A FREE preview show by a group of tellers from the Scottish Storytelling Centre.
Come and listen to three tales of Scottish fairies and folklore, with puppetry and musical instruments adding to the magic.
You’re invited to take part in our interactive imagination exercise as well, perhaps you’ll walk away a storyteller too!
Book your free tickets on:
SATURDAY 26th JULY
Family Fringe Day at The Yard
Come and experience the magic of the Fringe at The Yard Edinburgh, this Saturday 26th July. There will be bubbles, magic, juggling, music and much more from our Fringe performers!
No need to book – all Yard members are welcome! Just come along to our regular drop in sessions to get involved.
Three Edinburgh children’s charities have been named among 11 Scottish organisations as partners of STV Children’s Appeal’s new Ignite Fund.
Each charity will receive a share of £1 million this year through the funding programme created to deliver ongoing financial and non-financial support to children, young people and family charities in Scotland.
Since its inception in 2011, STV Children’s Appeal has invested in long-term projects with charitable organisations. The Ignite Fund, a key part of the Appeal, will continue to provide sustained, multi-year financial and development aid to charities across the country to help break the cycle of child poverty in Scotland.
The Edinburgh charities which will receive funding are:
These charities were chosen for their commitment to offering tangible, scalable solutions which tackle the root causes of poverty – an ethos shared by the Ignite Fund.
The STV Children’s Appeal will work closely with Ignite partners to identify goals, needs, and opportunities for growth, aiming to drive both immediate improvements and lasting systemic change.
The initiative will include the launch of the Ignite Academy which will offer charity partners access to STV’s in-house expertise (such as marketing, communications, and creative), while fostering a peer network for knowledge-sharing and collaboration.
Natalie Wright, Head of STV Children’s Appeal, said: “At STV Children’s Appeal, we have always focused on ensuring the funding we give is well thought through and with a purpose, which is exactly what we are doing with The Ignite Fund.
“Our experience shows that a sustained approach to our partnerships gives real results which make an immediate and lasting impact to those who need it most.
“We’re excited to welcome Place2Be back to continue our successful partnership, and to have The Yard and Scran Academy on board for the beginning of a fruitful relationship which will change lives.”
Scran Academy is in its first year of partnership with STV Children’s Appeal and provides meaningful youth-led education, employment and skills-building programmes through innovative catering social enterprises, helping young people realise their full potential.
The STV Children’s Appeal’s Ignite Fund will allow Scran Academy to reach younger age groups earlier, generate systemic change, and build capacity by opening new youth-led cafes, including one in the Royal Hospital for Children and Young People, opening this summer.
Scran Academy Founder and Chair, John Loughton said: “This is the largest single investment in Scran, and we couldn’t be more thrilled. This funding will create hundreds of new employment and training opportunities for young people across Lothian.
“Our team will keep driving lifechanging impact across education, enterprise and community development, led by the communities we serve. As Founder, I know at Scran we trust and believe that folk facing poverty are the solutions to their own lives – we see what they can do, not what they don’t have.
“Thank you to the STV Children’s Appeal, one of Scotland’s most forward-looking funders. We’re ready to get to work and quite literally, Cater for the Future.”
The Yard, which has a play and family support centre in Edinburgh, is dedicated to improving the lives of disabled children, young people, and their families across Scotland. Their mission is to create thriving, supportive communities that enhance the well-being of families facing the challenges of disability.
The organisation will be supported by the Ignite Fund for the first time as it sets out on its five-year strategy to expand its impact, improve inclusion, and ensure sustainable growth.
Celine Sinclair, CEO at the Yard, said: “The Ignite Fund partnership couldn’t have come at a better time for us at The Yard.
“Our Edinburgh based play and education centre is a thriving community space which makes a huge difference to the families we work with, and this new funding and support will help us grow and develop our team which will ultimately let us continue expanding across Scotland and helping more families than ever.”
Place2Be, a children’s mental health charity providing counselling and support to UK schools. In partnership with Youth Scotland, the national charity for community-based youth work development, they are setting out to equip community-based youth workers with the essential knowledge and understanding of young people’s mental health, and the skills and confidence to better support their emotional needs.
