Today, Tuesday 03 June, the Edinburgh Festival Fringe Society is delighted to launch the 2025 Edinburgh Festival Fringe programme. The programme celebrates the diverse selection of work at the Fringe, with performers from across the world and work from 58 countries.
This year’s programme features work from 3,352 shows across 265 venues, with themes tackling some of the most topical issues in the world today.
From rebellious women to the paranormal; the apocalypse to nostalgia; queer joy to life with illness; rave and club culture to science and technology.
Edinburgh Fringe Programme Launch 2025
Launching the 2025 Fringe programme, Tony Lankester, Chief Executive of the Edinburgh Festival Fringe Society, said: ‘Programme launch is such an exciting moment for everyone involved making the Fringe happen.
“Thank you to all the Fringe-makers – the artists, venues, workers, producers, technicians, promoters, support staff and audiences that bring their un-matched, exceptional energy to Edinburgh in August.
‘This year’s Fringe programme is filled with every kind of performance, so whether you’re excited for theatre or circus, or the best of comedy, music, dance, children’s shows, magic or cabaret; get ready to dare to discover this August.
“Jump right in, book your favourites, shows that intrigue you and take a chance on something new.’
At Traverse Theatre,Gary McNair’s ‘award-winning show’ A Gambler’s Guide to Dying returns ‘back home for a special run to mark its 10th anniversary’.
‘Four generations of Northern Irish women, reunited’ in Consumed (Traverse Theatre), ‘a tale of twisted family dynamics and national boundaries’.
‘Inspired by his involvement in the Egyptian revolution of 2011, and experience of the counter-revolution that followed, Khalid Abdalla brings together the personal and the political’ in Nowhere (Traverse Theatre).
At Scottish Storytelling Centre, join the Loud Poetsfor ‘fist-thumping, pint-drinking, side-tickling, heart-wrenching fusion of poetry and live music’ or ‘Scottish and Welsh traditional storytellers Ailsa Dixon and Ffion Phillips as they weave folk music, language and story across these isles and between worlds’ in Aderyn/Bird.
Also at Scottish Storytelling Centre, Cassandra ‘blends Greek myth, Scottish folklore and personal narrative to explore prophecy, protest and survival across time and space’.
At Summerhall, Amazons is a ‘gripping new solo show about the Amazon rainforest and the generations of women who have fought to protect it’.
‘From Parisian hysteria to the glowing Radium Girls’, Fragile Creatures at theSpaceUK ‘reveals gripping stories of women’s rebellion, resilience and their relentless fight for bodily autonomy and equality’.
In Alice Hawkins – Working Class Suffragette at the Arthur Conan Doyle Centre, ‘Peter Barratt gives a stirring and passionate account of his great-grandmother’s hard-fought campaign for the vote’ while VOTE the Musical at Paradise Green takes a ‘gripping look at the Suffragette movement exploring imprisonment, activism and the fight for electoral freedom’.
Three resilient Scottish sex workers, dream of escaping the lives they’ve been trapped in, but the patriarchy stands in their way in Happy Ending Street at Leith Arches.
In Well Behaved Women at Gilded Balloon, in 1888 ‘three chaotic twentysomething women decide to host a séance’ and make ‘a bit of a mess of things.’
‘Get ready for a powerful performance’ at Women in Socks and Sandals at ZOO, ‘filled with quirky stunts, mental courage and celebration of the right to be oneself’.
With ‘history, sermons and singalong’, Church of the Clitori at Paradise Green aims to ‘satirise and crash-tackle anatomy, religious ads and female sexuality politics’.
At Braw Venues @ Grand Lodge, Fallen Angel by Liam Rudden tells the story of Angel, who’s been ‘tortured’ by angels for ‘500 years’, while ‘startling revelations about Edy Hurst’s relations have set him on vision quest to contact his ancestors’ in Edy Hurst’s Wonderfull Discoverie of Witches in the Countie of Himself at Assembly.
