Pupils and instructors at Edinburgh Dance Academy (EDA) have taken top honours at a prestigious British Isles dance competition staged in Blackpool over the weekend.
The highly-regarded dance school – whose past pupils include the 2019 winner of BBC’s The Greatest Dancer, Ellie Fergusson – was named as the Highest Ranked Dance Studio in the UK and Ireland for the second year running at the Dance Inspirations event.
EDA’s Jenni Inglis (above) also won the Most Inspirational Choreography award for the second year in a row and EDA dancer Kiera Anderson received top prize in the Most Dedication, Passion and Talent award category.
The Dance Inspirations competition featured over a total of 3000 acts from over 100 dance schools from across the UK and Ireland in their regional heats ahead of the final in Blackpool, where a total of 317 acts competed for the top prize.
Several EDA dancers also picked up accolades for their performances including being named Overall Winner and taking 1st place for their contemporary piece “Shout” by Empara Mi.
The winning group secured £1000 prize money for their award-winning routine with the proceeds going towards funding their trip to represent Scotland in the Dance World Cup competition being staged in Portugal in June.
Julie Mitchell, Principal and Founder at EDA, said: “I’m so proud of Jenni and our fantastic dancers who all performed incredibly in this highly competitive event.
“Achieving this success across so many categories for the second year really underlines the commitment and dedication of both our pupils and our team.
“We now look forward to taking part in June’s Dance World Cup in Portugal where EDA competitors will proudly fly the flag for Scotland.”
6 new recordings launched between January and April
The Royal Ballet: The Cellist, Romeo and Juliet and Sylvia
The Royal Opera: La traviata, Fidelio and Madama Butterfly
This New Year, the Royal Opera House will add six new performances to Royal Opera House Stream for audiences around the world to enjoy: The Cellist, Romeo and Juliet and Sylvia from The Royal Ballet; and La traviata, Fidelio and Madama Butterfly from The Royal Opera.
The new titles join a library of over 50 beloved productions and over 100 behind-the-scenes videos, giving audiences an opportunity to discover more by the artists they love, and watch world-class art wherever they are.
The year kicks off with a recording of Cathy Marston’s extraordinary one-act ballet The Cellist (2020).
The production – the choreographer’s first work for the Royal Opera House’s Main Stage – is a lyrical memoir of the momentous life of the cellist Jacqueline du Pré, whose brilliant career was cut short by the onset of multiple sclerosis at the age of 28.
Composer Philip Feeney incorporates music by Elgar, Beethoven, Fauré, Mendelssohn, Piatti, Rachmaninoff and Schubert into an exquisite score that is itself an homage to the cello. This multi award-winning production stars Royal Ballet Principals Lauren Cuthbertson, Marcelino Sambé and Matthew Ball.
On Thursday 19 January 2023, our latest revival of Verdi’s ever popular La traviata arrives on Royal Opera House Stream.
Richard Eyre’s production, with sumptuous belle époque-inspired designs by Bob Crowley, has long been a Royal Opera favourite, winning critical acclaim for its exquisite sets, lavish costumes, and unforgettably dramatic staging.
The performance (recorded in 2022) is sung by a truly international cast that includes Pretty Yende as Violetta Valéry, Stephen Costello as Alfredo Germont and Dimitri Platanias as Giorgio Germont.
February begins with the release of Tobias Kratzer’s production of Beethoven’s only opera, Fidelio (2020), with Music Director of The Royal Opera Antonio Pappano conducting a spectacular cast led by Lise Davidsen and David Butt Philip.
Then, on Valentine’s Day 2023, Romeo and Juliet will be made available. Kenneth MacMillan’s classic adaptation of Shakespeare’s play – set to Prokofiev’s iconic score and featuring evocative designs by Nicholas Georgiadis – has remained a firm favourite of The Royal Ballet’s repertory since its premiere in 1965, which was danced by Rudolf Nureyev and Margot Fonteyn.
The production offers dancers in the lead roles a wealth of opportunity for differing interpretations of the star-crossed lovers.
Two further new productions will be available from March: Frederick Ashon’s ballet Sylvia (2005), starring former Royal Ballet Principal Darcey Bussell and Guest Artist Roberto Bolle; and Puccini’s devastating opera Madama Butterfly (2022), conducted by Nicola Luisotti and sung by a stunning cast that includes acclaimed Italian soprano Maria Agresta as Cio-Cio-San, American tenor Joshua Guerrero as Lieutenant B.F Pinkerton, Spanish Baritone Carlos Álvarez as Sharpless, and English mezzo-soprano Christine Rice as Suzuki.
