2024 was another successful year for the Pomegranates Festival which ended on 30 April. The packed five day programme of traditional dance, poetry, art and fashion, saw ticket sales up by 50% on 2023, sold out family events and a packed house for fashion designer Alison Harm’s show featuring her latest collection made from sustainable tartan which was at the heart of this year’s festival exhibition exploring the links between tartan cloth and Scottish and Irish dance traditions.
Supported by Creative Scotland’s Traditional Dance Target Fund and other partners, the Pomegranates Festival celebrates Scottish traditional dance and diverse traditional dance practised by cultural migrant communities across Scotland.
Now in its third year, the festival has grown from a two-day showcase of work performed by local Edinburgh based dancers, into a five day festival showcasing new work choreographed by guest artists.
United Nations? – new dance theatre show choreographed by guest artist Jonzi D (pictured second from left on second row from top)in rehearsal at the Netherbow Theatre, Scottish Storytelling Centre, Edinburgh. Photo courtesy TDFS.
This year’s choreographer in residence was the highly acclaimed, MC, dancer, and spoken word artist Jonzi D who is the founder of Breakin’ Convention and widely recognised for his influence on the development of the UK British hip hop dance and theatre scene.
Jonzi D’s new work United Nations? created in just two days and performed by 20 international dancers resident in Edinburgh, Stirling and Glasgow, was premiered at this year’s festival on International Dance Day (Monday 29 April).
This powerful piece was a fantastic achievement and complemented new poetry written and read by poet-in residence Jim Mackintosh and a new film created by Scottish Estonian artist Mare Tralla.
Wendy Timmons and Iliyana Nedkova, Co-curators and producers of the Pomegranates Festival said: “We are delighted that this year’s festival was packed with so many events representing the diversity and wealth of traditional dance at our shores, as well as the intrinsic connection of Scottish and world trad dance with live music, poetry, film, heritage crafts, fashion and storytelling.
“We are very proud that for the third year now Pomegranates has served a cocktail of fascinating movement to over 4,000 estimated audiences and participants from Scotland, as well as worldwide via our festival livestreams.
“We couldn’t be more proud sharing this long weekend with over 100 trad dance artists, musicians, young people and creatives as they took over our stages, screens and spaces. We believe that Pomegranates has now taken roots in Scotland’s cultural calendar celebrating traditional dance from all corners of the world and from around the corner – all practised in Scotland by first and second generation of cultural migrants – from the Scottish Gaelic singing and step dancing to Highland and Ceilidh, from Ukrainian folk and Palestinian Dabkeh to Lindy Hop and Hip Hop.”
Jim Mackintosh, poet-in-residence at this year’s Pomegranates Festival who penned this contribution which was featured in the Festival Finale, entitled We Are Migrant said: …
step into the chamber of music and dance
your nation’s playbook of politics
now a charter of choreography
embracing each other’s culture
expectations and ambitions through
centuries of rhythm, no abstentions
allowed, no council member’s veto
defining futures in the theatre of war
in the trenches of oppression but here
now in the Palace of Peace here now
in our United Nations of Dance – always
In 2025 the festival also has plans to tour its dance theatre piece Elegies which weaves together dance theatre, spoken word and live music.
The piece, which was performed for the second time only, during this year’s Pomegranates Festival, is the first and only dance adaptation of the poetry book Elegies for the Dead in Cyrenaica (1948) by Hamish Henderson(1919-2002).
Henderson was a soldier-poet, singer-songwriter and scholar-folk revivalist of Scotland, and Elegies is set in a dancehall and a desert during the Second World War.
The production is centred around new ensemble choreography by George Adams which embodies ceilidh, jive, swing and lindy hop, accompanied by Henderson’s poems read by spoken word artists Morag Andersonand Stephen Watt, and live music and vocals from multi-instrumentalist Cera Impala.
Elegies performed during this year’s festival, photo credit Neil Hanna
2025 will also see the festival continue to work with the City of Perth to bring Europeade to Scotland in 2026.
The Europeade is the largest festival of European traditional dance, costume and music and its President Rudiger Hess was a guest at this year’s Festival. Endorsed by Kaukab Stewart, the Minister for Culture, Europe and International Development, the Europeade festival will see over 5000 traditional dancers from across Europe spend five days in Perth in July 2026 which will be the first time the UK has ever hosted this event in six decades of the festival’s history.
The Pomegranates Festival plans to return to Edinburgh in spring 2025 with a new five day programme of Scottish and world traditional dance from 25-30 April 2025.
The Festival is initiated and curated by Traditional DanceForum of Scotland and presented and produced in partnership with Traditional Arts and Culture Scotland, Moray House School of Education and Sport, University of Edinburgh, Edinburgh City Libraries, Dance Base and the Scottish Storytelling Centre.
For more information visit https://linktr.ee/pomegranatesfest