Do Zombies Dream of Undead Sheep? is a ‘one-man (and one puppet) musical journey through a zombie outbreak, combining live performance, puppetry and animation’ at ZOO.
‘Get to know Frankenstein’s Monster like you’ve never been able to before’ at Fatherless Monster (Paradise Green), ‘face to face with only a mic and some stage lights between you and him.’
0.1% Accurate: Magdalena the Fortune Teller Show ‘will predict the future, summon the spirits, answer your life questions and send you home smiling’ at Alchemist Cocktail Bar and Restaurant.
Listen to the tales of Haunted Edinburgh at Arthur Conan Doyle Centre ‘and discover a host of terrifying stories of hauntings from the city’s dark past’ or visit The Mother Superior to ‘unveil women’s role in shaping the history of alcohol, including sharing how some were framed as witches’ in Whisky & Witches.
A Haunted House at Assembly is a ‘hysterical, terrifying and surreal tale, about one hair-raising night in a haunted house’ ‘for those who like their laughs big and their scares spine-chilling!’
‘The world-renowned paranormal expert Baron Vordenburg and his helpers, Gothic and Grotesque, give away trade secrets and expertise on hunting the unknown’ in Baron Vordenburg’s Guide to the Paranormal at theSpaceUK.
‘A man commits the ultimate act of cowardice’ and ‘a woman’s spirit gains terrifying embodiment’ in ‘dark, twisted folk horror tale’ Tom Hiccup’s Well at Greenside.
At theSpaceUK, ‘apocalyptic anti-romcom’ Horny for the End of the World follows ‘Gen Z, try-hard, pick-me Ebeth gets dumped by the man of her dreams the day before everyone realizes the world is going to end’.
Apocalipsync is a ‘high-energy solo show blending physical theatre, mime, dance and lip-sync mastery’ ‘exploring themes of isolation, hyper-connectivity and human expression’ at Assembly.
Original musical The Real Housewives of the Zombie Apocalypse at Greenside asks if the ‘OGs of reality TV’ can ‘survive the hordes, and each other, and self-produce their way to the end?’ while 4’s a Crowd (Or What Not to Do When Stuck in a Bunker During the Apocalypse) at theSpaceUK ‘follows the idiots left behind after the world ends’.
Apocalypse Cabaret: Songs for the End of the World (Underbelly) is a ‘powerhouse Fringe debut packed with original songs, pop bangers, audience interaction, and existential musings’ following ‘a lonely karaoke jockey is the sole survivor at the end of the world and decides to go out singing.’
Scenes of Unfathomable Horror brings ‘absurd, twisted and entertaining take on modernity, celebrity and existential dread’ to Just the Tonic.
At Underbelly, A Small Town Northern Tale is a ‘Y2K coming-of-age story, charting life in a small Northern town as a mixed-race boy’ and WANTED tells the story of ‘two girls from opposite worlds’ ‘fated to meet on the 00s queer scene’.
At Club NVRLND (Assembly), ‘where the party goes on till morning’, ‘Wendy and Peter reunite for an unforgettable night of adventure, nostalgia and staying forever young, featuring the biggest 2000s anthems’
‘All set to the soundtrack of the 2000s’ Jake Donaldson Is The Fifth Weezer at Laughing Horse is set to be ‘packed with nostalgia, punchy jokes and stories about finding your place in the world’.
‘The perfect nostalgic show for pop fanatics and chart aficionados’, Margot and Martha’s Chart Show Mixtape at theSpaceUK will ‘take you on a journey from mixtapes to Spotify wrapped, celebrating pop music through what was in the charts on the 18th of August – the very week they’re performing at the Fringe’.
‘Party like it’s 1999’ at MASSAOKE: 90s Live (Underbelly) with ‘an epic 90s sing-along’.
