The Great British Food Festival is back this year and is visiting Dalkeith Country Park near Edinburgh for the first time on the 11th and 12th September. The event runs all weekend from 10am-5pm.
After missing 2020 because of the pandemic, the organisers say they can’t wait to be back doing events and are looking forward to bringing their food festival to the area for the first time.
Dan Maycock, one of the organising team said: “Tickets have been selling really well and we are really looking forward to a fantastic foodie weekend”.
Dan added that there is a lot for all the family: “we have lots of great food and drink, chef demos and talks but also forager walks, kids entertainment and great live music, and free parking with your festival ticket.”
The fantastic live music has a play list packed full of local bands and artists, so you can do some shopping, grab some food and then have a well-earned relax with a local beer listening to some great live entertainment all within the beautiful grounds at Dalkeith Country Park.
The events is the perfect recipe for a fun, foodie day out where the whole family ‘bubble’ can get together, visit www.greatbritishfoodfestival.com for more details and tickets (some time slots are now sold out, so book quick!).
Edinburgh Art Festival 2021 closed on Sunday 29 August, following an extremely successful return which saw the month-long programme of 35+ exhibitions programmed in partnership with the city’s visual art community secure hugely enthusiastic responses from audiences and critics alike.
Following cancellation of the 2020 edition as a result of the global pandemic, the 2021 edition returned to showcase Edinburgh’s vibrant year-round visual arts scene, with a programme which included major new commissions and premieres by leading Scottish, UK and international artists alongside support for early career artists.
Taking place at over 25 venues across the city, the programme also included a special programme of online events and presentations.
While the 17th edition of the festival has now drawn to a close, a selection of participating exhibitions across the capital continue their run into September and beyond, including the acclaimed Lessons of the Hour, from artist Isaac Julien, presented by the festival in partnership with National Galleries of Scotland – with its UK premiere continuing at Modern One until 10 October.
Sorcha Carey, Director of Edinburgh Art Festival said: ‘It felt so important to return this year, to play our part in supporting Scotland’s creative ecosystem after an exceptionally challenging time, as well as to offer a vital space for reflection, following the upheavals of the past year.
“The drive to make and enjoy art is something which, to paraphrase Frederick Douglass, is uniquely human – and as we come back together following long periods of isolation, separation, and uncertainty, it has been wonderful to cast a spotlight on this most human of activities.
“Throughout, our focus has been to find ways to safely reunite art with audiences, and while this has meant that festival venues have, of necessity, been welcoming smaller numbers of visitors, we know audiences have really valued the chance to return to galleries, to celebrate the extraordinary community of artists and freelancers on whom our creative ecosystem depends.”
Festival highlights included:
The festival-led programming featured major new commissions and presentations by leading international artists, including the UK & European premiere of Lessons of the Hour by Isaac Julien, a film celebrating the 19th century self-liberated freedom fighter Frederick Douglass, in partnership with National Galleries of Scotland; and two new festival co-commissions, with work by Sean Lynch casting a spotlight on Edinburgh’s public monuments and sculptures, in collaboration with Edinburgh Sculpture Workshop; and a sound installation by Emeka Ogboh with Talbot Rice Gallery at the Burns Monument, responding to the UK’s departure from the European Union.
This year the festival took a new approach, collaborating with Glasgow based artist, film-maker and programmer Tako Taal as Associate Artist who formed a response to the festival’s invitation to reflect on themes and ideas emerging from Isaac Julien’s work by in turn commissioning work by a new generation of artists living and working in Scotland: Chizu Anucha, Sequoia Barnes, Francis Dosoo, Thulani Rachia, Camara Taylor and Matthew Arthur Williams.
The festival’s annual showcase supporting artists in the early stages of their careers to make and present new work returned – with Jessica Higgins, Danny Pagarani, Kirsty Russell and Isabella Widger invited to create new work for Platform: 2021 at Institut français d’Ecosse.
Partner galleries across Edinburgh offered the chance to discover a new generation of artists, including the work of Satellite participant Alison Scott at Collective, Sekai Machache at Stills, Andrew Gannon at Edinburgh Sculpture Workshop and gobscure at Edinburgh Printmakers.
