UK broadcasters to introduce industry-wide guidance for producing TV safely during Covid-19

ITV, BBC, Sky, Channel 4, Channel 5, STV, ITN, the Association for Commercial Broadcasters and On-Demand Services (COBA) and Pact have joined forces to introduce new industry wide guidelines for producing television safely in the weeks and months ahead.

The guidelines are intended to enable a return to production for the television industry.

This guidance covers the broad range and scale of all TV programme making in every genre for TV and is complementary to the forthcoming British Film Commission guidance on managing the risks associated with film and high-end TV drama production.

In the new guidelines, the number one priority remains the safety and well-being of production teams and those who work with them.

The guidance has been produced through a collaboration of cross industry experts in this area along with external expertise provided by Dr Paul Litchfield CBE. 

The broadcasters have also worked with First Option, safety consultants to the media and entertainment industry, to devise this approach as well as liaising with union representatives and the Health and Safety Executive.

The guidance has also taken careful note of the recent government advice (https://www.gov.uk/guidance/working-safely-during-coronavirus-covid-19) on the safe return to work.

The expectation is that the guidance will evolve over the coming months as the lockdown is eased, as government advice evolves and as TV productions adapt to the new challenges posed by the Covid-19 risk and provide a framework the entire industry can work within.

The full guidance is attached (see below). In summary, the guidance details six areas that producers, in conjunction with the commissioning broadcaster, must consider when planning to produce during Covid-19. They are:

●       Specifically consider people at higher risk of harm

●       Heighten precautions for everyone at work

●       Reduce the number of people involved

●       Consider editorial ‘on camera’ requirements

●       Consider mental health and wellbeing

●       Feedback loop

The guidance also lays out the key areas to consider when assessing risk on productions and suggests controls to consider (detailed in the attached guidance). They are:

●       Travel: Try to minimise travel and follow social distancing principles within travel arrangements, wherever possible.

●       Location: Consider the physical capacity of the space given the requirements of social distancing along with the provision of key hygiene facilities.

●       Work Activities: Consider the activities that people are going to need to undertake across roles on production and if these can be adapted or changed to reduce risk.

●       Work Equipment: Work equipment is key to TV production from cameras and headsets to edit suites. Good hygiene and managing potential issues with touchpoints should be addressed.

●       Work Patterns: Work patterns may enable you to have small groups (cohorts) of people who don’t come into contact with other groups.

●       Rest Areas: Rest areas are very important but may need some reconfiguration and planning around breaks to ensure rest areas are as safe as possible.

●       First Aid and Emergency services: Emergency services are under great pressure so may not be able to respond as quickly as possible alongside this Coronavirus (Covid-19) poses a potential risk to first aiders.

●       Masks, Gloves and Other Personal Protective Equipment: Use of PPE is very much a last resort and should only be considered when all other forms of control have been considered and/or implemented. In would not in general be appropriate to source medical grade PPE. The very limited exceptions to this might be when filming in higher Covid-19 risk settings such as hospitals which would only be at the invitation of the relevant hospital authorities.

●       Mental Health: The Covid-19 risk and the response has had a potential Mental Health impact for those working on productions.

Culture Secretary, Oliver Dowden, said: “Great British television is keeping us company throughout the crisis, and I’m keen to get cameras rolling as soon as it is safe. Our creative industries are Britain’s global calling card and this is a significant step forward in getting our favourite shows back into production.”

Carolyn McCall, Chief Executive, ITV said: “ITV has been at the heart of informing, entertaining and connecting the UK through the Covid-19 crisis. Our production teams are now working hard to bring many more much loved shows back for viewers.

“This requires really innovative thinking, but above all, the safety and well-being of all those who work on the programmes is paramount. Working with partners across the industry, and with the support of DCMS, we have created clear guidelines to give producers a framework within which they can ensure that their production is safe.”

Tony Hall, BBC Director-General, said: “Everyone across the TV industry wants to get production back up and running. Recent weeks have shown just how important shows are to the public.