Michele Meehan, Head of Youth Work Programmes at Youth Scotland said: “The Ignite fund has allowed Place2Be and Youth Scotland to work together to create a suite of programmes and resources for youth workers in the community which are needed to support young people with the issues they currently face.”
Find out how you can get involved: stv.tv/appeal
Calling young storytellers aged 9 to 12 years!
Stockbridge Library are hosting some fantastic illustration and storytelling workshops next month on the theme of climate change.
Contact Joana via joana.avi.lorie@ed.ac.uk with queries or to register.
THREE days free story telling and art workshop for 9 to 12 year olds to learn more about climate change with Joana.
This is a great opportunity to learn new illustration and story-making skills using a variety of techniques from an industry professional and have the opportunity to have their art exhibited and a chance to learn more about some of the science behind eco-anxiety!
By producing their own illustration and story, children will get chance to be part of the Scottish international storytelling Festival!!
At Stockbridge Library on Thursday 10th, 17th and 24th July from 10.30 to 1 pm.
Get in touch at joana.avi.lorie@ed.ac.uk for any questions and to register.
Everyone is invited to LifeCare’s free Summer BBQ tomorrow – Friday 20th June, from 12 noon to 4pm at the LifeCare Hub, 2 Cheyne Street, Stockbridge.
Come along for a fantastic afternoon of free food, a bouncy castle, delicious cakes (thanks to Soderberg!) and a wide range of fun activities for all ages.
This special event is part of the Love the LifeCare Hub campaign, celebrating 50 years of LifeCare supporting local people – from young children to older adults – through affordable, accessible community services. The hub welcomes over 47,000 visits each year and runs more than 80 weekly classes and activities. It’s a place where people connect, share, and thrive.
As LifeCare faces rising running costs, donations are being welcomed to help safeguard this much-loved community space. Every pound helps ensure LifeCare can continue to offer vital support and joyful connections for generations to come.
So bring your friends, family, and neighbours for an afternoon of summer celebration – and help support one of Edinburgh’s most cherished community hubs.
Find out more at www.lifecare-edinburgh.org.uk
New Summer 6 week course
Graphic Art 13-17 yrs
Mondays 5pm-6.30pm
Starts Monday 7th July
Book 6 week course or individual classes.
Includes digital art, illustration, graphic design, street art, animation, printmaking + more.
iPads, equipment and materials provided.
With tutors Tom Ellis and Sorin Bath.
Full details on our website now.
Stencil artwork created by Charlie (14) at Submarine.
Everyone is welcome to come along to LifeCare’s free family Summer BBQ on Friday 20th June, 12 – 4pm, Cheyne Street, Stockbridge.
We have two market stall places left for those wanting to sell their crafts or promote their local business – first come, first served!
Donations welcome.
Today, Tuesday 03 June, the Edinburgh Festival Fringe Society is delighted to launch the 2025 Edinburgh Festival Fringe programme. The programme celebrates the diverse selection of work at the Fringe, with performers from across the world and work from 58 countries.
This year’s programme features work from 3,352 shows across 265 venues, with themes tackling some of the most topical issues in the world today.
From rebellious women to the paranormal; the apocalypse to nostalgia; queer joy to life with illness; rave and club culture to science and technology.
Launching the 2025 Fringe programme, Tony Lankester, Chief Executive of the Edinburgh Festival Fringe Society, said: ‘Programme launch is such an exciting moment for everyone involved making the Fringe happen.
“Thank you to all the Fringe-makers – the artists, venues, workers, producers, technicians, promoters, support staff and audiences that bring their un-matched, exceptional energy to Edinburgh in August.
‘This year’s Fringe programme is filled with every kind of performance, so whether you’re excited for theatre or circus, or the best of comedy, music, dance, children’s shows, magic or cabaret; get ready to dare to discover this August.
“Jump right in, book your favourites, shows that intrigue you and take a chance on something new.’
In this release
Key themes:
Rebellious women
The paranormal
The apocalypse
Nostalgia
Queer joy
Life with illness
Rave and club culture
Science and tech
At Traverse Theatre,Gary McNair’s ‘award-winning show’ A Gambler’s Guide to Dying returns ‘back home for a special run to mark its 10th anniversary’.
