Festival Fringe 2022: Tickets for further 1,047 shows made available

Over 3,000 shows now available to browse online in the lead up to the Fringe’s 75th anniversary this August

Today, Thursday 09 June, the Edinburgh Festival Fringe Society is delighted to announce that tickets for a further 1,047 Edinburgh Festival Fringe shows are now available to browse and book at edfringe.com.

This is the fourth set of tickets to be released for 2022, with the first 283 shows revealed in March, 796 in April and 1,281 in May.

In total, there are 3,131 shows now available.The official programme launch will take place on Thursday 07 July.

The 75th anniversary of the Fringe takes place from 05 – 29 August 2022 and will feature an exciting range of shows, with theatre, comedy, music, dance, circus, musicals, variety, cabaret, events and more all featured in the programme so far.

Below is a small representative sample of shows available to book from today. The full list of shows released so far can be found at edfringe.com.

Theatre

At PleasanceFantastically Great Women Who Changed The World is “the Fringe premiere of new kickass-pirational pop musical from one of the producers of hit SIX”, celebrating the lives of Frida Kahlo, Rosa Parks, Emmeline Pankhurst and many more. Brown Boys Swim – also at Pleasance – “examines the pressures faced by young Muslim men in this exhilarating new play about fitting in and striking out”, while DARKFIELD revive two of their immersive, pitch-black experiences: Flight and Séance.

David Greig and Wils Wilson revisit The Strange Undoing of Prudencia Hart at the University of Edinburgh Playfair Library, “a wild session of anarchic theatre, haunting, authentic folk music and strange goings-on”.

At Wee Red BarThis Is Memorial Device is based on David Keenan’s novel of the same name. It offers a “fictional history of 1980s Airdrie’s mysterious, post-punk legends” and features original music by Stephen McRobbie from Glasgow band, The Pastels.

Art27 Scotland presents several productions at ZOO, among them From the Heart of the Incident – the story of Dr Issam Bassalat Hijjawi, “a highly respected and much-loved Edinburgh medical doctor and Palestinian activist held in a Northern Irish prison for nearly 16 months”. At the same venue, Ontroerend Goed return to the Fringe with Every Word Was Once an Animal, which takes a meta look at performing a show, and Marriage in Progress features Lauren Katz (Curb Your Enthusiasm) and Joey Slotnick (The Marvelous Mrs Maisel, The Good Wife) who “explore marriage as an improvisation and improvisation as a marriage”. Online, via ZOOTVTuesday Night Sleeping Club is “an immersive live-streamed audio experience at your home”.

At AssemblyBrian Cox presents She/Her, a multimedia performance of “a diverse group of women speaking their truth”. Assembly also hosts August Wilson‘s How I Learned What I Learned, the UK / European premiere of the Pulitzer Prize-winning playwright’s solo show chronicling his life as a Black artist in Pittsburgh’s Hill District.

Fishamble theatre company returns to the Fringe with King by Pat Kinevane: A Work-In-Progress. Hosted by Dance Base, “King tells the story of Luther, a man born on the day MLK was assassinated, who only leaves his apartment to perform as an Elvis impersonator”.

Directed by Guy MastersonPip Utton is Adolf is at The Stand’s New Town Theatre, exploring “what made Adolf Hitler so compulsive” and how any “cultured person could follow him to destruction, desolation and genocide”.

Just an Ordinary Lawyer is available online with C ARTS, the story of how “Nigerian Tunji Sowande quietly breaks through multiple barriers to become Britain’s first Black judge”. Also available online, Dickin’ Around asks “what does it take to satiate a heartbroken 20-something homosexual with a penchant for deep-diving into the sensory stimuli he finds along the way?”

ThickSkin’s Blood Harmony features music from The Staves combines with “bold new writing and dynamic physicality in this uplifting and powerful new play with songs about love, loss and legacy”. It’s at the Traverse Theatre, as is Happy Meal by Tabby Lamb, “a joyful queer rom-com where Millennial meets Gen Z and change is all around”.

Bastion, Beacon or Bridge? features full readings of three plays from Latvian, Lithuanian and Estonian playwrights, with post-reading discussions from the authors. It’s at Army @ The Fringe, as is For Queen and Country, the story of WW2 Major Denis Rake MC, who entertained Nazi officers as a drag queen in a Parisian nightclub.

Buzzing Anonymous, based on an ADHD support group, is at the Arthur Conan Doyle Centre. The play “watches unlikely relationships form through the chaos and natural dramatic comedy that occurs when neurodivergent people try to navigate through day-to-day life”.

For Example Theatre present: Boat! at BlundaBus, “a tragicomedy combining clowning and physical theatre” following “two friends at sea as they navigate companionship, solitude and altering states of reality”.

Motor Court 103 at Central Hall joins a group of strangers stranded at a motel during a Kansas snowstorm – an “eerie, timeless pocket of Americana”. Also at Central HallWe Are the Kingdum of Lear uses puppetry, masks and magic to stage “an experimental reimagining of Shakespeare’s great play”.

Dynamic Earth is hosting a series of Planetarium Lates this Fringe, including Under Pressure: The Ocean Show, which takes a deep dive beneath the waves, and You Are Here, “a dramatic journey to the very edge of our solar system and back”.

Hart follows “a transgender doctor in early 20th-century America” who is outed in the newspapers by his best friend, while The Severing Sword is an adaptation of a popular wuxia novel following “men hungry for the legendary Kun Wu sword and its ultimate power”. Both are available to watch online.

At Gilded BalloonBluewater is set in London in 2008 and joins a 17-year-old girl “as she attempts to navigate her way from Bluewater shopping centre with the girls to the weekly party happenings on a Saturday night”. At the same venue, Fear of Heights examines the American experience through the lens of Kevin Flynn’s Irish immigrant family.

The Virgin Travels is “a challenging, powerful and often funny piece, using music and movement to explore the tension between queerness and a restrictive Catholic upbringing”. It’s at Gladstone’s Land.

Greenside is home to Silent Gutter’s Playtime, in which “a birthday wish plunges the world into a hellish playground of 90s nostalgia”. At the same venue, Sugar? explores “real life stories of homelessness through a blend of verbatim theatre, physical storytelling and live and recorded sound”.

Conflict in Court, at Hill Street Theatre, is “an immersive courtroom experience where you decide the case’s outcome”. Also at Hill Street TheatreIndependence “looks at the Scottish independence debate with wit and humour as two families decide how to vote”.

Ladies Day is on at Inverleith St Serf’s Church Centre; set at a racecourse, it’s an “exuberant, poignant comedy about female friendship and what fortune really means”.

At Just the TonicTheatre Paradok presents “a fresh, LGBTQIA+ take” on Constellations by Nick Payne, a multiversal view of a burgeoning relationship with infinite possibilities. Also at Just the TonicCassie Workman: Aberdeen is a “part eulogy, part fantasy, part biography” about Kurt Cobain.

Boy: Looking for Friends is at Laughing Horse, offering a family-friendly solo show from Polish clown, Piotr Sikora. “Boy is happy living in his suitcase until he is forced to journey to the end of the world in the greatest adventure he has ever known.”

At Mayfield Salisbury ChurchThe Deil’s Awa! is “a roistering tale of smugglers in the East Neuk of Fife”.

Jonathan Price’s Alternate Endings is an “American cautionary tale, told in 10 vignettes, delving into the woes of the modern world as we ponder why we are here.” It’s available via Online@theSpaceUK, as is Call Mr Robeson, which tackles the life of world-famous actor, singer and civil rights campaigner Paul Robeson.

Carnegie at Panmure House explores the life of Andrew Carnegie, one-time richest man in the world and famous philanthropist.

An Evil Thing is a “dark, contemporary one-act play” about bullying set in Tyneside during WW2. It’s at Paradise in Augustines, where you’ll also find The One TEEN Show, “a Sri Lankan teenager’s quest to stage a live theatre show amidst post-AL angst, a pandemic and a country in crisis”.

At PBH’s Free Fringe, in Boys Who Punch Holes in Walls, “two young men explore what it means to be a ‘man’ in the modern world of social media, sexuality and toxic masculinity”, while The Azure Sky in Oz, Yellow and Special is a “powerful, funny and unflinching drama following two women whose lives are profoundly changed by their immersion in the world of the other-abled”.

Kathputli Colony: A Tale of Art and Resistance is at Pianodrome at the Old Royal High, shining a light on India’s biggest community of traditional artists through “Indian folk songs, traditional puppetry, musical instruments and explosive Dhol drumming”. Also at PianodromePlaying Beethoven lets you “feed your inner Beethoven with period and contemporary live music, costumes and ideas in an amphitheatre made entirely out of upcycled pianos”.

Sweater Worthy is “a one-woman performance about knitting through grief, heartache and depression”. It’s at Pins and Needles, and “knitting or crocheting is encouraged”!

Mara Menzies’s Blood and Gold returns to the Fringe at the Royal Lyceum Theatre Edinburgh, combining “ancient mythology and modern storytelling” to explore “the legacy of colonialism and slavery”. Also at the LyceumTim Crouch: Truth’s A Dog Must to Kennel is the world premiere of a new solo work by the experimental playwright, in which “King Lear meets stand-up meets the metaverse”.

Cat is “a razor-sharp, subversive exploration of life at its darkest” by Connie Harris; it’s on at RSE Theatre.

At the Scottish Storytelling CentreMiss Lindsay’s Secret sees a museum curator finding hidden letters binding Glenesk to Canada’s Klondike gold rush – “a true tale of sewing and 1900s sexting”. At the same venue, Mohan: A Partition Story “is a piece of oral storytelling which retells renowned storyteller Niall Moorjani’s Grampa’s experiences” during Partition in India.

At Shout – Scottish Music Centre @ 111 Holyrood RoadThe Woman He Lived With tells the story of the wife of William Burke, of infamous graverobbing murderers Burke and Hare.

Marrano, a Tale from the Inquisition is at St Andrew’s and St George’s West, George St – “a historical play performed in contemporary storytelling fashion”.

At The Royal Scots ClubHigh Five is “an explosive, high energy, physical theatre production that explores the drug crisis with young people in Scotland”.

At theSpaceFloodgate joins three siblings in 2061 as they clear out their grandma’s belongings in a deserted coastal town, where “they find a diary left behind that will change everything”. Long Nights in Paradise, also at theSpace, is the story of a loving relationship “set in the context of the Grenfell Tower tragedy”.

Surfing the Holyland at Underbelly is a fish-out-of-water tale set in Tel Aviv, blending “bighearted comedy, electrifying storytelling and bold physicality”, while The Endling “explores the interconnectedness of human existence with the lives and deaths of other species”.

Comedy

The Pub Landlord returns with Al Murray: Gig for Victory at Assembly, where Frank Skinner also brings his “highly anticipated” new show 30 Years of Dirt.

At Monkey Barrel Comedy, triple Edinburgh Comedy Award nominee Josie Long presents her new show Re-Enchantment, and from the “award-winning comedy collective CHUNKS” comes Chris Thorburn’s Monday Mash-Up Meltdown,“an hour of ill-advised mash-ups and remixes”.

Stephen Robinson brings his award-winning show DeafMimo to Deaf Action, a “storytelling event performed through mime” which is suitable for deaf and hearing audiences of all ages.

“Poet Laureate of Punk” Dr John Cooper Clarke and special guests come to the Edinburgh Playhouse with a “roller coaster of poetry, spoken word, off the wall chat, riffs and wicked stories” in I Wanna Be Yours.

Host of Netflix’s 100 HumansSammy Obeid comes to Gilded Balloon with his stand-up show So Comedy, and the “comedy phenomenon” The Guilty Feminist returns with “excitement, confessions, activism and inspiration”.

PBH’s Free Fringe hosts We Are Not In the Least Afraid of Ruins; We Carry a New World in Our Hearts from “non-binary whirlwind” Andrew O’Neill, as well as Clandestina Queer Comedy Triple Bill, “a queer women, trans and non-binary-led comedy show” from Charlie George and Victoria Olsina plus a new “wildcard” act every night.

Jerry Sadowitz returns with his show Not for Anyone (Pleasance at EICC), including “impressions of Greta Thunberg, Frankie Boyle and deep vein thrombosis”, while Pleasance Courtyard is the setting for Catherine Cohen’s double-bill, including her award-winning The Twist…? She’s Gorgeous, as well as a new cabaret show.

Troy Kinne Live marks the return of the comedian from a “sell-out tour” of Australia, NZ and London at 4042.

At the Acoustic Music Centre @UCCKatya Kan Metaverse 4/20 “recounts the story of an Eton-schooled cannabis dealer” against a “lockdown backdrop”.

At BlundaBusAmrita Dhaliwal presents “provocative physical comedy” in her show Driving Around, and “frivolity, shock and redemption” can be found in Riss Obolensky’s Healing King Herod.

Online, A Place Like This is hosted by Nicole Kidman as she shares “some of cinema’s greatest moments”, Plymouth Presents Theatre Company performs “hilarious comedy” Bartholomew’s Strip, and “the point of view of a tortoise” is front and centre in Daffodil Tramples the Fringe.

At GreensideBrayden Kerr’s Tales of an Altered Consciousness Within a Comical Lunatic mingles realism and nonsense in a “comedy con carne”, while in Ann Chun: Asian Divorce, the NYC-based comedian takes on the “dissolution of her parents’ marriage in Thailand” while living in America.

Award-winning musical comedian David Hoare “combines wit and flare with precise delivery” in his 100 Songs in an Hour at Hill Street Theatre.

Just the Tonic hosts The Local Tourist, the “hilarious and emotional tale of a local immigrant who gets labelled as a tourist across five countries” from the mind of Ram Adithya Arangi, and Vlad and Kuan-wen: The Wee Aliens provide “fantastic observations about life in Britain” from Vlad Ilich and Kuan-wen Huang.

Sharon Wanjohi and Abbie Edwards can be found at Laughing Horse with their “sell-out show” Not Too Shabby, which covers “everything from babies being racist to Brad Bird’s 2007 masterpiece Ratatouille”; also at Laughing Horse, you’ll find an hour of Stand Up At Seven With Ella Al-Shamahi and Suse Steed.

100% Cotton: In a Spin pits Liz Cotton and two small villages against “the might of a huge sewer company” at Paradise in the Vault, and the same venue hosts Popstar Hair ShowChristina FanMail’s “comedy stream of consciousness”.

Ray Bradshaw: Bald Ginger comes to the Scottish Comedy Festival, along with The Many Faces of Horatio Gould, a “bold hour of high-octane stand-up”.

At Smoke & Mirrors, American stand-up comedian Leah Renee hosts the free showcase, Star-Spangled Stand Up.

For two nights only, Fred MacAulay – What(ever) Next? is on at The Stand’s New Town Theatre, as well as John Lloyd: Do You Know Who I Am?, from the producer of QIBlackadderSpitting Image and other British TV favourites.

theSpace hosts Menopause Party, from Essex pub landlady Dolly Slatemen (alias of real-life Essex pub landlady Debbie Baisden), a “taboo-smashing show with character comedy, sing songs, spoken word and the unveiling of Dolly’s arty expressions.” Also at theSpaceHow to Be a Girl (In Three Easy Steps) by Gara Lonning is a “love letter to adolescence” on growing up as “a closeted Trans person in the middle-of-nowhere, Iowa.”

