Max Richter’s VOICES to unite global audiences on Human Rights Day

Max Richter and Yulia Mahr © Mike Terry

To mark Human Rights Day tomorrow (Thursday 10th December), composer Max Richter’s groundbreaking recording project VOICES, inspired by the Universal Declaration of Human Rights, will be broadcast for the first time on BBC Radio 3 and 35 international radio stations in Europe, the US, Australia and beyond, in collaboration with the European Broadcasting Union.

Max Richter and his creative partner Yulia Mahr will also participate in a global Q&A with the United Nations to mark the day.

Also on 10th December, Decca Records will release a brand new EP featuring four international language narrations of ‘All Human Beings’ (the opening part of VOICES) in French, German, Spanish, Dutch and English.

At the heart of VOICES is a profound sense of global community, born out of Richter and Mahr’s career-long stance that creativity can play an activist role in our world. The album provides a place to think about the questions facing us through the prism of the Universal Declaration of Human Rights. In a time of dramatic global change, VOICES offers a musical message of hope.

Richter and Mahr invited people around the world to be part of the piece, crowd-sourcing readings of the Universal Declaration of Human Rights to be interwoven into the work, which features an ‘upside-down’ orchestra. They received hundreds of submissions in over 70 languages. These readings form the aural landscape that the music flows through: they are the VOICES of the title.

Max Richter and Yulia Mahr say, “We are thrilled to have this opportunity to present VOICES once more. In these strange and challenging times it is more important than ever to keep the music playing and the message of the Universal Declaration alive. Thinking back now to the premiere of VOICES in February feels like visiting another world. In these strange and anxious times it is a great privilege to be able to mark Human Rights day by presenting the work again, in spite of the pandemic.”

HUMAN RIGHTS DAY

Human Rights Day is an opportunity to reaffirm the importance of human rights in rebuilding the world we want, with global solidarity, interconnectedness and shared humanity.

As part of Human Rights Day 2020, Max Richter and Yulia Mahr will collaborate with the UN to amplify the message of the Declaration of Human Rights. The Office of the United Nations High Commissioner for Human Rights (OHCHR) will host a Q&A with Richter and Mahr to discuss VOICES, as part of their digital Human Rights Day events and Mahr’s breathtaking video of ‘All Human Beings’ will also be shown on the OHCHR website.

The powerful themes of humanitarianism running through VOICES were informed by Yulia’s own upbringing.

She explains, “I was born in Hungary at a time when it was a Communist country. I have such vivid memories of our street, where the buildings were still peppered with bullet holes from the revolution in 56, and where some were still in ruins from World War Two.

In those days each person was allocated a certain predetermined amount of living space, so every flat would contain multiple generations or sometimes even different families. I lived with my great grandfather, my grandmother, aunts, father and mother in three rooms.

My grandmother had fled persecution by the Nazis to the safety of Chile for 20 years – and so in the confines of our flat I was raised on stories of escape, persecution, community and hope. My grandmother remained a humanitarian throughout her life – helping refugees and being part of an international movement towards peace.

In the end my own convoluted story saw my mother and I replicating the large scale migrations of the 20th century and I arrived in the UK aged eight – lonely, confused and desperate for security.

While I could rarely see my grandmother after that – her spirit has never left me and it is this spirit that informed the conception and writing of VOICES.”

INTERNATIONAL NARRATIONS OF ‘ALL HUMAN BEINGS’

The voice of Eleanor Roosevelt, who served as the first chairperson of the UN Commission on Human Rights and played an instrumental role in drafting the Universal Declaration of Human Rights can be heard at the start of ‘All Human Beings’, the opening track of VOICES.

Richter incorporates Roosevelt’s 1949 preamble reading of the Declaration into the piece alongside a narrator to convey a sense of youth and the future. On the album the narrator is acclaimed actor Kiki Layne (If Beale Street Could Talk, The Old Guard).