‘Four generations of Northern Irish women, reunited’ in Consumed (Traverse Theatre), ‘a tale of twisted family dynamics and national boundaries’.
‘Inspired by his involvement in the Egyptian revolution of 2011, and experience of the counter-revolution that followed, Khalid Abdalla brings together the personal and the political’ in Nowhere (Traverse Theatre).
At Scottish Storytelling Centre, join the Loud Poetsfor ‘fist-thumping, pint-drinking, side-tickling, heart-wrenching fusion of poetry and live music’ or ‘Scottish and Welsh traditional storytellers Ailsa Dixon and Ffion Phillips as they weave folk music, language and story across these isles and between worlds’ in Aderyn/Bird.
Also at Scottish Storytelling Centre, Cassandra ‘blends Greek myth, Scottish folklore and personal narrative to explore prophecy, protest and survival across time and space’.
At Summerhall, Amazons is a ‘gripping new solo show about the Amazon rainforest and the generations of women who have fought to protect it’.
‘From Parisian hysteria to the glowing Radium Girls’, Fragile Creatures at theSpaceUK ‘reveals gripping stories of women’s rebellion, resilience and their relentless fight for bodily autonomy and equality’.
In Alice Hawkins – Working Class Suffragette at the Arthur Conan Doyle Centre, ‘Peter Barratt gives a stirring and passionate account of his great-grandmother’s hard-fought campaign for the vote’ while VOTE the Musical at Paradise Green takes a ‘gripping look at the Suffragette movement exploring imprisonment, activism and the fight for electoral freedom’.
Three resilient Scottish sex workers, dream of escaping the lives they’ve been trapped in, but the patriarchy stands in their way in Happy Ending Street at Leith Arches.
In Well Behaved Women at Gilded Balloon, in 1888 ‘three chaotic twentysomething women decide to host a séance’ and make ‘a bit of a mess of things.’
‘Get ready for a powerful performance’ at Women in Socks and Sandals at ZOO, ‘filled with quirky stunts, mental courage and celebration of the right to be oneself’.
With ‘history, sermons and singalong’, Church of the Clitori at Paradise Green aims to ‘satirise and crash-tackle anatomy, religious ads and female sexuality politics’.
At Braw Venues @ Grand Lodge, Fallen Angel by Liam Rudden tells the story of Angel, who’s been ‘tortured’ by angels for ‘500 years’, while ‘startling revelations about Edy Hurst’s relations have set him on vision quest to contact his ancestors’ in Edy Hurst’s Wonderfull Discoverie of Witches in the Countie of Himself at Assembly.
Do Zombies Dream of Undead Sheep? is a ‘one-man (and one puppet) musical journey through a zombie outbreak, combining live performance, puppetry and animation’ at ZOO.
‘Get to know Frankenstein’s Monster like you’ve never been able to before’ at Fatherless Monster (Paradise Green), ‘face to face with only a mic and some stage lights between you and him.’
0.1% Accurate: Magdalena the Fortune Teller Show ‘will predict the future, summon the spirits, answer your life questions and send you home smiling’ at Alchemist Cocktail Bar and Restaurant.
Listen to the tales of Haunted Edinburgh at Arthur Conan Doyle Centre ‘and discover a host of terrifying stories of hauntings from the city’s dark past’ or visit The Mother Superior to ‘unveil women’s role in shaping the history of alcohol, including sharing how some were framed as witches’ in Whisky & Witches.
A Haunted House at Assembly is a ‘hysterical, terrifying and surreal tale, about one hair-raising night in a haunted house’ ‘for those who like their laughs big and their scares spine-chilling!’
‘The world-renowned paranormal expert Baron Vordenburg and his helpers, Gothic and Grotesque, give away trade secrets and expertise on hunting the unknown’ in Baron Vordenburg’s Guide to the Paranormal at theSpaceUK.
‘A man commits the ultimate act of cowardice’ and ‘a woman’s spirit gains terrifying embodiment’ in ‘dark, twisted folk horror tale’ Tom Hiccup’s Well at Greenside.