All Royal Opera House Stream productions come complete with extra wraparound material – interviews, masterclasses, rehearsal footage and more – giving audiences a unique behind the scenes insight into one of the world’s leading theatres.
Royal Opera House Stream currently hosts over 50 stunning works from The Royal Ballet and The Royal Opera, with highlights including Wayne McGregor’s The Dante Project, Katie Mitchell’s production of Handel’s Theodora, Frederick Ashton’s La fille mal gardée, Christopher Wheeldon’s The Winter’s Tale and Puccini’s Tosca.
In addition to the 100+ pieces of behind-the-scenes content already online, further features – ranging from rehearsal footage to interviews and masterclasses – will be made available across 2023 for subscribers to enjoy.
Join today to watch the world’s greatest performers, emerging talent, leading choreographers and trailblazing creative teams from the comfort of your own home. From family favourites and modern masterpieces to heartbreaking arias and passionate pas-de-deux, Royal Opera House Stream offers it all: truly transformative experiences for only £9.99 a month or £99 annually.
Whatever your interest – whether classical or contemporary – there’s a breadth of content for you.
New productions from March 2023 will be announced over the coming months.
This New Year, The Royal Ballet’s Like Water for Chocolate will be broadcast to 909 cinemas in 33 countries around the world.
The critically acclaimed production is choreographed by Christopher Wheeldon, the Company’s Artistic Associate, and inspired by Laura Esquivel’s captivating novel of the same name.
Like Water for Chocolate follows the story of Tita, whose emotions spill out through her cooking and influence those around her in startling and dramatic ways.
The production reunited Wheeldon with the creative team who transformed Alice’s Adventures in Wonderland (2011) and The Winter’s Tale (2014) into dance – composer Joby Talbot, designer Bob Crowley, and lighting designer Natasha Katz. Mexican conductor Alondra de la Parra acted as musical consultant, and Esquivel worked closely with the team to reshape her richly layered story into an entertaining and engrossing new ballet.
Wheeldon is celebrated for his expressive choreography and theatricality, and has worked extensively with the world’s leading dance companies.
In 2014, he directed and choregraphed the stage version of the musical An American in Paris, and recently directed and choreographed MJ The Musical, which opened on Broadway in 2022. Both productions won Tony Awards. Like Water for Chocolate is his third full-length work for The Royal Ballet.
The cinema broadcast on Thursday 19 January 2023 stars Principal dancer Francesca Hayward as Tita, Principal dancer Marcelino Sambé as Pedro, and Mexican musician Tomás Barreiro on guitar.
Encore screenings will run from Sunday 22 January 2023.
Our cinema programme has brought opera and ballet to audiences across the globe since 2008. For the 2022/23 Season, an astonishing 13 productions from The Royal Ballet and The Royal Opera will be broadcast to more than 1,300 cinemas from the UK all the way to New Zealand.
Each broadcast offers audiences the best seat in the house, and includes exclusive behind-the-scenes footage, interviews and insights into the rehearsal process.
The programme forms an integral part of our plan to secure our future, expand audiences and continue to help facilitate the vital recovery of cinema domestically and internationally.
Brand-new this week on Royal Opera House Stream: Theodora (2022)
The Royal Ballet: A Diamond Celebration in global cinemas
Theodora, Royal Opera House, January 2022
This week, the Royal Opera House is delighted to be bringing world class art to audiences across the globe – offering the very best of The Royal Ballet and The Royal Opera in cinemas and on demand.
On Thursday 17 November, Katie Mitchell’s gripping new production of Handel’s Theodora (4*) will be available to watch on Royal Opera House Stream.
Sung in the original English libretto and conducted by Baroque specialist Harry Bicket, the opera is a tour de force for soloists and chorus alike, with ensembles, duets and arias of profound depth and beauty.
The opera’s stellar cast includes soprano Julia Bullock as Theodora, making her Main Stage debut; Grammy Award-winning mezzo-soprano Joyce DiDonato; Opus Klassik award-winning countertenor Jakub Józef Orliński; tenor Ed Lyon; baritone Gyula Orendt; and Jette Parker Young Artist Thando Mjandana.
The performance is released alongside a rich array of behind-the-scenes content, including a masterclass with Joyce DiDonato and an Insight event about the production.
Artists of The Royal Ballet in The Royal Ballet production of Jewels, a ballet in three acts choreographed by George Balanchine (1904-1983) to music by Gabriel Fauré (1845-1924) Pyotr Ilyich Tchaikovsky (1840-1893) and Igor Stravinsky, performed at The Royal Opera House, Covent Garden on 16 December 2013
ARPDATA ;
JEWELS ;
Music by Gabriel Fauré, Pyotr Ilyich Tchaikovsky, Igor Stravinsky ;
Choreography by George Balanchine ;
Artists of The Royal Ballet ;
The Royal Ballet ;
At the Royal Opera House, London, UK ;
16 December 2013 ;
Credit: Bill Cooper / Royal Opera House / ArenaPAL
The night before, on Wednesday 16 November, The Royal Ballet: A Diamond Celebration will be broadcast live on opening night to over 850 cinemas in 31 countries around the world.