To mark Human Rights Day, Decca Records will release an exclusive EP of five new versions of ‘All Human Beings’ featuring multiple language narrations performed by acclaimed global artists.

Actor Nina Hoss (Yella, Homeland) reads in German, Iranian-born actor Golshifteh Farahani (Extraction, Paterson, About Elly) in French, author Marieke Lucas Rijneveld (winner of the 2020 International Booker prize or The Discomfort of Evening) in Dutch and María Valverde (Cracks, Exodus: Gods and Kings, Broken Horses) in Spanish. Olivier Award-winning actor Sheila Atim MBE, who will also perform in the BBC Radio 3 broadcast, narrates the new English version.

Richter says, “When I started thinking about how to present the Declaration, I came across a recording of Eleanor Roosevelt from 1949 reading the preamble. She’s so fundamental to the writing of the Declaration, it was really important to start with her.

“The narrators bring a sense of youth and potential in that performance because the Declaration is really about the future; it’s about the world we haven’t made yet. While the past is fixed, the future is yet unwritten, and the Declaration sets out an uplifting vision of a better and fairer world that is within our reach if we choose it. VOICES is a musical space to reconnect with these inspiring principles.”

BBC RADIO 3 AND GLOBAL EBU BROADCAST

The momentous global broadcast of VOICES will be recorded at BBC’s Maida Vale studios, presented by Elizabeth Alker. It will be presented in a new version for a 24-piece ensemble including strings, 4-member choir, electronics, solo soprano and narrator.

The BBC Radio 3 broadcast of VOICES features violinist Viktoria Mullova as soloist, soprano Grace Davidson, members of London-based vocal ensemble Tenebrae, the Max Richter ensemble – with Richter himself on keyboards and electronics – and Sheila Atim as the narrator.

36 European Broadcasting Union-associated radio stations in 34 countries will join the unique broadcast of VOICES, providing listeners across the globe with a renewed moment of hope and a moment of reflection in unprecedented times.

Max Richter and Yulia Mahr conclude, “We are thrilled about the partnership with the UN Human Rights Office, and the collaboration with BBC Radio 3 and the EBU which have made it possible to perform VOICES once more.

“In this challenging time in human history, the text of the Declaration is more important than ever.”

Youth Arts: Emergency funding details announced

Details have been announced of the first two funds of a £3million Scottish Government emergency funding package designed to ensure creative opportunities for children and young people continue across Scotland in the wake of the COVID-19 pandemic.

A total of at least £1.2million in now available through the Access to Youth Arts Fund. Building on the successful Youth Music Initiative (YMI) Access to Music Making Fund, this is designed to support an increased range of music-making projects, as well as introducing projects delivering across wider art-form areas.

Fund guidelines including eligibility criteria and application forms can be accessed on the Creative Scotland website.

The roll out of the Youth Arts funds will continue on Thursday 24 September with the launch of a £700,000 Small Grants Scheme which will be open to organisations and local authorities and will provide funding directly to freelance artists to undertake artist led youth arts activities within communities. Full details will be announced on Thursday.

A further £50,000 is being assigned to the Time to Shine Nurturing Talent Fund which provides direct support to young people to develop and produce their own creative projects.

In addition, £1,050,000 is being allocated to support a number of targeted national and local area youth music and wider youth arts organisations with established track records and existing relationships with freelancers working with the fund’s priority groups to support the recovery and renewal of youth arts provision.

These organisations will be invited to apply for the Youth Arts Targeted Fund by Tuesday 13 October.

Culture SecretaryFiona Hyslop said: “We are determined that our children and young people will not miss out on creative opportunities a result of the coronavirus (COVID-19) pandemic.

“Art and music in particular have helped many people during lockdown, so the launch of these funds is very welcome. Our musicians, artists and other practitioners working in the youth arts sector are also highly skilled and often highly specialised, and this funding will provide jobs and opportunities within the sector.”