At theSpaceUK, ‘apocalyptic anti-romcom’ Horny for the End of the World follows ‘Gen Z, try-hard, pick-me Ebeth gets dumped by the man of her dreams the day before everyone realizes the world is going to end’.
Apocalipsync is a ‘high-energy solo show blending physical theatre, mime, dance and lip-sync mastery’ ‘exploring themes of isolation, hyper-connectivity and human expression’ at Assembly.
Original musical The Real Housewives of the Zombie Apocalypse at Greenside asks if the ‘OGs of reality TV’ can ‘survive the hordes, and each other, and self-produce their way to the end?’ while 4’s a Crowd (Or What Not to Do When Stuck in a Bunker During the Apocalypse) at theSpaceUK ‘follows the idiots left behind after the world ends’.
Apocalypse Cabaret: Songs for the End of the World (Underbelly) is a ‘powerhouse Fringe debut packed with original songs, pop bangers, audience interaction, and existential musings’ following ‘a lonely karaoke jockey is the sole survivor at the end of the world and decides to go out singing.’
Scenes of Unfathomable Horror brings ‘absurd, twisted and entertaining take on modernity, celebrity and existential dread’ to Just the Tonic.
At Underbelly, A Small Town Northern Tale is a ‘Y2K coming-of-age story, charting life in a small Northern town as a mixed-race boy’ and WANTED tells the story of ‘two girls from opposite worlds’ ‘fated to meet on the 00s queer scene’.
At Club NVRLND (Assembly), ‘where the party goes on till morning’, ‘Wendy and Peter reunite for an unforgettable night of adventure, nostalgia and staying forever young, featuring the biggest 2000s anthems’
‘All set to the soundtrack of the 2000s’ Jake Donaldson Is The Fifth Weezer at Laughing Horse is set to be ‘packed with nostalgia, punchy jokes and stories about finding your place in the world’.
‘The perfect nostalgic show for pop fanatics and chart aficionados’, Margot and Martha’s Chart Show Mixtape at theSpaceUK will ‘take you on a journey from mixtapes to Spotify wrapped, celebrating pop music through what was in the charts on the 18th of August – the very week they’re performing at the Fringe’.
‘Party like it’s 1999’ at MASSAOKE: 90s Live (Underbelly) with ‘an epic 90s sing-along’.
‘Through everyday conversation, hilarious comedy, and music-hall style songs’ at The Steamie (Gilded Balloon) ‘we learn from four working-class women about their lives, husbands, technology and the approaching New Year in this time capsule of Glasgow in the 1950s’.
A ‘love letter to the queers, the weirdoes, the trailblazers, the fringes and the night-walkers’, Anatomy of a Night at Summerhall isan ‘exploration of personal identity through a reflection of memories from queer and club spaces’.
‘Queer, chic and outrageous’ – head to the Big Gay Afterparty at Just the Tonic for the ‘biggest, gayest party at the Fringe (fun straights allowed)’.
‘A queer love story but no one dies at the end? Welcome to the world of’ Blooming at Greenside.
Join a ‘plus-sized, 72-year-old lesbian’ sharing ‘intimate stories celebrating inclusivity’ at Tales From Your Queer Elder (Greenside).
At Carpet Muncher at the Scottish Storytelling Centre, ‘the contemporary folklore of the Mothman is brought to life, using vibrant surrealist costuming to explore themes of queer alienation, metamorphosis, cross-border solidarity and homoerotic hot-hub encounters’.
Follow a young trans girl as she navigates the hilarity of rural Argentina during the 1900s at Cecilia Gentili’s Red Ink at Underbelly.
‘Expect chaos, drag, stand-up, glitter, queer joy and an ever-changing line-up of LGBTQIA+ acts’ at Comedy Queers (Laughing Horse) or check out Midnight at the Palace (Gilded Balloon) for a ‘night of radical joy and glitter-encrusted anarchy’.
3 Kidneys No Colon at Braw Venues @ Grand Lodge is ‘the medical diaries (or rather… diarrheas) of Dave who suffers from chronic kidney disease, ulcerative colitis and has had multiple organ transplants’.