Solo presentations across the capital included Christine Borland at Inverleith House, Royal Botanic Garden Edinburgh, Alberta Whittle and Rachel Maclean at Jupiter Artland, Frank Walter at Ingleby Gallery, Ian Hamilton Finlay at The City Art Centre, Sonia Mehra Chawla at Edinburgh Printmakers, Jock McFadyen at Dovecot Studios, a major exhibition by the artist Karla Black for the newly developed and reopened Fruitmarket and Alison Watt at Scottish National Portrait Gallery.
This year’s edition also featured important retrospectives and major survey shows including The Galloway Hoard: Viking-age Treasure at National Museum of Scotland, Victoria & Albert: Our Lives in Watercolour at The Queen’s Gallery and Archie Brennan at Dovecot Studios.
Edinburgh’s commercial galleries presented a richly diverse offering including a new group show from Arusha Gallery and Ella Walker, Shaun Fraser and Will Maclean at The Fine Art Society, Leon Morrocco at Open Eye Gallery and the centenary of the birth of Joan Eardley, marked with an extensive new show at The Scottish Gallery.
Alongside exhibitions across the capital, this year saw the return of Art Late, the festival’s celebrated evening culture-crawls across the programme featuring exhibition tours, artist talks, workshops and unique performances, now digitally reimagined to allow wider audiences to engage with the festival.
The online programme also presented a series of Artist in-conversation events, with Isaac Julien, Sean Lynch, Emeka Ogboh and Associate Artist Tako Taal and the project’s invited artists, each discussing their work – all of which can still be watched on our website through our Event Archive.
For more information, please visit www.edinburghartfestival.com or follow the festival on Facebook, Twitter and Instagram @EdArtFest #EdArtFest.
Edinburgh Art Festival officially gets underway, running from 29 July – 29 August 2021. The 17th edition brings together over 35 exhibitions and new commissions in visual art spaces across the city, complemented by an online programme of events and digital presentations.
Following last year’s cancellation and an exceptionally challenging period for the creative sector, this year, more than any, we are proud to cast a spotlight on the uniquely ambitious, inventive and thoughtful programming produced each year by Edinburgh’s visual art community.
This year’s programme continues to place collaboration at its heart, with a series of festival-led commissions and premieres devised and presented in close partnership with leading visual arts organisations and a specially invited programme of new commissions curated in partnership with an Associate Artist.
All our festival venues will be following the latest Scottish Government Covid guidelines to ensure visitor safety, and we will be keeping our website regularly updated on what audiences can expect during their visit.
Highlights from the 2021 Festival Programme
Our festival-led programming features major new commissions and presentations by leading international artists, including the UK & European premiere of Lessons of the Hour by Isaac Julien in partnership with National Galleries of Scotland; and two new festival co-commissions, with work by Sean Lynch in collaboration with Edinburgh Sculpture Workshop; and a sound installation by Emeka Ogboh with Talbot Rice Gallery.
In a new approach for the festival, we are delighted to collaborate with Glasgow based artist, film-maker and programmer, Tako Taal as Associate Artist. Responding to the festival’s invitation to reflect on themes and ideas emerging from Isaac Julien’s Lessons of the Hour, Taal has invited new commissions for public and digital spaces, by a new generation of artists living and working in Scotland: Chizu Anucha, Sequoia Barnes, Francis Dosoo, Thulani Rachia, Camara Taylor and Matthew Arthur Williams.
We will also see the return of Platform, the festival’s annual showcase supporting artists in the early stages of their careers to make and present new work – with Jessica Higgins, Danny Pagarani, Kirsty Russell and Isabella Widger invited to create new work for Platform: 2021 at Institut français d’Ecosse.
There will also be chance to discover new generation artists at some of our partner galleries across Edinburgh, including the work of Satellite participant Alison Scott at Collective, Sekai Machache at Stills, Andrew Gannon at Edinburgh Sculpture Workshop and gobscure at Edinburgh Printmakers.