‘Through everyday conversation, hilarious comedy, and music-hall style songs’ at The Steamie (Gilded Balloon) ‘we learn from four working-class women about their lives, husbands, technology and the approaching New Year in this time capsule of Glasgow in the 1950s’.
A ‘love letter to the queers, the weirdoes, the trailblazers, the fringes and the night-walkers’, Anatomy of a Night at Summerhall isan ‘exploration of personal identity through a reflection of memories from queer and club spaces’.
‘Queer, chic and outrageous’ – head to the Big Gay Afterparty at Just the Tonic for the ‘biggest, gayest party at the Fringe (fun straights allowed)’.
‘A queer love story but no one dies at the end? Welcome to the world of’ Blooming at Greenside.
Join a ‘plus-sized, 72-year-old lesbian’ sharing ‘intimate stories celebrating inclusivity’ at Tales From Your Queer Elder (Greenside).
At Carpet Muncher at the Scottish Storytelling Centre, ‘the contemporary folklore of the Mothman is brought to life, using vibrant surrealist costuming to explore themes of queer alienation, metamorphosis, cross-border solidarity and homoerotic hot-hub encounters’.
Follow a young trans girl as she navigates the hilarity of rural Argentina during the 1900s at Cecilia Gentili’s Red Ink at Underbelly.
‘Expect chaos, drag, stand-up, glitter, queer joy and an ever-changing line-up of LGBTQIA+ acts’ at Comedy Queers (Laughing Horse) or check out Midnight at the Palace (Gilded Balloon) for a ‘night of radical joy and glitter-encrusted anarchy’.
3 Kidneys No Colon at Braw Venues @ Grand Lodge is ‘the medical diaries (or rather… diarrheas) of Dave who suffers from chronic kidney disease, ulcerative colitis and has had multiple organ transplants’.
Learn about ‘narcolepsy from a true-life perspective’ at theSpaceUK, Fragments of Fatigue is a ‘coming-of-age story to transform your world and prove just how much fight is required to beat the fatigue’.
‘Artfully weaving between generational trauma and chronic illness’, Robyn Reynolds: What Doesn’t Kill You at Assembly will have you ‘roaring with laughter’.
In The Nature of Forgetting at Pleasance, ‘Tom is living with early onset dementia’ and ‘we meet him as he prepares for his 55th birthday party and past memories come flooding back’. At theSpaceUK, Ah-Ma is ‘a hauntingly beautiful new play, weaving together natural and social disasters, bodily deterioration and family sorrow’.
At Assembly, Ohio tells the story of ‘when Shaun turned his back on the church’ and ‘found a new home in music’ before he is ‘confronted now with acute degenerative hearing loss’.
Yvonne Hughes: Absolutely Riddled is ‘a fresh and bold dive into the reality of living with cystic fibrosis (CF) – a journey that’s as phlegmy as it is funny’ at Gilded Balloon.
At Summerhall,TheButterfly Who Flew Into The Rave is ‘the atmosphere and culture of a three-day rave condensed into an hour’ while PUMP ‘drops you in the middle of a nightclub dance floor in a desperate search for validation, intimacy and identity’.
Her Raving Mind is ‘a Greco-British rave tragicomedy unravelling the complex mind of an abuse survivor’ at Just the Tonic.
‘Loud, lawless, and laced with naughty bits’, Watch Me Die! is ‘rave theatre: performance, film, stand-up and pounding basslines, dragging Shakespeare into a civil war where star-crossed love and vengeance make their scene’ at theSpaceUK.
At Rave, Colin and Rosie ‘are battling through their own worlds of crisis using the music of the rave club to help, encourage and solve their problems’ at Braw Venues @ Grand Lodge.
Created by an AI researcher, AI: Save Our Souls at Greenside features ‘an immersive future world of AI, polystylistic music and a dynamic plot’ while at Paradise Green, Rise of the Solar Punks asks ‘what can we learn from ancient cultures regarding climate adaptation, and how can we fuse this with technology and AI?’