Learn about ‘narcolepsy from a true-life perspective’ at theSpaceUK, Fragments of Fatigue is a ‘coming-of-age story to transform your world and prove just how much fight is required to beat the fatigue’.
‘Artfully weaving between generational trauma and chronic illness’, Robyn Reynolds: What Doesn’t Kill You at Assembly will have you ‘roaring with laughter’.
In The Nature of Forgetting at Pleasance, ‘Tom is living with early onset dementia’ and ‘we meet him as he prepares for his 55th birthday party and past memories come flooding back’. At theSpaceUK, Ah-Ma is ‘a hauntingly beautiful new play, weaving together natural and social disasters, bodily deterioration and family sorrow’.
At Assembly, Ohio tells the story of ‘when Shaun turned his back on the church’ and ‘found a new home in music’ before he is ‘confronted now with acute degenerative hearing loss’.
Yvonne Hughes: Absolutely Riddled is ‘a fresh and bold dive into the reality of living with cystic fibrosis (CF) – a journey that’s as phlegmy as it is funny’ at Gilded Balloon.
At Summerhall, The Butterfly Who Flew Into The Rave is ‘the atmosphere and culture of a three-day rave condensed into an hour’ while PUMP ‘drops you in the middle of a nightclub dance floor in a desperate search for validation, intimacy and identity’.
Her Raving Mind is ‘a Greco-British rave tragicomedy unravelling the complex mind of an abuse survivor’ at Just the Tonic.
‘Loud, lawless, and laced with naughty bits’, Watch Me Die! is ‘rave theatre: performance, film, stand-up and pounding basslines, dragging Shakespeare into a civil war where star-crossed love and vengeance make their scene’ at theSpaceUK.
At Rave, Colin and Rosie ‘are battling through their own worlds of crisis using the music of the rave club to help, encourage and solve their problems’ at Braw Venues @ Grand Lodge.
Created by an AI researcher, AI: Save Our Souls at Greenside features ‘an immersive future world of AI, polystylistic music and a dynamic plot’ while at Paradise Green, Rise of the Solar Punks asks ‘what can we learn from ancient cultures regarding climate adaptation, and how can we fuse this with technology and AI?’
As part of the Made in Scotland showcase, MUO Live at the French Institute in Scotland is ‘a unique fusion of music, science and unseen cosmic forces.’
Head to Just the Tonic, Excel Comedy and Mathem-antics for a ‘themed stand-up show for spreadsheet experts and rookies alike’ or check out Sci-larious – Science Stand-up at Laughing Horse for ‘bi-lol-ogy or pharm-ha-cy’.
Mark Thompson’s Spectacular Science Show at Gilded Balloon is ‘science like you have never seen it before’ exploring ‘the magical properties of matter’.
At PBH’s Free Fringe, Freya McGhee: Experimental blends ‘science, comedy and dating into one unforgettable experiment’ investigating ‘the chemistry of attraction to the mechanics of mixed signals’.
Check out Hot Rubber (Gilded Balloon) to see ‘eight comedians pit their homemade remote-control cars against one another in the world’s smallest demolition derby’ or ‘form a team, select a knockoff Roomba, customise it, then pit it against a dozen rivals’ at Robot Vacuum Fight Club (Outhouse Bar).
Braw Venues @ Grand Lodge ‘on busy George Street’ is new with a number of shows this August, including well-known musicals Little Shop of Horrors, High School Musical and Footloose, as well as a range of theatre, cabaret and children’s shows.
Welcome to the Fringe, Palestine, ‘a mini-festival to celebrate Palestinian art and culture’, takes place in new venue Portobello Town Hall.
Citadel Youth Centre is ‘hosting two fundraisers for the Citadel’s valuable work with young people and families in Leith’ Storm in the Citadel and Punchline on Leith.
The Bowlers Rest in Leith is home to Beggared, ‘the story of a privileged white South African whose life collapses into homelessness’.
Easter Road Stadium joins the Fringe as a venue, hosting two shows: Dropped, in which ‘former Chelsea FC trainee Alfie Cain tells his moving story of dashed football dreams and explores the darkness and pressures young men go through trying to make it as professional footballers’ and Frankie Mack Showman – The Next Stage: The Leith San Siro ‘a high-energy, show-stopping night of swing, rock’n’roll and modern classics’.