“Britain’s funniest, friendliest blind theoretical physicist turned award-winning broadcast journalist and stand-up comedian” Richard Wheatley brings his show Blindingly Obvious to C venues, while online, Nathan Mosher is Injured tackles the comedian’s “failed relationship, bipolar diagnosis, and a year-long breakdown and recovery” through stand-up, music and poetry.

From Soho Theatre, ALOK comes to Traverse Theatre with their new comedy and poetry show, exploring “themes of trauma, belonging and the human condition.” At the same venue, Liz Kingsman presents her One-Woman Show for a limited run.

BC:AD – Before Children: After Diapers is “one mad, brown mommy’s take on how the definitions of words change before and during motherhood” (Underbelly), and Thom Tuck and Tim FitzHigham: Macbeth appears for a limited run, with a different guest director daily.

At ZOOAidan Goatley: Tenacious “guides us through a tale that leads to dreams coming true”, and Naughty by Anna Marie Simonsen “confronts the disturbing image of innocence and youth as sexy.”

At the RSE Theatre is Shaun Patrick Flynn RN: Healthcare Anti-Hero, a new comedy about “caring for critically ill Covid-19 patients” described as “dark, dry and full of surprises”, and Emmy-nominated comedian Mike Glazer and Julian Stern present Absolute Friendship!

Music

Rage Against the Machine play “their first Scottish headline show in 14 years” at the Royal Highland Centre ahead of Connect Music Festival this August, where audiences can also catch The NationalIDLESThe Chemical BrothersLittle Simz and more.

Singer-songwriter John Otway returns to the Fringe with PBH’s Free Fringe, along with his “surreal sense of humour and a self-deprecating underdog persona”.

At The Liquid RoomFirst Edition – Helena Hauff provides a “thrilling sonic experience”from the techno DJ, and there’s an appearance from Fife singer-songwriter King Creosote and Band.

At the Acoustic Music Centre @UCCIona Fyfe: Scots Sang and Mair provides an “intimate performance” from the award-winning Scottish folk musician, and Ross White: Provenance explores “what is lost and gained when music, and anything else, goes through a filtering process” in a blend of genres.

Argyle Cellar Bar presents Julie London Calling, an exploration of the life of the songwriter of Cry Me a River and Fly Me to the Moon, while The Memphis Music Story takes the listener through the music of “veteran singer / songwriter / keyboardist” Charlie Wood.

Looking Forward, Looking Back features “both compositions by musicians who served in the armed forces, and new work composed in response to the works of these civilian-soldier-musicians”, hosted by the Army @ The Fringe.

Flute Recital: From Darkness to Light is an evening recital of “lyrical and rousing works for flute and piano” by duo Leila Marshall and Ailsa Aitkenhead, and wind quintet Festivo Winds from Manchester present an evening of French music, Poulenc: Sextet, both at artSpace@StMarks.

Assembly hosts Folksville at the Fringe, “Edinburgh’s favourite folk music night returns, packed with outstanding singer-songwriters, acoustic musicians and poets”, and InChorus: Still Standing, a “large, contemporary choir from Peebles” whose programme includes “rock, opera, stage and popular favourites”.

Away Vain Warld: The Music and Poetry of Elizabeth Melville is on at Canongate Kirk, presenting how “traditional Scottish music increasingly became an influence on Scottish nobility” in the court of James VI. At the same venue, Influencing Mozart: An Exploration by Opera dei Lumi examines the “key figures from Mozart’s rich musical life”, with Michelle Dierx (violin) and Edward Keenan (viola) as soloists.

Deaf Action presents Deaf Rave, “the ultimate daytime rave in a unique location”, providing “an amazing clubbing experience with visual performances”.

Inspired by the music of Pink Floyd, Planetarium Lates – Dark Side of the Moon takes place at Dynamic Earth “in explosive surround sound”, including “spellbinding abstract projections on the dome”.

The French Institute in Scotland hosts Jesse Rae: Vive Funk, “a new live, immersive music performance wi’ the spirits o’ Parliament-Funkadelic founding member Bernie Worrell and Zapp founder Roger Troutman”.

A Journey Within: An Artistic Blend of Sufi Music and the Motions of Sama is “a journey of sound and motion through a modern artistic portrayal of this 1,400 year-old spiritual practice”, available online.

The Other Guys return with their “award-winning moves, beatboxing, and side-splitting parodies” to Gilded Balloon.

“Fairy tales and ghosts, loneliness and grit, electric guitar and classical orchestra” come together in Ninotchka at Greenside.

At Greyfriars Kirk, violinist Anna-Liise Bezrodny makes a return to the Fringe with the Orchestra of the Canongait and conductor Robert Dick to play Beethoven – Violin Concerto and Fifth Symphony, while Spirit – Barnsley Youth Choir is “an hour of wonderful entertainment and high quality music making” from the international award-winning choir.

Amy Papiransky and Ellyn Oliver come to Hope City with “a feast of live blues-pop music”, and the Jon Green Quintet deliver live contemporary jazz at the same venue.

The Bunker at Just the Tonic “is a late night of music, mayhem and madness” in the Fringe’s “most infamous late-night venue”.

At C venues is Midnight Wine, where singer / songwriter Chris Milner “shares songs, wine and stories from 50 years on the folk scene, touring UK and Europe”. Also at C venuesKuniko Plays Reich: Counterpoint and Kuniko Plays Reich: Drumming exhibit the Japanese percussionist’s “flawless technique” and the work of Steve Reich.

The Laughing Horse’s Free Fringe Music of many genres can be found at range of venues throughout the city, including Ghillie Dhu and The Grand Café.

Marchmont Music at Marchmont St Giles Church is “a free afternoon concert from quality performers for your delight lasting approximately an hour.”

S!nk – Return to the Source is at Pianodrome at the Old Royal High and has “Edinburgh’s acoustic innovators” present their “improvised, experimental new music”, along with Sing Sistah Sing! Tales of Transatlantic Freedom, which traces “threads of power, resistance, migration and emancipation in story and song” as part of Andrea Baker’s series.

Pleasance hosts Countess of Fife, “insurgent alt country outfit led by The Rezillos’ Fay Fife”, and Samba Sene and Diwan, a “fusion of funky mbalax / Afrobeat rhythms with undercurrents of ska, rock, Senegalese soul” from a “diverse international collection of musicians”.

RSE Theatre hosts the Jive Aces, a “mixture of swing, hot jazz and rhythm ‘n’ blues”.

Heal and Harrow comes to the Scottish Storytelling Centre as a “humanising tribute to the victims of the Scottish Witch Trials”, based on commissioned stories by Mairi Kidd with accompanying visuals by Alison Piper. At the same venue, the Poosie Nansie Burns Club presents Robert Burns: A Life in Songs and Poetry to explore both “his familiar and lesser-known works”.

Masabane Cecilia Rangwanasha in Concert is a British and European premiere of the South African soprano in this song recital at St Andrew’s and St George’s West, George St, where you can also see Cameron Shahbazi (counter-tenor) and Ashok Gupta (piano) in Shahbazi – Handel en Edimbourg.

At St Cecilia’s Hall, the Shackleton Concert uses instruments from the University of Edinburgh’s Musical Instrument Collection and presents works by Gordon Jacob, Arthur Bliss, Ralph Vaughan Williams and James MacMillan. Spinning the Works sees Lucia CapellaroLászló Rózsa and David Gerrard explore the music of Bach and Telemann.

Bach Cello Suites, by a returning London-based cellist, and Back to the Fringe, by “Scotland’s Premier Barbershop Chorus”, can both be found at St Cuthbert’s Church.

St Giles’ Cathedral hosts the National Youth Choir of Scotland, on a four-concert tour across the country this summer, to perform Duruflé Requiem by Candlelight.

At St Mary’s CathedralCalum Huggan is an award-winning Scottish marimbist and percussionist who will perform works by Séjourné and Debussy, and Maximiliano Martin, Principal Clarinettist of the SCO, presents a “memorable evening” of works by Poulenc, Saint-Saens, Gaubert, Pierne and Chausson.

The Absolute Jam comes to the A Club at the Merchants Hall with the “uncanny sound and vibrancy of The Jam while playing a full range of songs from the band’s back catalogue”.

Bird ‘n’ Diz – The Music of Charlie Parker and Dizzy Gillespie offers the “rare chance to hear the music of two of jazz’s great innovators”, while Brass Gumbo Plays the Music of The Beatles takes a “musical tour through The Beatles’ back catalogue using only horns and drums” – both at The Jazz Bar.

At theSpace, Korean Yeonhee Concert comprises of “four pieces of yeonhee music and dance, with rhythmic, powerful and ritual interpretations of ancient traditions”. At the same venue, in The B-aca-chelorette, The Rolling Tones take on a “journey to find love” through the “power of gorgeous harmonies”.

Climb is at Underbelly, where Jamaican-Canadian singer-songwriter Duane Forrest “shares his stories and songs gleaned from his travels around the world”. Also at Underbelly, a capella “super-group” The Magnets present “the ultimate soundtrack of your life”.

Graeme Leak, of Spaghetti Western Orchestra fame, presents Saved at ZOO, a “retro-mechanical music show built around rescued 70s home organs”.

Cabaret and variety

Dream at artSpace@StMarks is “a new show packed full of drama and musical theatre song and dance”, performed by students from The Performance Academy, Scotland.

At AssemblyJinkx Monsoon proves She’s Still Got It! with “bawdy stories, unique covers and original music” in her Edinburgh Fringe debut, fresh from RuPaul’s Drag Race all-winners season. Also at Assembly, publicity stunt specialist Mark Borkowski shares his stories in False Teeth in a Pork Pie: How to Unleash Your Inner Crazy.

El Dizzy Beast is “a show about a queer, autistic, Latinx caterpillar”, Andrea Spisto. It’s on at BlundaBus, as is Dark Mother, an “unquantifiably maternal, darkly ceremonial experience by everybody’s favourite shadow-shaman-clown-priestess,” Lucy Hopkins.

Hopkins also performs her Ceremony of Golden Truth at Pianodrome at the Old Royal High – a “ceremonial mess-about, interactive choral laughter bath and collective act of golden manifestation”. At the same venue, Phil Kay and Stacey Clare launch the inaugural Book Festival Fringe – “the funniest, wildest, most happening book festival / book launch-launch ever”.

Blazin’ Hot Summer promises “costume changes, choreography and general fabulosity” from Drag queen Blaze and her team of dancers at Brewhemia.

Paradise Palms is offering an “infamous buffet of raucous cabaret and queer performance alongside comedy, spoken word and the ridiculous” in Late-Night Tropical Cabaret. It’s also staging Paradise Palms Out East this August: a weekend of family-friendly music, cabaret, drag, spoken word, comedy, storytelling, wellness, dance and more at Dalkeith Country Park.

At Deaf Action, theatre company Solar Bear presents “a rude, riotous celebration of Scottish deaf talent” in Spill Your Drink: A Deaf Cabaret.

Forth on the Fringe returns to the Edinburgh Playhouse with “some of the biggest names in comedy and entertainment”.

At Gilded BalloonBiddy O’Loughlin “weaves her story through dark, dry stand-up and sweet, sad songs” in Funny Girl, Sad Songs.

William Roby stars as a centenarian cabaret artist in An Evening With Mr Noel Howard at Greenside, sharing stories and songs from his long career, while “self-described musical genius James Love and his sequin-clad showgirl wife Stephanie” perform their cabaret show Live, Laugh, Love.

The Burlesque Show at Hill Street Theatre gives Fringe audiences the chance to help choose the winner of the Fringe 2022 dance competition. At the same venue, The Gin Show returns to the Fringe for its third year, “with comedians, dancers, musicians and entertainers interwoven” between gin tastings.

TA DA – The Ramblings of a Magician is “an existential show about one magician’s relationship with his magic”. It’s at Laughing Horse, as is Hot Boys Bathhouse, a “debaucherous extravaganza of devilishly good comedy” written and performed by a trio of international clowns.

Kiki Mellék brings her show Wonder Woman to PBH’s Free Fringe, promising a “new, all dancing, all lip-syncing, all revealing tribute to fierce femmes. Also at PBH’s Free Fringe, Canadian performer Daniel Zindler charts his career as a busker and street juggler in Daniel Zindler Drops.

At PleasanceKi and Dee – On the Sesh follows the “two housemates and best friends who went viral during lockdown by singing silly little songs about their silly little lives (mainly their sexual frustrations, hideous dating histories, pulling all-nighters in their 30s and Jack Grealish’s thighs).”

Former Makar (aka National Poet of Scotland) Liz Lochhead rejoins with saxophonist Steve Kettley for Back in the Saddle at The Stand’s New Town Theatre, performing everything “from in-character monologues to heartfelt true confessions”.

Veteran musical theatre performer Peter Straker performs his Adventures of Straker at theSpace, which is also where you’ll find Abby Rose Morris exploring body standards in the entertainment industry in cabaret show More Than Tracy Turnblad.

Mr Brake Down: The Headmaster Will See You Now is a “St Trinian-esque” school assembly hosted by a drag king headmaster at C venues. Online, Chansons: Songs and Stories from Piaf, Brel and Me is a cabaret performance by singer Stefanie Rummel, accompanied by Vignir ór Stefánsson on piano.

At UnderbellyThe Bleeding Obvious asks “What happens when you tumble out of the big pink closet and across the LGBTQ+ spectrum in a sprawling queer heap?”

Dance, Physical Theatre and Circus

Ballet Freedom at Pleasance features a “world renowned ballet company journey from Kyiv” with 14 dancers in an “intimate, sensual ballet”.

Beyond Signs: International Deaf Narratives takes place in Deaf Action for Edinburgh’s first International Deaf Fringe: it’s “a daring triple-bill show performed by a Deaf-curated International cast of Deaf performers”.

Angel-Monster at Assembly explores “sex, consent, violence and empowerment” through contemporary dance from “one of Australia’s most prolific dance-theatre artists”, while 360 ALLSTARS fuses “BMX, basketball, breakdancing, beatboxing, acrobatics, drumming and more” in a “phenomenal physical performance”.

Across an Irish Indian Sea combines Irish folk dance with the classical North Indian dance style Kathak at the Acoustic Music Centre @ UCC, a show which “highlights the beauty of the two dance styles and live music”.

House of Jack presents Rock What You Got at ATIK, where top dancers will battle it out for cash prizes, with “some of the best physical performance acts from the Fringe”.

At Dance Base71BODIES 1DANCE is an “interdisciplinary and choreographic initiative” from Daniel Mariblanca, “inspired by 71 personal experiences and testimonies from transgender individuals living in Norway, Sweden, Denmark and Spain”. At the same venue, Sung Im Her examines “how her three identities of woman, performer and migrant intersect” in Nutcrusher, part of the Horizon Showcase.

Rhythms of India by Dr Radha Krishnan, Arabhi Krishnan and students is online, combining “storytelling using complex footwork set to rhythmic music along with facial expressions.” Also online is When the Body Breaks, “a true-life multi-faceted story of sudden ill health, and kindness”, and Young China Shines, featuring recorded performances from schools in Beijing, Guangzhou and Shanghai.