As part of the Made in Scotland showcase, MUO Live at the French Institute in Scotland is ‘a unique fusion of music, science and unseen cosmic forces.’
Head to Just the Tonic, Excel Comedy and Mathem-antics for a ‘themed stand-up show for spreadsheet experts and rookies alike’ or check out Sci-larious – Science Stand-up at Laughing Horse for ‘bi-lol-ogy or pharm-ha-cy’.
Mark Thompson’s Spectacular Science Show at Gilded Balloon is ‘science like you have never seen it before’ exploring ‘the magical properties of matter’.
At PBH’s Free Fringe, Freya McGhee: Experimental blends ‘science, comedy and dating into one unforgettable experiment’ investigating ‘the chemistry of attraction to the mechanics of mixed signals’.
Check out Hot Rubber (Gilded Balloon) to see ‘eight comedians pit their homemade remote-control cars against one another in the world’s smallest demolition derby’ or ‘form a team, select a knockoff Roomba, customise it, then pit it against a dozen rivals’ at Robot Vacuum Fight Club (Outhouse Bar).
Braw Venues @ Grand Lodge ‘on busy George Street’ is new with a number of shows this August, including well-known musicals Little Shop of Horrors, High School Musical and Footloose, as well as a range of theatre, cabaret and children’s shows.
Welcome to the Fringe, Palestine, ‘a mini-festival to celebrate Palestinian art and culture’, takes place in new venue Portobello Town Hall.
Citadel Youth Centre is ‘hosting two fundraisers for the Citadel’s valuable work with young people and families in Leith’ Storm in the Citadel and Punchline on Leith.
The Bowlers Rest in Leith is home to Beggared, ‘the story of a privileged white South African whose life collapses into homelessness’.
Easter Road Stadium joins the Fringe as a venue, hosting two shows: Dropped, in which ‘former Chelsea FC trainee Alfie Cain tells his moving story of dashed football dreams and explores the darkness and pressures young men go through trying to make it as professional footballers’ and Frankie Mack Showman – The Next Stage: The Leith San Siro ‘a high-energy, show-stopping night of swing, rock’n’roll and modern classics’.
All the way from Italy is Mirage Spiegeltent at Gyle Shopping Centre, hosting Spirit of the Favela, a ‘dynamic fusion of circus and theatre showcasing Rio de Janeiro’s vibrant culture and communities’.
Gilded Balloon have introduced a new space at Appleton Tower for twenty shows, including Frances Floats and Not My Grandmother’s Daughter.
Now in St. Andrew’s Square, The Famous Spiegeltent returns, offering theatre, cabaret, music and musicals, including La Clique – ‘the global phenomenon that redefined a genre, with its mélange of cabaret and circus’.
Josie Long: Now Is the Time of Monsters is ‘a new show about extinct, gigantic, charismatic megafauna from three-time Edinburgh Comedy Award nominee’ at Pleasance.
Gilded Balloon marks their fortieth anniversary with ‘a series of special in-conversations featuring comedy greats’ including Jenny Eclair and Michelle McManus.
Also at Gilded Balloon, Rosie O’Donnell: Here & Now ‘reflects on her life in the present, including why she moved to Ireland from the USA, and how that shift has shaped her future’ and Michelle Brasier: It’s a Shame We Won’t Be Friends Next Year is a ‘show for the theatre kids, the freaks, the queers; for anyone who’s spiralled about something they did years ago’.
Fringe favourite Nina Conti: Whose Face Is It Anyway? is back at Underbelly, with ‘an unparalleled, unscripted show that delves deep into who we are, hijacking faces to spark a bold, hysterical reality warp’.
‘Direct from a sell-out West End season’, Bill Bailey is at Edinburgh Playhouse with Thoughtifier while Miriam Margolyes brings ‘more characters, more Dickens and more fascinating stories about the man behind the classics’ to Pleasancewith Margolyes and Dickens: More Best Bits.