But we can only move forward with the right safety measures in place. This guidance is an attempt to get that right. Clearly we will keep it under review. We have, as an industry, already learnt a lot about how we can deliver programmes and we will all put that into practice”.

Alex Mahon, Chief Executive, Channel 4 said: “I’m phenomenally proud of the role Channel 4, alongside our production partners, has played over the last two months to help navigate audiences, particularly young and hard-to-reach viewers, through the Covid crisis.

Unlocking the television production sector in a safe way will be vital to continuing to ensure we can both continue to serve our audiences and help sustain the livelihoods of those in the industry – and I’m pleased that we’ve been able to work in partnership with other broadcasters, DCMS and PACT to create this innovative new framework.”

Simon Pitts, CEO STV (above) said: “STV’s continued delivery of public service news and current affairs throughout the Coronavirus crisis demonstrates our ability to produce programming safely, incorporating stringent new safety measures.

“Nations and regions producers like STV Productions play a vital role in driving both the UK’s world-leading production sector and the local creative economy and – working closely with the Scottish Government – this protocol can provide a vital framework for more of our colleagues, across a broader range of production, to return to work with the same level of confidence about their safety and wellbeing.

Gary Davey, CEO Sky Studios, said: “This guidance provides production companies and broadcasters with a shared set of principles to keep staff, cast and crew safe across a range of productions.

We will continue to work closely with our international partners, share best-practice and continuously review and evolve the guidelines as we return to production.”

Ben Frow, Director of Programmes, ViacomCBS Networks UK said “The UK is a global leader in content production and these guidelines will help pave the way to getting our sector safely back up and running, as we begin to navigate a ‘new normal’.

“Through a consistent and collaborative industry approach, we can work together with suppliers to reframe the parameters of programme-making during this challenging time, putting people’s wellbeing at the heart of the process.”

Anna Mallett, CEO, ITN said: “Our teams in ITN have pioneered new ways of working to keep the news on-air and crucially, to keep staff, freelancers and contributors safe during this time.

We’ve been able to share our experiences and protocols to help draw up these guidelines for the wider industry. Our documentary team have found ways to ensure safety and creatively maintain production on a number of programmes filmed in contributors’ homes and on location.”

Adam Minns, Executive Director, COBA said: “Like the rest of the sector, COBA members are keen to renew production activity as soon as it can take place safely and responsibly.

“We hope this guidance will be an important step in getting the TV sector back to what it does best: making world class content.”

John McVay, Pact CEO, said: “This guidance from all the major commissioning broadcasters in the UK is a very helpful first step to getting the industry back working and taking forward the recovery”.

Industry wide – TV Production Guidance 18052020

BBC unveils children’s iPlayer experience

Families and children can now easily discover a wide range of entertaining and educational shows and films, with the launch of a new children’s experience on BBC iPlayer.

Rolling out on internet-connected TVs, it brings together the best from CBBC and CBeebies, and other suitable BBC programming, all in one place.

When selecting who’s watching iPlayer, there’s now a monster shaped ‘children’ button, which opens a treasure trove of viewing – from hit shows like Hey Duggee and Bing to David Walliams classics such as The Boy In The Dress, Gangsta Granny and Mr Stink – which return to iPlayer.

Children can easily find something to watch thanks to more ‘child-friendly’ categories, that let them pick and browse between Trending, Drama, Funny and Cartoons – as well as giving easy access to the CBeebies and CBBC channels.

The children’s experience has been designed to give confidence to parents and carers that kids are watching suitable shows – with content curated from across CBeebies, CBBC and other suitable BBC programmes and brands.

To make the service even more special, it has been given a distinctive, bright and bold design – helping children understand that this is a dedicated experience just for them.

Alice Webb, Director BBC Children’s and Education, says: “Keeping children informed, educated and entertained at home during these unprecedented times is going to be even more important than ever.

“Whether it’s being a number detective with the Numberblocks, going on a global adventure with Go Jetters, or learning about the planet’s deadliest animals with Deadly 60 – this new experience gives children of all ages a place to go to do that.