Solo presentations across the capital include Christine Borland at Inverleith House, Royal Botanic Garden Edinburgh, Alberta Whittle and Rachel Maclean at Jupiter Artland, Frank Walter at Ingleby Gallery, Ian Hamilton Finlay at The City Art Centre, Sonia Mehra Chawla at Edinburgh Printmakers, Jock McFadyen at Dovecot Studios and a major exhibition by the artist Karla Black for the newly developed and reopened Fruitmarket and Alison Watt at The Scottish Portrait Gallery.
This year’s edition will also feature important retrospectives and major survey shows including The Galloway Hoard: Viking-age Treasure at National Museum of Scotland, Victoria & Albert: Our Lives in Watercolourat The Queen’s Gallery and Archie Brennan at Dovecot Studios.
Edinburgh’s commercial galleries present a richly diverse offering including; a new group show from Arusha Gallery and Ella Walker, Shaun Fraser and Will Maclean at The Fine Art Society, Leon Morrocco at Open Eye Gallery and the centenary of the birth of Joan Eardley is marked with an extensive new show at The Scottish Gallery.
The festival is also planning a series of digital events, to include artist and curator conversations, bespoke tours through the programme, events and activities for families and community groups, as well as newly commissioned work for digital space.
Sorcha Carey, Director, Edinburgh Art Festival said: “Festivals have always offered a space for gathering, and this year more than any, we are proud to come together with partners across the city to showcase the work of artists from Scotland, the UK and around the world.
“Some exhibitions are newly made in response to the seismic shifts of the past year; others are the result of many years of planning and careful research; but all are the unique, authentic, and thoughtful products of our city’s extraordinarily rich visual art scene.
“The past year has revealed how precarious things can be for artists and creative freelancers, as well as for the institutions and organisations that support the production and presentation of their work.
“As our summer festival season gets underway, and we look forward to welcoming audiences safely back to the festival and our city, now more than ever we need the space for community and reflection that art and artists can provide.”
Culture Minister Jenny Gilruth said: “Edinburgh Art Festival shines a spotlight on the ambitious, inventive and thoughtful work being produced by Scotland’s visual arts community.
“I am pleased to see that the 17th edition of the Edinburgh Art Festival has brought together over 35 live exhibitions and new commissions, including a series of creative new works by six Scottish artists supported by £135,000 from the Scottish Government’s Festivals Expo Fund.
“A further £215,000 has been awarded through our PLACE programme to provide greater opportunities for artists at the beginning of their careers. I look forward to seeing the results of the Festival’s work during this challenging time.”
For more information, please visit www.edinburghartfestival.com or follow the festival on Facebook, Twitter and Instagram @EdArtFest #EdArtFest #ArtUnlocks
93% of Brits say they have not been to an art gallery or exhibition in the past three months
27% of the country feels that the arts and creative industries have little importance to the country’s economy
In addition, more than half of the country’s population believe that British museums should permanently return artifacts to their country of origin
The UK’s arts and creative industries continue to suffer despite the easing of lockdown restrictions, a recent study by Design Bundles shows.
Though popular attractions such as the British Museum have been reopening to the public since March of this year, the majority of Brits – 93% – say that they have not visited an art gallery, museum or exhibition over the past three months, according to YouGov research.
London is home to approximately 250 registered art institutions, so a reluctance to return to cultural hotspots may be due to hesitancy to use public transport such as buses and the tube in the wake of COVID-19.
More than half of Londoners – 53% – have expressed concerns about using the tube, with 48% also voicing health concerns around using London’s buses.
There may be other factors at play, with more than a quarter of Brits indicating that they do not feel that the arts and creative industries – defined as including performing and creative arts, writers, museums and libraries – are important to the British economy.
In 2019 arts and culture contributed £10.47 billion to the UK economy – which corresponds to 0.5% of total UK economic output. There were an estimated 226,000 jobs in the arts and culture sector in 2019, 40% of which were based in London.
In addition, more than half of the country’s population believe that British museums should permanently return artifacts to their country of origin.
Attendance to public attractions, exhibitions and galleries may be set to improve, however, following the recent lifting of various social restrictions.