‘The talented comedian, writer and host of A24 late-night variety sketch show’ Ziwe brings Ziwe’s America to Pleasance.
At The Stand Comedy Club, ‘expect to hear the glorious mess of being a professional polymath – from medical school to quiz championships, comedy clubs to Parkinson’s advocacy’ at In Conversation with… Paul Sinha or ‘jokes, rants, politics, swearing and possible nudity’ at Mark Thomas: WD40.
At Monkey Barrel, there’s ‘new material from the Rose d’Or, Southbank Sky Arts and Edinburgh Comedy Award winner’ Bridget Christie. Also at Monkey Barrel, ‘the Taskmaster treasure, Live at the Apollo star and voice of Netflix’s Too Hot to Handle presents a new hour about our bodies corporeal and politic, and what remains through ascension and destruction’ with Desiree Burch: The Golden Wrath.
‘A love letter to people pleasers everywhere’, Laura Benanti: Nobody Cares at Underbelly is ‘a hilarious, heartfelt and sometimes brutally honest tribute to recovering ingenues, mothers and anybody working on themselves’.
‘Comedy veteran’ Karen Dunbar ‘returns to the Fringe for a limited run of her stand-up tour’ at Just the Tonic.
At Assembly, David O’Doherty: Highway to the David Zone has ‘has got the lot’ with ‘talking, songs, talking during songs, talking while walking around’.
There are 325 free shows and 529 Pay What You Can/Want shows in this year’s programme.
10,001 Ideas by Robyn Perkins at Laughing Horse offers a ‘uniquely different hour of critically acclaimed stand-up and storytelling’.
Huge Davies: Free Work in Progress is at PBH’s Free Fringe with ‘his wearable keyboard for a free hour-long work in progress’. Also at PBH’s Free Fringe, Escape the Rat Race is a ‘a must-see for anyone who has ever worked in an office’.
At Laughing Horse, Three Bad Sisters is a ‘cacophony of the best and darkest materials from these three female rising stars of Irish comedy: Aideen McQueen, Shinanne Higgins and Louise O’Toole’.
‘Imagine an Englishman, an Irishman and a Scotsman in the same bar as a therapist’ and you’ll imagine 5 Mugs, No Tea at Leith Depot. At the Mother Superior, you can ‘expect a fever-dream of love, loss, and existential dread’ at Crying at the Meat Raffle.
Disco Picnic at The Three Sisters is a ‘Fringe fiesta serves up a delicious mix of toe-tapping disco tunes’.
The Fringe Society are grateful to the many partners, supporters, funders and sponsors this year. In particular, they would like to thank the official Education Partner of the Fringe Anthropic, the official Beer of the Fringe Innis and Gunn, Cirrus Logic and Baillie Gifford.
They would like to thank the UK Government and the Department for Culture, Media and Sport for their Keep it Fringe Fund support, the Scottish Government and City of Edinburgh Council for strategic funding support, the Scottish Government’s Festivals EXPO Fund support for the Made in Scotland programme; and Screen Scotland for supporting Screen Fringe.
The Fringe Society would also like to thank accommodation partners who provide much needed affordable accommodation to artists – Queen Margaret University and the University of Edinburgh, Theatre Digs Booker. Health in Mind are also returning in 2025 to support the delivery of mental health and wellbeing services within Fringe Central, which is once again kindly delivered in partnership with Grassmarket Community Project.
LifeCare’s community hub has supported local people for half a century
LifeCare’s dedicated staff team with volunteers, room-bookers and hub-goers
“It’s there for everyone, young to old and the combination of everyone interacting together is just priceless”’
Opened as Stockbridge House in 1975, the LifeCare Hub on Cheyne Street has been a vital part of the local community for fifty years.