Greenside hosts Decision – An Irish Dance Play, where “two very different sisters have a devastating decision to make” with original music from TV and film composer Chris Tolley, and In/Out of Bounds, “a Covid-inspired, thought-provoking and cross-cultural dance show co-curated by Hong Kong and Edinburgh artists”.

From the Erin Fowler MovementEGG and FEMME are two solo works from the Australian performer exploring “fertility, motherhood and big life decisions”, and “female sexuality, gender roles and female identity”. Both at House of Oz.

At Just the Tonic, Mother Tree is “a solo show about motherhood, the forest and the universe”, combining theatre, aerial silk and spoken word.

Part of C venues’ online programme, I/O (volume 4) is a series of performances from calligrapher and choreographer Chiharu Kuronuma and juggler Teruki Okamoto. Also online at C venuesTokyo Fugue is “a mesmerising piece of physical theatre, set in the maze-like train system of Tokyo”.

Paradise in Augustines hosts Crying of Four Seasons, created by Chinese dancer / choreographer Zhibo Zhao and using “creative, critical contemporary dance adapted from ancient Chinese poems”. Meanwhile, Pan Gu is a “50-minute physical dance play based on a Chinese mythic story in the Classic of Mountain and Seas”, with “modern interactive techniques” to engage audiences.

Shoes at PBH’s Free Fringe dissects “defining yourself when you feel undefinable” with interdisciplinary dance artist, Kristen Helen Poppe and including tap, Irish, flat-footing, ballet and modern dance.

Pianodrome at the Old Royal High presents Pamoja, “an extraordinary collaboration between dancers from Kibera and Kariobangi, two informal settlements in Nairobi”. This African contemporary dance show features performances and stories from women in Kenya “to challenge our perceptions and normalise the discussion around periods and menstruation in Africa”. Also at this venue is The Music Box, a “quirky and touching comedy show” about a ballerina.

St Andrew’s and St George’s West, George St is host to Flamenco in Scotland, “full of bravery, heart, spirit and plenty of home-grown performers”.

At theSpaceThe Ticking Clock impresses the “urgency of climate change” in a South Asian contemporary-classical dance performance.

Scene Africa is at Underbelly, and combines original music, dance routines and physical theatre to celebrate “African contributions to world culture” in “the ultimate South African experience”.

At ZOOHeroes explores the “mind of a severely injured person undergoing a surgery after a serious car crash”, and stars award-winning mime Radim Vizváry. The award-winning contemporary circus company Cirk La Putyka presents the UK-debut of Runners, “featuring a giant treadmill, four performers and two musicians mix dance, running, cyr-wheel acrobatics and original live music, while running almost a whole marathon.”

Spoken word

The Stand’s New Town Theatre hosts the return of the Cabinet of Dangerous Ideas, with top academics discussing provocative subjects including Can the Police Be Feminist?, How Much Do Apps Know About You? and My Neighbour Hacked My Toothbrush! The Stand’s New Town Theatre is also where you’ll find the Fair Pley series of on-stage interviews, with guests including Jeremy CorbynDavid HaymanIan Rankin and Elaine C Smith.

The poetry of Robert Burns continues to inspire in I’ll Mak You Be Fain To Follow Me, at Army @ The Fringe, including performances from service persons. Bàrdachd Cogaidh – War Poetry looks at the Gaelic poetry around armed conflict, to help learners and fluent speakers “understand the contribution of Gaelic speakers to the history of the armed forces”.

In Alison Jackson’s Celebrity Fake Takes, join the “BAFTA-winning mischief maker” as she reveals the secrets behind creating “hyper-realistic fake stories” at Assembly. In the same venue, menkind LIVE tackles the topic of masculinity, as well as “straight-vs-gay badinage. Queerness. Profundity. Occasional filth. Sometimes, all of this at once.”

On at Pleasance, award-winning LBC broadcaster Iain Dale hosts a series of interviews with guests Owen JonesAsh Sakar, Tim Rice and Rory Bremner to discuss current affairs.

At the Arthur Conan Doyle Centre is Mystic Poetry, with “mystical, magical words simple and straightforward” presenting a variety of tales in verse, from company Highland Mystic with Bill Macneil.

MindTravels: Reflections, Meditations and Attentions takes place at artSpace@StMarks, where Unitarian minister and poet Mark Hutchinson and Irish musician and composer Josh Johnston share “musical reflections and meditations”.

Kaye Adams – How to Be 60: Live! comes to Gilded Balloon to meet the approaching age of 60 head-on, with her “filter-free friend Karen, some well-known guests and most importantly, you”.

Anne Harper – Stop the Bus! at Greenside allows life coach Ann to “help you explore your journey in life” in a “light-hearted, entertaining and, maybe, even life changing” show.

At C venuesKC Finn: Free Agent delivers a “high-energy exploration of modern LGTBQIA+ life” and tackles “the tricky business of gender identity”.

“A rare insight into a special art form that will make you look at street arts in a whole new light”, Pavementology takes place at the Meeting Point at East Princes Street Gardens, Corner of Market Street and Waverley Bridge, and tracks “story of street performing at the Edinburgh Festival Fringe.”

At Panmure HouseHow Heavy? Is “a brief history of weights and measures and how they have defined civilisation, by comedian / financial writer Dominic Frisby.” At the same venue, The Butcher, the Brewer, the Baker and Merryn Somerset Webb discusses the economy with “well-known economics, politics and finance gurus”.

Solving problems is a choice in The Biggest Problem in the World: Our Problem With Problems and Why Truth Matters at Paradise in Augustines, while Scotland’s Oldest Poem – The Gododdin delivers a “modern English rendition in free verse” of this “bloody and poignant” dark-age poem at Paradise in The Vault.

At PBH’s Free FringeAround the World in 80 Events: The Journey is a “lyrical adventure”, exploring “80 events, 26 countries, 8 months and 2 weeks”, while Door-to-Door Poetry: Nationwide sees Rowan McCabe develop a project where he “knocks on stranger’s doors and writes poems for them, for free, on any subject of their choosing”.

At RSE TheatreSport on the Fringe is a new chat show “with leading sports figures from across the UK”.

Fire Is Not the Only Element comes to the Scottish Storytelling Centre bringing “pithy observations” on topics “from womanhood to war, from class and punk to love, and the beautiful game”. Also at this venue, Traditional Tales of Scotland offers “storytelling session with some of Scotland’s best storytellers as they share the wonderful, and sometimes wild, traditional tales that have shaped the myths and legends of this country”.

Children’s shows

Chores is a comedy-circus show from Australia, following “the story of a brother and sister who have to clean up their messy room so they can ride their bicycles”. It’s on at Assembly, as is Sean Choolburra: Didj and Dance!, “an exciting kids’ show from an Aboriginal comedy star” blending traditional dance, didgeridoo, storytelling and humour.

Central Hall is home to two twists on traditional bedtime stories. Bedtime Stories (As Told by Our Dad) (Who Messed Them Up) is about an absent-minded dad trying to settle his three kids into bed but getting fuzzy on story details, while The Three Little Wolves and the Big Bad Pig is a musical adaptation of the musical based on the popular children’s book by Eugene Trivizas.

Edinburgh’s underground walking tours have a couple of family-friendly adaptations this August: the Children’s Underground Ghost Show (City of Edinburgh Tours) is led by Minging Annie, a guide who has “been trapped beneath the city streets for 400 years”, while the Children’s Underground Vaults Tour (Auld Reekie Tours) explores the haunts of “criminals, body snatchers and witches alike!”

Mark Thompson’s Spectacular Science Show at Gilded Balloon is an interactive “hour-long show of explosions, chemical reactions and even a toilet roll”. At the same venue, Funbox Present… Funky Farm!, a farm-themed singing and dancing performance where dress-up is encouraged.

Greenside boasts at least two family-friendly adaptations in its programme: Disney’s The Jungle Book Kids, following the “man cub” Mowgli as he grows up in the jungle, and a production of The Grimm Tales as retold by Philip Pullman, featuring Red Riding Hood, Rapunzel and Hansel and Gretel.

Reach for the Stars at Hill Street Theatre is a “funny and light-hearted show” featuring four talentless directors and their long-suffering child actors.

Camille Saint-Saëns’ musical suite Carnival of the Animals is brought to life by circus acrobats Circa at House of Oz this August, while at the same venue, Australia’s “kidult comedy duo” The Listies present their irreverent Shakespeare adaptation, Hamlet: Prince of Skidmark.

Shakespeare for Kids: This Rough Magic is a family-friendly introduction to The Tempest at C venues, while online, One Day in Wonderland joins Lewis Carroll’s intrepid heroine Alice as she explores a strange world.

Pianist Will Pickvance plays the First Piano on the Moon at the Pianodrome at the Old Royal High, while spinning a yarn about performing at Mozart’s birthday celebrations.

Pleasance is host to a live adaptation of Dr Seuss’s Cat in the Hat, “a lively and engaging first theatre experience for young children aged 3+”. It’s also where you’ll find two versions of the music-and-sensory performance Moon Dragon – one for babies and one for kids aged five and under.

Storyteller Shona Cowie presents Beware the Beasts at the Scottish Storytelling Centre, delving into Scotland’s mythic past for tales of “bog goblins, dragons, naughty fairies, brownies, bony-backed horsemen” and more. At the same venue, Niall Moorjani and Minnie Wilkinson perform The Girl and the Dragon, in which “our hero Toral… swims uncrossable rivers, braves impassable forests and scales unclimbable mountains, all to fight a great and terrible dragon”.

FlamenKids at St Andrew’s and St George’s West, George St features eight flamenco artists performing and interacting with the wee ones.

At The Royal Scots ClubCount On Me: A Girl and Her Dog is “a heart-warming story performed live by Haley Grace and her dog Nickel, imparting life lessons and social-emotional learning through storytelling to give hope to young children”.

At theSpace, we join a young hero on the search for a magpie feather in Papageno’s Quest, with songs, dancing and different languages, while School’s Out Comedy Club is a “hilariously silly children’s joke show where the kids are the stars.”

At Underbelly, “top award-winning comedians and improvisors tell extravagant stories all based on” The Extraordinary Time-Travelling Adventures of Baron Munchausen.

Musicals and opera

Underbelly hosts Making a Murderer: The Musical this August, with the legal troubles of true-crime subject Steven Avery adapted for the stage.

Dots and Dashes: A Bletchley Park Musical is being staged at Army @ The Fringe this August, “telling the untold story of six women working at Bletchley Park during World War Two”.

Assembly has two musical adaptations from the Royal Conservatoire of Scotland among its programme: Godspell, Stephen Schwartz’s “acclaimed gospel musical”, and the American Civil War-set Little Women.

Good Enough at Central Hall follows Chelsea, a strong-willed but reserved girl, and Steve, a brilliant underachiever. “What happens when the two are forced to work together for the state science fair project?”

At Gilded BalloonGigglemug Theatre present The Bean Spillers: The Improvised Musical, “based on scandalous stories from the audience”.

The Princess Pyunggang at Greenside “exemplifies Korean traditional culture and history through the story of a fool, Ondal, and the Princess Pyunggang. Performed in English, it combines Korean music, puppets, and dance.” Greenside is also hosting X: 1969, which uses the discography of Fleetwood Mac to tell the story of the women of the Manson cult.

Hill Street Theatre is home to the Edinburgh Little Theatre company’s staging of popular puppet musical Avenue Q.

At Paradise in Augustines, the University of St Andrews Gilbert and Sullivan Society is presents Iolanthe, a story of “young lovers, immortal fairies and some very lost politicians”, while the Kingdom Theatre Company premieres their adaptation of Highlander: A New Scottish Musical.

Haggis, Neeps and Burns is a “warm, moving and funny look at the life of Scotland’s greatest bard, Robert Burns”, staged at RSE Theatre. At the same venue, Happy Sad Productions stage their version of the William Finn-scored The 25th Annual Putnam County Spelling Bee.

At C venuesMy (unauthorized) Hallmark Movie Musical “discovers a writer who dreams herself awake and rediscovers romance in a non-conventional way”, and Re:ACTION: Inspired by the Album How We React and How We Recover by Jason Robert Brown tackles “the American high school experience of the past few tumultuous years”.  

Join the Bohemians at St Andrew’s and St George’s West, George St for A Bohemian Broadway, “an eclectic selection of their favourite Broadway songs”. At the same venue, Edinburgh Music Theatre present two anthemic shows: Anthems – 40 Years of Edinburgh Music Theatre and Anthems – Movie Musicals.

Ordinary Days at The Royal Scots Club follows “the lives of four ordinary New Yorkers… as they all desperately search for the same impossible thing – happiness”.

American Performing Arts International presents Best of the Songs That Made Usat theSpace, “an intimate, cabaret-style concert celebrating music and storytelling”. theSpace is also where you’ll find Edinburgh Youth Theatre’s production of Into The Woods Jr, as adapted from “Stephen Sondheim and James Lapine’s cockeyed fairy-tale”.

At ZOOGOYA Theatre Company present Don’t Say Macbeth, a meta-musical set behind the scenes of a troubled Macbeth-themed production.

Banda Monumental de Mexico set to spread their wings in honour of the Queen’s Jubilee at the Royal Edinburgh Military Tattoo

Mexican military band, Banda Monumental de Mexico, will be taking over the iconic Edinburgh Castle Esplanade when they return with another show-stopping performance ‘Mexico Celebrates Life’ to this year’s Royal Edinburgh Military Tattoo in August.

To mark Her Majesty The Queen’s Platinum Jubilee, part of the performance will be dedicated to Her Majesty and Duke of Edinburgh with a special Monarch butterfly wing costume created in her honour. 

Julieta Huerta Aviles, one of the youngest dancers in Banda Monumental de Mexico, was the driving force behind the idea to include the beautiful butterfly wing costumes in this year’s showcase.

Her inspiration is a famous photograph taken of the late Duke of Edinburgh watching the Monarch Butterfly’s migration on a trip to Mexico in 1988 – part of a trip he attended to support a Mexican conservation group whose aim was to protect the Monarch Butterfly from serious threats to the species’ survival. 

Julieta Huerta Aviles, performer with Banda Monumental de Mexico said: “The opportunity to share our country’s music and culture with so many people at this year’s Royal Edinburgh Military Tattoo is a real privilege. 

“The photograph of Prince Philip with the Monarch butterflies is incredibly beautiful and with it being The Queen’s Platinum Jubilee this year, it felt only right that part of our performance and costume honoured both of them in a special way. I am so excited to perform at the Tattoo and I can’t wait to see the costumes take centre stage.” 

In 2010, the Tattoo was presented with the official Royal Commemoration by Her Majesty to mark the organisations 60th anniversary and has since been known as The Royal Edinburgh Military Tattoo. As part of the Jubilee celebrations, over 50 Tattoo Dancers performed at ‘A Gallop Through History’ which took place at Windsor Castle.  

Michael Braithwaite, The Royal Edinburgh Military Tattoo Creative Director, said: “It’s such a thrill to have the dynamic and exciting Banda Monumental de Mexico return to the Tattoo this year. Our audience can expect an even bigger spectacle than before, and we can’t wait.  

“With the country celebrating The Queen’s Platinum Jubilee this year it’s wonderful to see the performers from Banda Monumental de Mexico pay tribute to both Her Majesty The Queen and Duke of Edinburgh in such a poignant way, connecting back to their Mexican roots and culture. We’re excited to see the costumes dazzle in all their glory on the Esplanade.”  