Iain MunroChief Executive, Creative Scotland said: “I’m pleased to be able to announce today the roll out of additional funding support for Youth Arts, a vital part of Scotland’s cultural sector and an important part of the emergency funding package announced a few weeks ago by the First Minister.

“It’s right that part of that overall emergency package supports artists, freelancers and organisations working with young people and that creative opportunities for young people continue despite the impact of the Covid-19 pandemic.”

The Youth Arts funds are the latest of five new emergency funds from Scottish Government through Creative Scotland, announced by the First Minister on Friday 28 August, as follows:

  • The £15million Culture Organisation and Venues Recovery Fund, which has opened for application today, Thursday 17 September, with a deadline of Thursday 24 September.
  • The £3.5million Independent Cinemas Recovery and Resilience Fund, which opened for applications on Monday 14 September with a deadline of Monday 5 October.
  • The £5million Creative Freelancer Hardship Fund for which we issued an open call for partner organisations to help us distribute this fund on Friday 11 September with a deadline of Friday 25 September. We aim to be able to distribute funds from October. The Screen element of these Hardship Funds will open for application on Tuesday 22 September.
  • The £5million Sustaining Creative Practice Fund includes £1.5million for the Culture Collective programme, mentioned in the Scottish Government’s Programme for Government, supporting organisations employing freelance artists to work in and with communities across Scotland. The remaining £3.5million has been added to Creative Scotland’s existing open fund which is open for applications from individuals now.

Previously announced, the £2.2million Grassroots Music Venue Sustainability Fund closed for applications on Thursday 3 September. The fund has received 97 applications and awards will be announced on Tuesday (22 September).

And the £5million open call element of the Performing Arts Venue Relief Fund closed for applications on Thursday 27 August. The fund received 42 applications and awards will be announced by Thursday (24 September).

Updates on all emergency funds are being published regularly on the Creative Scotland website and publicised through media and social media communications.

Council has made ‘a huge amount of progress’, say Council leaders

The City of Edinburgh Council has delivered sustained improvements over the last 12 months and is continuing to fulfil its longer-term commitments, according to new bench-marking reports.

Demonstrating the Council’s continued focus on investing, delivering and improving the services that matter most to residents, the city’s annual performance report reveals good progress in a number of key areas while also recognising there is room for improvement still to be made.

The findings will be considered alongside the latest Local Government Benchmarking Framework and an update on the Capital’s Coalition Commitments.

Elected members will discuss achievements to date – including improvements in road and waste services, reducing carbon emissions and increasing educational attainment – and how we are working to improve more areas at a meeting of the Policy and Sustainability Committee on Thursday (20 August).

Council Leader Adam McVey said: We’ve made a huge amount of progress over the last 12 months and the results of many of the changes we’ve introduced are clear to see.

“Thousands of new homes are being built, our road condition is getting better and educational attainment across our communities is improving. We’ve seen another significant drop in waste complaints and carbon emissions showing we can continue to improve our basic services while working towards our long term ambitions for Edinburgh. These figures show we’re recording better performance in many areas we know are important to residents.

“We’ll continue to work hard for our citizens and prioritise the issues that matter to them. We face a number of challenges which weren’t foreseen and our plans on how the City adapts to COVID will help us sustain progress, prioritise investment to drive down carbon emissions further and support those residents most in need.

“Despite the challenges which still lie ahead, we remain committed to building on all of the achievements we’ve made to date. With nearly two years until the next Council election we’re well on our way to achieving 48 of our 52 Coalition Commitments, having delivered plans for more classroom assistants and smashed our target for new trees with a net increase of more than 12,000 delivered so far.

“Major infrastructure improvements like the new Meadowbank Sports Centre and Tram to Newhaven are crucial to our City’s wellbeing and sustainable future as are the thousands of new low-carbon homes being built. COVID has shown us how fragile progress can be but it’s also shown us how much we can do with the will to do it.”