British Museum attendance has previously been capped at 3,000 people per day, with the establishment maintaining safety measures such as hand gel stations, one-way systems and certain galleries – 33 in total – remaining closed due to ventilation concerns.
Certain restrictions have been lifted as of 19th July (such as the one-way systems), but the museum is still asking attendees to book in advance and adhere to track-and-trace.
Despite the apparent reluctance of Brits to return to museums and galleries, the museum has continued to hold special events and exhibitions, such as their current headline exhibition, “Thomas Becket, Murder And The Making Of A Saint”.
“There has been an understandable reluctance to return to our country’s artistic and cultural attractions”, a representative of Design Bundles said.
“One hopes that recent announcements from the government will encourage people to begin to cautiously resume their daily lives, and return to our country’s cultural hotspots. The creative industries are a vital part of the public’s leisure time and social interactions.”
The research was conducted by Design Bundles, which offers high quality premium design resources and a marketplace which allows graphic designers to register and sell their products.
All of our grounds, shop, takeaway coffee Kiosk, and restaurant The Lookout will also be open so make some plans and let us welcome you back to Calton Hill. Opening hours are 10am-4pm Thurs-Sun throughout May, and 10am-5pm Tues-Sun from 1 June.
Collective’s events programme also resumes this month.
We’re really looking forward to fully opening our doors to visitors again.
Social distancing measures will be in place to keep you safe – if you have any concerns or questions about visiting Collective drop us a line at mail@collective-edinburgh.art
Marine: Ian Hamilton Finlay 22 May – 3 October 2021 Free admission, pre-booking essential
Edinburgh’s City Art Centre presents Marine, a two-floor exhibition of artworks by Ian Hamilton Finlay (1925-2006).
Finlay was an internationally renowned Scottish artist and Britain’s most significant concrete poet of the 20th century. Opening on 22 May, this major exhibition focuses on the maritime theme in his work. It was a central element of Finlay’s art, and one to which he returned throughout his life.
Drawn from the artist’s estate and the City Art Centre’s collection, and including loans from the National Galleries of Scotland, Marine: Ian Hamilton Finlay showcases artworks from across several decades, ranging from stone, wood and neon sculptures to tapestry.
The show also features prints, postcards and booklets from Finlay’s Wild Hawthorn Press, capturing Finlay’s interest in nautical themes across a variety of media.
On show, alongside Marine: Ian Hamilton Finlay, will be photographs from the series Ian’s Fleet by Robin Gillanders, which the City Art Centre has recently acquired for its collection.
This sequence of seven black and white photographs capture a fleet of wooden model boats made by Finlay, floating on Lochan Eck, the pond at Little Sparta. Little Sparta is the garden at Stonypath, in the Pentland Hills, where Finlay lived and worked for 40 years and is now considered one of Scotland’s greatest 20th century artworks.
The show is accompanied by an exciting events programme and a catalogue with an insightful essay by Stephen Bann, CBE, Emeritus Professor of History of Art, and Senior Research Fellow at Bristol University.
Marine: Ian Hamilton Finlay has been co-curated with Pia Maria Simig, Executor of the Estate of Ian Hamilton Finlay, and is presented as part of the Edinburgh Art Festival 2021 and Scotland’s Year of Coasts and Waters 20/21.
To coincide with the City Art Centre’s exhibition, the Scottish Poetry Library presents a small display of works by Finlay, drawn from its archive. From Sea to City: Ian Hamilton Finlay runs from 25 May to 9 October 2021.
City Art Centre Curator Maeve Toal said: “The marine theme was an early source of inspiration for Finlay and continued to be a recurring influence throughout his life.
“Indeed, boats proved to be an inexhaustible subject. Taking its title from the earliest work in the exhibition, Marine (1968), this show brings together artworks which span Finlay’s entire artistic output, stretching from the 1960s through to the 2000s.”
Councillor Donald Wilson, Edinburgh’s Convener of Culture and Communities said: “We are delighted that the City Art Centre is able to showcase this extensive exhibition of works by Ian Hamilton Finlay.
“Finlay was one of the most versatile artists of his generation. With the assistance of collaborators, Finlay translated his ideas into artworks in a wide range of media. I am sure visitors will be inspired by this diverse body of work.