All performers from Banda Monumental de Mexico reside from Tehuacán, a town in the state of Puebla which is famously known as the birthplace of many of the greatest musicians in Mexico.

The military band is made up of 120 members between the ages of 12 and 53. The band was formed exclusively for the 2018 Royal Edinburgh Military Tattoo by the Organizacion Cultural de Intercambios Internacionales México and saw more than 100 performers brought together proudly to share traditional Mariachi music. 

This year’s Tattoo theme is ‘Voices’ and the Show will represent the collective power and connection of voice through a spectacular combination of music, dance and military precision from some of the world’s leading armed forces and cultural performers as it returns with a bang this August 5 – 27.  

The Show will run from 5 – 27 August 2022. Tickets are on sale now and can be purchased at edintattoo.co.uk/tickets or on the phone on 0131 225 1188. 

Scotland’s first Deaf Rave is coming to St James Quarter

Deaf Rave, the organisation that provides live entertainment with music, sign songs and visual performances, has unveiled the dates for its first ever Scottish showcase on Friday, 19th August at St James Quarter.

Taking place on level B3 of the St James Quarter car park, the event will be an accessible day time clubbing experience, promoting deaf identity and culture whilst bringing music to the masses.

The event line-up will see the very best deaf DJ talent take centre stage including Troi Lee (DJ Chinaman), Matthew Taylor (MC Geezer), DJ Ceri Karma, Jia McKenzie, Billy Reid and Aerial Fung (Def Motion) dancers. 

Established in 2003, Deaf Rave began with a vision to provide a platform for deaf and disabled artists and to provide unique, live entertainment for the deaf community. The rave will be jam-packed with a variety of different performances including sign song, sign rap, sign dance acts and more.

The event will run from 5.00pm-10.00pm and tickets can be purchased via the Edinburgh Festival Fringe website with ticket prices starting from £10.

This one-off event is in partnership with Deaf Action, a charity based in Edinburgh supporting, and celebrating deaf people. Deaf Action was established in 1835 and works with deaf people across Scotland and the South of England.

The charity’s inspirational work is geared towards empowering all deaf people to achieve their potential and fully participate in society, with equality of rights, access and opportunity. 

Nick Peel, Managing Director at St James Quarter, said: “It’s an absolute honour to bring Scotland’s first Deaf Rave to St James Quarter this August.

“At The Quarter, we’re passionate about providing world-class events that are accessible to all and it’s great to see our Corporate Social Responsibility Committee’s vision come to life through this live event.”

Troi Lee, Founder of Deaf Rave, said: “We’re incredibly grateful to Deaf Action and St James Quarter for providing us with the opportunity to bring our event to Scotland for the first time.

“Our events will showcase the very best deaf DJs and guests can expect a whole host of entertainment including sign songs, sign raps and dance performances against a highly visual backdrop.

“Our Deaf Rave is part of the Edinburgh Fringe Festival so we’re looking forward to welcoming members of the deaf community from all around the world.”

Stacy Rowan, Fundraising Manager at Deaf Action, said: “We are incredibly excited to bring Deaf Rave to Scotland as part of the inaugural Edinburgh Deaf Festival.

“We want this event to unite everyone through a love of music and culture. The event is accessible to everyone, so bring your dancing shoes!”

For more information, please visit: https://www.deafrave.com/

Hidden Door Festival: 4 weeks to go!

We can’t believe that in just FOUR WEEKS we will be welcoming you to Hidden Door 2022!

For our team of volunteers, the festival build begins in the next few days so stay tuned for some exclusive behind-the-scenes previews.

For now, let’s take a closer look at our first Friday night … a night of wild pop and songs for the soul; late night electro in the Basement; ghostly dancers in the debating chamber; powerful theatre and beautiful spoken words echoing down the corridors; eclectic art around every corner; hot street food and sunny terrace bars with stunning city centre views …

See the full 12-hour Friday programme and book ticket

Edinburgh Festival Fringe 2022: Tickets for further 1,281 shows made available

Over 2,070 shows now available to browse online, with more to be announced monthly in the lead up to the Fringe’s 75th anniversary this August

Today (Thursday 5 May), the Edinburgh Festival Fringe Society is delighted to announce that tickets for a further 1,281 Edinburgh Festival Fringe shows are now available to browse and book at edfringe.com.

This is the third set of tickets to be released for 2022, with the first 283 shows revealed in March and 796 in April.

In total, there are 2,074 shows now available, with more set to be announced on Thursday 09 June. The official programme launch will take place on Thursday 07 July.

The 75th anniversary of the Fringe takes place from 05 – 29 August 2022 and will feature an exciting range of shows, with theatre, comedy, music, dance, circus, musicals, variety, cabaret, events and more all featured in the programme so far.

Below is a small representative sample of shows available to book from today. The full list of shows released so far can be found at edfringe.com.

Theatre

Paines Plough return to Summerhall this August with a programme of work, including Caste-ing, which explores “the experiences of three black actresses using beatboxing, rap, song and spoken word”, Kathy and Stella Solve a Murder is “a true-crime podcast reframed as ‘a hilarious murder-mystery musical’”; and Feeling Afraid as If Something Terrible Is Going to Happen is “a dark new comedy about vulnerability, intimacy, ego and truth” starring Samuel Barnett, written by Marcelo Dos Santos and directed by Matthew Xia.

Hamlet with Ian McKellen features McKellen alongside Danish ballet dancer Peter Schaufuss in a new performance concept adapted from William Shakespeare’s play. It takes place at Ashton Hall, Saint Stephens Stockbridge.

Black Sheep at Assembly follows Livia: an aspiring circus star who uses “poetry, music and performance to speak about the challenges a Black woman faces when daring to move into her power”.

A Hundred Words for Snow follows a teenage girl on “a comic, complex, epic, undulating story” as she journeys to the North Pole with her father’s ashes. That’s at Leith Arches, as is Bits N’ Pieces, “an access-all-areas approach to working-class life and what it’s like to come of age at the height of Scotland’s drug crisis” by Saltire Sky.

Something About Productions present two biographical music shows at AssemblySomething About George deals with Beatles star George Harrison, while Something About Simon tackles the life and work of Paul Simon.

At the French Institute in Scotland you’ll find S-ex-iety, exploring the impact pornography has on the lives of “three roommates on an intense journey through the adult industry”.

 Online, Ben Hur: The Theatre Show follows ‘a young prince’ whose eventful life includes slavery, revenge and an encounter with a man from Nazareth; while Outside the Gate is a dramedy about two mums meeting at the school gates, featuring an Iranian and an American living in Middle England.

Tinted at Gilded Balloon, “originally written as a disabled response to #MeToo”, examines bodily autonomy and consent from a blind woman’s perspective. At the same venue is Angel by Henry Naylor: an award-winning story of a female anti-ISIS sniper who allegedly has more than 100 kills to her name. Fans of Naylor can also catch the European premiere of Afghanistan Is Not Funny by Henry Naylor, a description of the playwright’s experiences in the war-torn region performed by the man himself.

Tamara Al-Bassam makes her Fringe debut with Able(ish) (Greenside), ‘a lighthearted monologue about one woman’s uphill struggle applying for disability support while coming to terms with her own strengths and limitations’. Also at GreensideI just like you | a gay myth is “an intimate two-hander about the messy complexities of the contemporary gay dating experience.”

At Hill Street Theatre is Hey That’s My Wife!, a pastiche of 1950s Americana that follows two advertising executives as they navigate a tale as old as time: who’s sleeping with whose wife? Hill Street Theatre is also where you’ll find OCD Me, a one-woman comedy about what it’s like living with OCD, written and directed by Aisling Smith.

Theatre Paradok, “Edinburgh’s premiere experimental theatre society”, present Paradok Platform at Just the Tonic: ‘more than ten brand new experimental pieces of theatre, ranging from comedy and drama to musicals and movement’.

At Laughing HorseHorrible History for Adults (Or Those That Think They Are!) offers “a zany mix of stand-up and historical reportage. Fearless lives, fearlessly lived from Lord Byron to Quentin Crisp”. Plus, Apradhini – Women Without Men is by India-based Theatre NishaApradhini is ‘a collection of stories about women who have been incarcerated for life for crimes including armed robbery’ and murder.

Return to the Hiding Place, ‘Corrie Ten Boom’s biographical tale of forgiveness and reconciliation in the shadows of WW2’, is being staged at Palmerston Place Church, and focuses on a Dutch family hiding Jews in their small clock shop. Also at Palmerston Place Church is The Liberator, in which ‘a strange man radiating love’ upends normality in a corrupt, cynical environment. “How long before the powers that be crack down on this subversive, this quiet revolutionary, this liberator?”

Emil Ferzola stars in Bathroom of a Bar on Bleecker (Paradise in The Vault), the “tragicomic final recording of America’s number one comedy podcast”. In the same venue is The Richard Osman Fan Club, “a farcical comedy based around a park bench, where we find an elderly lady and Richard Osman fan Greta, supposedly writing a novel, joined by young jogger and Granny killer Adam who ends up making various futile attempts to end Greta’s life.”

At theSpace on North BridgeA Young Girl’s Guide to Madness “truly displays how draining it is to be a teenager in the 21st century”; while The Hound of the Baskervilles at the same venue is an adaptation of Arthur Conan Doyle’s “side-splitting, bone-chilling mystery”.

PBH’s Free Fringe is hosting a pair of magic-themed theatrical shows: Reclaiming Harry, “a fabulously queer quest” from Rich Watkins (creator and star of Happily Ever Poofter), and Nightmare Magic: “a ghost story told using magic” by writer and magician David Alnwick.

Fringe regulars Pianodrome are occupying a new space at the Old Royal High this year. Among their shows are Clara: Sex, Love and Classical Music, “the story of 19th century piano star Clara Schumann”, and Some Other Mirror, “a solo show about a gender identity crisis, in the high-pressure isolation of lockdown”, written and performed by Laurence Owen and produced by Chronic Insanity.

Rapsody (Pleasance), is “a raw look at inner-city life in Britain today”, featuring four characters confronting “the realities of our modern-day class system through live rap, trap and drill”. No Place Like Home “is a tragic odyssey into gay club culture and the places we can call home”.

Captivate Theatre brings the comedy One Man Two Guvnors to the Rose Theatre this August, joining Francis Henshall in 1960s Brighton as he attempts to stop his two employers from meeting each other.

At the RSE TheatreHiding Anne Frank focuses on the story of Miep Gies, Otto Frank’s 32-year-old secretary who helped him and his family hide from the Nazis at great risk to her own life. RSE Theatre is also where you’ll find The Gay Train, “a vicious love letter to the middle-class horror that is weekday morning TV” by Yellow Mug Theatre that follows the events resulting from an attack of a non-binary student in a pub bathroom.

About Money at Summerhall is a Glasgow drama about family, love and friendship, “drawn from interviews with young kinship carers and inspired by the McDonald’s strikes of 2018”. Also at Summerhall, Isto é um Negro? (This is a Black?) describes itself as a performance essay investigating what is to be a black artist in Brazil today.

The Edinburgh Makars adapt Neil Simon’s Barefoot in the Park (The Royal Scots Club) this August. “Corrie, a romantic free spirit, decides to set up her conservative widowed mother with an eccentric, bohemian neighbour,” setting up conflict with her strait-laced new husband Paul. The Royal Scots Club also hosts Tay Bridge, “a homage to the victims of the Tay Bridge disaster of 1879 realised as a series of set pieces’ and an ‘insight into the ordinary people of Victorian Dundee”.

 Pip Utton as Bacon is at The Stand’s New Town Theatre, depicting “the gutters, sleazy bars, rough sex and alcohol” of artist Francis Bacon’s life. Time’s Plague, also at The Stand’s New Town Theatre, sees David Hayman return as everyman Bob Cunninghame, who rants “about injustice and the state of the world… laughing at everything, including himself.” It’s written by Chris Dolan, and directed by David Hayman Jr.

Winston and David (Underbelly, Bristo Square) sees Winston Churchill and David Lloyd George “wrestle with love, ambition and friendship” as Britain goes to war in 1914.

Comedy

Edinburgh Comedy Award winner John Robins presents his Work In Progress / Progress In Work at Just the Tonic, “a heady mixture of ropey material and competent crowd work”. In the same venue, Taiwanese comic Kuan-wen curates Comedy with an Accent, a line-up of ‘comedians from all over the world who are not native English speakers’.

Shazia Mirza brings her show, Coconut, to Gilded Balloon, reflecting on the events of the past two years, while Rob Rouse (Bottom, BBC’s Upstart Crow) performs No Refunds. At the same venue, Tehran Von Ghasri (who was ‘named to honour the city of his birth’) is a “charismatic, sexy, no-holds-barred, Black, Iranian, Jewish, Baptist, Muslim, Zoroastrian, agnostic comedian” who promises he’s GONNA GET CANCELLED.

Phil Wang assures us he is The Real Hero in All This at Assembly this Fringe, with more material “about race, family and everything that’s been going on in his Philly little life”. At Assembly RoomsReginald D. Hunter tackles “climate change, mass unemployment, economic pandemics and the rise of global fascism”  in Bombe Shuffleur. And musical comedy duo Flo & Joan “are climbing out of their pits, armed with a piano and percussion section to bring you a brand new show”: Sweet Release.

The Mash Report’s Rachel Parris performs at Underbelly this year, performing “stand-up and songs about sudden love, the highs and lows of relationships, family, weddings, kids, going viral, going mental, and the baffling state of play in society right now”. And Sudanese-Aussie comedian Emo Majok presents his European debut, Black Santa, with “stories of adjusting from a refugee camp in East Africa to gifting out jokes globally”.

Pleasance hosts the return of three Fringe regulars as part of its programme: Nick Mohammed Presents The Very Best and Worst of Mr SwallowTim Key: Mulberry and Tim Vine: Breeeep!

At Frankenstein Pub, impressionist Danny Posthill “has decided to put the world to rights with a brand-new show Stand Up for the People, where he takes you on a journey where comedians will be running our country”. At the same venue, This Is Your Trial returns to the Fringe: a “comedy courtroom show where audience members accuse friends of crimes” and comedians take on the roles of judge, prosecutor and defence lawyers.

Online, we have Mo-to-the-oncle, “a socially conscious solo comedy about a teen who must wear a monocle after his dad loses their insurance.” And Rob McLennan: Pool Shark offers ‘smorgasbord of pun-heavy one-liners, quickfire jokes and sight gags’ filmed on the go from various locations in New Zealand.

Potty Training With Joey Rinaldi is at Greenside, sharing “the outrageous and humiliating details of being the only kid at school who peed into a urine bag while battling the church and his tormented mom”. Horrible Herstories presents an opportunity for “the women of history to set the record straight”.

Laughing Horse is home to Thor and Freya: Norse as F*ck, an hour of stand-up from emerging comedians Freya Mallard and Thor Stenhaug; while Sameer Katz (‘three-quarters of a PhD from Cambridge’) presents Agnostic Economist.

Monkey Barrell is home to the debut show from English stand-up and actress Thanyia MooreJust Being Funny, while All Killa No Filla co-host Rachel Fairburn performs Can I Be Awful?.