The evening will offer an unmissable opportunity to see a stunning roster of Royal Ballet Principal dancers, the highest rank in the Company, together on stage. The gala celebrates the breadth and diversity of the Company’s repertory with a mix of classic and contemporary gems.
It includes The Royal Ballet’s first performance of For Four by Artistic Associate Christopher Wheeldon; world premieres by Pam Tanowitz, Royal Ballet Emerging Choreographer Joseph Toonga and First Soloist Valentino Zucchetti; and a performance of Diamonds, from George Balanchine’s Jewels. Encore screenings will run from Sunday 20 November 2022.
These two productions add to further free content on BBC channels. Oliver Mears’ new production of Benjamin Britten’s The Rape of Lucretia – conducted by Corinna Niemeyer and sung by a cast drawn from the Jette Parker Artists Programme and the Britten Pears Young Artist Programme – will be broadcast on Saturday 26 November 2022 on BBC Radio 3.
Additional Royal Opera House productions continue to be available on BBC iPlayer.
Book your places to enjoy a great programme of world entertainment and South African spread!
Everyone is welcome!
Big announcement Edinburgh Shisanyama is partnering with Edinburgh Multicultural Festival for the South African heritage Braai.
They have prepaid prepaid for some Braai packs for some lucky customers, these are limited so first come first serve
There will be Performances form the Edinburgh Multicultural Festival from 15:00, the performances will ranging from Dance, singing, story telling and more
PLEASE NOTE We have a limited amount of tables available, so reserve your tables as soon as you can.
To Reserve you table, simply text/call/WhatsApp 07527909134 and pay on the day.
Date : 25/09/2022
Time 13:00 – 20:00
Location
Philly’s Edinburgh
2 Lochside Place
Edinburgh
EH12 9DF
Scotland
Don’t miss out on the LAST Edinburgh Shisanyama of the Year, Let’s close the summer with a bang.
Granhøj Dans has announced some changes to its schedule of shows as part of this year’s Edinburgh Festival Fringe. An Eve And An Adam will now run at Dance Base until August 21 at the new time of 20.30.
This timeslot was formerly where the production of This is Not Swan Lake had run but this show has finished its run early and was taken down from August 10, due to travel problems with one of the artists.
Members of the public who have tickets for This is Not Swan Lakewill be contacted by the box office and offered a full refund or tickets for an alternative show.
STONE – FACE – BOOK
This solo performance with award-winning dancer Mikolaj Karczewski is a personal portrait made in collaboration with the obstruction master Palle Granhøj. Drawing on his father’s background as a miner, Mikolaj uses whimsical choreography to breathe life into the stones, finding music in them and from that music, dance arises. Stone – Face – Book is produced in close collaboration with PlatformaFestival in Klaipeda.
“An outstanding stage fantasy with the incredible high-flying acrobatic dancer MikolajKarczewskialone on stage among the collection of gray stones of memories.” Danstidningen
A beautiful, profoundly naked performance presented as nature intended. This is a performance celebrating the pure, authentic, original beauty of nudity – as a contrast to the versions given to us by social media. Increasingly we see uncovered bodies readily exposed all over social media. All kinds of pornography are easily available and widely consumed. Modesty no longer exists when it comes to the naked body in virtual culture, yet young people feel shamed by natural nudity. In this provocative show, Palle Granhøj asks: ‘what has happened to our relationship to our natural nudity?’
An intense and high energy experience featuring 8 musicians and 9 dancers, on stage live at the beautiful Dance Base
Boléro was written in 1928 as ballet music and the work is one of Ravel’s last and most famous. PalleGranhøj has transferred the music’s intensifying signature to a deconstructed version – and finally in its full length. The intensity of the melody and dancers increases throughout BOLERO – EXTENDED, giving it a powerful, uplifting, trance-like quality in a unique and iconic performance with nine dancers and eight cellists live onstage.
★★★★★ “A captivating performance that leaves the audience euphoric” Cphculture
“a dizzying experience” Danstidningen
Age suitability 12+
Dance Base Studio One
Aug 23-25 19:00 (1h) £16.00 (£14.00/£10.00) Aug 26-28 19:00 (1h) £18.00 (£16.00/£10.00)
The Granhøj works are part of the #DANISH showcase at Edinburgh Fringe 2022 presented by The Danish Arts Foundation and produced by WILDTOPIA. The showcase is supported by The Embassy of Denmark in the UK.