Councillor Amy McNeese-Mechan, Edinburgh’s Vice Convener of Culture and Communities said: “We’re all very much looking forward to welcoming visitors back when we reopen this weekend and this is another fantastic exhibition to look forward to.
“Marine promises to be a fascinating exhibition and visitors can also enjoy the accompanying programme of events which includes special tours, family craft sessions and talks by Findlay’s collaborators.”
Edinburgh’s City Art Centre is to re-open its doors to the public on Saturday 12th September 2020 with a full range of new safety measures in place to ensure the safety of visitors and staff.
The gallery reopens with two new exhibitions, City Art Centre at 40: Highlights from the City’s Art Collection marking the City Art Centre’s 40th anniversary and Bright Shadows: Scottish Art in the 1920s.
Having first opened its doors on 15th August 1980, heralded as combining; ‘Scotland’s largest air-conditioned fine art exhibition space, with specialist environmental and security facilities … a must for the display of world masterpieces’ – the City Art Centre celebrated its 40th anniversary last month (15th August).
As the gallery doors reopen and to mark the anniversary, the City Art Centre is mounting a special ‘highlights’ exhibition, City Art Centre at 40: Highlights from the City’s art collection from the City’s collection of Scottish art.
Widely recognized as being one of the finest in the country, the City’s collection numbers over 5,000 artworks ranging from some of the earliest views of Edinburgh to works by many of Scotland’s leading contemporary artists. Visitors will be able to see artworks by major historical figures such as Allan Ramsay, the pioneer photographers Hill and Adamson, and the Scottish Colourists, as well as contemporaries such as John Byrne, Alison Watt and Adrian Wiszniewski.
Bright Shadows: Scottish Art in the 1920s a new exhibition exploring the work of Scottish artists during the 1920s – an evocative period of social, political and economic change also opens on the 12th September as visitors are welcomed back to the gallery as it reopens.
The forthcoming exhibitions mark the public re-opening of the venue on 12th September. In keeping with Government advice in order to protect and maintain the safety of our visitors and staff, the City Art Centre has introduced a range of new safety measures and procedures throughout the venue, including a one way system, installation of screens at reception, hand sanitiser stations, extra barriers and signage and staff will of course be wearing masks while offering visitors a very warm, socially distanced welcome.
Visitors are asked wear face coverings and to pre-book free tickets for allocated time slots in advance via edinburghmuseums.org.uk
City Art Centre at 40
Over the past 40 years the City Art Centre has housed over 500 exhibitions, shown priceless treasures from across the world to priceless paintings made by Edinburgh children and welcomed 100,000’s of visitors through its doors and is now a well-established, respected and cherished Scottish cultural resource.
Other activities marking the 40th anniversary in the coming weeks include; The City Art Centre is 40!, a curated a digital exhibition of much-loved and favourite paintings chosen by past members of staff, artists and people closely involved with the City Art Centre over the years presented via Art UK’s ‘Curations’ series.
Tessa Asquith-Lamb, one our best-loved local artists, has created two special videos with the City Art Centre’s Public Programmes section to celebrate the milestone, featuring the artist’s favourite painting, ‘Tristan and Isolde’ by John Duncan. Asquith-Lamb tells us why Tristan and Isolde is so special, and demonstrates a special art activity everyone can do at home while we are not able to visit the gallery in person.
Having moved from its original home at The Royal High School on Regent Road to make way for the intended Scottish Assembly following Scottish Devolution, the City Art Centre found a new home in a purposefully refurbished five storey warehouse dating back to 1899 on Market Street, which was designed as an extension to The Scotsman building on North Bridge, having once housed the city’s fruit markets.
The building was selected not only because of its architectural significance but also for its wrought iron framed structure which made it suitable to carrying the heavy floor loads required to house large volumes of visitors.
As part of the significant renovation project, the building’s original stonework and metal frame windows were preserved, while the interior was repurposed to create four new gallery spaces, artist studios and a licenced café, designed to reflect the building’s late Victorian origins alongside minimal natural décor, complimented by a state of the art lighting system to protect the delicate works on show.