Depute Leader Cammy Day said: “We deliver over 700 services every year for residents and visitors, from Council housing and care homes to making sure children receive the right start in life and the education they deserve.

“As we provide these services, our priority is to support our most vulnerable residents, focus on sustainable growth and address poverty – so I’m pleased to see a lot of improvements made in areas like health, the environment and education.

“While a great amount of progress has been made, there are still areas for improvement and we’re working to address these. The inequality gap still exists and we will continue to do all we can to make Edinburgh a more inclusive city, particularly as we recover from the COVID pandemic.

Alongside annual progress, we also need to look to the future. Our Coalition Commitments will put measures in place to make Edinburgh the fairer, greener City we are aspiring to.

The latest performance updates emerge from work the Council has carried out to focus improvements in line with the Council’s Change Strategy, Coalition Commitments and the results of the Edinburgh 2050 City Vision.

Amongst the highlights, the set of reports record:

ROADS AND WASTE
• A drop in domestic missed bin collection requests, down >5,000 in just two years (17,690 vs 22,853 in 2017/18)
• Almost all emergency road defects made safe within 24 hours (98% vs 95% in 2018/19)
• Almost all priority road defects repaired within five days (94% vs 81% in 2018/19)

CARBON EMISSIONS
• A reduction in Council and Edinburgh Leisure emissions (37% reduction to 2005 baseline)

SCHOOLS
• More pupils achieving early level reading (84%) and school leaver literacy and numeracy (67.1%) targets
• More school leavers heading into an initial positive destination (95.1%)

HOMES
• A rise in new homes being built (3,006 projected for this year vs 1,832 in 2017/18)
• A rise in new homes being approved (1,930 which is 230 above target vs 1,475 in 2017/18)
• A decrease in repeat presentations of homelessness (5.5% vs 7.9% in 2017/18)

HEALTH
• A downward trend in people delayed awaiting discharge from hospital (156 vs 267 in 2017/18)
• A downward trend in the number of people waiting for a package of care in hospital (48 vs 151 in 2017/18)

CUSTOMER CARE
• Increased customer satisfaction with the Council’s contact centre (76%)
• Quicker processing of claims and grants, including half the time taken for benefit claims (16.75 days vs 30.9 in 2017/18)

COUNCIL COMMITMENTS
Progress delivering Coalition Commitments (48 out of 52 fully or partially achieved), including successfully:
• Increasing the number of classroom assistants and support staff for children with additional needs to improve attainment and wellbeing
• Increasing allotment provision and support and expanding the network and the number of community gardens and food growing initiatives
• Upgrading parks and planting an additional 1,000 trees in communities
• Protecting Edinburgh World Heritage Status
• Exploring the introduction of fair rent zones, a workplace parking levy and transient visitor levy (TVL)
• Retaining Lothian Buses and Edinburgh Tram in public ownership
• Continuing the Council’s policy of no compulsory redundancies.

‘Very cautiously excited’: live theatre this month?

Experts in site specific and promenade theatre, Edinburgh-based Grid Iron Theatre Company hopes to bring a world premiere of Doppler to audiences later this month.

With very limited audience numbers of up to 20 people, this outdoor, socially distant show would have a limited run starting on or after 24 August with venue and exact dates still to be confirmed.

Judith Doherty, Chief Executive and Co-Artistic Director of Grid Iron Theatre Company said: “We are very cautiously excited about the possibility of bringing Doppler to Edinburgh audiences this August.

“We have been developing the show for over a year now and had hoped to bring it to Edinburgh Festival Fringe. Doppler was always meant to be an outdoor show and with our experience of producing shows in unusual spaces, we remain hopeful that we will be able to proceed with our plans. We are currently awaiting confirmation of our venue and then we can proceed with securing the required licensing.

“Having said that, we acknowledge the situation is developing fast and we might need to adapt quickly. We understand that 24 August, the date announced by the Scottish Government today as potentially the first day of live outdoor performances being allowed back in Scotland, is an indicative date which will be reviewed in 3 weeks.

