Distant origin of star object from the Galloway Hoard revealed ahead of its first public display

On the 10th anniversary of its discovery, new research and conservation has revealed the West Asian origin of the lidded vessel which contained many of the unique treasures that comprise the Viking-age Galloway Hoard, and which will go on public display for the first time later this month. 

On its discovery, the vessel was found wrapped in textiles which in themselves are an extremely rare survival from the burial of the Hoard, around AD900, in Galloway in the southwest of Scotland.

Those textiles have been carefully studied and retained for further analysis with as much as possible preserved in situ on the vessel. This delicate balance of careful conservation work and research has revealed the intricately decorated surface of the vessel for the first time since it was put in the ground over 1000 years ago. 

Where the surface of the vessel had previously only been viewed through x-ray scans, laser cleaning has helped to reveal further details of the design, including crowns, fire altars, leopards and tigers.

This remarkable imagery is unusual in western Europe and suggested an association with the iconography of Zoroastrianism, the state religion of the Sasanian Empire, the last Iranian empire before the early Muslim conquests of the 7th–8th centuries AD. New scientific analysis has confirmed that materials used to make the vessel originated in what is now central Iran. 

Dr Martin Goldberg from National Museums Scotland said: “We had suspected from x-ray scanning the vessel that it may have originated somewhere in central or western Asia, but it’s only now that we’ve carefully conserved and analysed it that we can say this is definitively the case

“It’s further evidence of the cosmopolitan make-up of the Galloway Hoard. We now know that the Viking-age silver that makes up most of the Hoard was melted down from coins and metalwork from early medieval England.

“Some objects, like the lidded vessel, stood out from the rest and the scientific analysis now confirms this. It is incredible to imagine how the vessel made its journey halfway round the known world, from Iran to this distant corner of southwest Scotland.”   

Dr Jane Kershaw, an expert on Viking age silver from the University of Oxford, said: “Taking tiny samples from both the vessel body and the niello – the black silver-sulphide inlays that outline the decoration – we assessed the provenance of the silver.

“It was immediately clear that the vessel was unlike any other silver contained in the hoard: instead, the results point to origins in the Sasanian Empire, what is today Iran. Elemental analysis using portable X-ray Fluorescence revealed that the vessel is an alloy of silver and relatively pure copper, which is typical of Sasanian silver, but not contemporary European silver.

” In addition, the isotopes of the lead contained within the silver metal and niello match ore from Iran. We can even go so far as to say that the niello derives from the famous mine of Nakhlak in central Iran. It’s fantastic to have scientific confirmation for the distant origins of this remarkable object.” 

The original vessel will go on display for the first time later this month as part of the British Museum’s forthcoming exhibition, Silk Roads (26 Sep 2024 to 23 Feb 2025).  

Dr Sue Brunning from the British Museum said: We’re delighted that visitors to Silk Roads will be the first in the world to see this key object from the Galloway Hoard. Among its remarkable contents were Scotland’s earliest recorded silk, and so it is a highly appropriate inclusion in the exhibition.

“For the first time it will be displayed alongside a similar vessel found in northern Britain and also used as a Viking-age treasure container, but the Galloway vessel is the only one confirmed as originating beyond Europe, in lands far to the east. It was, itself, a long-distance traveller on the Silk Roads’ sprawling networks.” 

The Galloway Hoard contains the richest collection of rare and unique Viking-age objects ever found in Britain or Ireland. Buried around the end of the 9th century, the Hoard brings together a stunning variety of objects and materials in one discovery.  It was discovered on 1st September 2014 by metal detectorists and excavated by the Dumfries and Galloway Council archaeologist. 

It was acquired by National Museums Scotland in 2017 with the support of the National Heritage Memorial Fund, Art Fund and the Scottish Government as well as a major public fundraising campaign.

Since then, it has been undergoing extensive conservation and research at the National Museums Collection Centre in Edinburgh under the auspices of an AHRC-funded research project, Unwrapping the Galloway Hoard, undertaken in partnership with the University of Glasgow.   

While little can be said with certainty about who buried the Galloway Hoard and why, several discoveries from the conservation and research work have offered tantalising hints of the deeper history behind this collection, which probably accumulated over several centuries.

These include a Christian pectoral cross depicting symbols of the four evangelists, the runic inscription of the name ‘Egbert’ on a silver arm ring, and the revelation of a spectacular rock crystal jar decorated with gold filigree bearing the words ‘Bishop Hyguald had me made’.  Along with the West Asian origin of the vessel, the many unusual objects in the Galloway Hoard take us well beyond the usual stereotype of Viking raiders.

This Hoard tells us a richer story about complex interactions with neighbours and newcomers, connections with previous generations and the rest of the known world. 

An online event, Galloway Hoard: A Decade of Discovery, hosted by Sally Magnusson and featuring several members of the research team, will be held on 11 September, showcasing some of the remarkable discoveries made to date. 

The Galloway Hoard will eventually go on long-term display at the National Museum of Scotland in Edinburgh with a significant and representative portion of it also displayed long-term at Kirkcudbright Galleries.   

Where we are: cultural partnership to support Edinburgh’s young carers

A culture project for young carers is launching after Museums & Galleries Edinburgh, with Edinburgh Young Carers, was selected as a key partner by the British Museum for their Where we are programme.

Where we are… is a new national programme for young people aged 16-24 that co-designs and co-delivers meaningful local arts and cultural projects around the UK.

In Edinburgh staff from Museums and Galleries Edinburgh and Edinburgh Young Carers will work with up to 10 young carers from across the Capital. 

Through this project, young carers in the community who may face adversity and challenges as a result of their caring responsibilities, will have the opportunity to have fun and forge networks and bring their experience and skills to the project, developing these further.

Councillor Donald Wilson, Culture and Communities Convener, said:Working with Edinburgh Young Carers, our Museums & Galleries Edinburgh service is delighted to have been selected as one of British Museums key partners on the Where we are programme.

“Our Museums service have done a lot of work with young carers and other vulnerable groups and there has never been a better time for this kind of engagement. 

“In Edinburgh we are keen to ensure that cultural opportunities are available to everyone that lives here, and we can’t wait to see what the young people produce.”

Councillor Amy McNeese-Mechan, Culture and Communities Vice Convener, said:One of our priorities as a local authority is to ensure wellbeing and equalities are enhanced for everyone who lives here.

“This project will contribute to that aim by providing young people with a cultural opportunity that will help them to develop skills, build confidence and provide a positive focus after what has been a very difficult year.  We’re very excited to see what they produce.

Ria Sloan, Outreach and Access Manager, said: “Museums and Galleries Edinburgh place people at the heart of what we do; we work to provide opportunities for people to access, explore and contribute to Edinburgh’s cultural life.

“I’m thrilled to be able to give local young people the opportunity to be part of a nationwide project led by the British Museum and I’m really looking forward to learning more about how we can support their interests and needs.”

Lee MacKenzie, 16-25s Development Worker at Young Carers said: “We are thrilled to have been selected to take part in the project.

“This last year has been particularly challenging for our young adult carers in terms of wellbeing, education and employment. By being part of this project, we hope to remove some of the barriers the pandemic has created for our carers as well supporting them to explore some of the incredible culture their city has to offer.

“Having worked together with the Museums and Galleries Edinburgh team on successful projects in the past, it’s great to be able to work in partnership again on something new.”

Further information:

  • Museums and Galleries Edinburgh cares for thirteen venues and over 200,000 objects related to Edinburgh life, childhood, archaeology, fine art and decorative art.
  • Edinburgh Young Carers is a voluntary organisation that provides support for children and young people aged 5–25 who care for someone at home.