New documentary turns the spotlight on asylum seekers’ experiences 

Film captures the harsh realities of life in temporary accommodation during a pandemic

A NEW film documents the hardships and challenging living conditions faced by asylum seekers in Glasgow during the Covid-19 pandemic.

I’m Still Here, based on video diaries and photos shared by people living in temporary accommodation and other forms of housing, highlights the insecurity of their lives and constant battle to find the strength to carry on.

Around 350 asylum seekers were moved from their settled flats into various hotels in the city centre following the outbreak of Covid-19 in March 2020 in what was said to be an attempt to curb the spread of the virus.

A study last year by Edinburgh Napier University researchers found that they faced unsafe conditions, mobility restrictions and a lack of communication from service providers.

The report said the asylum seekers’ accounts – in which they likened their hotel-type accommodation to detention centres – “pointed to a provision that was inattentive towards their needs, vulnerability and wellbeing.”

Now an 18-minute documentary film produced as part of the research project by staff from Edinburgh Napier is to be premiered at Glasgow’s GMAC Film hub at a stakeholder event from 11am-2pm tomorrow – Wednesday February 23.

Further public screenings are being organised across Scotland and the UK to highlight the challenges faced by the country’s asylum seekers and raise public awareness of the issue.

Film director Dr Kirsten MacLeod, the University’s Programme Leader for BA (Hons) Television, said: “I’m Still Here offers a powerful insight into the lived realities of men, women and children placed in temporary accommodation in Glasgow during the pandemic.

“Participants speak of the insecurity of the system in which they find themselves and of extremely challenging living conditions.

“From hotels, hostels and a mother and baby unit, they tell of the stress and hardships they have faced as well as their personal efforts to stay strong, bravely sharing their experiences in the hope that their stories can affect audiences and create change.

“Featuring footage from across 2021, the film aims to humanise and give voice to those seeking asylum and living in Scotland and highlights inadequate policy and treatment of asylum seekers.”

The research study – funded by the Economic and Social Research Council – and film were produced in collaboration with migrant-led grassroots organisation Migrants Organising for Rights and Empowerment (MORE).

Dr Taulant Guma, Principal Investigator and lecturer in Edinburgh Napier’s School of Applied Sciences, said: “The recent moves by private sector firms to relocate asylum seekers to hotels across the UK during the pandemic have led to a great deal of misinformation in the public and media about the ‘luxurious’ conditions offered by these temporary arrangements, misinformation which has further perpetuated the stigmatisation of asylum seekers during the pandemic.

“This co-produced documentary captures the impact and reality of these moves through the eyes and from the perspective of asylum seekers themselves. 

“Through their video diaries, our participants tell a very different story from the one we often hear, a story that sheds new light on Covid realities for those individuals whose lives and mobility are largely regulated and restricted by the state and private companies.”

Yvonne Blake, co-founder of MORE, said: “The footage of the prison-like conditions the participants endured in the hotel capture the hostile environment at work and its significant impact on people’s mental health.

“Sadly, it has become common practice for the UK government Home Office through various contractors to subject international protection applicants to this kind of treatment.”

Short film starring autistic pianist wins Scottish BAFTA

A documentary film showcasing a talented autistic pianist has won a prestigious Scottish BAFTA award.

Harmonic Spectrum, which features 25 year old Edinburgh-based Sean Logan, was awarded the distinguished honor in the Short Film & Animation category at the star-studded BAFTA Scotland Awards on Saturday.

The film focuses on Sean, a talented musician using the piano to navigate life on the Autistic Spectrum. As he is drawn into new musical collaborations, he must learn to balance his enthusiasm and compulsive energy with understanding and compromise, redefining his artistic perspective.

The documentary short was produced and directed by Austen McCowan and Will Hewitt (above), and has been shown at several film festivals throughout the UK.

Having already gained Best Short Documentary at the Scottish Mental Health Arts Festival and the Optical Sound Award at the Flatpack Film Festival, the BAFTA win is the film’s most high-profile honour to date.

The BAFTA Scotland awards honour achievement in Scotland’s film, television and video game industries.

Sean Logan, who is starring in Harmonic Spectrum, said: “I hope that the legacy of this film is focused on what art can mean for people on the spectrum. Music is a therapeutic tool for people like myself, it connects me to people, music is something that brings people together.

“What I’ve learned is that the help is out there, and it’s by using tools that are out there already in the world for autistic people like myself, that I’ve succeeded. However, we need to ensure that people have access to those tools, because loads of people are still struggling.