“We can’t promise solving the sibling tiffs over what to watch – but we can make it even easier to bring families and kids an incredible choice of shows and films on iPlayer. Children and parents can be assured the BBC will be for them during these challenging times.”

Dan Taylor-Watt, Director of Product, BBC iPlayer and BBC Sounds, says: “We know more and more iPlayer viewing is happening on the biggest screen in the home.

“We’re now making that experience even better for children – so they have a safe place to enjoy their favourite shows, discover new ones – and learn more, especially at the moment. And over time, this experience will get even better, with recommendations increasingly tailored to them – making sure they get the best kids experience possible.”

A message from STV

People and businesses across the country are now profoundly impacted by the coronavirus and we recognise the vital role that public service broadcasters like STV will play through this extended period of disruption.

We are a free to air, universally available and highly trusted source of news, entertainment and information and we will use our privileged place in your life to have a positive impact now and in the longer term:

For you, our viewers

We will do everything we can to maintain our service and keep our shows on air across all genres, in particular to ensure you are informed with trusted news about the crisis both on TV and online, as well as providing you with much needed entertainment.

Our news service

Our dedicated team of journalists continue to collect and broadcast news content across Scotland, providing the most locally focused news service, together with dedicated Holyrood and Westminster coverage.

Our current affairs programme, Scotland Tonight, will offer additional coverage of the coronavirus pandemic and now has a 7.30pm peaktime slot on Thursday evenings in addition to Monday to Wednesdays at 10.40pm

Our broadcast schedule

We will deliver a comprehensive range of new programmes. Our schedule largely relies on pre-recorded shows like The Chase and Tenable in the afternoons and 9pm dramas like Liar and Belgravia.

It was also announced that Coronation Street and Emmerdale – the two most popular programmes in Scotland – will continue to run for the coming months, albeit on a reduced schedule pattern of 8 episodes per week from Monday 30th March as the production teams implement new health advice.

While The Voice UK knock out stages continue this weekend, it has also been announced that the live semi-final and final have been postponed on 28th March and 4th April and we aim to replace them with Voice specials.

In addition the production teams are working hard to maintain the Britain’s Got Talent live shows when they return later this spring. Ant & Dec’s Saturday Night Takeaway will still air this weekend, without a live studio audience for the first time.

Across drama, entertainment and factual entertainment you still have a huge range of new and returning shows to look forward to, including the dramas Liar, Belgravia and Quiz, as well as entertainment from Alan Carr’s Epic Gameshow, Gordon, Gino & Fred’s Road Trip and the return of the Britain’s Got Talent auditions next month.

STV Player

With thousands of hours of content, the STV Player is the home of the STV schedule online and much more. It is also now universally available across Scotland following its recent launch on the Sky platform and on Apple TV, alongside over 30 other platforms and connected devices.

There are currently over 50 box sets for you to choose from on the Player across drama, entertainment and factual, with something for everyone.

You can catch up on the latest big dramas, like Flesh and Blood, McDonald & Dodds, Vera, Cold Feet and Endeavour.

We have also added over 1000 hours of exclusive Player-only content like drama series Rake, Janet King, The Last Enemy, The Code, Deep Water, The Slap, Acceptable Risk and Hamish Macbeth.

And there’s a chance to remember classic STV dramas like Taggart, Rebus, The Prime of Miss Jean Brodie and Take the High Road. Beyond drama there are great factual titles, including hours of Scottish scenery, documentaries and true crime, including titles like Grand Tours of Scotland, Cold Justice, Unveiled, Changing Faces, and Street Hospital.

More new content for the STV Player will be announced soon.

STV Children’s Appeal

No one will be hit harder by the coronavirus than our most vulnerable communities. We have therefore granted emergency funding of £400,000 from monies raised during the 2019 STV Children’s Appeal to FareShare, who will redistribute food to communities across Scotland.