The City Art Centre was designed to be ‘more than just a gallery’, providing studio and meeting spaces for artists, ‘craftsmen’ and for the people of Edinburgh.
The City Art Centre first opened its doors on 15th August 1980 with two major exhibitions as part of the Edinburgh International Festival – The Legacy presenting historic and contemporary Canadian/Indian art from the Provincial Museum in British Columbia and an exhibition by the Prescote Gallery near Oxford, showing outstanding examples of British Craft.
Robert Blomfield: Edinburgh Street Photography An Unseen Archive Pictured Robert Blomfield, Girl on a Swing,Edinburgh, Black and White Photograph,1966.
Since that day, the City Art Centre has housed many hundreds of exhibitions and has continued to work with the city’s festivals; including The Edinburgh Festival Fringe, International Festival, Edinburgh Art Festival, The Edinburgh Jazz and Blues Festival and Edinburgh Science Festival.
From blockbuster exhibitions in the 1980’s and 1990’s which many residents in the city will remember, including The Emperor’s Warriors (1985), Thunderbirds are Go! (1986), Gold of the Pharaohs (1988), Dinosaurs Alive! (1990) and Star Trek: The Exhibition (1995), to hugely significant international art shows including; Abstract Expressionist Paintings from MOMA New York (1981), Michelangelo Drawings (1994) and Alphonse Mucha (2000) as well as a huge array of solo shows from Scottish artists and craft makers, such as James Cowie (1981), Charles Rennie Mackintosh (1987), Peter Howson (2007) and Victoria Crowe (2019).
From 1985 onwards, the City Art Centre’s programming expanded to reflect many new threads and artistic disciplines, ranging from photography; Cecil Beaton (2004) Ansel Adams; Snowdon; Albert Watson (2006) and Coming into Fashion (2013) alongside major survey and group shows championing Scottish art and craft; Hand, Heart and Soul (2007), Window to the West: The Rediscovery of Highland Art (2011) and A-Z: An alphabetical Tour of Scottish Art (2014).
As the City Art Centre’s exhibition programme and audiences grew, remaining rooted in the city and its people was key, with exhibitions and works often reflecting Edinburgh’s history as well as local and global social issues such as; Anne Frank in the World (1987), Chernobyl – The Legacy (1993), Rainbow City (2006), Leith – The Turning Tide (1987), Edinburgh Re-discovered: Thomas Begbie (1990) and Robert Blomfield (2018).
The City Art Centre’s now well-established reputation as a key cultural Scottish institution is evidenced in its 40-year exhibitions history and audience loyalty. As well as an ambitious and ever-changing exhibitions programme, an additional vital aspect of the City Art Centre is its role in housing the City’s Collection of Scottish Art – one of the finest in Scotland.
The collection, which supported through donations, bequests and gifts as well as purchases, features works from many of ‘The Glasgow Boys’ as well as the Scottish Colourists – John Duncan Fergusson, Samuel Peploe, Francis Cadell and Leslie Hunter.
Some of the best-known artists of the Edinburgh School, including William Gillies, John Maxwell and Anne Redpath, all have several works in the collection, and featured post-war artists include Alan Davie, Eduardo Paolozzi, Elizabeth Blackadder and John Bellany. The contemporary collection includes artists such as Christine Borland, Callum Innes, Rosalind Nashashibi and Toby Paterson.
When the City Art Centre reopens and looks forward to the next 40 years, the continued focus will be to champion historic and contemporary Scottish visual art and craft.
The City’s art collection continues to grow, and going forward the curatorial team will actively seek to diversify the collection in the coming years to better reflect the range of artists and work being produced in Scotland today. Visitors will be able to see the fruit of this with a new exhibition of recent acquisitions next year.
David Patterson, Curatorial and Conservation Manager, City Art Centre said;“Since we opened in 1980, staff at the gallery have worked with artists who live in some of the most densely populated cities on the planet as well as others who live in some of the remotest places on earth.
“We’ve tackled global tragedies and local issues, and shown paintings, drawings, watercolours, sculpture, tapestry, photography, silver, glass, interior design, film and installations among many other media. We’ve displayed works made from ice, oil, wood, metal, matchsticks, coat hangers, parachute fabric, nylon, gold, even old welly boots!