As the 2022 Edinburgh Fringe gets underway, the Edinburgh Festival Fringe Society are delighted to announce a full programme of activity for the new Taster Stages in St Andrew Square and Cathedral Square in St James Quarter.
Following an announcement about the extension of the traditional Street Events programme to new sites across the city centre, the Fringe Society team have been excited by the level of support shown by artists for the new spaces.
Scheduled daily from 11:00 – 18:00, the new stages will bring a taster of the Fringe to the New Town, with performers from 170 shows participating in 650 performances across both stages.
From music to magic, dance to comedy, and theatre to circus, there will be something for everyone visiting the spaces this August. In St Andrew Square the TikTok team will be in residence and will live stream on various dates throughout August. In the St James Quarter, the Taster Stage in Cathedral Square will be the first event to take place in this new space.
Audiences are encouraged to make repeat visits to the two stages, with performers changing throughout the day. The tasters have been designed to allow visitors to the area the opportunity to get to know work by the artists, before booking a ticket to see their full show.
Shona McCarthy, CEO at The Edinburgh Fringe Society said: “This summer we’re delighted to be able to expand the Street Events programme to these new spaces in the New Town.
“It’s been fantastic to see the volume of artists who have engaged with these opportunities and we encourage anyone visiting these areas to stop by to get a taste of the Fringe Festival.
“We are grateful to our sponsors and partners in supporting our expansion of Street Events and look forward to watching performance in both the live experience, and digitally on TikTok.”
James Stafford, Head of Community & partnerships, TikTok UK, said: “We are thrilled to be partnering with the Festival Fringe Society this year as the Official Virtual Stage.
“We will be livestreaming from the TikTok Taster Stage in St Andrews Square throughout the festival, so whether you are lucky enough to be in Edinburgh or want to tune in from afar on TikTok, the magic of the Fringe will be more accessible than ever before.’
Cllr Val Walker, Culture and Communities Convener, City of Edinburgh Council, said: “This is a very special year for the Fringe, not only does it see the return of an amazing programme of artists and performers from around the world, it also marks 75 years of this extraordinary festival.
“This exciting addition of new sites offering taster performances from the Fringe’s jam-packed programme brings a wider opportunity for current and potential Fringe fans to sample some of the 650 acts who will be entertaining audiences this month.”
Paul Bush, VisitScotland Director of events, said: “EventScotland is delighted to be supporting the return of the Fringe Street Events at this year’s Festival as they extend to new locations across the city centre.
“Our atmospheric crowds, iconic venues and picture-perfect backdrops make Scotland the perfect stage for events and after the challenges of the last two years now is the time to get out and enjoy all these free events have to offer.”
Nick Peel, St James Quarter said: “We are thrilled to be hosting the Taster Stage in Cathedral Square kicking off a fantastic summer of The Edinburgh Festival Fringe at the Quarter.
“The Fringe is such an integral part of the city, the partnership supports our ambition of offering guests new experiences every time they visit. We can’t wait to see the incredible talent from across the globe descend on Cathedral Square, giving us a taste of what’s on offer across the City this August.”
Roddy Smith, Chief Executive of Essential Edinburgh said: “We are delighted to be working in partnership with the Fringe Society and St James Quarter to bring free Fringe activity to St Andrew Square Garden and Cathedral Square.
“I encourage everyone to stop by and get a real feel for the fantastic artists and shows on offer. With the addition of the free Fringe stages, there is now significant Fringe presence throughout the New Town, complementing the traditional Old Town offering and ensuring we have a thriving and vibrant area during August, welcoming residents and visitors to our wonderful city centre.”
More than 900 performers graced Edinburgh Castle’s Esplanade to celebrate expression and share their creative voice
Performers from across the globe are sure to wow audiences with sensational music, dance, costume, and spectacle as The Royal Edinburgh Military Tattoo makes its highly anticipated return tonight with this year’s Show, Voices.
Running until 27 August, the year’s Royal Edinburgh Military Tattoo is a celebration of expression, giving a stage to performers and acts from around the globe to share their voice. Voices draws inspiration from people across the globe who, despite physical separation, continue to connect and share their voices creatively through spoken word, song, music, and dance – languages common to all.
Tonight’s performance will mark the inaugural Show from the Tattoo’s new Creative Director, Michael Braithwaite who alongside new creative production partners are introducing a brand-new approach to pre-show with street style drummers welcoming audiences onto the Esplanade. For the very first time there will be staging on the Esplanade and soundscapes tying each spectacular performance together, with the Show being opened with original composition and vocals from The Highland Divas.