I Miss Amy Winehouse (Paradise Green) is the first solo hour from writer / comedian / journalist Suchandrika Chakrabarti, covering her love of the music icon who died 11 years ago. And Brexico is an hour of stand-up comedy that is “half Mexican, half British, full madness”, featuring “two comedy aliens, Andy Casper and Héctor Ayala, making light of their experiences of living as immigrants in Barcelona”.

Fringe regulars #Jollyboat return with two shows at PBH’s Free Fringe: Daft Puns, “a high-energy show of comedy songs,” and The Best of Jollyboat, “their best comedy songs from 10 years” at the festival. Plus, two Edinburgh Newcomer nominees try out new material in Huge Davies and Janine Harouni Do New Jokes (WIP).

At RSE TheatreVik Footring’s Blood and Sorbet “recounts the defining moments in growing up in a world where growing up happens later and later”, while Here Goes Nothing! joins New York comedian Brandon Barrera as he shares tales from his eventful life, from “cracking jokes with prostitutes in Amsterdam’s red light district to running with the bulls in Spain”.

I’m Not a Girlboss, Not Yet a Womanboss (The Chrisroads Redux) presents “humour, music and a reason to drink at midday” from Edinburgh locals Chris Weir and Chris Iskander (Scottish Comedy Festival). At the same venue, Jay Lafferty presents Club Sets by herself and guests, offering ‘undiluted, unadulterated’ material honed on the comedy circuit.

Poet, comedian and musician John Hegley returns to Summerhall with John Hegley’s Biscuit of Destiny, incorporating stories of John Keats’ romantic adventures alongside Hegley’s own life. Also at Summerhall, Edinburgh Deaf Festival Presents Perspectives with Gavin Lilley, “a deaf comedian who’s performed his signed shows to audiences across Europe. In his entertaining style, Gavin shares his experiences as a deaf person navigating a hearing world with hilarious consequences”.

The Edinburgh Yes Hub hosts Full Throttle OCD by Jim Dziobek and Kevin Turner: the former offering “fresh takes on life” to help you “forget about this cesspool of a world we are leaving our children’; the latter ‘the fourth of five kids, a military veteran in a divided country, and – as if things can’t get worse – he’s got Obsessive Compulsive Disorder.”

Mark Thomas is back at The Stand Comedy Club this August with Black and White, “about the simple act of being in a room together and toppling international capitalism.” A short distance away at The Stand’s New Town Theatre, “Edinburgh-born supermodel Eunice Olumide” presents AfroPolitiCool: “a hilarious exploration into the crazy and complicated world of the modern day political narcissists, sociopaths and psychopaths running the planet we live on today”.

Joffrey! The Pantomime is at theSpaceUK, retelling “the true story of Joffrey’s fight to secure his rightful place on the Iron Throne, untainted by certain Season Eight”. And Siobhan Argyle presents You’re on Mute! (A Musical Walk Down Lockdown Memory Lane). “Come experience the lighter, brighter, funny side of lockdown with songs to make you smile and laugh ranging from toilet roll shortages, online yoga, being on mute, work clothes for the lazy and many more!”

Music

The Nothing Ever Happens Here NEHH Presents… concert series returns to Summerhall this August with a programme including world music DJ Auntie Flo; musician and producer Cate Le Bon; experimental, electronic chamber-pop outfit Efterklang; shimmery, summery indie-pop duo Sacred Paws and off-kilter twosome Tune-Yards.

Mairi Campbell is at the Acoustic Music Centre, performing songs and stories with “deep bardic heritage and masterful Celtic courage.”. At the same venue, John Carnie and Spider Mackenzie explore the bluesier side of a music legend in Tangled Up in the Blues: The Blues of Bob Dylan.

When they’re not busy penning crime fiction novels, Mark BillinghamVal McDermidChris BrookmyreLuca VesteDoug Johnstone and Stuart Neville join forces as the Fun Lovin’ Crime Writers, “happily murdering much-loved songs by The Clash, Elvis Costello, The Beatles” and more. You can catch them this year at The Stand’s New Town Theatre.

In “a rare intimate evening of dark and light songs”, Fringe stalwart Camille O’Sullivan will perform Dreaming at Underbelly, Bristo Square, incorporating songs by “Bowie, Cohen, Pulp, Radiohead and Rufus Wainwright”.

At Pianodrome at the Old Royal High, “Sean Logan presents funky and furious keyboard acrobatics with musings on life as a neurodiverse musician” with his show Full Spectrum, while harpist and vocalist Esther Swift “combines her love of folk, jazz, classical and all things in-between” in Sound Effects, a brand-new commission from Celtic Connections.

The Jennifer Ewan Band performs the Bonnie Bayou Blues at the Argyle Cellar Bar, bringing together “a mix of heartfelt original songs, Louisiana accordion blues and old-time Cajun dance music with a Celtic tint”. At the same venue, Los Chichanos bring to the Fringe “a live fiesta of psychedelic Latin vibes” with Tropical Jungle Cumbia Fiesta.

Dancing on the Edge of Blue and Green is a concert of new music for solo piano, performed at at theSpaceUK.

At AssemblyThe Three Seas features “an international, cross-cultural ensemble fusing West Bengali Baul music and Himalayan folk song with contemporary sounds from Sydney and Kolkata”. Meanwhile, Stewart D’Arrietta shares “poetry, stories and insights” as part of My Leonard Cohen: Up Close and Personal.

Bannermans hosts a selection of music performances at this year’s Fringe, including Absolutely (Not) Free – An Evening of Zappa (performed by Pygmy Twylyte) and Beefheart – New Beef Dreams! by Orange Claw Hammer.

At the French Institute in ScotlandChristine Bovill explores ‘le yé-yé’ and the Americanisation of French music in Paris: From Piaf to Pop!, while French duo Fergessen ‘create a live synthetic-folk atmosphere’ using the words of Robert Louis Stevenson in Stevensongs.

Gilded Balloon hosts an Epic Film Music Concert, “featuring violin, piano, guitar and a superb light show”, and spanning soundtracks such as Pirates of the Caribbeans, Star Wars, Harry Potter, Game of Thrones and more. Plus, The Oxford Alternotives offer creative choral takes on contemporary music.

Scottish troubadour Dean Owens performs songs and stories from his back catalogue in From Leith to Tucson (Pleasance), blending the ‘unfettered enthusiasm of a rock’n’roller and the sympathetic delivery of folk’s best storytellers. Plus The Sorries return to perform “a Corries-inspired hour of uplifting traditional music”.

Perfect Forth’s Athena (Rose Theatre) combines “original music inspired by Greek mythology and fresh arrangements of modern hits”.

Irish trad singer Cara Dillon will take to the stage at Musselburgh’s The Brunton this Fringe, performing old favourites as well as material from her new album, Wanderer. At the same venue you’ll find the Young Classical Artists Trust Showcase Concerts, as performed by Kronberg Academy musicians Irène DuvalJean-Selim Abdelmoula and Maciej Kulakowski.

The Jazz Bar includes some tributes to musical greats among its Fringe 2022 programme, including Cat Stevens Reconstructed (as reinterpreted by New York vocalist Jess Abrams) and Riding With the King: The Music of Eric Clapton, from ‘up-and-coming Czech jazz fusion guitarist’ Honza Kourimsky.

At The Queen’s Hall, experimental composer Michael Begg’s Black Glass Ensemble ‘reveals new music from the borderlands of classical and experimental music’ in Black Glass in Pieces, while 70s folk-rock pioneers Lindisfarne return with ‘a classic five-piece line-up of long-time members, fronted by founding member Rod Clements’.

Stewart D’Arrietta heads to theSpaceUK to perform Tom Waits For No Man, tackling Waits’ back catalogue with ‘characteristic gravel-voiced sensitivity’. While WeMu “reimagines the traditional in a concert combining Western and Korean instruments, creating modern music based on ancient customs” in Six Stories.

Cabaret and Variety

With late-night cabaret line-ups, the Kaye Hole Hosted by Reuben Kaye returns to Assembly, while  Briefs will be “manufacturing a conveyor belt of high-quality circus treats” with their show, Sweatshop.

Cab-arette Showtour, hosted in a taxi cab, offers an immersive experience as it takes an audience of five on a musical comedy tour.

At UnderbellyDefinitely Maybe Actually Nevermind, sees drag artist Crystal Bollix in a ‘new cabaret extravaganza all about the pitfalls of chick-flicks and Colin Firth’. At Underbelly’s Circus Hub on the Meadows is “subversive break-out hit of the international cabaret and circus circuit” Blunderland, featuring “outrageous nightlife naughtiness, club-kid antics and a heady dose of arthouse weird”.

At Gilded Balloon, Jesus L’Oreal brings Nailed It!, as the “fabulous influencer” tells stories from his life in a “high-octane hour of song, dance and interactive Jehovah’s Fitness”. Meanwhile, A Secret Show by magician Cameron Young offers a show “filled with wonder, illusion and laughs”.

 In Darren McGarvey’s The Social Distance Between Us – Live at The Stand’s New Town Theatre the Orwell prize-winning author and celebrated hip-hop artist Darren McGarvey asks: ‘If all the best people are in all the best jobs, why is Britain such f*cking bin fire?’ and more.

At Summerhall is Grandmother’s Closet, in which Luke Hereford (he/they) “stumbles along his journey of queer self-discovery through the glamorous spirit of his very own personal cheerleader – his Nan… all to the tune of Madonna, Kylie, Kate Bush and all of his favourite pop divas”. Also at Summerhall is Life Is Soft by Turner prize-winning artist, performer and composer Martin Creed.

Like Other Girls at theSpaceUK “is the sensible roast of musical theater’s finest historical women that you’ve been waiting for”. And Becoming Chavela “is a docu-cabaret performance of iconic Mexican singer Chavela Vargas Chavela’s life and music, set within the art world and social milieu of mid-century Mexico City”.

In Madame Chandelier’s Opera House Party at Greenside, you can join Madame Chandelier and ‘all her favourite opera characters for jokes, party games and lots of dramatic death scenes’. At the same venue, The Magic Show Starring Liam A Black as the Glittering Prince of Magic, is a “brand-new Las Vegas-style magic spectacular”.

 Just the Tonic will host Sugarcoated Sisters: Bittersweet at the Caves as they “unleash their multi-million-hit TikTok personas onto the stage… Armed with original songs, guitar and double bass”. And ‘drag queen Vanity von Glow swaps the studio for the stage as she interviews the stars of the Fringe in this hour-long live podcast’, in The Vanity Project.

 In Ask a Stripper at Laughing Horse, ‘Stacey ‘The Legs’ Clare aka the Ethical Stripper is back with her work wife, Morag, to impart stripper-style wisdom into your lives and deliver some no-holes-barred stories from the Pubic Triangle’. And the award-winning Life’s a Drag “takes you on a reality-shaking rollercoaster ride of what it really takes to be a queen” with ‘Australian vocal powerhouse’ Dean Misdale.

Mono Restaurant is playing host to Drag Queen Wine Tasting, in which you can join “drag queen, Vanity von Glow and wine expert, Beth Brickenden to taste through three wines and a snack, with a dash of mischief, a dollop of humour and a twist of glamour”.

 At OuthouseLittle West End Theatre Cabaret will present an “evening of sizzling cabaret fun using songs from many well-known cabarets and musical shows”.

Absolute Burlesque Cabaret at Paradise Green is “Edinburgh’s only homegrown burlesque and cabaret show”, demonstrating that “regardless of age, gender, or belief system, everybody is a burlesque body”.

At PBH’s Free Fringe1 Hour Straitjacket Escape Magic Show promises “mind-melting magic, showstopping laughs and unexpected twists” from award-winning magician and entertainer Arron Jones. And Laurie Black will be “jump-starting musical comedy into the future with synths and sick beats”, with her show, Dystopiano.

In Fladam’s Musical Comedy Hootennany! at Pleasance, Florence Poskitt and Adam Sowter’s ‘heartfelt and humorous songs tackle the topical with witty wordplay, rollicking piano and a dash of the Carry On!’. And The Magic of Jim, is “resident close-up table magician” and annual courtyard fixture’s first indoor residency, promising an “jaw-dropping magic and true tales”.

 At the Voodoo Rooms is Elliot Bibby and the Magical Beach Ball. In this show, the multi award-winning magician is supported by his faithful friend Barry the Beach Ball for “an evening of mind reading, illusions and feats of the impossible”. Also Viva GlasVegas Burlesque Showcase, in which GlasVegas Showgirl Roxy Stardust “presents an hour of burlesque performance featuring a host of homegrown heroes and traveling performers from far and wide”.

Dance, Physical Theatre and Circus

At Acoustic Music CentreKunfetaga and Talking to Mum is a dance piece which explores the question: ‘what’s the worst thing to happen to you?’, as it deals with a four-year-old’s painful death. At the same venue, N’zrama Show, presents “energetic and lively performances of traditional and contemporary dance from several regions of West Africa’s Ivory Coast.” The star of the show, Assiny Toé, will play the toéwu (which he invented).

At AssemblyDONUTS, is “inspired by classic sitcoms from the 90s and 00s” and follows three close friends as their friendship evolves over time, through “hypnotic and playful contemporary dance to jazz and funk”. Plus, JD: (Le) Pain, is a show about “breadmaking, physical heroics, growing up queer in a boulangerie in the south of France, endings and new beginnings.” It “involves circus, dance, storytelling, Béarnaise folklore, video, karaoke and laughter”.

Bamboozled at French Institute in Scotland sees artists Sonia Killmann and Constant Vigier invite you to their house-warming party. Expect “live piano and electronic music, dance and projections”.

Catch Ordinary via Fringe Online, “a modern pantomime solo show depicting all the parts of human life.”

At GreensideA Death Has Occurred sees Kennedy Muntanga Dance Theatre return to the Fringe with their newest creation. This contemporary work tells the story of the miraculous journey of a young lion-hearted journalist. And Alice in Wonderland is an adaptation of the classic tale told through ballet.

Transhumance – winner of Best Weekly Award for Circus and Physical Theatre at Adelaide Fringe in 2020 – is at Laughing Horse. In this, “award-winning clown Ania Upstill playfully explores what it means to be a trans human.”

At SummerhallDance Body sees internationally acclaimed writer and performer Yolanda Mercy (Quarter Life Crisis) “challenge what being a plus-sized body means in the contemporary dance world”. And Taiwan Season: Tomato “is an absurdly funny expression of dancer-choreographer Chou Kuan-Jou’s ongoing interest in gender issues from a feminist perspective”.

At UnderbellyHavana Steet celebrates the street dance culture of Cuba; while Rebel is a live circus rock tribute to David Bowie, bringing to life a body of work spanning more then 50 years.

Spoken word

At Pleasance at EICC, LBC broadcaster Iain Dale will appear in conversation with several public figures, including Keir Starmer, Jeremy Corbyn, Mary BeardRuth Davidson and Nadine Dorries.

Tales from the City Below is at Arthur Conan Doyle Centre. In this, Edinburgh medium, Ewan Irvine, “tells the tales of this city where it is said many still reside despite their earthly demise” – including the likes of Burke and Hare.

Triggernometry, the” hit political and cultural podcast and YouTube phenomenon” is in town for two nights only at Gilded Balloon.