“We are thrilled to be reopening on the 12th September, and fittingly with two exhibitions drawn from our Scottish art collection. In the months and years to come, we’ll continue to shine the spotlight on Scottish artists of the past who have been overlooked in the story of Scottish art as well as curate major displays by some of the country’s leading artists past and present.
“The topography and people of Edinburgh will remain a consistent strand in our programming, as will the display of the finest contemporary and historic applied art and craft. We’ll continue to work with our partners Edinburgh Science Festival to bring some of the best Science and Art to a family audience, and our wonderful collection will continue to be shown throughout the year in a series of temporary exhibitions.”
Herbert Coutts, City Art Centre Curator (1971-1999) said:“Having been in at the birth of the City Art Centre, I am immensely proud of the myriad exhibitions it has sourced from all parts of the globe, and from its own important fine art collection.
“This remarkable achievement has been due to the creativity, commitment and hard work of its staff, past and present, which I hope will continue long into the future.”
**Pics free to use**
Pictured Curator Dr Helen Scott
New exhibition places Edinburgh-born female artist back in the spotlight over 150 years after her birth
Mary Cameron: Life in Paint
Saturday 2 November 2019 – Sunday 15 March 2020
City Art Centre, 2 Market Street, Edinburgh EH1 1DE
Free admission
Images available to download here
Opening this Saturday (2nd November) Edinburgh’s City Art Centre brings the Edinburgh-born artist Mary Cameron (1865-1921) back into the spotlight, displaying over forty rarely-seen artworks from public and private collections.
Mary Cameron: Life in Paint explores the life and career of a woman who was truly ahead of her time, charting her creative journey from elegant family portraits to breath-taking Spanish scenes.
Born in Portobello, Edinburgh, Cameron began her artistic career as a portraitist and genre painter in her native city, before venturing abroad to study in Paris. Foreign travel proved to be a life-long source of inspiration. In 1900 she visited Madrid for the first time, where she became captivated by the Spanish culture, people and scenery. Establishing studios in Madrid and Seville, she painted large-scale compositions of traditional peasant life, dramatic bullfights and rural landscapes.
A thoroughly modern and adventurous woman, Cameron exhibited widely during her lifetime, with her talents being admired by contemporaries such as John Lavery and Alexander Roche. However, like so many female artists of her generation, her name is little-known today. This exhibition aims to change that, with examples of her impressive work complemented by historic photographs and archival material.
The display is the first dedicated exhibition of Cameron’s paintings since her death in 1921. It is accompanied by the forthcoming illustrated catalogue Mary Cameron: Life in Paint, written by Helen E. Scott and published by Sansom & Co.
Councillor Donald Wilson, Edinburgh’s Convener of Culture and Communities said: “I’m delighted that the City Art Centre is able to showcase this fantastic exhibition of the rarely seen works of Mary Cameron. It’s incredible to think this is the first exhibition dedicated to her since her passing in 1921. Life in Paint will take visitors through her creative journey from starting out in Portobello to international travel. Not only will it be an opportunity to celebrate her work, it is also a chance for people to learn about the artist herself and the important role she played in Scottish artworld history and the positive strides she made for women.”
Curator Dr Helen Scott said: “This is a really exciting opportunity to showcase a female Scottish artist whose work will be new to most people. During Mary Cameron’s lifetime she was fairly well-known. She won prizes for her work, staged prestigious solo exhibitions in Edinburgh, London and Paris, and was well-respected by other artists, including prominent members of the Glasgow Boys. Today, however, her name is scarcely recognised, let alone celebrated.
Most of Cameron’s surviving paintings are held in private collections, so there have been very few chances for audiences to view them since her death in 1921. In fact, many of the artworks that feature in the exhibition have not been seen in public for over a century – so it should be a real eye-opener.