All the way from Italy is Mirage Spiegeltent at Gyle Shopping Centre, hosting Spirit of the Favela, a ‘dynamic fusion of circus and theatre showcasing Rio de Janeiro’s vibrant culture and communities’.
Gilded Balloon have introduced a new space at Appleton Tower for twenty shows, including Frances Floats and Not My Grandmother’s Daughter.
Now in St. Andrew’s Square, The Famous Spiegeltent returns, offering theatre, cabaret, music and musicals, including La Clique – ‘the global phenomenon that redefined a genre, with its mélange of cabaret and circus’.
Josie Long: Now Is the Time of Monsters is ‘a new show about extinct, gigantic, charismatic megafauna from three-time Edinburgh Comedy Award nominee’ at Pleasance.
Gilded Balloon marks their fortieth anniversary with ‘a series of special in-conversations featuring comedy greats’ including Jenny Eclair and Michelle McManus.
Also at Gilded Balloon, Rosie O’Donnell: Here & Now ‘reflects on her life in the present, including why she moved to Ireland from the USA, and how that shift has shaped her future’ and Michelle Brasier: It’s a Shame We Won’t Be Friends Next Year is a ‘show for the theatre kids, the freaks, the queers; for anyone who’s spiralled about something they did years ago’.
Fringe favourite Nina Conti: Whose Face Is It Anyway? is back at Underbelly, with ‘an unparalleled, unscripted show that delves deep into who we are, hijacking faces to spark a bold, hysterical reality warp’.
‘Direct from a sell-out West End season’, Bill Bailey is at Edinburgh Playhouse with Thoughtifier while Miriam Margolyes brings ‘more characters, more Dickens and more fascinating stories about the man behind the classics’ to Pleasancewith Margolyes and Dickens: More Best Bits.
‘The talented comedian, writer and host of A24 late-night variety sketch show’ Ziwe brings Ziwe’s America to Pleasance.
At The Stand Comedy Club, ‘expect to hear the glorious mess of being a professional polymath – from medical school to quiz championships, comedy clubs to Parkinson’s advocacy’ at In Conversation with… Paul Sinha or ‘jokes, rants, politics, swearing and possible nudity’ at Mark Thomas: WD40.
At Monkey Barrel, there’s ‘new material from the Rose d’Or, Southbank Sky Arts and Edinburgh Comedy Award winner’ Bridget Christie. Also at Monkey Barrel, ‘the Taskmaster treasure, Live at the Apollo star and voice of Netflix’s Too Hot to Handle presents a new hour about our bodies corporeal and politic, and what remains through ascension and destruction’ with Desiree Burch: The Golden Wrath.
‘A love letter to people pleasers everywhere’, Laura Benanti: Nobody Cares at Underbelly is ‘a hilarious, heartfelt and sometimes brutally honest tribute to recovering ingenues, mothers and anybody working on themselves’.
‘Comedy veteran’ Karen Dunbar ‘returns to the Fringe for a limited run of her stand-up tour’ at Just the Tonic.
At Assembly, David O’Doherty: Highway to the David Zone has ‘has got the lot’ with ‘talking, songs, talking during songs, talking while walking around’.
There are 325 free shows and 529 Pay What You Can/Want shows in this year’s programme.
10,001 Ideas by Robyn Perkins at Laughing Horse offers a ‘uniquely different hour of critically acclaimed stand-up and storytelling’.
Huge Davies: Free Work in Progress is at PBH’s Free Fringe with ‘his wearable keyboard for a free hour-long work in progress’. Also at PBH’s Free Fringe, Escape the Rat Race is a ‘a must-see for anyone who has ever worked in an office’.
At Laughing Horse, Three Bad Sisters is a ‘cacophony of the best and darkest materials from these three female rising stars of Irish comedy: Aideen McQueen, Shinanne Higgins and Louise O’Toole’.
‘Imagine an Englishman, an Irishman and a Scotsman in the same bar as a therapist’ and you’ll imagine 5 Mugs, No Tea at Leith Depot. At the Mother Superior, you can ‘expect a fever-dream of love, loss, and existential dread’ at Crying at the Meat Raffle.