At GreensidePauline Holmes Goes to the Dogs, is a ”poetry show for dog lovers, celebrating the opportunistic thieves stealing the Sunday roast, the family dogs who vet boyfriends and the rebels running amok on the heath”. Plus, The Taste of Sweat and Sand is “a creative expedition through life after military service, exploring encounters with trauma and struggles with civilian adjustment.”

Guerilla Autistics Year 8 – Scenes From an Undiagnosed Life is at Laughing Horse. “For the eighth year of this universally unique, neurodiversifying, audience-participatory solo show, Paul Wady has changed the name to Guerilla Autistics and wants to take you all back in time.”

At Paradise Green, Poems on Gender is “a series of poems on gender, sex and revolution” by David Lee Morgan.

PBH’s Free Fringe has Attila the Stockbroker – 40 Years in Rhyme. “Celebrating his 40th anniversary earning his living as a poet/musician, Attila is using this year’s Fringe to launch Heart On My Sleeve, his collected works, and 40 Years in Rhyme, his new dub poetry album.” Plus, In This Is Not Therapy, “join Tina as she tackles her fifties with as much humour, grace and sensible footwear as she can muster.”

At SummerhallStop Trying to Be Fantastic is a new work from award-winning writer/performer Molly Naylor. It’s a “mostly true story about suffering, saviour complex, self acceptance and a magpie who refuses to quit.”

And at TheSpaceUK, The Church of the Fall is “one man’s award-winning celebration of the work of the late writer, musician and working-class genius that is Salford’s Mark E Smith and his group The Fall.”

Children’s shows

Roustabout adapts Dinosaurs and All That RubbishMichael Foreman’s rock-n-roll-fuelled environmental tale of dancing dinosaurs, at Assembly this August. At the same venue, Knuckle and Joint present The Adventures of Bo Peep, “a perfect theatre introduction for 2 to 6-year-olds with an interactive story and sensory learning”.

At Deaf Action HQ you can catch Once Upon a Raindrop, “a cheerful, funny, magic show for toddlers: a walk-through performance with sensory games and magic tricks”; and The Funny Punny Magic Show, “a riot of silly stunts and crazy magic” from Tricky Ricky. Both shows are accessible to deaf and hard of hearing audiences, presented in partnership with Edinburgh Deaf Festival.

Pirates and Princesses vs Sea Monsters is “a family show filled with singing, dancing and comedy” at Gilded Balloon. Meanwhile, Marcel Lucont presents Les Enfants Terribles – A Gameshow for Awful Children, “pitting children against adults and each other to try and find the most awful child”.

Stage Door Enigma Theatre Company presents Game On! at Greenside: “an unexpected adventure with characters from alternative gaming worlds”.

Gabriel Garcia Marquez‘s darkly comic tale, A Very Old Man With Enormous Wings, is at Summerhall. Two storytellers share a story “of magic realism… brought to the stage with beautiful, strange, emotional richness”.

Inside the Robot: Quick, I Need Your Help! is on at Just the Tonic, and features “stunning visual effects and immersive interactive technology” for kids aged 5 to 95. At the same venue, comedian Lee Kyle is An Actual Giant, presents “a family show for families who don’t think that kids are little angels”.

Performer Kat Placing devised Bubba-Licious (Laughing Horse) as “a sensory display of colour, sound, light and movement to spark joy and ignite wonder’ in babies and toddlers. For slightly older kids, Grumpy Pants is “a children’s show that entertains parents alongside kids with a mix of perfectly crafted juggling routines, clowning, physical comedy and fork throwing!”.

An ’enchanting’ new adaptation of Beatrix Potter’s The Tale of Peter Rabbit and Benjamin Bunny will be staged outdoors for families at Musselburgh Racecourse.

Betwixt-and-Between present The Princess and The Dragon (PBH’s Free Fringe). It’s described as a “music-full, modern fairy-tale about freedom, friendship and finding boundaries” for children aged 7-11 and their families. Plus, Return of the Maths with Kyle D Evans is a “fast-paced hour of inclusive maths-based family fun”.

I Piano is “an interactive kids show about music and love, told with a piano, shadow puppetry and everyone in the room.” It takes place within the Pianodrome.

At PleasanceBlue Badge Bunch describes itself as “the disability Taskmaster” – a “game show with humour for all ages, where kids join in the games and learn about disability”. Also at Pleasance, Everything has Changed is “a joyful, kaleidoscopic new show for 5 to 12 year-olds about change, why change happens and how to deal with it”, created by theatre company Rhum + Clay and made in consultation with a child psychologist and children across London.

Physical storytelling specialists NYT bring The Lost Letters to Quaker Meeting House, “a magical portmanteau production of love, friendship and forgotten messages… a collection of heart-warming modern fables for older children and their families.”

At Rose TheatreCaptivate presents Smashing Shakespeare, a revolving selection of comic tales and musical tales adapting the Bard’s work for all ages.

Stockbridge Church is home to at least two “fun, interactive and educational show for babies and toddlers” by Recitals for WrigglersThe Lion and the Mouse, featuring music inspired by animals, and the international sounds of Wriggle Around the World! (featuring the story of the Gingerbread Man). Both feature violin and cello music.

ETC presents Our Teacher’s a Troll (theSpaceUK, a “colourfully comic show” written by Dennis Kelly (Matilda the Musical). And the Adventure Bubble Show with Milkshake promises “shadow bubbles, light bubbles, square bubbles, smoke bubbles, spinning carousels, track bubbles, vortexes, bubble puppets, giant bubble tubes and a million-bubble finale”.

Underbelly is the home of A Bee Story: “a uniquely Australian physical theatre show for children and families incorporating a kaleidoscope of circus, acrobatics, dance and live music” that also incorporates an important message about the environment. At the same venue, Manual Cinema Presents: Leonardo! A Wonderful Show About a Terrible Monster is an adaption of the children’s books by Mo Willems ‘realised through puppets, paper cut-outs, DIY cinema and live original songs’.

Musicals and opera

Carpe Diem Productions continue “their tradition of bringing powerful new music to the Fringe” with The Last Judgement (theSpaceUK) featuring Peter D Robinson.

At Assembly RoomsFriendsical is”‘a 60-minute celebration and loving parody” featuring characters called Ross and Rachel, but is “not to be confused with the Warner Bros Entertainment Inc series Friends”.

As part of the Fringe’s online offering this year, the jazz-flavoured Cooperstown is “an opera about one heart too big and one heart too small that plays out like a present-day Othello”. Also online is Lag: A Zoomsical Comedy, “the world’s first original musical created to be performed over video conferencing”, written and directed by Haddon Kime.

 A pair of musicals form part of the programme at Gilded BalloonI Wish My Life Were Like A Musical “lifts the lid on awful auditions, debilitating dance routines, mid-performance mishaps, and backstage backstabbing – plus those magical moments that make it all worthwhile”. RuneSical, on the other hand, is “an interactive parody musical” inspired by online game RuneScape.

Guilty: A Legal Musical Comedy is being staged at Greenside, giving “fiction’s greatest villains, from Hannibal Lecter to Cruella de Vil,” their day in court. And Dr Theatre uses songs from the likes of Cabaret, The Sound of Music, Blues Brothers, Wicked and more in Last Night a Musical Saved My Life!

Paradise Green is the venue for Gatsby: A New Musical, in which the team behind ‘Jekyll!’ recreate F Scott Fitzgerald’s famous jazz-age masterpiece.

Sex With Friends (and Other Tiny Catastrophes) is a new musical following “six friends as they fall in love and fall apart” – you can catch it at Pleasance.

Edinburgh’s Captivate Theatre has their own mini-season of work at the Rose Theatre – in addition to their own Sunshine on Leith, they’re also staging versions of Lionel Bart’s Oliver!Shrek the Musical and The Addams Family – A New Musical, as well as an all-female staging of We Will Rock You: Young@part from the Captivate Theatre Summer School.

 Alexander Fleming’s discovery of penicillin is the subject of musical production The Mould that Changed the World at The Edinburgh Academy this August.

Seven and a Half Years (theSpaceUK) is a “unique one-man musical” that “tells an extraordinary true survivor’s story, touching on many issues including grief, love and mental health”. And Trial by Jury is “a one-act operatic satire of the British legal system” in the 1960s.

Fat Rascal Theatre’s Unfortunate: The Untold Story of Ursula the Sea Witch returns to Underbelly “in a tell-all tale of sex, sorcery and suckers”.

Festival Fringe 2022: Tickets for further 513 shows made available

Over 790 shows now available to browse online, with more to be announced monthly in the lead up to the Fringe’s 75th anniversary this August

Today, Thursday 07 April, the Edinburgh Festival Fringe Society is delighted to announce that tickets for a further 513 Edinburgh Festival Fringe shows are now available to browse and book at edfringe.com.

This is the second set of tickets to be released for 2022, with the first 283 shows revealed in March.

In total, there are 796 shows now available, with more set to be announced on Thursday 05 May and Thursday 09 June. The official programme launch will take place on Thursday 07 July.

The 75th anniversary of the Fringe takes place from 5th – 29th August 2022 and will feature an exciting range of shows, with theatre, comedy, music, dance, circus, musicals, variety, cabaret, events and more all featured in the programme so far.

Below is a small representative sample of shows available to book from today. The full list of shows released so far can be found at edfringe.com.

Theatre

At PleasanceToday I Killed My Very First Bird follows a South-East London gangster who starts to lose his grip on reality when he’s forced to look back on his traumatic childhood. Theatre Royal Plymouth co-produce this “unflinching new play based on lived experience”.

In a world first, Irvine Welsh’s Porno has been adapted for the stage. 15 years after Trainspotting, what has become of Renton, Sickboy, Spud and Begbie?

Fills Monkey: We Will Drum You “blends pure joy and comedy with extraordinary musicianship, as two drummers fuse musical styles from rock to heavy metal, and Latin to jazz”.

And in Charlie Russell Aims to Please, Charlie wants to do a show in Edinburgh, and so attempts to “please absolutely everyone by trying to hit as many solo Fringe show tropes and styles as possible within an hour”.

At Gilded Balloon,Swallowed follows a young couple who are separated by an outbreak they cannot speak of. “Desire to connect meets fear of touch”. From emerging Scottish company, Frizz Theatre.

Eve: All About Her sees award-winning actor and cabaret artist Keith Ramsay “fuse spoken word and live music to deconstruct the concept of camp and queer mythology for a post-Stonewall generation”.

After a run in 2021, 1902 returns to Leith Arches. The multi award-winning work from Saltire Sky “takes an access-all-areas approach to working-class life in Scotland as we follow four young wannabe football hooligans in their quest to see Hibs win the Scottish Cup Final”.

At theSpaceUKBeneath is “a dark and absurd commentary on the effects of climate change”. Four people are trapped under 100 metres of water after an environmental catastrophe. After months of just surviving, each character is forced to examine what their options are and what their futures hold.

And Hiya Dolly! is “the true story of how a cute, attention-seeking lamb became the most famous sheep in history – the world’s first cloned mammal.”

Les Dawson: Flying High is at Assembly. Jon Culshaw stars in in this new play from BAFTA and Olivier Award-winning writer Tim Whitnall and director Bob Golding. “Join Les as he summons forth a wealth of characters and incidents from his eventful life and career.”

Marrow follows a queer artist, who when “forced within the confines of his fabulous mind, takes a euphoric journey to heal”.

She Wolf is a winner of the 2022 Assembly ART Award and the Alpine Fellowship Theatre Prize. It’s a fierce, ferocious monologue “about getting f*cked over and fighting your way back”. Spoken by a woman hiding out at the zoo, this show “tears open questions of gender and class in a capitalist world”.

Sandcastles by Steve McMahon “depicts the tumultuous lifelong friendship of millennials Hannah and Beth”. An Assembly ART Award-winning piece from Brite Theater.

Destiny is at Underbelly. “Destiny dreams big… If J-Lo can make it out of the Bronx, then Destiny can make it off the Hill Rise estate.” A recipient of the Pleasance 2021 National Partnerships Award with Bristol Old Vic Ferment, this work follows a teenage girl growing up on a Chippenham council estate.

The Sian Clarke Experience is “an ode to every man who has belittled her, made her feel unsafe, objectified her, told her she can’t be funny, called her a slut, told her to smile more… a dark, twisted comedic piece full of aggression and discomfort, examining the constraints of a woman biting back.”

Lightweight is “the true story of a complicated young woman’s attempts to survive anorexia and maintain a debilitatingly positive attitude in post-9/11 New York City”. Winner of Best Festival Debut at United Solo Festival 2021, New York City.

The B Collective returns with their high-octane show, Murder Ballads, adapted from the album by Nick Cave and the Bad Seeds. “Explosive gig-theatre meets dark comedy cabaret as four actor-musicians invite you to O’Malley’s Bar in the town of Millhaven, 1882, in the wildest part of the old Wild West”.

At Greenside, Almost 13 is a solo drama about a young girl “surviving a hot, violent summer in Brooklyn”. Can she endure being caught between a disintegrating working-class family at home and racial violence on the streets? Award-winning theatre artist Joan Kane plays all 10 colourful Brooklynites.

And the one-woman show Caitlin is based on Dylan Thomas’s wife Caitlin Macnamara, as she tells the story of her “unfulfilled ambitions”, and her “booze-fuelled, infidelity-riddled marriage to poet”.

Comedy

Monkey Barrel have a roster of stand-up this year, including Catherine Bohart’s “blisteringly funny new stand-up show filled with horrendous life advice, cheery nihilism and reluctant self-discovery.”

Taskmaster winner and co-host of Dave’s Unforgivable Lou Sanders is “tour fresh and still yakking away… is this show the real vaccine?” 

Edinburgh Comedy Award winner Sofie Hagen presents Fat Jokes: a show bursting with big jokes and fat punchlines.

And Liam Withnail returns with a new show, on the back of winning Amused Moose’s Outstanding Show Award in 2019.

Plus, Glasgow comedian Christopher Macarthur- Boyd is back, exploring “the end of the world and Italian food”.

The Stand is home to Omid Djalili. “After experimental Zoom gigs where he got muted by 639 people… the multi award-winning comedian and actor is now where he belongs, on a stage.”

Paul Sinha is back on tour and appearing at the Fringe. Audiences can “expect jokes and surprises” from the quizzer, comedian and broadcaster.

Meanwhile, Flat and the Curves sees “hilarious divas perform original songs exploring sex, scandal and sisterhood”.

Frankie Boyle is at Assembly with “ashow largely about politics, satirising whichever new leaders emerge from the irradiated rubble.”

For Nish Kumar, who returns with a new show, “it has been a period of upheaval and uncertainty with COVID and the political situation.” He promises we’ll be “amazed by his capacity to somehow take all these things personally.”

Julia Masil is appearing with “a debut solo comedy hour from the legs behind the sell-out hit show Legs. In this absurd homage to migration, a hungry clown from an Eastern European village voyages to America for a hot dog.”

And after his last Fringe appearance, Rich Hall “had to step away from Edinburgh and consider how to be less devastatingly funny.” In this return, he promises “to dial it back just a little”.

At Gilded Balloon, Best Newcomer nominee Maisie Adam has a brand-new show for 2022, Buzzed, “rammed with witty observations, high-octane energy and some right good jokes.”