Originally established as a day centre for older people, it has evolved into a fully accessible, intergenerational community hub for everyone. A hugely popular big, bright and beautiful space, the hub hosts over 80 different weekly activities and welcomes over 47,000 visits a year from people who live across the city.
Run by local charity LifeCare Edinburgh, the organisation ensures all its services are affordable, or offered for free, so that everyone gets the chance to take part in community activities which help to keep them connected and support their health and wellbeing.
However, with continuing rising energy, staff and insurance costs the charity is bracing itself for an anticipated 30% increase in overall running costs this year creating a shortfall of around £30,000 this year alone.
The charity is launching an urgent appeal to help cover this shortfall and help sustain its hub and support for those that need it most.
Sarah Van Putten, CEO of LifeCare said:“The LifeCare hub is a really important place for local people. We are very proud of the support we offer and the accessible spaces we make available for everyone in our community. In an increasingly isolated world, where would people go if we didn’t exist?
“We want to be here for years to come, but we need support. No donation is too small, if we received £1 each time a person visited, we’d cover our shortfall and help sustain our future. Please give what you can.”
Lynne Herbert provides LifeCare’s free hairdressing for unpaid carers and runs her own yoga classes from the hub on a Monday and Thursday. Lynne said: “The LifeCare Hub is such an amazing place.
“From the moment you walk in, you feel welcomed and full of joy. It’s there for everyone, young to old and the combination of everyone interacting together is just priceless.”
LifeCare works alongside a dedicated group of volunteers who generously give their time to ensure the smooth running and a friendly greeting for visitors.
Shirley Galbraith is often one of the first happy faces visitors encounter when they enter the hub. Shirley said:“I feel that I am making a small difference to some peoples’ day by just chatting or helping them see what classes or services they could use. It makes me feel great!
“People should support the hub appeal to make sure that these services can continue – it is such a fantastic charity.
“The best thing is the variety of amazing services and classes that are offered. Supporting this appeal will ensure they are there for years to come!”
The charity is running an information morning from the LifeCare Hub on Monday 2nd June 11am-1pm. Come along to find out more and chat about how to get involved.
Everyone is also welcome at LifeCare’s Community BBQ on Friday 20th June 12noon – 4pm, with free food, bouncy castle and a whole range of activities for local people of all ages.
Join us for an unforgettable evening of music with the incredibly talented Carla Coste -a renowned cellist who has performed as soloist and chamber musician at prestigious festivals across Europe, England and Asia.
On the day, Carla will be performing Suite numbers three and four by Johann Sebastian Bach, and a contemporary French piece by Graciane Finzi entitled “A strange Dream”
Don’t miss this chance to experience her captivating performance live at Stockbridge library on Wednesday 4th June at 6 pm!
Are you over 50 and looking for a wee bit of help with your IT? LifeCare Edinburgh and ACE IT are here to help.
Come along to CafeLife, 2 Cheyne Street, 10am-12noon on Tuesday 29th April to chat with the experts.
We’ll be offering support and answering questions about how to use a device, access online content and how to stay safe online. And any other burning technical questions you might have!
All advice is free thanks to support from the National Lottery Community Fund.
Everyone is invited to the LifeCare Spring Fair this Saturday 26 April, 1030-1330.
Come along to our fully accessible community hub on Cheyne Street in Stockbridge to enjoy a wander around our stalls, indulge in some delicious home baking, pick up some new plants or raffle tickets and help support our charity!
FREE Thanks to the National Lottery Community Fund
Teas, coffees and morning rolls will be available from our cafe.
Back by popular demand, LifeCare Edinburgh to re-run free Power of Attorney info event to help local people simplify the future
Thinking about what would happen in the future if our, or our loved ones, faculties deteriorated can be stressful and worrying. How would someone manage our affairs, access our accounts to set up the right care for us, or pay the bills? Without the right processes in place, an already very emotional situation can be made worse with often very serious consequences.