Audiences will experience stunning musical and cultural showcases from performers from Mexico, The United States, Switzerland, Germany, Canada, Australia, and New Zealand, alongside homegrown talent from the UK at the centre of it all.
Musicians from the Army are reinforced by the UK’s finest military musicians, the legendary musicianship of the Massed Pipes and Drums echoing across the Esplanade and the dazzling talent of the Tattoo Dancers and Tattoo Fiddlers.
The Tattoo performers also gave an exhilarating performance of ‘Shake that Bagpipe’ with never-before-seen at the Show, Electro Pipes, taking centre stage with a DJ and a high energy, colourful dance act.
Buster Howes, Chief Executive of The Royal Edinburgh Military Tattoo, said:“Seeing the Castle Esplanade come alive with the colour, music, word-class talent and of course, for our audiences to once again join us, is exactly the come-back we wanted.
“We set out to ensure that the 2022 Tattoo was a welcome return and a celebration of the connections, cultures and languages that bring people together time after time on the Esplanade of Edinburgh’s 3,000-year-old fortress. After last night’s preview performance, the first Show from our new Creative Director, Michael Braithwaite, I’m sure everyone will agree we have done just that.
“I’ve been blown away by the talents on display during rehearsals and I’m confident the audience will be able to feel the electric atmosphere on the Esplanade tonight! There’s still time to grab tickets throughout August, and I would encourage anyone looking for a great night out to come and experience the magic of the Tattoo.”
International performers this year include Tattoo favourites the New Zealand Army Band with this year’s dynamic performance marking their seventh appearance on the Castle Esplanade.
Banda Monumental will storm the stage with over 100 performers bringing stunningly dramatic costume and the bright carnival atmosphere of Mexico to their show stopping performance.
Swiss drumming sensation, The Top Secret Drum Corps are set to captivate audiences with their energetic precision drumming which has received global recognition since their first performance with the Tattoo in 2003.
While The United States Air Force Honor Guard, the official ceremonial unit of the Air Force, will make their return to the Tattoo this year with its lively display of precision drill.
Playing a vital role in this year’s show were Tattoo newcomers and world-renowned performers The Highland Divas whose vocals were used throughout the show in soundscapes. Audiences were treated to a unique musical journey that showcased the best of the Divas awe inspiring voices.
The United States Army Field Band will make theirTattoo debutbringing military mash-ups of traditional and contemporary hits to the Edinburgh Castle Esplanade for the very first time.
The full line up for 2022 also includes: The Band of the Royal Regiment of Scotland, British Army Band Colchester, British Army Band Sandhurst, The Countess of Wessex’s String Orchestra, The Royal Highland Fusiliers, 2nd Battalion The Royal Regiment of Scotland Pipes and Drums, The Black Watch, 3rd Battalion The Royal Regiment of Scotland Pipes and Drums, The Highlanders, 4th Battalion The Royal Regiment of Scotland Pipes and Drums, Combined Scottish Universities Officers’ Training Corps Pipes and Drums, Royal Air Force Pipes and Drums, The Crossed Swords Pipes and Drums, Brisbane Boys College Pipes and Drums, Paris Port Dover Pipes and Drums, The Pipes and Drums of Christchurch City, and Erskine Stewart’s Melville Schools Choir.
The Show will run until 27 August 2022. Tickets are on sale now and can be purchased at edintattoo.co.uk/tickets or on the phone on 0131 225 1188.
Over 3,300 shows now available to browse online ahead of the Fringe’s 75th anniversary this August
The Edinburgh Festival Fringe Societyis delighted to announce that tickets for a further 146 Edinburgh Festival Fringe shows are now available to browse and book at edfringe.com.
This is the fifth set of tickets to be released for 2022, with the first 283 shows revealed in March, 796 in April, 1,281 in May and 1,047 in June. In total, there are 3,385 shows now available.
The 75th anniversary of the Fringe takes place from 05 – 29 August 2022 and will feature an exciting range of performance, with theatre, comedy, music, dance, circus, musicals, variety, cabaret, events, children’s shows and more all featured in the programme so far.
Below is a small representative sample of shows available to book from today. The full list of shows released so far can be found at edfringe.com.
Theatre
At Summerhall, Dykegeist “will shift between a supernatural thriller, a sci-fi spider lair, a haunted club scene, a social situation to discuss threat/consent/otherness”, and Peaceophobia is “an unapologetic response to rising Islamophobia around the world”.
An outdoor performance of “Shakespeare’s timeless comic masterpiece” A Midsummer Night’s Dream is at Fisherrow Links, and at Paradise in Augustines, 12th Night Lite is a “true love story for the ages”.