Comedy magician Pete Firman returns to the Fringe with a new show. “Expect Pete’s trademark blend of laugh-out-loud comedy and jaw-dropping magic”.

And legendary fox Basil Brush has a brand-new show for the adults, following his sold-out 2019 Fringe debut. “The national treasure will bring more anarchy to the festival, featuring different guests daily.”

At PleasanceMind Mangler: Member of the Tragic Circle is “a new solo spectacular predicted to spiral into chaos as Mind Mangler attempts to read your mind.”

And in Mischief Movie Night, audiences are promised “an improvised movie live on stage”. Every show is different.

Daniel Sloss is at Just the Tonic and is doing a run of shows to work up some new material for his next tour.

Tom Stade is “trying to remember what was important before responsibility and fear got in the way” in his show.

Underbelly is home to Paul Foot, in which “Paul opens his beak and explores topics including Nanna on the rack, murdering Santas and interfering ambulance drivers.”

Jason Byrne recently lost his father, Paddy Byrne. In this one-man play, Jason brings his dad’s life to the stage, “keeping him alive in stories full of laughter and tears”.

In A Problem SharedMyra DuBois “steps away from the songs and dedicates her attention to the dying art of conversation”.

Drunk Women Solving Crime returns to the Fringe. “This is a true crime podcast with a twist… of lime. Each episode sees the boozed-up panel of writer / comedian hosts Hannah GeorgeCatie Wilkins and Taylor Glenn welcome a top guest to test out their drunk detective skills and solve true crime cases.”

The Scottish Comedy Festival has a host of Scottish stand-up, including five-time Scottish Comedian of the Year finalist Ross Leslie and a set from Gary Little on “life, relationships, the world!”

Laughing Horse is home to Nathan Cassidy, who presents “stand-up comedy on the death of the planet, the neglect of our leaders and the shield of blame from ourselves.”

PBH’s Free Fringe features Palindrome Fight!, which comprises five panelists, three audience suggestions, and thirty minutes of lurid palindrome history and standup comedy.

Music

Catch The Tiger Lillies at Underbelly. After years away touring the world, the “Olivier Award-winning godfathers of alternative cabaret celebrate their 30th anniversary with a triumphant return to the Fringe”.

Scottish/Danish folk duo The Quiggs are back at Acoustic Music Centre for an hour of folksong and fine singing.

Dougie Mackenzie and Brian Miller are performing together. Dougie is a traditional singer, drawn to Scots ballad language. Brian is a Scottish singer and guitarist.

Massaoke is back at Assembly. Join the house band, Rockstar Weekend, on “a euphoric, spandex-clad journey through the greatest smash hits of all time, accompanied by giant video lyrics and the whole crowd singing together”.

At PleasanceShona the Musical Choir is an African/Scottish group presenting original songs from African composer/playwright Neo Vilakazi. “Inspired by historical events around the Shona tribe in Africa and [the] socio-political turmoil of Robert Mugabe’s rule of Zimbabwe.”

Cabaret and Variety

Fascinating Aida are at Assembly. Their latest show is “jam-packed with hilarious songs (old and new), outrageous humour and an elegant charm that belies the biting satire and their potty mouths.”

In Soulful Magic, Britain’s Got Talent finalist Magical Bones returns to the Fringe, with a “brand-new hour of the most awe-inspiring and high-energy magic you’ll see this year.”

Following its sold-out 2019 Fringe premiere, the award-winning An Evening Without Kate Bush returns.Sarah-Louise Young and Russell Lucas “pay glorious homage to the music, fans and mythology of one of the most influential voices in music”.

La Clique are returning to the Fringe, with shows at Underbelly. A decade on from winning the Best Entertainment Olivier Award, this show “promises to be a night of laughs, gasps, naughtiness and the best in international cabaret”.

In More Jewish Chronicles (and Other Musical Stories), multi award-winning musical storyteller Daniel Cainer performs another collection of story-songs, following six off-Broadway runs and 15 Edinburgh Fringes.

PBH’s Free Fringe is home to Caspar Thomas: Sleight of Handkerchief. Having had plenty of time to practice, Caspar returns to the Fringe with a brand-new magic show.

Plus, Ash Pryce’s latest show features paranormal illusions, spooky magic and ghostly goings in the underground vaults of Edinburgh.

Dance, Physical Theatre and Circus

Railed is at Assembly. From the creators of Elixir (winner of Best Circus and Physical Theatre award at Adelaide Fringe 2018), “Railed is a western-themed circus spectacular, combining trademark physical talents, finely chiselled bodies and hilarious comic timing.”

International theatre-makers Same Same Collective are bringing drop dead gorgeous, which “combines movement, clowning and a whole lot of fruit.” Expect “intersectional, irreverent theatre, loosely based on Yukio Mishima’s Book of Anti-Chaste Wisdom”.

Circus Abyssinia: Tulu is at Underbelly Circus Hub. “Celebrating the first African woman to win Olympic gold, this showcase is inspired by the true tale of an Ethiopian icon, Derartu Tulu”. It promises “awe-inspiring acrobatics and mesmerising fire juggling with a rocking, exuberant soundtrack.”

At theSpaceUKSMACK & Spektakel offers “an adventurous double bill of dance, refreshing the commentary on the empowered female body, while questioning the relationship between performance and identity”.

Children’s shows

At Pleasance, catch Shlomo’s Beatbox Adventure for Kids. World record-breaking beatboxer SK Shlomo has performed around the world with the likes of Bjork, Ed Sheeran and Rudimental. Here, Shlomo is “back on his mission to empower the next generation of superstar beatboxers to find their true voice, no matter who they are”.

Clowntown In Space @theSpace is at theSpaceUK. Canada’s award-winning clown band sparks the imagination in this space-themed show. “Full of live music, catchy singalongs, fun adventures and interactive comedy”.

Prehysterical is at Assembly. “A hilarious circus show for children and parents of all ages, following three foolish Neanderthals as they struggle to survive the harsh natural world.”

Meanwhile, Brotipo is “crazy Canadian circus for the young, premiering in Edinburgh after visiting 16 countries”. Watch as “two clowns touch the hearts of the audience and make them laugh through their quarrels, their acrobatics and their lonely moments.”

At Gilded Balloon, catch The Dark Room For Kids. You and your family are stuck inside a live-action video game! How will you escape? “An interactive adventure featuring terrible prizes and total mayhem.”

Fruit Flies Like a Banana: Kids! sees “music, theatre, dance and circus collide in this variety show where you choose the show order”.

In There’s Nothing Quite Like Spaghetti Bolognese!, join Penny “for an unforgettable dinner in this show that is fun for all the family. A piping-hot piece of brand-new children’s theatre that asks the question: Should you play with your food?”

Musicals

At theSpaceUKFlesh is a “fast, furious and funny rock musical that takes a wry take on the story of Burke and Hare – Irish navvies induced by the Edinburgh medical elite to turn their hands to murdering for profit.”

And in About New Year’s Eve, “minutes before the clock strikes 12, a group of friends rediscover themselves and their goals for the new year.” This show “offers audiences a joyful and dramatic exploration of life through the eyes of young adults.”

Edinburgh Festival Fringe 2022: First tickets available

  • 283 Fringe shows revealed
  • More shows to be announced monthly, as the world’s greatest celebration of arts and culture returns for its 75th anniversary this August

The Edinburgh Festival Fringe Society has announced that the first set of shows for the 2022 Edinburgh Festival Fringe are available to book at edfringe.com.

The 75th anniversary of the Fringe takes place from 5th – 29th August 2022 and will feature an exciting range of shows, with theatre, comedy, music, dance, circus, musicals, variety, cabaret, events and more all represented in the programme.

Tickets for 283 shows have now been released, with more shows set to be announced on Thursday 07 AprilThursday 05 May and Thursday 09 June.

The official launch of the festival, including the reveal of the iconic printed programme, will take place in early July.

Below is a small representative sample of shows available to book now. The full list of shows released this month can be found at edfringe.com.

Shona McCarthy, Chief Executive of the Edinburgh Festival Fringe Society, said: “It’s always a hugely exciting moment when the first set of Fringe shows are announced, and this year, it feels more important than ever to celebrate the breadth of creativity and freedom of expression that these shows represent.

“We know that so many artists are still recovering from the impact of the pandemic, and getting your tickets early is a brilliant way to support them at this vital time. It’s also an important investment in the value of culture and creativity, and with some shows offering free and Pay What You Can options, the Fringe remains an essential access point to culture for many.

“I can’t wait to see the programme continue to unfold as we get closer to August, and to see Edinburgh filled with live performance once again as we celebrate the 75th anniversary of this magnificent festival.”

Theatre

At theSpace @ Surgeons Hall, acclaimed mystery maestros Highly Suspect return to the Fringe “with a new duo of hilarious and interactive murder mysteries, which you – the audience – must solve”. At the same venue, UK Underdog is a solo show based on true events in a London, Jewish boy’s life. “Bullied and humiliated at school, Steve Spiro realises his strength to move forward, but that ultimately comes at a price”.

BAFTA award-winner Jack Docherty is at Gilded Balloon with Nothing But: a darkly comic tale which grapples with lost youth, love, fatherhood, sex, secrets and truth.

At UnderbellyMy Son’s a Queer (But What Can You Do?) is the “joyous, chaotic, autobiographical story of actor, writer and social-media sensation Rob Madge”.

Assembly has a range of theatre to book from today, including Watson: The Final Problem, in which Sherlock Holmes’ pal tells his tale of long-buried secrets; and Myra’s Story, in which a middle-aged, homeless Dublin street drinker relives her back story.

Comoedia at Greenside is a celebration of traditional Italian masked theatre, as the most famous characters of Commedia dell’arte come together in a one-man show. At the same venue, two women use nothing but their imaginations, a skull and some fancy scarves to bring together A Two Woman Hamlet.

At theSpace on North BridgeGirlPlay is “an exploration of love and sex spun out in slam”. On a night of firsts, Lucy opens the door to a world of relationships and sex that she had only ever dreamt about. But is the reality all she had hoped it would be?

Online, Transatlantic is a true story of the French immigrant experience. “Cookie is taking care of the last of her uncle’s estate in New Mexico. As she goes through her family’s belongings, she goes on an emotional journey that echoes the many trips back and forth that she and her family have taken between France and the US.”

Plus, from award-winning writer Lita Doolan comes Audrey’s Art Club. “Audrey wants to know what doodling’s got to do with love and goes back to her lover’s childhood home to find answers.”

Comedy

The Stand has a wide roster of shows on sale today, including Seann WalshIs Dead, Happy Now? and Stewart LeeBasic Lee – a work-in-progress show in which “Lee enters the post-pandemic era in streamlined stand-up mode”. Also catch rising Scottish star Gareth Waugh with Doozy and Jo Caulfield with Bad Attitude.

At AssemblyFern Brady will be tackling big issues such as “death, shagging, marriage and ageing” in her show, Autistic Bikini Queen.

David O’Doherty is back with his show whoa is me and “all of the misplaced confidence of a waiter with no pad”, while Susie McCabe returns with a brand-new show. In Born Believer, the comedian has decided to leave cynicism behind to be an “all-new positive Susie (optimistic at best, positive is pushing it)”.

Jason Byrne is at Underbelly with Unblocked, as “the constipation of Covid has been cleared, live entertainment has been colonically irrigated and readied up for us all”. At the same venue, Foil, Arms and Hogg return to the Fringe with a mix of sketch comedy, audience participation and improvisation. Plus, Richard StottAfterparty sees the stand-up contemplate whether he’s missed the boat. “His friends have families, six-figure salaries and houses. He has a level-two food hygiene certificate and acid reflux.”

Gilded Balloon is home to double Edinburgh Comedy Award nominee Andrew Maxwell’s Krakatoa, as well as Justin Moorhouse’s brand-new show Stretch & Think, which “may contain yoga, getting older, Madonna, shoplifters, labradoodles, middle-aged cyclists, The Menopause, running, hating football fans but loving football, not drinking, funerals” and a lot more. Plus, catch Sian Davies,winner of Best Debut Show at Leicester Comedy Festival 2020 and Funny Women runner-up. Her show is all about time, growing up and finding your place in the world.

There’s a range of Laughing Horse shows available to book from today. Shows including Annie and Angela’s Disco Divorce Party: “a drag-infused comedy of musical mirth celebrating friendship and new beginnings”, and Comedy Queers: “a spicy late-night mix of outrageous queer comedians, cabaret and drag acts”. Plus, there’s stand up from the likes of Nathan Cassidy and Dave Chawner.

Fringe stalwart Nina Conti returns to Pleasance with The Dating Show, in which “finding true love can’t be promised, but big laughs are guaranteed”. And after a UK and Australia tour and an Amazon special, Taskmaster runner-up and accidental YouTube cult leader Mark Watson brings his show This Can’t Be It back to where it began (at last year’s “mini Fringe”).

Also on Pleasance’s bill is Angela BarnesHot Mess (“trying to live your best life, as it turns out, is really bloody hard”); Ivo GrahamMy Future, My Clutter (“bumbling wordsmith and tripe factory returns to discuss three years of heavy-duty pranking / parenting / procrastinating since Dave’s 2019 nominations for Best Comedy Show and Joke of the Fringe”); and NewsRevue, which will return to the EICC to “parody politics in a post-pandemic world”.

At Just the TonicDaniel Sloss and Kai Humphries bring their hit podcast, Sloss and Humphries On The Road, to the festival. Plus, Fringe veteran Craig Hill returns with I Always Knew I Had It In Me, and rising Scottish star Connor Burns isat the festival with his show, Live, Laugh, Loathe.

At Queen’s Hall, Henning Wehn returns with It’ll All Come Out in the Wash: a show that promises to “give everything a good rinse and witness him wring sense out of the nonsensical”.

Music

At theSpaceTriplex, California-based Hip-Hop Orchestra, Ensemble Mik Nawooj (EMN), presents music from their new album, Death Become Life, which fuses hip-hop and classical (think full strings, woodwind, French horn and soprano).

There’s also a range of Night Owl Shows to choose from, including 007 Voices Of Bond (featuring hits such as GoldfingerSkyfallDiamonds are ForeverLive and Let Die and many more); Back to Black: The Music of Amy Winehouse (which promises to take you on a moving journey through a modern legend’s career); and California Dreams (featuring an immersive trip through California in the late 60s and 70s, with hits by The Mamas & The Papas, The Eagles, Joni Mitchell, Neil Young, The Byrds and more). All are happening at theSpace UK.

Acoustic Music Centre has a range of shows on sale from today. Acts include The Willow Trio: a band of three clarsach players – Sophie Rocks, Sam MacAdam, Romy Wymer – who will be presenting a mix of Gaelic music and original new work.

The Strange Valentines are a Nova Scotian folk duo, blending acoustic instrumentation and their signature stunning two-part harmonies to tell provocative stories.

Plus, up-and-coming harpist Romy Wymer presents traditional tunes from Scotland and Netherlands in her Fringe / AMC debut. Romy recently earned second place at the World Harp Competition (2021) and was a semi-finalist in the BBC Young Traditional Musician of the Year (2022).

Cabaret and Variety

Pleasance is home to West End star and multi award-winning magician Ben Hart, as he returns to Edinburgh with his show Wonder. Using only the simplest of props and the minds of the audience, Hart conjures a show that is “always amazing, sometimes shocking and shines a light into the darkest corners of your imaginations”.

