With over 100 BRAND NEW exciting shows, there’s no shortage of new experiences. The stage is set for an incredible lineup, and this is your chance to catch some truly remarkable performances
As Week 2 unfolds at the Edinburgh Festival Fringe, an array of talented artists at theSpaceUK are just embarking on their Fringe journey.
From rollicking cabarets to queer icons, mice stories to folk-rock renditions of Queen Mary’s life, and even a (almost) comeback from Gilbert and Sullivan. With over one hundred new shows gracing the stages this week, seize the opportunity to take a chance and discover something that will entice, excite, and thoroughly entertain you at theSpaceUK.
Here’s a small taste of the new shows that you can catch in Week 2 at theSpaceUK:
3.. 2.. 1… Spell!
The 25th Annual Putnam County Spelling Bee (theSpace @ Niddry St, 12-24)
This musical tellsthe story of six middle-schoolers growing up and of the relationships they form. With audience participation and improv elements, it is a heartwarming and hilarious tale of childhood motivations, friendship, making yourself proud and juiceboxes!
Dark Web Shenanigans
Ctrl+Alt+Deceit! (theSpace @ Niddry St, 12-24)
The story follows trusting, lonely and technologically naïve Aunt June, desperate to connect with her niece Andy, who suggests that June fill her time instead by finding friendships online. Matters take a strange turn when June unwittingly finds herself on the Dark Web.
Shaking Up Shakespeare
Sonnets from Suburbia (theSpace @ Surgeons’ Hall, 12-24)
In Sonnets From Suburbia, Lady Penelope AKA actress Penny Peyser shakes up Shakespeare with her own quirky take on modern life through her wry, beautifully crafted sonnets, while stubbornly clinging to the world’s longest COVID quarantine. An infectious hour of theatre: in the best sense of infectious!
He’s in the best-selling show
Is There Work on Mars? (theSpace @ Surgeons’ Hall, 12-24)
Can someone with ADHD and dyscalculia pass Elon Musk’s Mars immigration test? Set in a dystopian future of space colonisation, Is There Work on Mars? rants about many things: ableist education systems, living in the diaspora and ridiculous immigration requirements.
Feels Good To Be Bad
Good Boy (theSpace @ Surgeons’ Hall, 12-24)
Boy is in love with his first boyfriend. But, after discovering a devastating secret, their relationship crumbles and Boy’s world shatters. Good Boy is a shockingly funny debut play about trauma, the social politics of hook-up apps, and suicidal rabbits. And unbelievably… it’s all true.
It’s A Tough Gig
Tales from a British Country Pub (theSpace @ Surgeons’ Hall, 12-24)
Join comedy musician Chris Sainton-Clark as he takes you through his troublesome and hilarious experiences of working in British pubs.
Hear stories of compulsive liars, disruptive youths, fruit machine addicts and much more. Armed with just a guitar, Tales from a British Country Pub is sure to keep you entertained.
Lights. Camera. Delusion!
Nina Rose Carlin: Seeking Representation (theSpace @ Surgeons’ Hall, 12-24)
Comedian Nina Rose Carlin turns her years of experience in the entertainment industry (derogatory) into a rollicking cabaret with stand-up, clown and musical comedy.
Get an inside scoop of pop culture and Hollywood through her witty and absurdist lens, inspired by her time hosting red carpets, assisting A-List celebs and seeking stardom.
Crazy In Love
A Brief Case of Crazy (theSpace @ Symposium, 12-24)
Thomas is a remarkable, unconventional introvert – fiddling and fumbling his way through a 9 to 5 job, occasionally looking up to admire his wide-eyed and equally shy colleague, Daisy. Buckle up for a heartwarming and moving story, told through physical comedy, dance numbers and ludicrous characters.
Now… that’s all I can remember
If I live until I be a man (theSpace on the Mile, 12-24)
1483: The young princes Edward and Richard are taken to the Tower of London by their uncle Richard in preparation for Edward’s coronation. By the end of the summer, Richard III is crowned and the boys are never seen again. A comedic, playfully anachronistic, unsettling exploration of childhood during perpetual war.
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