Local charity, LifeCare Edinburgh understands how daunting and complex these situations can be and will next month host a free information giving event to help debunk the complexities and help people put the right practical support in place to ensure someone trusted can quickly make decisions on behalf of a loved one if they’re not able, or no longer able, to make them themselves.
Power of Attorney is a legal document where someone – while they still have mental capacity – nominates a trusted friend or relative to look after their affairs if they later lost capacity in the event of an emergency, illness or accident. It is not limited to people who are older or unwell, everyone needs to consider setting up a Power of Attorney at any stage of life to avoid any future complications. For example, due to having a stroke, serious accident or dementia.
Delivered in partnership with experts from Lindsay’s Legal Services team, LifeCare initially held this successful event last year designed to help simplify matters for local people. This first event was so well attended that the organisers are bringing it back to meet demand. One attendee noted:
“LifeCare’s informative Power of Attorney talk spurred me on to have the difficult conversations with my mother that we had both been avoiding, resulting in her setting up a will and PoA. Future planning felt like an act of love and respect; it also inspired me to start planning for myself. Thank you.”
Sarah van Putten, Chief Executive of LifeCare said: “Unfortunately at LifeCare we are well aware of how stressful life can be when people don’t have the right documents in place. No one can predict when they may face an unforeseen illness, accident or other debilitating event that may render them incapacitated.
“As one of Edinburgh’s leading charities providing practical care support we know how emotional these situations can be at the best of times but we also know how much worse they can be when family members and loved ones are locked out of helping access the support for the people they care for.
“Relatives can’t just walk into a bank and access your money, even if it is to pay for your care. Unless you’ve a Power of Attorney, loved ones would need to apply through court, which can be long and costly.
“We understand that thinking about the future can be upsetting and frightening. We’re thrilled to bring back our free and informal information giving event delivered in partnership with Lindsays; there will be no jargon and there will be plenty of time for questions and discussions and an opportunity to discuss any concerns with legal experts for free.”
LifeCare’s ‘What is Power of Attorney’ event, delivered in partnership with Lindsay’s, will take place at 3pm on Wednesday 21st May in the charity’s fully accessible community café, CafeLife at 2 Cheyne Street, EH4 1JB.
Free tea and coffee will be available along with the opportunity to find out more about LifeCare’s vital services for older people and the community overall.
The event is free to attend but those interested are encouraged to register their interest on Eventbrite https://shorturl.at/ypqMO or by calling the friendly team on 0131 343 0940.
We are looking for new trustees to help LifeCare in its great work supporting local people
LifeCare is a forward-thinking growing charity established in 1941, that supports people 50+ across Edinburgh through a wide range of community-based support services, alongside running a community Café and Hub which is open to the public. We employ over 80 staff and are supported by a diverse range of volunteers.
“I’ve noticed a difference since LifeCare’s visits started. When I call Dad, he is more upbeat and chattier than he has been in ages.”
Our Board of Trustees is made up of up to 12 amazing people who give up their time to benefit the organisation and those we support by sharing their own skills, knowledge and experiences to provide our governance and leadership.
As a board we routinely audit our skills, and we are currently seeking two new Board Members who could bring expertise in any of the following areas to our organisation:
• Communications and/or Marketing
• Venue/centre management or hospitality
• Lived experience as an unpaid carer to an older person
• Running a Social Enterprise
The role is non-remunerated however expenses will be reimbursed, and training/ongoing support will be provided. The board usually meets early evening either in person or online.
to see if this is you and, if so, complete the potential trustee form explaining how your skills and experience could benefit LifeCare – and email this to:
An OPEN LETTER from ALISON NOLAN, chief executive officer of the Scottish Library and Information Council (SLIC)
Did you know that over the past decade, 53 public libraries across Scotland have closed their doors for good – without replacement ?