Mat Ricardo is at Gilded Balloon with The Extraordinary Gentleman: “a unique, hilarious and unmissable one-man show” from the acclaimed variety artist.

Best of Burlesque is back at Assembly, with award-winning striptease, cabaret and variety from the 2022 Fringe, plus international special guests.

Dirty Tricks – How the Illusionati Rule the World is at Greenside. In this show, The Great Baldini demonstrates “how the illusionati rig elections, launder money and orchestrate assassinations: a wholly (im)plausible conspiracy theory”.

At theSpace @ Symposium Hall, Sue Kelvin stars in Bette Midler and Me: a tribute show to Midler, covering her life and songs from the perspective of a lifelong fan. Expect musical hits, plus highlights from Midler comedy routines and a puppet version of Beaches.

Dance, Physical Theatre and Circus

Underbelly Circus Hub returns to the Meadows this year, and with it comes Circa: Humans 2.0:“asymphony of acrobatics, sound and light”, described as “a tightly woven choreography of bodies, pulsing with music”.

Also on the Meadows, Hotel Paradiso is “an irresistibly colourful, loud and fun show for all the family” from contemporary circus company, Lost in Translation. Featuring circus skills, physical comedy, theatrical storytelling and slapstick, this show “sees the staff family tackle the scheming banker as he tries to possess the Hotel Paradiso”.

Cirque Berserk! is at Pleasance. Showcasing “traditional circus thrills and skills”, Cirque Berserk! combines “contemporary cirque-style artistry with adrenaline-fuelled stunt action”, as “this astoundingly talented international troupe includes over 30 fearless acrobats, aerialists and daredevil stuntmen”.

At AssemblyMuse is a circus piece which attempts to answer the question, “what does it mean to be a woman?” Plus, The Black Blues Brothers sees “five extraordinary acrobats perform their comedy tribute to the cult movie The Blues Brothers”. Expect breathtaking jumps, fire, somersault routines, human pyramids and more.

Intambo is at Greenside. This show features Ruciteme Karyenda Culture de Buyenzi: a group of Burundian drummers, founded in 1987. Starting with 27 members, the members range in age from 8 to 50, and they will be performing an old, traditional Burundi dance that used to be played for the Kings.

Also at Greenside is Éowyn Emerald & Dancers. Éowyn presents Your Tomorrow: “an entertaining and deeply intimate jazz dance for two performers”.

Children’s shows

Peppa Pig – My First Concert is at Assembly. This interactive introduction to a live orchestra is “an accessible, exciting concert designed for the youngest audience members, with Aurora Orchestra.”

Also at Assembly, Yellow Bird Chase follows “a clownish maintenance crew” who find a magical bird and a mad chase begins. Appropriate for the whole family and accessible to deaf and hard-of-hearing audiences.

Plus, from the creative team behind the Hairy Maclary show, young audiences can now see all three of Nick Sharratt’s Shark in the Park books live on stage.

At Pleasance,The Smeds and the Smoos is an exciting adaptation of the award-winning book by Julia Donaldson and Axel Scheffler. On a far-off planet, Smeds and Smoos can’t be friends. So when a young Smed and Smoo fall in love and zoom off into space together, how will their families get them back?

At Underbelly, the Amazing Bubble Man Louis Pearl is back. Louis “explores the breathtaking dynamics of bubbles, combining comedy and artistry with audience participation and enough spellbinding bubble tricks to keep everyone mesmerised”.

Fox Tales: The Pied Piper is at theSpace @ Surgeons Hall. In this family puppet show, Hans the Storyteller, Reynard the Fox and Gripp the Raven give “a hilarious new telling of the classic fairy tale, The Pied Piper of Hamelin”. Expect “jokes, ridiculous rhymes, mischief and nonsense”.

At the same venue, Den of Enquiry “is a fun, light-hearted show that gets kids talking about democracy”.

Musicals

In Soho Boy at theSpace @ Symposium Hall, “young, trendy Spencer leaves home and hits Soho like a whirlwind in a journey of love, laughter, heartbreak and happiness”. This work is a “modern tale of the gay scene, which can be harsh and lonely, surrounded by glamour, sex and songs”.

At theSpace @ Niddry St, Julie: The Musical is an original, new musical telling the life and adventures of historical LGBTQ+ icon Julie D’Aubigny. “One of the first public figures to live as an openly bisexual woman, she seduced nuns, dueled multiple men at once, burnt down convents, was bribed by princes, innovated opera – all before she turned 30.”

Now in its 10th year, The Improv Musical is at Gilded Balloon. Each show is a completely improvised, never-before-seen musical on its opening, and closing, night.

At GreensideRaft follows four women, seemingly trapped on a raft in the middle of the ocean, hunted by a mystical sea monster. “An original one-act musical around abuse, bravery and friendship.”

Tattoo unveils ‘Voices’ show theme as 2022 tickets go on sale

The Royal Edinburgh Military Tattoo will celebrate the power of connection with a spectacular combination of music, dance and military precision from some of the world’s leading armed forces and cultural performers, as it makes its return to the Castle Esplanade in 2022 with a new show titled Voices.

Tickets for the iconic military spectacle go on sale from 1 December 2021, with the show running from 5 – 27 August 2022.

The show is the first from the Tattoo’s new Creative Director, Michael Braithwaite. It draws inspiration from people across the globe who, despite physical separation, continue to connect and share their voices creatively through spoken word, song, writing, music and dance – languages common to all.

Military acts continue to play a central role in the performance, with the Army confirmed as the lead service in 2022. Audiences will enjoy the legendary sound of the Massed Pipes and Drums that will echo around the Esplanade as part of Voices, supported by Tattoo pipers and drummers, and musicians from UK Military Regiments.  The Tattoo dancers and Shetland fiddlers also join the line-up, with international acts and further details about Voices announced in the coming months.

Tattoo Creative Director, Michael Braithwaite

Tattoo Creative Director, Michael Braithwaite, says: “Through the challenges and separation of the last two years, people of every culture have used their voices to remain connected. These voices can be found in many ways – the piper through music, the dancer with movement, the poet through words and the drummer with a beat.

Voices is our desire to make next year’s Tattoo not just a reunion, but a celebration of the connections, cultures and languages that bring us together at the unique setting of Edinburgh Castle.

“I’m hugely excited to play a part in the history and spectacle of the Tattoo, helping it return to the global stage, re-energised and invigorated for a new era.”

Voices is the first show under the Tattoo’s bold new brand proposition, Performance in a New Light. It embraces all the military tradition the Tattoo is known and loved for, while combining exciting new innovations in production effects, lighting and staging, along with world-class appointments to the creative team.

Tickets for next year’s Tattoo can be purchased from 10am on 1st December online at edintattoo.co.uk/tickets or on the phone on 0131 225 1188.

A celebration: Dance Base presents SNOW MOTION

As the year draws to an end and festive cheer starts to build, Dance Base celebrates all things dance by hosting a new showcase, SNOW MOTION: three evenings of live performance back in the glorious Studio 1 space.

This December, Dance Base is delighted to welcome a fantastic array of dance artists from across Scotland to bring their work back to the stage and to celebrate the 20th anniversary of Dance Base making its home in the Grassmarket building.

Each artist joining the company has a deep connection to the Company having developed work with Dance Base over the years through residencies, Festival performances and sharings. This new showcase also marks the first major Dance Base project for the company’s new Artistic Director, Tony Mills, which is set to showcase his bold new vision for the organisation.  

With a different programme each evening, there is truly something for everyone, from playful takes on office life, to lyrical explorations of an enchanted Hebridean world, to a delightful tale about food (and being eaten!) for younger audiences. 

Featuring new and reimagined performances by Bridie Gane, Jen Wren, Kirsten Newell, Mamoru Iriguchi, Taylor Han and Tess Letham, SNOW MOTION celebrates storytelling and connection, showcasing an array of live music, physical theatre, spoken word and contemporary and traditional dance. 

Click here for more information on each performance.

SNOW MOTION is a celebration of Dance Base in its 20th year in the Grassmarket. As well as featuring artists connected to the organisation, it will also showcase the organisation’s history, and hugely popular programme of dance classes.

Audiences are encouraged to arrive early and take part in a fun and uplifting dance class suitable for all levels. A bar will be set up so if a class doesn’t appeal, there’s also the chance to chat with friends over some festive drinks and follow Dance Base’s history with a brand-new exhibition display in the building.

SNOW MOTION is an evening for us to come together again, raise a glass to all that has been, get in the Christmas mood, and – most importantly – dance!

This event has been made possible thanks to support from Creative Scotland and funding from Scottish Government through the Performing Arts Venue Relief Fund.

Space, Nature, Nurture: dance residency artists announced

Dance Base and Jupiter Artland’s dance residency programme

Dance Base, Scotland’s national centre for dance, and Jupiter Artland, a contemporary sculpture park and art gallery just outside Edinburgh, are thrilled to announce the five artists selected for the Space, Nature, Nurture | Winter Residency Series – a new collaborative residency programme which offers dance and movement artists a unique opportunity to immerse themselves in and work with the natural and sculpted outdoor surroundings of Jupiter Artland.

Scotland is a hugely diverse and varied landscape that is not only an incredible source of inspiration, but which can also act as a creative collaborator and be a central element of performance work for artists.

Jupiter Artland encapsulates the richness of the Scottish landscape, incorporating wild woodland alongside sculpted spaces, and is a hugely inspiring and creative environment for artists to engage with. Space, Nature, Nurture is the first collaboration between Dance Base and Jupiter Artland and both partners are thrilled to be able to provide an opportunity for artists working in dance and movement to bring their practice in to this unique environment.

The five artists selected were chosen based on their genuine interest in developing material in, with and in response to the unique natural environment and in collaborating with ecologies as a central part of their work.

They are Thomas Goetz, Hamshya Rajkumar, Kate E Deeming, Jennifer Paterson (All or Nothing Aerial Dance Theatre) and Simone Kenyon.

Each of the Space, Nature, Nurture artists will receive a fully funded 1-2 weeklong residency at Jupiter Artland over November and December when the Park is closed, providing them with full and unlimited access to the Artland.

As part of their residency, they will each present an element of audience engagement, reconnecting or establishing a link with their audience. These will be delivered in person and online.

This Residency programme has been made possible thanks to funding from the Performing Arts Venue Relief Fund and is part of a wide programme of artist support that Dance Base are delivering to support Scotland-based dance artists to return to their practice after this very difficult 18 months.

MEET THE ARTISTS

Thomas Goetz is an Edinburgh-based choreographer, performer; movement facilitator who draws inspiration from themes related to nature, philosophy and science. His recent work is concerned with emergence, behaviour, and (eco-)systems in nature and the role we play as part of these systems.

Talking about his residency, he said: “All living organisms occupy specific ecological niches which describe the role they play in an ecosystem. Animals & plants evolve unique adaptations to survive, live and thrive in a specific habitat under certain environmental conditions.

“In this residency I will be exploring how we can evolve into creatures which occupy the natural and artistic habitats of Jupiter Artland. These evolving imaginary creatures will differ in the way the move, are able to perceive the environment, communicate (with sound/voice or movement) & interact with one another.”

Hamshya Rajkumar is an inter-disciplinary artist who navigates through embodied movement, intention and ritual.

She said: “Through movement I will be exploring various human interventions within the Jupiter Artland estate in the form of Gardens, Woodlands and Land artworks that reflect the human need for beauty versus the understanding of the ecological community. An element of my practice involves embedding within Land +| Sea:scapes who are devoid of my ancestors.

“I am curious about forming an intra-species alliance with the much debated invasive Beech Tree and introduced ornamental exotic Plants. An extended focus will include the relationship between manicured foot and manicured grass. As Heavy Rain is likely during November, I will be experimenting with using second hand clothing as an extension of the bodily self as well as skin that absorbs and moves with Weather.

Kate Deeming. With decades of outdoor dance experience, Kate E. Deeming describes herself as an ‘artist who uses dance to make good stuff happen’. Kate E. creates public facing work largely in urban environments and outside of traditional arts hierarchies.

Kate said: “I am interested in creating moments and reminders that build empathy and connect us to our individual and collective power, to reinforce and manifest a joyous and loving world.”

For the Space Nature Nurture Residency Kate E. is to create a week-long durational dance piece inspired by the Jupiter Artland Landscape. Utilising costume and wearable speakers, she will create giphys of wee dance moments which will feed into her wider community practice.

Jennifer Paterson is an aerial and dance director and Artistic Director of All or Nothing Aerial Dance Theatre, Scotland’s leading aerial dance company. She trained at London School of Contemporary Dance before discovering aerial and that she could overcome her fear of heights, going on to perform worldwide with several companies and directors.

For her residency, Jennifer will be working with other dance and aerial artists: Chrissie Ardill, Beverley Grant, Marie Williamson and Freya Jeffs.

She said: “Starting within the woodland at Jupiter Artland, taking movement from the ground, and moving it up into the air and around the trees, the woodland and back into the landscape, utilising our aerial dance harness skills and how we can play and create together in this environment.

“Our audience engagement will be through 2 workshops within the environment, allowing participants to play and explore both in and out of harness, just as we are doing. One for adults and one for children.

“Being so close to the Edinburgh International Climbing Arena at Jupiter Artland we will look to connect with climbers there, as well as recreational aerialists from the Scottish aerial dance community.”

Simone Kenyon is a Scotland-based artist, performer, Feldenkrais practitioner and academic. For the past 20 years she has worked across performance and dance that embraces the complex interrelationships of movement, people and place.

Talking about her residency, she said: “The residency will focus on new research exploring the practices of drystone dyke building; including the choreographic, material agency, conservational, ecological, cultural and social aspects of wall building.

“Working for the first time, in-person with Master Waller, George Gunn, we will work with an existing wall in need of repair within the grounds to explore building techniques, place relational performance, creative conversations and take time to develop this new collaboration.

“Filmmaker Emma Dove also joins to make our collaborative trio to further explore and develop ways of working with film in the process. On the last day of our residency, we will share our findings and explorations though conversation in-situ with a small group.

“Post residency we will share a film for a wider audience online. Beyond the physical residency, Simone will begin new critical-peer conversations with artist Robbie Synge, to stimulate questions and ideas as a way of continuing the development of the work.”

Tony Mills, Artistic Director at Dance Base: “Jupiter Artland is an incredibly innovative arts space with a team that is forward thinking. We feel it is the perfect place where artists can be supported to explore new connections between dance and the environment within an artistic context.

“As we come back to working together creatively, the desire for collaboration and making things happen is so much stronger. This has resulted in this exciting cross-city partnership that will challenge the notions of what dance is and where it happens, and open up new avenues for dance artists and their work. We look forward to creating more opportunities with Jupiter Artland in the future.”

Nicky Wilson, Director of Jupiter Artland: “It is an honour to host Dance Base and their Space, Nature, Nurture residency at Jupiter Artland. Working alongside other cultural institutions creates great networks across the city, and the country, which are incredibly powerful vehicles for change.

“I am a huge advocate for bringing creativity outside, enjoying the outdoors, watching nature, and being inspired by art. It is more important than ever to embrace this freedom and I am so excited to see the residents flourish in the landscape.”