We are actively seeking to work collaboratively with other charities to ensure that funding gets to those who need it most right now, and will be adapting our future STV Children’s Appeal fundraising activities in 2020 to ensure we focus on the most pressing causes during this crisis.

Looking ahead

These are hugely challenging times for everyone but my fantastic colleagues at STV are committed to delivering the best possible service for viewers, partners and our local communities over the coming months, and I would like to thank them for their professionalism and dedication.

We’ll continue to work together with industry, commercial partners, government and you our viewers to entertain, inform and provide vital support where we can across Scotland.

Simon Pitts

Chief Executive Officer, STV

Radio Forth reports an increase in listener numbers

Cash Register has proved to be a real winner at both ends of the M8 with Radio Clyde and Radio Forth reporting an increase in total listener numbers, according to the latest RAJAR results.

The popular competition has helped Radio Clyde and Radio Forth to increase their dominance across the Central Belt with combined listener numbers reaching 1,009,000, keeping it over the magical million number.

This is an increase of 6,000 from the previous quarter and is a result of the combination of engaging competitions, great music, relevant content and popular presenters.

Radio Forth has seen an increase with the combined figures for Forth 1 and Forth 2 reaching 352,000 every week.

Forth 1’s Boogie In The Morning enjoyed a significant increase with 229,000 listeners tuning in every week, up 13,000 from the previous quarter. The popular show achieved its highest audience share in six years and now has a fantastic 22.2% share of all breakfast radio listeners across the East of Scotland.

Radio Clyde has enjoyed continued growth, now reaching a total of 664,000 listeners across Glasgow and the West every week. The hugely successful Bowie At Breakfast now has an incredible 351,000 waking up to it every week. At the other end of the day, Clyde 1’s Superscoreboard weeknight show also scored very strong results with 200,000 listeners every week.

Graham Bryce, Managing Director of Bauer Radio in Scotland, said: “We are very proud to be continuing to grow our share of listeners across Scotland and in the Central Belt in particular.

“This is the result of the hard work of the whole team and their commitment to providing engaging content with a great mix of music, entertainment and local news, travel and sport.

“Our competitions and promotions have been a huge success and this has been led by Cash Register on Clyde 1 and Forth 1 which has seen almost a third of our listeners in Scotland taking part. Cash Register has been one of the most successful radio competitions ever to run in Scotland, with 6.7 million entries and a massive £2.3 million given away in prize money to 75 winners.

“We’ve given away truly life changing sums of money – our most recent winner, Matthew from Gorebridge, who was awarded over £60,000, the biggest prize to date.

“We have exciting plans for the future of Cash Register so listeners can expect an announcement imminently.”

Source: RAJAR / Ipsos – MORI / RSMB, period Q3 2019 (24th June 2019 – 15th September 2019).

Some stations do not cover the whole of the TSA (total survey area).

**RAJAR Q3 2019 FIGURES IN DETAIL:

Total Clyde (1 & 2) listeners: 664,000 listeners

Clyde 1 listeners: 601,000 listeners

Clyde 2 listeners: 154,000 listeners

Total Forth (1 & 2) listeners: 352,000 listeners 

Forth 1 listeners: 327,000

Forth 2 listeners: 52,000

Combined total Clyde & Forth listeners: 1,009,000

Radio Clyde and Forth celebrate reaching over ONE MILLION LISTENERS every week

Radio Clyde and Forth are celebrating as latest combined listening figures* reveal the leading stations are now reaching over one million listeners** every week.

This would see listeners filling both Hampden Park and BT Murrayfield (which have a combined capacity of 119,010) more than eight times! Continue reading Radio Clyde and Forth celebrate reaching over ONE MILLION LISTENERS every week

STV for Everyone … but no room for STV2

STV2 to go next month

STV has announced a comprehensive new 3-year growth strategy aiming to establish the integrated producer-broadcaster as “Scotland’s home of news and entertainment”. The new strategy will bring changes to STV’s management, culture and organisation – including the closure of STV2 with the loss of 25 jobs. Continue reading STV for Everyone … but no room for STV2