“Safety and comfort of our audiences and team are always our top priority and we are simultaneously working on plans for a non-live sharing of Doppler.”

Adapted and directed by Ben Harrison, produced by Judith Doherty, with dramaturgy by Eszter Marsalko and translated by Don Bartlett and Don Shaw, Doppler is an adaptation of a satirical novel by a Norwegian writer Erlend Loe.

It focuses on Doppler, a man who, following the death of his father, decides to abandon his family and move to the forest on the outskirts of Oslo. He is determined to live a life as far removed from his previous as possible but struggles to maintain his isolation as his existence garners a lot of unwanted attention.

Ben Harrison, Adaptor, Director and Co-Artistic Director of Grid Iron said: “Doppler has been planned for a couple of years but takes on new and unexpected resonances in the context of the pandemic. The central character is jolted out of his comfortable Norwegian existence by a bicycle accident and determines to live an isolated life in the forest away from his family and social circle.

“Determined to live a deliberately simple existence, a life fused with the rhythm of the forest, he slows everything right down. Through his comical one-sided dialogue with an orphaned elk calf that he adopts, muses on life, the excesses of capitalism, fathers and sons and the footprint we leave on the world.

“As the months move slowly by however, his alternative lifestyle of bartering and hunter-gathering attracts some unwanted attention, and he finds being alone not nearly as simple and straightforward as he had hoped.”

Known for the role of Lesley in OutlanderKeith Fleming is Doppler with Grid Iron-regulars Itxaso Moreno and Sean Hay portraying all the remaining characters. The Company is also working with several talented freelancers, including Fergus Dunnet who is producing the puppets for the show, David Pollock on music and foley and Becky Minto who is responsible for design.

Following weeks of Zoom meetings, the Company has now begun outdoor rehearsals strictly following all the safety measures. These include not only face masks, hand sanitizing and social distancing but also taking people’s temperature at home and then again in the outdoor rehearsal space, props being handled by only one person, introduction of a clean objects area after they are sanitized and shorter rehearsal days to avoid having to take meal breaks.

The Company is also making it possible for people not to have to travel to work by public transport unless they are absolutely comfortable to do so and if yes, only outwith peak times.

The very strict health and safety regulations also impact on the design of the show with rigging and lighting designed to be handled by only one person at all times and actors wearing their own clothes and bringing some of the props from home.

Grid Iron Theatre Company has decades of experience of producing theatre in non-theatre, often outdoor spaces and is widely recognised as experts in audience management.

Its past productions include Roam presented at the Edinburgh Airport, Decky Does Bronco in parks and play areas across the UK and Ireland, Dr Stirlingshire’s Discovery at the Edinburgh Zoo and Crude, produced at a huge former oil-rig manufacturing shed in the Port of Dundee.

The Company is closely following the Scottish Government’s guidelines and is in touch with local authorities, and remains hopeful the staging of Doppler late in August will be possible. It recognises however that the current landscape is uncertain and everchanging and as such, is preparing for the eventuality that the live outdoor show will not be able to proceed.

If that happens, Doppler will be shared with audiences digitally as a filmed performance.

Dogstar Theatre Online

With over 275 performances and seen by over 40,000 people in 12 countries since opening at the 2008 Edinburgh Festival Fringe, The Tailor of Inverness has taken its place as one of the great Scottish theatre productions.

Dogstar Theatre Online is now making this extraordinary performance available to the public online, as the first in a series of Dogstar performance recordings to be released through Vimeo on Demand.

“The Tailor of Inverness, with its cry for victims of war and forced migration everywhere, is “a universal work of theatre” (Sunday Herald)

On Monday 11 May Dogstar Theatre Online will also release Brian Ross’s beautiful, moving documentary, produced by Hopscotch Films.