A selection of online shows will include In a Cave, a Voice at C venues, where “a Neolithic girl seeks comfort in imaginary friends”, and Willy’s Lil Virgin Queen explores Terra Taylor Knudson’s “passion for Shakespeare, and connects classic characters with modern experiences”.
Olding is a “multi-story, multi-character solo show, written and performed by Johanna Courtleigh” on Fringe Online, and What Am I, Chopped Suey? is also online, where “Meg Lin shares a raw personal account of growing up Chinese American that is both heart-warming and heart-wrenching”.
The Calligrapher is on at Greenside @ Infirmary Street, where an artist is “followed by the walking, talking, blood-drenched Quran that has haunted him” since he created it, and Elementa is “a one-woman show about a planet-saving superhero who’s lost her mojo” in the same venue.
Shows at ZOO Playground include Chips and Ice Cream, a show about a father-son relationship and the “struggles, the laughs, the joy and the inevitability of the mistakes that every parent will make”. Don’t Shoot the Albatross is where “pop music meets poetry in this new monologue about city lights, queer night life and large seafaring birds”.
At House of Oz, John Bell: A Few of my Favourite Things is “a relaxed hour with Australian living legend John Bell, as he rummages through his swag of favourite things, fishing out poems, stories, backstage gossip”.
Fan/Girl is part of PBH’s Free Fringe @ Banshee Labyrinth and charts a “tongue-in-cheek ride through adolescence against a backdrop of nineties football”, and A Lady Does Not Scratch Her Crotch is “a look at gender, sexuality, and the near impossibility of growing up”.
At theSpace @ Niddry Street, Laura J Harris presents Bella Donna, “an original queer comedy filled with unexpected twists and turns and more than its fair share of sass”, and theSpace on North Bridge hosts Pool (No Water), “a visceral and shocking play about the fragility of friendship and jealousy inspired by success”.
Sweet FA at Tynecastle Park is “a play with songs exploring the remarkable popularity of women’s football in the early 20th century”, and A War of Two Halves is at the same venue, telling the journey of “the Hearts from the football fields of Gorgie to the battlefields of the Somme.”
Cabaret and Variety
Figs in Wigs: Astrology Bingo is at Assembly George Square Studios, a show which plays “with bingo cards generated from your favourite celebrity’s astrological birth chart”.
Disenchanted: A Cabaret of Twisted Fairy Tales is online at C venues and asks, “Why was the Wolf in Grandma’s bed? Did Sleeping Beauty have an opinion on consent? Were the Ugly Sisters’ feet really that big?”
At BlundaGardens: BlundaBus, Ash and Lisa: Band Practice welcomes you “to this dismantling of music and sanity” in their musical improv show. And for film fans, at Brioche Dundas Street there is See It On Screen Summer 22, “three original short films made in Edinburgh”.
At House of Oz, OZmosis: The Great Australian Variety Pack presents the “hottest line-up of all-Australian talent on the Fringe”, Dolly Diamond’s Bosom Buddies sees the “award-winning, sharp-tongued cabaret diva” return to Edinburgh, and at the same venue, Geraldine Quinn: BROAD explores how “Quinn grew up idolising bold, brassy older women. Now she’s becoming one.”
Pick of the Fringe is at Johnnie Walker Princes Street, presenting “a mixed bill of comedy, music and variety, alongside the finest cocktails and drams in Edinburgh”.
At Laughing Horse @ The Counting House, Accordion Ryan’s Pop Bangers brings music from “artists from all across the pop music spectrum… in a way you’ve never heard them before”.
Chris Cook: Reflections asks, “What advice would you give your younger self?” with a magical twist at PBH’s Free Fringe @ Voodoo Rooms. At Absurd: A Live Cabaret Panel Show, you’re invited to “join host and magician Ava Beaux, and magical team captains Kane & Abel, for an array of games, buzzer rounds, and cabaret acts”; that’s at PBH’s Free Fringe @ Roti. At Planet Bar is Miss DQ Prides Again, an inclusive LGBT show.
“World-renowned songsmith and pianist extraordinaire, John Thorn, returns to the Fringe with a sublime collection of new original songs exploring the meaning of life and the future of humanity” in John Thorn Dirt An Existential Songbook at RSE Theatre.
At the Voodoo Rooms, Mr.B: Twerp in Progress “will feature some chap-hop classics, interpretations of vintage rap ditties and perhaps even some bits made up on the spot”.
99 Red Kitties is at theSpace @ Niddry St, “a highly energetic amateur burlesque show, which is sure to tantalize the audience”.