As a female painter practicing in the late 19th and early 20th centuries, Cameron faced many obstacles in pursuing her ambition to become a professional artist. Women of her generation had far fewer training opportunities than their male peers, and they often encountered discrimination when exhibiting, selling and promoting their art. They had to work doubly hard to succeed as artists and gain recognition. Even when they managed to establish themselves, their posthumous legacies were often eclipsed by the reputations of their more famous male counterparts. Over the years, many of these women have slipped into obscurity and been virtually forgotten.
Now, however, the situation is beginning to change, with increasing numbers of historic female artists being brought to public attention. And there’s a very real, growing appetite among audiences to find out more about these pioneering women. Mary Cameron was one of those who helped to lay the foundations for greater gender equality in the Scottish art world, and I think it’s so important that we celebrate her contribution.”
ENDS
For more information, image and interview requests please contact Kate Bouchier-Hayes – kate@thecornershoppr.com / 07825 335 489
Images can be downloaded here
Venue Details:
Address: City Art Centre, 2 Market Street, Edinburgh EH1 1DE
Telephone: 0131 529 3993
Website: edinburghmuseums.org.uk
Twitter: @EdinCulture
Facebook: Facebook.com/City.Art.Centre.CAC
Instagram: instagram.com/museumsgalleriesedinburgh
Opening hours: Monday to Sunday 10am – 5pm
NOTES TO EDITORS
City Art Centre
The City Art Centre is one of Edinburgh’s main public art galleries. It is owned and managed by the City of Edinburgh Council. It is home to the City’s collection of historic and contemporary Scottish art, one of the best in the country. The gallery hosts a vibrant programme of exhibitions from its collection and by contemporary local, national and international artists and makers.
Ian O’Riordan, City Art Centre Curator (1984-2015) said;“I can’t be dispassionate about the City Art Centre. I started working there on Monday 5th November 1984, my 31st birthday, and stayed for 30 years!
“We put on the most fantastic exhibitions and built up the most brilliant collection of Scottish art. In retrospect, it all feels truly amazing – what we managed to do and how hard we all worked. People came and loved it and kept coming back. It remains a fabulous place, still with loads of potential. In these challenging times, Edinburgh is truly lucky to have it. Here’s to the next 40 years!”
Councillor Donald Wilson, Culture and Communities Convener said: “Over the last 40 years our City Art Centre has hosted more than 500 exhibitions, housed works from across the globe and welcomed hundreds of thousands of visitors.
“As we celebrate this milestone it’s a great opportunity to look back at our favourites over the years as well as look ahead to reopening our doors on September 12th.
“Our collection of Scottish art is one of the finest in the country and this special ‘highlights’ exhibition is a fantastic way to celebrate the past 40 years as well as welcome our community back. We wanted to mark this significant anniversary of a very special place and celebrate the city’s artistic collections in a safe way when we open our doors and gather together again.
“When it opened in 1980 the City Art Centre was designed to be more than a gallery, providing studio and meeting spaces for artists, craftspeople and art lovers. I’m very much looking forward to the exhibition and to welcoming visitors back when we reopen next week.”
City Art Centre at 40: Highlights from the City’s art collection runs from 12th September – 18th October 2020.
Bright Shadows: Scottish Art in the 1920s runs from 12th September – 6th June 2021.
THE Scottish Homebuilding & Renovating Show, Scotland’s largest consumer exhibition for self-builders, home renovators and improvers, is back at the Royal Highland Centre, Ingliston, Edinburgh on October 19 – 20 2019.Continue reading Homebuilding & Renovating Show returns to Ingliston
The People’s Story at 30: The Making of the Museum
It’s been 30 years since The People’s Story Museum opened its doors for the first time, becoming one of the UK’s leading social history museums. Radical and ground breaking at the time, it was concerned with the lives and times of the ‘ordinary’ people of Edinburgh; the real people whose lives played out in this historical city. Continue reading Thirty Years of The People’s Story
The Fringe sparked into life despite yesterday’s rain with the launch of the official 2019 Edinburgh Festival Fringe Programme, featuring a diverse selection of work from the worlds of theatre, dance, circus, physical theatre, comedy, music, musicals and opera, cabaret and variety, children’s shows, spoken word, free shows, exhibitions and events.Continue reading Fringe Programme launched: #MakeYourFringe