The same public libraries which provide essential access to trusted information and education for all, which ignite a lifelong love of reading from early years, and which serve as warm, welcoming spaces where everyone is welcome without any expectation to spend. The same public libraries which, time and again, deliver enormous value to communities across the country, only to find themselves at risk when budgets are debated.
I’ve written to councillors across Edinburgh, before crucial budget decisions are made for the next financial year, to remind them what investment in public libraries truly means.
At the Scottish Library and Information Council (SLIC), the advocacy body for Scotland’s network of over 500 public and mobile libraries, we understand the delicate financial situation that councils must navigate but we would urge those considering cuts to their library services to think again.
It’s no secret that the cultural sector is under unprecedented pressure but the narrative that austerity measures justify these cuts is shortsighted. This isn’t just a story of diminishing buildings and bookshelves; it’s a story of lives disrupted.
These closures are deeply felt because libraries represent so much more than the sum of their parts. Public libraries remain the most popular service local government delivers. Closing these doors means cutting off opportunities — a cost far greater than any savings achieved.
Libraries are proven to deliver significant economic and social returns, with research from Suffolk Libraires revealing a £6.95 return of economic benefit for every £1 invested through improved literacy, better mental health and stronger communities. And of course, when this investment figure is flipped, we see that the closure of public libraries will result in the community losing out on £6.95 of economic and social benefit for every £1 that is invested elsewhere.
The troubling trend of closures and cuts to library services across the country all too often disproportionately affects rural communities, exacerbating existing inequalities by stripping away vital access to education, digital resources and safe spaces for social interaction.
For these communities, libraries are not a luxury but a necessity. They provide essential services to support job applications, digital literacy training and social connection. To lose them is to deepen the isolation already felt by many.
Ask yourself: where else can citizens turn for support with their health, finances and employment? Libraries do it all under a single roof. They make real change to people in communities right across Edinburgh and play a central part in how the council brings about change.
Libraries drive forward crucial national agendas including preventative health – with the Health on the Shelf research report showing they save NHS Scotland £3.2m every year, bridging the digital divide by offering free access to PCs, Wi-Fi and digital support for a range of essential services, and fostering social cohesion by hosting a diverse range of community events. And this is all in addition to their core function: to encourage reading and provide a range of trusted reference materials.
As cuts and closures loom across the country, we’re urging local decision-makers to prioritise sustainable investment in libraries. Cutting library budgets is a false economy. The cost of losing libraries extends far beyond financial savings, impacting education, mental health and community cohesion. But it’s not just closures that we’re concerned about.
The slow, salami-slicing effect that has been seen over recent years, with opening hours cut – decreasing by 13%, on average – budgets slashed and staffing numbers reduced is felt across communities, with 1 in 3 voicing fears that their whole service is at risk.
Where councils have embraced the importance of libraries, the benefits are clear. 22 out of the 32 local authorities have not made any cuts to their library services in the last decade; instead, they are choosing to invest in their future, from creating learning hubs which have seen unprecedented loan figures, to developing dedicated ‘Maker Spaces’, reinforcing the role that libraries play as the originators of the sharing economy by offering access to emerging technology, such as 3D printers and laser cutters, as well as sewing and embroidery equipment.
In a recent survey from the Association of Public Libraries in Scotland, over 93% agreed that using the public library improves their quality of life, reminding us of the immense value that a public library holds, evolving to meet the needs of modern Scotland with the emergence of whole-community assets that can be used by educators, small businesses, community groups, and individuals to help people right across Edinburgh achieve their potential, while retaining their fundamental purpose: to connect, inspire and empower.
These services are a source of inspiration, but they remain the exception rather than the rule. To fulfil this potential, they need more than goodwill — they need sustainable funding.
No other community asset can deliver the vast economic and social benefits that a thriving public library service can, and so we would urge decision-makers to prioritise investment in their communities.
Anything less would be a failure we cannot afford.
ALISON NOLAN
Chief executive officer of the Scottish Library and Information Council (SLIC)