“We’re really coming into a great time for people on the spectrum, as autism is being understood and identified a lot more now, and by 2050, who’s to say that neurodiversity won’t be the norm?”

Rob Holland, External Affairs Manager at the National Autistic Society Scotland, said: “We’re delighted to see Harmonic Spectrum receiving a Scottish BAFTA award, as it represents an important step in raising awareness of the lives and experiences of the 56,000 autistic people in Scotland.

“The depiction of autistic people in film and TV has often been from the perspective of non-autistic people and in many cases has compounded myths and assumptions. This film flips that putting Sean’s voice as well as his music at the heart of the story.

“We hope that this achievement will inspire more stories from autistic people like Sean to be told through film.”

EIFF presents the world premiere of PRINCE OF MUCK – screening across Scotland on 19 August

Lawrence MacEwen milking Cow. Copyright all Stills as de Productie and Faction North ©2021

Edinburgh International Film Festival is delighted to announce that it will screen the World Premiere of Prince of Muck – set on the tiny inhabited island of Muck, off Scotland’s west coast, Cindy Jansen’s cinematic and haunting documentary explores how difficult it is to change the habits of a lifetime.

On Thursday 19 August the World Premiere at Edinburgh International Film Festival will simultaneously see the film screened in around 12 locations across Scotland from Edinburgh to Lerwick, Tiree to Tobermory and Inverness to Glasgow.

Lawrence MacEwen, who turns 80 years old this weekend, has farmed the Isle of Muck since the late 1960s. With his family he has created a rural retreat, perhaps out of time with the rapid transformations of the world around it. Revered for his eco-conscious stewardship in the 1970s, Lawrence now finds himself stubbornly battling to preserve his vision of the island for the next generation.

Dutch filmmaker Cindy Jansen captures a uniquely cinematic portrait of a place and a person haunted by the past and struggling to maintain their relevance for the future.     

Prince of Muck is one of three films which will screen simultaneously at locations across Scotland as part of EIFF’s vision to play an active role in bringing cinema audiences back together across the country.

Partnering with independent cinemas and working in partnership with Film Hub Scotland, INDY Cinema Group and Regional Screen Scotland, fantastic films secured as part of EIFF will be shown in local cinemas including the opening film, the European Premiere of Pig starring Nicolas Cage at his melancholy best, and the Festival’s closing film, the UK Premiere of Here Today, directed and starring the disarmingly charming Billy Crystal and Tiffany Haddish. 

Full details of screening locations will be released with the programme on 28 July but include Mareel Shetland, Tiree Isle of Tiree, Screen Machine Tobermory and Fort Augustus, Glasgow Film Theatre, Oban Phoenix, Macrobert Arts Centre Stirling, Eden Court Inverness, DCA Dundee, Heart of Hawick, Belmont Filmhouse Aberdeen, Birks Cinema Aberfeldy – and the home of EIFF, Filmhouse in Edinburgh.

Prince of Muck and the Scotland wide screenings of these three EIFF films is supported by the Scottish Government’s Festival’s EXPO Fund.

Filmmaker Cindy Jansen said: “I first went to the Isle of Muck with an open curiosity, but quickly became fascinated by the complex nature of the way in which everyone on the island is interdependent.  

“It made me think deeply about my own society, here in Holland, but I knew that in Muck, I had the opportunity to study the fragile balance between tradition and modernity in an entire ‘micro society’.  

“In Lawrence MacEwen, I found an engaging character, who is not only deeply embedded in the community, but who transcends the history of the island, as he struggles to accept that intergenerational change is profoundly challenging, but inevitable.  

“It is wonderful that the film will premiere at EIFF in Scotland, close to its home ground.  I feel it is a great compliment to the people in the film and the team who made it happen, in Scotland and here in The Netherlands.”

Rohan Crickmar, Documentary Programme Consultant for EIFF said: “Quite simply it is a celebration of the Scottish landscape and its people that focuses on the need to renew and evolve heritage and tradition to preserve a sense of community.

“It will allow you to see a part of Scotland rarely documented, and in a strikingly different way which highlights cultural commonalities across Europe’s northlands.”

Ken Hay, CEO of EIFF said: “EIFF is delighted to be working with partner venues across Scotland in our celebration of the communal cinema experience with the simultaneous screening of Prince of Muck, along with our opening film, Pig and our closing film, Here Today.

“These will be special moments for the festival and the filmmakers, but most importantly for audiences across the country. Huge thanks to the Scottish Government and the Festivals Expo Fund for supporting this initiative.”