Circling A Fox – The Story of the Tailor of Inverness takes Matthew Zajac’s multi award-winning play and turns it into a genre-bending documentary film that challenges received notions of personal and national identity.

This deeply personal story takes us on a journey from war torn Poland and Ukraine to the Highlands of Scotland and back again. Blending documentary, theatre and poetic drama-reconstruction, Circling a Fox tells the story of Matthew’s quest to seek the truth about his father’s past and his efforts to use theatre to reach out to a family he never knew existed.

“This is a beautifully made film…both a road movie and a moving family drama, and although the story begins the best part of a century ago it is completely relevant to our own times.  In the end, it affirms the astonishing power of love.”  James Robertson

It is vital for small independent companies like Dogstar to find new ways of reaching audiences and new income streams and continue to develop while our theatres are closed.

These outstanding film and theatre experiences will be available to the public £3 to view, £8 to download. 

The Tailor of Inverness is directed by acclaimed Grid Iron director Ben Harrison, with a score by two of Scotland’s finest traditional fiddlers, Jonny Hardie and Gavin Marwick. Set and costume design is by Ali Maclaurin, with Lighting Design by Kai Fischer and Sound Design by Timothy Brinkhurst.

Awards for the production include The Stage Award for Best Solo Performer 2008, Scotsman Fringe First, Holden Street Theatres Award (Adelaide) and CATS Award Best Actor 2009.

Wherever it has been seen, the play has evoked extraordinarily enthusiastic reactions.

Joanna Jankowska, audience member in Edinburgh: “This is the story of every Polish family.”

Misha Glenny, author and journalist: “…how incredibly impressed I was by The Tailor of Inverness…unbelievably moving and unexpected”

“One actor, one fiddler, one brilliant and moving piece of theatre…See it, friends.” April Alliston, New York

“One of the most moving theatre experiences we’ve ever had.”  David Getz, New York

“Matthew Zajac’s performance was incredible.  Wish I could go again tomorrow.”  Kevin Hanrahan, Dublin

“It really was an international wonder” Hanne Larsen, Copenhagen

“What a story, what a play, what a performance…I could barely speak afterwards.”  Gerda Stevenson, Edinburgh

“This is a towering piece of work with a glorious performance by the author” Sunday Independent Ireland

The book of The Tailor of Inverness by Matthew Zajac is printed by Sandstone Press £8.99

Circling A Fox is filmed, edited, and directed by Brian Ross, executive producer John Archer.

The Tailor of Inverness & Circling A Fox have received financial support from Creative Scotland.

COMING UP:

The Stornoway Way by Kevin MacNeil

Cast: Naomi Stirrat, Rachel Kennedy, Chloe-Ann Tylor Director: Matthew Zajac

This musical tragi-comedy from the Western Isles packed out theatres during its 2019 debut tour.

Factor 9 by Hamish MacDonald

Cast: Stewart Porter and Matthew Zajac Director: Ben Harrison

Dogstar’s 2014 production about the Contaminated Blood Scandal has influenced audiences, campaigners and politicians across the UK.

Council launches £100,000 BAME arts fund

A new £100,000 fund to support Edinburgh-based Black, Asian and Minority Ethnic (BAME) artists, practitioners and producers in the Capital’s arts and culture sector opens for applications.

The City of Edinburgh Council’s Diversity & Inclusion Fund will focus on projects that promote greater creative collaboration between black, Asian and minority ethnic artists, practitioners and producers and Edinburgh-based cultural organisations.

Grants of up to £5,000, £10,000 and £20,000 will be awarded to organisations or individuals based in the Capital to help with the costs involved in developing new performing artwork (music, dance, spoken word and theatre), film making and screenings, digital art, cultural events and creative writing.

This is the first of two cultural project funding opportunities in Edinburgh, established through the creation of the Flexible Fund as part of the new approach for Third Party Cultural Grants agreed by the Council last year. Details of a second Flexible Fund opportunity, currently planned for Arts and Health Projects, will be announced in May 2020.

