgh College of Art in the early 1920s. After completing their studies both received travelling scholarships, which enabled them to live and work in Paris and encounter avant-garde movements like Post-Impressionism and Cubism. As they matured they developed in different creative directions, yet their lives continued to interweave as they travelled, exhibited and socialised together. Both joined the staff at Edinburgh College of Art, and while Gillies’ teaching career was longer than Maxwell’s, each of them proved to be a considerable influence on the next generation of Scottish painters.