Culture Secretary Angus Robertson said:  “The Edinburgh International Film Festival excels in showcasing Scotland, and this year is no exception.  

“The World Premiere of Scottish-made documentary Prince of Muck – one of three films to be simultaneously screened in locations across Scotland during the festival – will bring audiences back together to see our nation through different eyes, celebrating its landscapes, its people and the importance of community.  

“I am pleased that £50,000 of funding from the Scottish Government’s Festivals Expo Fund has contributed to the Edinburgh International Film Festival’s innovative development of this communal cinema experience, so that these films can be enjoyed nationwide.”

Screen Scotland’s Mark Thomas said: “This beautifully cinematic portrait of an island and a family in transition is the result of a strong European co-production between Scotland-based production company Faction North and Dutch company De Productie, coming together to realise director Cindy Jansen’s vision.

“Thanks to the Festival’s work with venues and cinemas, it’s fantastic that audiences across Scotland will have the opportunity to see the film simultaneously this summer.”

Prince of Muck was supported by The National Lottery and the Scottish Government through Screen Scotland’s Film Development and Production Fund.

#PrinceofMuck   

More information: 

http://www.factionnorth.com/project/prince-of-muck/

Watch the trailer: https://vimeo.com/578045470

Pig will be exclusively released in cinemas nationwide by Altitude Film Distribution on 20 August 2021.

Watch the trailer: https://www.youtube.com/watch?v=-4nRpdONaAA

Here Today will be released by Sony Pictures Releasing UK, and will be in cinemas nationwide on 3rd September 2021

#HereTodayMovie.  Watch the trailer: https://youtu.be/ti8awH6W0Ws

The 74th edition of EIFF runs from 18 – 25 August 2021. The full programme will be announced on 28 July 2021.

#EdFilmFest

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Edinburgh Napier’s Bleeding Free documentary premiere tonight

Period poverty, period dignity and menstrual education comes under spotlight in new film created by Edinburgh Napier students

A documentary that captures a three-year long campaign by students and staff at Edinburgh Napier to raise awareness of period poverty will be premiered tonight.

‘Bleeding Free’ will premiere online tonight (Thursday 20 May) at 7pm.

The documentary captures the work and campaigning of Bleedin’ Saor – a collective consisting of Product Design, Film and TV students as well as staff members from the University’s School of Arts and Creative Industries.

Bleedin’ Saor (saor translates to the English word ‘free’) was formed in early 2019 to combat menstrual myths and break the ‘silence of menstruation’ in order to create a long-lasting impact for young people and their communities. 

The documentary – which was filmed, edited and produced by students and staff from Edinburgh Napier – looks at topics such as period poverty, period dignity and menstrual education both in Scotland and overseas in Uganda.

The collective visited Uganda in 2019 as it took its campaign to East Africa to join the global efforts in the menstrual movement.

The 10-day trip saw the group meet with and interview members of a number of organisations within the country who are fighting for better period product provision, gender equality and women’s’ rights.

The team met staff at the Girl Up Initiative which aims to empower women and girls through menstrual education, including taking their message out onto the streets of Kampala. The collective also viewed menstrual health workshops in primary schools and saw first hand how social enterprises producing re-usable sanitary pads can help sustain local communities as well as enable girls to stay in school longer.

The trip also saw the Bleedin’ Saor team meet up with Irise International which aims to create menstruation friendly schools in Uganda. With the charity, the team met with elders who support women and girls in their communities and presented their own ideas to a primary school in Buwenge, a town in the Eastern region of Uganda.

Closer to home, the documentary also captures the work of the collective and its three designers – Sam Calder, Hannah Stevens and Brogan Henderson – as they worked with the University and the Hey Girls social enterprise to design two new period product dispensers.

The final design has been used by Edinburgh Napier to make period products free to all who need them within the University’s campuses and will soon be installed in schools, colleges and universities across the country. The free products at Edinburgh Napier have been made available thanks to Scottish Government funding.

The Bloody Big Brunch event hosted by Bleedin’ Saor at all three of Edinburgh Napier’s campuses in early 2019 – which saw guests pay for entry to the brunch through donating period products rather than money – is also revisited in the film.

The premiere of the documentary had been delayed previously as a result of the on-going Covid-19 pandemic, but the team is delighted to now be able to revisit its campaign with a wider audience.