Cllr Donald Wilson, Culture and Communities Convener for City of Edinburgh Council, said: “Edinburgh has a long and strong reputation for creativity and excellence in the arts and we must continue to identify new and collaborative ways of resourcing the sector, and this fund will go some way to support new talent.

“As part of our policy of widening and deepening engagement with artists and communities across the city this fund is targeted at Black, Asian and Minority Ethnic artists and Edinburgh-based cultural organisations.

“We are committed to promoting stronger collaboration, developing new partnerships and creating new funding streams. The creation of our new Flexible Fund will help nurture more new work and emerging artists and enable greater access to our funding programmes for previously unfunded groups or those who have found it difficult to access mainstream funding in the past.”

A Panel of industry specialists will review applications for Diversity & Inclusion Fund grant awards in April 2020.

Further information on Diversity & Inclusion Fund

Who can apply?

Projects involving Edinburgh-based artists and practitioners and taking place within the City of Edinburgh boundary. Grants will be awarded to projects that promote greater collaboration between minority ethnic artists/practitioners, and Edinburgh-based cultural organisations. Projects should reach, involve, benefit and engage BAME artists and/or cultural organisations and creative practitioners.

Projects and activities could include: visual and performing arts (music, dance, spoken word and theatre), film making and screenings, digital art, cultural events and creative writing.

A total Fund budget of £100,000 is available for projects developed in financial year 2020/21 offering:
6 grant awards of up to £5,000;
3 grants of up to £10,000; and
2 grant awards of up to £20,000

The deadline for submissions is 3 April 2020 (23:59 GMT).

An online application form and further information about the fund can be found via the consultation hub.

You can also register your interest in attending information sessions.

I Think We Are Alone

King’s Theatre, 18 – 22 February

I Think We Are Alone is a funny yet bittersweet tale, written by Sally Abbott (Vera, The Coroner), about the human ache to connect, and the letting go and holding on to what we love the most.

This new play stars Chizzy Akudolu (Edmond De Bergerac, Holby City), alongside Charlotte Bate (On The Other Hand We’re Happy), Caleb Roberts (She Ventures and He Wins), Simone Saunders (Jane Eyre), Andrew Turner (Fantastic Beasts: The Crimes of Grindelwald; Coronation Street), and Polly Frame who recently headed up the cast of the critically-acclaimed Solaris which played at the Edinburgh Lyceum, and is a Frantic Assembly veteran having joined them on their last outing with Sometimes Thinking that played last year’s Latitude.

Co-directed by Artistic Director Scott Graham and Kathy Burke, I Think We Are Alone is the centrepiece in a year’s worth of activity to celebrate Frantic Assembly’s 25th anniversary and will be touring the length and breath of the UK throughout Spring 2020. You can catch it at the King’s Theatre this week.

 

 

Rolling Stones set to rock Edinburgh with immersive concert screening

Rebel Vision are producing an immersive screening of the Rolling Stones  legendary 2016 Havana Moon concert.  Touring the length and breadth of the UK, the tour arrives at Usher Hall, Edinburgh, on Wednesday 23rd OctoberContinue reading Rolling Stones set to rock Edinburgh with immersive concert screening

National tour for Dogstar’s The Stornoway Way

WORLD PREMIERE

DOGSTAR THEATRE COMPANY

in association with An Lanntair

present

The Stornoway Way

adapted from the novel by Kevin MacNeil

Dogstar Theatre Company are delighted be continuing their association with An Lanntair in presenting the world premiere of The Stornoway Way.

Adapted from the novel by Kevin MacNeil, the production played two performances at An Lanntair, Isle of Lewis, on 30 and 31 August and will be touring Scotland throughout October opening at the Brunton Theatre, Musselburgh, on Thursday 3 October at 7.30pm. Continue reading National tour for Dogstar’s The Stornoway Way