Disco Picnic at The Three Sisters is a ‘Fringe fiesta serves up a delicious mix of toe-tapping disco tunes’.
The Fringe Society are grateful to the many partners, supporters, funders and sponsors this year. In particular, they would like to thank the official Education Partner of the Fringe Anthropic, the official Beer of the Fringe Innis and Gunn, Cirrus Logic and Baillie Gifford.
They would like to thank the UK Government and the Department for Culture, Media and Sport for their Keep it Fringe Fund support, the Scottish Government and City of Edinburgh Council for strategic funding support, the Scottish Government’s Festivals EXPO Fund support for the Made in Scotland programme; and Screen Scotland for supporting Screen Fringe.
The Fringe Society would also like to thank accommodation partners who provide much needed affordable accommodation to artists – Queen Margaret University and the University of Edinburgh, Theatre Digs Booker. Health in Mind are also returning in 2025 to support the delivery of mental health and wellbeing services within Fringe Central, which is once again kindly delivered in partnership with Grassmarket Community Project.
Opened as Stockbridge House in 1975, the LifeCare Hub on Cheyne Street has been a vital part of the local community for fifty years.
Originally established as a day centre for older people, it has evolved into a fully accessible, intergenerational community hub for everyone. A hugely popular big, bright and beautiful space, the hub hosts over 80 different weekly activities and welcomes over 47,000 visits a year from people who live across the city.
Run by local charity LifeCare Edinburgh, the organisation ensures all its services are affordable, or offered for free, so that everyone gets the chance to take part in community activities which help to keep them connected and support their health and wellbeing.
However, with continuing rising energy, staff and insurance costs the charity is bracing itself for an anticipated 30% increase in overall running costs this year creating a shortfall of around £30,000 this year alone.
The charity is launching an urgent appeal to help cover this shortfall and help sustain its hub and support for those that need it most.
Sarah Van Putten, CEO of LifeCare said: “The LifeCare hub is a really important place for local people. We are very proud of the support we offer and the accessible spaces we make available for everyone in our community. In an increasingly isolated world, where would people go if we didn’t exist?
“We want to be here for years to come, but we need support. No donation is too small, if we received £1 each time a person visited, we’d cover our shortfall and help sustain our future. Please give what you can.”
Lynne Herbert provides LifeCare’s free hairdressing for unpaid carers and runs her own yoga classes from the hub on a Monday and Thursday. Lynne said: “The LifeCare Hub is such an amazing place.
“From the moment you walk in, you feel welcomed and full of joy. It’s there for everyone, young to old and the combination of everyone interacting together is just priceless.”
LifeCare works alongside a dedicated group of volunteers who generously give their time to ensure the smooth running and a friendly greeting for visitors.
Shirley Galbraith is often one of the first happy faces visitors encounter when they enter the hub. Shirley said: “I feel that I am making a small difference to some peoples’ day by just chatting or helping them see what classes or services they could use. It makes me feel great!
“People should support the hub appeal to make sure that these services can continue – it is such a fantastic charity.
“The best thing is the variety of amazing services and classes that are offered. Supporting this appeal will ensure they are there for years to come!”
The charity is running an information morning from the LifeCare Hub on Monday 2nd June 11am-1pm. Come along to find out more and chat about how to get involved.
Everyone is also welcome at LifeCare’s Community BBQ on Friday 20th June 12noon – 4pm, with free food, bouncy castle and a whole range of activities for local people of all ages.
Visits www.lifecare-edinburgh.org.uk for more information.
WEDNESDAY 4th JUNE at 6pm – CARLA COSTE
Join us for an unforgettable evening of music with the incredibly talented Carla Coste -a renowned cellist who has performed as soloist and chamber musician at prestigious festivals across Europe, England and Asia.
On the day, Carla will be performing Suite numbers three and four by Johann Sebastian Bach, and a contemporary French piece by Graciane Finzi entitled “A strange Dream”
Don’t miss this chance to experience her captivating performance live at Stockbridge library on Wednesday 4th June at 6 pm!