Children’s Shows
Online at C venues, Risas de Papel is a show created by 11 artists from Mexico and Chile, “fusing clown, gestural theatre and live illustration in a show for audiences of all ages”.
Spontaneous Potter Kidz: The Unofficial Improvised Parody is at Gilded Balloon at the Museum, “an entirely improvised wizarding comedy show, based on your suggestions”. At House of Oz, Dolly Diamond’s Storytime “helps stimulate children’s imagination and expand their understanding of the world”.
At Paradise in Augustines, The Red Thread We Are Holding takes audiences on “a journey of culture, love and free Taiwanese desserts”.
The Mermaid and the Cow is at theSpace @ Surgeons Hall, telling the tale of how “adventurer and children’s author, Lindsey Cole mermaided the length of the River Thames to highlight the plastic pandemic.”
Comedy
In comedy, Adam Kay: This is Going to Hurt… More (Work in Progress) brings diary entries “as well as some disgusting favourite stories” to Pleasance, and at Pleasance Dome Drag His Ass with Mary Beth Barone is a “deconstruction of modern dating culture”.
At Laughing Horse venues, Love and Sex on the Spectrum “explores all of the awkward firsts that come with dating, sex and love from a late bloomer’s perspective”. In From Ukraine, “Dima Watermelon (it’s his real name) and Pavlo Voytovych (writer at Comedy Central)” bring “the best comedians Ukraine has to offer”, with all donations going to organisations in Ukraine.
Jew Talkin’ to Me? seesRachel Creeger and Philip Simon live record their “unashamedly Jewish podcast enjoyed by everyone” at Assembly George Square Studios, and Róisín and Chiara: Sex on Wheels is “a whirlwind of synchronised, audience-tickling, stream-of-consciousness mischief”, at the same venue.
At BlundaGardens: BlundaBus, there is “extreme nonsense from award-winning idiot Dan Lees” in Dan Lees: Mustard or Custard?, and at Gilded Balloon at the Museum is Spontaneous Sherlock, an “entirely improvised Sherlock Holmes comedy play, based on a suggestion of a title”.
The In-Laws is at Greenside @ Infirmary Street, a one-man show where you can “join Paul as he meets his in-laws for the first time”, and at House of Oz, Gabbi Bolt: I Hope My Keyboard Doesn’t Break tackles “climate change, feminism, why small towns have too many pubs”.
The Necrobus hosts Fright Bus Service, “an award-winning theatrical sightseeing tour around the darker side of Europe’s most haunted city on a classic 1960s Routemaster bus”.
As part of PBH’s Free Fringe, Mimi Hayes: 20-Nothing details the story of an old woman who’s “sucked into the story of a 20-something who can’t catch a break”. Faces of Glasgow “is a scabrous and salacious satire of modern Glaswegian city life and its idiosyncratic inhabitants”.
The Scottish Comedy Festival presents Ah! My Name is Yoky Yu, about “healing, trauma, love, shame, guilt, mom, intimate relationships, and sexuality”, and The Lunch Rush gives “a taste of some of the best new comedy talent on the Scottish circuit” with Kathleen Hughes.
At The Stand’s New Town Theatre, Des Clarke: One O’ Clock Fun presents “a lunchtime showcase of Edinburgh Fringe legends, celebrity guests and the most exciting new talent around”, while Mark Watson: More Banging on About Time and Similar Issues (Work in Progress) explores “what it means to live and die, and what the hell we’re meant to do with the rapidly passing time in between”.
Trashfuture: Live at the Fringe is at theSpace @ Venue45, covering everything from “nonsense start-ups to the evil tech zillionaires and our garbled nonsense of a culture.”
At Underbelly, Dr Brown: Workdsff intlsdjfj Progressdsdfdfn the “multi award-winning comic” comes to Edinburgh “after a decade in hibernation”.
Call Me Me is at ZOO Playground, a show where Maryellen takes audiences through “stories of medical malpractice, being pigeon-toed, mansplaining in escape rooms”, and Platonic Love Triangle – A New York Stand-up Comedy Show sees comedians “Wyatt Feegrado (Bettor Days on Hulu, Amazon Prime), Lukas Arnold (2 million+ followers on Tiktok) and Otter Lee (Fairview on Comedy Central) present an afternoon of stand-up comedy”.
Dance, Physical Theatre and Circus
At Dancebase, an “elaborately costumed dancer performs a tap dance ritual accompanied by a musician” in Le Flâneur, and A Something! No Dragon No Lion! is “a Kung Fu contemporary circus made in Hong Kong”.
Cirk La Putyka and Kyiv Municipal Academy of Variety and Circus Art collaborate on Boom at Underbelly, a “show about family, freedom and borders” where 12% of ticket income will be donated to the Disasters Emergency Committee.