Dr Kirsten Macleod, programme leader of the BA (Hons) Television programme at Edinburgh Napier and Executive Producer of the film, said: “We are so pleased to be able to share this film and showcase how Scotland is leading the world in providing free access to period products alongside the amazing work being done here and in Uganda on menstrual education and support. This is a global issue that will change the lives of millions of women and girls.”

The entire Bleedin’ Saor project has been co-ordinated by Product Design lecturer, Ruth Cochrane, Dr. Kirsten Macleod and School of Arts and Creative Industries’ placements officer, Lindsay Morgan. It has received funding from Santander Mobility Grants and other funding initiatives.

More information on the Bleeding Free documentary and information on how to reserve your ticket to the premiere can be found at 

https://bleedingfree.wordpress.com/

More information on the wider Bleedin’ Saor collective can be found at 

https://www.bleedinsaor.com

TOLL: An act of anger, protest, recognition and remembrance

Concrete Block Gallery, Undercroft, 15 Lauriston Gardens, Edinburgh, EH3 9HH

Saturday 15th and Sunday 16th May between 11am and 5pm

As lockdown eases there’s an exhibition opening in an unconventional gallery space in a corner of Edinburgh that might help us to pause and reflect on what has happened before we rush out and enjoy the freedom.

‘Toll’ is an artwork by Edinburgh-based artist Andrew Brooks at the new Concrete Block Gallery, which makes a single mark for each of the first year’s reported deaths involving Covid19 in the United Kingdom.

The total reported deaths involving Covid19 for the first year in the UK was 145,652 and this is the number of marks made over 52 performances by Andrew in the space, each performance representing a single week’s statistics.

Andrew began the project online on March 13th 2021, publishing the first performance video on the one-year anniversary of the first reported deaths in the UK, and will complete this work of protest and remembrance on May 13th.

Andrew Brooks said: “There are two elements to the artwork: the physical piece with the marks made on the paper and also the performance of me in the space making the work – I do it in silence and on my own.  The performance of this is very much the work part of the work and is just as important as the paper.”

Each mark is made with a single brush dab and is 4cm high and made on rolls of paper 1.5m wide and 10m long. The marks fill 53 metres of paper and have used over a litre of black ink.

Each week’s statistics is filmed separately, and the longest film is 3 hours 6 minutes, representing the 6th week of Covid related deaths in the UK which was the highest toll for the year at 9,510.

Andrew continued: “The act of remembrance is very important in the way that I have gone about constructing this, attempting to recognise each one of those deaths. Understanding what one hundred and forty-five thousand marks looks like and how much time it takes to make those.

“I try and be as considered as possible when I make a mark because that is somebody – that is somebody’s family member, somebody’s friend and it’s somebody’s life that’s ended.”

Seeing Andrew’s endeavour on Instagram, documentary film maker, Dave MacFarlane of DMtwo Media, approached him to document the process of making the work.

Dave MacFarlane explained: “This recent filming project is one of those that come along and you can’t help but take notice.

“The subject matter, the artistic concept and the wider social impact were all key factors in wanting to produce this short documentary”.

Reflecting on why he decided to make the work, Andrew said: “When you think about the statistics it easily gets abstracted away but I’m doing this to make it physical and make it so that it can’t be avoided.

“It’s a visualization that really makes you understand what’s happened, over a hundred and forty-five thousand deaths, you have to realise that this is something to get angry about.

“The impetus for this was anger and that’s what’s fed it. It’s anger at Westminster and at central government. I’ve felt that they haven’t been decisive, they haven’t made strong decisions, there has been a lot of waste, that has resulted in over a hundred thousand deaths.

“This is a protest piece, this is my version of holding up a placard and standing out in the street – this is my concerted silent protest. Art can have many roles in society, and one of those is definitely protest and this is my protest”. 

‘Toll’ will be exhibited for viewings at Concrete Block Gallery Saturday 15th and Sunday 16th May between 11am and 5pm. 

Viewings can be booked through Eventbrite here: 

https://www.eventbrite.co.uk/e/toll-exhibition-tickets-153275995629

Pictures: DMtwo Media

Celebrating the Queens of Space

Graduate’s documentary looks at the next generation of women in aerospace

A recent Edinburgh Napier TV graduate is boldly going where no previous TV graduate has gone before with his debut documentary film. 