At ZOO Southside is 40/40: “Kat has always danced, but she has never before been a dancer. But then, she’s never been 40 before either. This is the result of 40 years of joy and hardship, laughter and tears, super tunes and super moves.”
Musicals and Opera
On Fringe Online, Feeling Pretty “tells a story of women reclaiming their power” and at theSpace @ Surgeons Hall, The Canterville Ghost: The Musical is a “family friendly comic ghost story” adapted from the Oscar Wilde story.
Spoken Word
At the Stand’s New Town Theatre, Politics and Poetry with Corbyn and McCluskey is an event which “traces the evolution of their political lives and how poetry and modern culture has provided inspiration, enlightenment and comfort”.
In 12 Angry Women, on Fringe Online, “women are on trial by the audience (the camera), they express their monologues and themselves through dance/movement”.
Aural Picnic is at PBH’s Free Fringe @ Banshee Labyrinth where a “local lass brings to life contemporary stories with humour and vigour performed in anthropomorphic characters from nature and myth.”
At Pleasance at EICC, Iain Dale: All Talk with Nicola Sturgeon brings the LBC presenter and the First Minister together for “incisive insight on current affairs”.
Shot in the Face Marvin Herbert is at Shout – Scottish Music Centre @ 111 Holyrood Road, where Marvin discusses having “investigated over 24 murders and eight shootings. Shot five times, axed in the head, stabbed, beaten and bruised” in the service of “reducing re-offending by inspiring, motivating youths and changing lives”.
Music
At ZOO Southside, sanni-leena brings “jazzy covers” with a voice which “will hit you right in the soul – no matter what style she takes on”, and at ZOO Playground, I Dreamed a Dream: The Hunt for a Husband is “an evening of musical comedy, horrendous dating stories, and a relatable truth that we all need to hear.”
At Acoustic Music Centre @ UCC, Jeremy Dion from Boulder, Colorado presents his “blend of folk, bluegrass and Americana”, and Baul, Troubador and Verses on Love, Lust and Flame directed by Ahmed Kaysher “offers the ecstasy and sublime beauty of Indian Vaishnav, Baul and Troubadour music with its interpretation through a haunting presentation of Sufi, Bengali and Greek poetry”.
Duelling Piano Heroes is “an unrivalled, 21st century duelling pianos experience” at PBH’s Free Fringe @ Liquid Room Annexe/Warehouse.
10 Years of Hot Dub Time Machine promises “a night of high energy and non-stop fun and Tom’s incredible selection of the very best tracks from the last 70 years” at Royal Highland Centre.
At RSE Theatre, Bonnie Thorn Little Jazz Bird “showcases Bonnie’s vocal talents with selections from the Gershwins to Amy Winehouse and beyond”, and at St Cuthbert’s Church, Pitchcraft: The Pitch Is Back! is a showcase of “uniquely crafted acapella arrangements, each with its own twist, delivered with humour and passion”.
There is a Lunchtime Organ Recital with free admissionat Stockbridge Church, where “Marion Lees McPherson plays a selection of German, French and English organ music on the theme of Pain and Glory.”
Kings of the Blues: Electric Blues Tribute is at The Brunton, “honouring three masters of the Blues: BB King, Albert King and Freddy King”, and Kyle Falconer in The Old Dr Bell’s Baths with Support from The John Rush Band, The Laurettes and Hunter & McMusard is at The Old Dr Bells Baths where “Kyle, backed by his full band, will be playing a set combining his solo music and classics from The View’s back catalogue.”
The Salvation Army Edinburgh City Corps hosts Music for the Festival with Newtongrange Silver Band, “a traditional mining village brass band from the outskirts of Edinburgh, but their repertoire is far from traditional”.
At Underbelly, Bristo Square, Symphonic Ibiza celebrates “some of the most famous Ibiza club anthems from the last 30 years”.
Grigoryan Brothers: This Is Us is at the House of Oz. “To mark the National Museum of Australia’s 20th anniversary, the nation’s most respected classical guitarists, the Grigoryan Brothers, composed 18 musical works inspired by items from the museum’s vast collection.” At the same venue, BIRDEE “blends her own lineage of Chinese, Greek and Russian origins to craft her own sound and stories”.
On Saturday 16 July, after a two-year absence, the Grassmarket will yet again become home to the biggest party in the capital with multiple stages, non-stop entertainment and a host of bands.
This year’s packed programmes includes After Hours, Brass Gumbo, Hamish McGregor, Awkward Family Portraits, Dope Sick Fly, Cow Cow Boogie and Al Hughes.
This free event runs from 1 – 4pm and the Grassmarket Market will also be in operation on the day.