Adam Smith – who graduated from Edinburgh Napier in July this year – has recently released ‘Space Queens’,his first feature documentary that takes an in depth look at the women behind Apollo 11’s mission to the moon. Continue reading Celebrating the Queens of Space

Students visit Uganda as part of campaign to raise awareness of period poverty

International work will feature as part of documentary by Bleedin’ Saor collective

A creative collective from Edinburgh Napier that aims to raise awareness of period poverty has taken its campaign to East Africa as part of a once in a lifetime trip to Uganda.  Continue reading Students visit Uganda as part of campaign to raise awareness of period poverty

One Day in Haram

International Humanitarian charity, Penny Appeal, are announcing a film tour, starting with the London showing of One Day in the Haram on September 7th. A documentary by critically acclaimed British Muslim filmmaker, writer, producer and director, Abrar Hussain, the film tells the extraordinary story of the Haram in Mecca (Makkah), and will be shown in 23 cities around the UK.

This ground-breaking documentary tells the story of the Haram through the eyes of the people working in Mecca and addresses the motivations of their faith, as well as the logistics of providing a service catering to the needs of the millions of pilgrims visiting each and every year.

For the first time ever, this documentary offers viewers unrestricted access to the inner workings of this most holy site, previously shrouded in mystery. The documentary was shot at 4k resolution using a variety of ground-based, helicopter, and drone video recordings to provide a beautiful and highly detailed viewing experience.

The Haram, which is situated in Mecca, Saudi Arabia and surrounds the Islamic Qinah, is also known as the Masjid-al-haram. It is a place so revered by the Islamic world that non-Muslims are forbidden to enter. At present, the Haram hosts over five million people each year, especially during the time of the Hajj, a requirement of one of the five pillars of Islam, whereby all able-bodied Muslims must travel to the holy city.

The documentary also discusses the Islamic rituals in great detail, while giving a rich history of the Haram, explaining the inner workings, beliefs, and traditions surrounding this most revered site, in a way that is enticing to both Muslims and non-Muslims.

Director Hussain says he wants to “show how successfully the mosque is run, how organized its departments are, and how seriously its workers take their jobs.”

Tickets available by calling 03000 11 11 11 or visit www.pennyappeal.org/event/one-day-haram  

Prices starts from just £5, screenings will run from the 7th till the 29th September, up and down the country from Cardiff to Edinburgh, including matinee performances in certain cities.

For further information, please call Pedro on 07831 556 951 or e mail Pedro.carvalho@pennyappeal.org

Friday 07/09/2018 1 London Evening Porchester Hall
Saturday 08/09/2018 2 East London Matinee Stoke Newington Town Hall
Saturday 08/09/2018 3 East London Evening Stoke Newington Town Hall
Sunday 09/09/2018 4 Wembley Evening Oakington Manor Hall
Monday 10/09/2018 5 Luton Evening Luton Library Theatre
Tuesday 11/09/2018 6 Reading Evening Shehnai Olympia Ballroom
Wednesday 12/09/2018 7 Cardiff Evening The Angel Hotel
Thursday 13/09/2018 8 Coventry Evening Royale Mint
Friday 14/09/2018 9 Walsall Evening Walsall Football Club
Saturday 15/09/2018 10 Leicester Matinee Sapphire Suite
Saturday 15/09/2018 11 Leicester Evening Sapphire Suite
Sunday 16/09/2018 12 Birmingham Matinee Crown Banqueting
Sunday 16/09/2018 13 Birmingham Evening Crown Banqueting
Monday 17/09/2018 14 Peterborough Evening The Cresset Theatre
Tuesday 18/09/2018 15 Nottingham Evening Albert Hall
Wednesday 19/09/2018 16 Sheffield Evening Magna
Thursday 20/09/2018 17 Batley Evening IMWS
Friday 21/09/2018 19 Manchester Evening Vermillion
Saturday 22/09/2018 20 Bradford Matinee The Regency Hall
Saturday 22/09/2018 21 Bradford Evening The Regency Hall
Sunday 23/09/2018 22 Blackburn Evening King Georges Hall
Monday 24/09/2018 23 Bolton Evening Cineworld Bolton
Tuesday 25/09/2018 24 Oldham Evening Eastern Pavillion
Wednesday 26/09/2018 25 Middlesbrough Evening Middlesbrough Theatre
Thursday 27/09/2018 26 Aberdeen Evening Cineworld Aberdeen Union Square
Friday 28/09/2018 27 Glasgow Evening Mitchell Theatre
Saturday 29/09/2018 28 Edinburgh Evening Roxy Assembly

 

Groundswell Rising: the fracking truth?

FRIDAY 4th MARCH 7 – 10pm NORTH EDINBURGH ARTS

grounds

US FILM SHOWS RISKS OF FRACKING

Communities invited to screening of American documentary

Community campaigners are inviting local people to view a documentary highlighting first-hand accounts of the effects of fracking in the United States.

Hands Over Our Scotland has helped organise a local screening of the film ‘Groundswell Rising’, featuring the testimonies of people in towns across America who have to live side-by-side with the fracking industry.

The film will be shown on Friday 4 March from 7 to 9:30pm at North Edinburgh Arts.

Dr Richard Dixon, Director of Friends of the Earth Scotland will introduce the film. He will be joined by Prof Andrew Watterson, Director of the Centre for Public Health and Population Health Research, and Head of the Occupational and Environmental Health Research Group, School of Health Sciences, University of Stirling for discussion after the screening.

Dr Richard Dixon said: “Scotland has to learn from the communities that have already had to live with fracking. Seeing the reality of having this dirty industry as a neighbour should persuade anyone that it’s not something we want here. For the sake of the climate and local people, fracking and unconventional fossil fuels are the last thing Scotland needs.”

Maria Montinaro, of Hands Over Our Scotland, who is accompanying the producer on a tour of UK, said: “This film shows the reality of what it means to live beside fracking operations, including the daily struggle of ordinary people to protect their children’s air and water.

“Their testimonies show what is potentially in store for communities around the Forth if our government allows big fossil fuel companies to go ahead with their plans. The first duty of any government is to protect its citizens. We call upon our Scottish Government to put the health and wellbeing of Scottish communities first –  banning this industry .”

Groundswell Rising has been praised by critics. LA Weekly said it ‘balances grim facts and expert analysis with scenes of ordinary people pushing back’, while Hollywood Reporter said it ‘delivers its arguments with a canny mixture of facts and emotion’.

Executive producer Mark Lichty will speak at the first screening at the University of Edinburgh. Mark is an attorney and former CEO of Bustin Industrial Products. Having been in manufacturing for many years, he is deeply concerned about the safety issues not being addressed by the oil and gas industry.

He said: “I’m really looking forward to meeting people of Edinburgh. The film shows how an industry rich with political connections managed to slip into a position of almost untouchable power and how at-risk communities have come together to fight back.

“Groundswell Rising is a documentary told by those who are living it, with honesty, passion and a sincere desire to protect our children and the world we leave them. I hope that Groundswell Rising will inspire people and politicians in Scotland to ban risky gas extraction once and for all.”

The Groundswell Rising screening at North Edinburgh Arts is part of a tour across central Scotland being organised by campaign group Hands Over Our Scotland.

Full screening details are available at www.groundswellscotland.com.

Groundswell Rising flyer_23.2.16 (2)

How to change the world … in Edinburgh!

New documentary tells the story of the birth of Greenpeace

greenpeace film

My old mate Dave Woods has alerted me to a film made by his friend Jerry Rothwell he describes as ‘wonderful – it is a fabulous thing.’ High praise indeed … ‘How To Change The World‘ premieres at The Cameo  on Wednesday 9 September at 8pm (also showing at Cineworld Edinburgh and Odeon Lothian Road). 

How To Change The World tells the gripping story of the origins of Greenpeace. A Sundance 2015 award winner, the film draws on stunning unseen footage from the early days of the modern green movement.
In 1971 a brave group of young activists set sail from Vancouver in an old fishing boat. Their mission: to stop Nixon’s atomic bomb tests in Amchitka, a tiny island off the west coast of Alaska.

It was from these humble but courageous beginnings that the global organisation that we now know as Greenpeace was born. Chronicling the fascinating untold story behind the modern environmental movement, this gripping new film tells the story of eco-hero Robert Hunter and how he, alongside a group of like-minded and idealistic young friends in the ’70s, would be instrumental in altering the way we now look at the world and our place within it.

A real-life thriller with larger than life heroes‘ – Huffington Post
Tremendously inspiring, and by turns thrilling, comic, and shocking‘ – Slashfilm
A panel discussion, broadcast live via satellite, follows the screening featuring legendary fashion designer and long-standing Greenpeace supporter Vivienne Westwood, director Jerry Rothwell, Robert Hunter’s daughter Emily Hunter and other special guests to be announced. The event will be hosted by Mariella Frostrup. 
You can check out the trailer here: https://vimeo.com/126619145

The Cameo  Link: https://www.picturehouses.com/cinema/Cameo_Picturehouse/film/how-to-change-the-world-live-premiere