Starcatchers, Scotland’s arts and early years organisation based in Wester Hailes, have travelled to France this week to present their acclaimed co-production with SUPERFAN, “Little Top” at Les p’tites tommettes festival in Creil, France.
The show launches the Scottish showcase for the British Council’s UK-France, ‘Together We Imagine’, Spotlight on Culture, which is building artistic collaborations and celebrating the cultural links between the UK and France throughout this year.
Set in a specially designed ‘little top’ circus tent the show is designed to create a magical first circus experience for babies aged 0-18 months. At a time in their development when young children are discovering their own physicality, and the pleasures and perils of gravity, Little Top invites babies to experience all the fun of the circus.
Rhona Matheson, CEO of Starcatchers, is delighted to bring Little Top to France: “Little Top will transport you to a playful, joyous, upside down, topsy-turvy world where people can fly, patterns fill the air, and anything is possible.
“We are excited to present our award-winning show, a co-production with SUPERFAN, at Festival Premières Rencontres.”
The festival appearance strengthens Starcatchers’ partnership with French arts company Compagnie ACTA, following their recent Erasmus+ collaboration exploring topics around artistic awakening in early childhood.
The two organisations have already collaborated to share research findings and exchange best practices in arts for early years. Starcatchers and Compagnie ACTA presented research at PREMIERES RENCONTRES festival 2024’s European Forum in March. The Early Childhood Principles were developed by Starcatchers, Compagnie ACTA, 2turvenhoog and LaSala Teatre.
Rhona Mathesoncontinues: “We are very grateful to the British Council’s UK-France Spotlight Fund for this invaluable opportunity to strengthen our international connections.
“It’s a huge privilege to showcase Scottish work on this platform as we deepen our understanding of what artistic experiences can mean for very young audiences.”
Starcatchers is one of six Scottish-based awardees to receive over £100,000 in funding from the Spotlight on Culture Fund programme, funded with partners including Creative Scotland and the National Lottery.
Their festival presentation is part of a wider celebration of UK-France cultural partnerships happening throughout 2024, coinciding with major events like the Paris 2024 Olympics.
Norah Campbell, Head of Arts, British Council Scotland added:“What a wonderful opportunity for very young children to experience the magic of physical theatre for the first time. An excellent example of how through cultural exchange, artists can come together to share groundbreaking research and performance.
“We’re proud to help bring this innovative work to France, a fabulous start to the UK-France Cultural spotlight activity for this year.
“All the projects are now helping to maintain vital links between Scotland and France, and creatives across both countries are coming together to connect, collaborate and form lasting relationships.”
Following a review of the application, assessment, and contractual agreement regarding the project Rein, Creative Scotland has made the decision to withdraw support for this project and will be seeking recovery of funding paid in respect of this award to date.
What has emerged in the latest phase of the project represents a breach of the conditions of funding award, as the nature of the project has changed.
The central role that ‘non-simulated’ (i.e real) sex acts now play in the project, marks a significant change to the nature of the work presented in the original application which was assessed for funding. This significant change to the nature of the work has been evidenced in the most recent announcement on the project’s website, without the agreement of Creative Scotland.
Creative Scotland makes in the region of 2,000 funding awards each year. We support artists and projects across all art-forms, some of which are challenging in content, and push creative and social boundaries.
However, Creative Scotland has important responsibilities to the public for the appropriate use of public funding, and, as recipients of that public funding, award recipients also have legal responsibilities as reflected in their funding contract.
The project was awarded £84,555 through the Open Fund for Individuals on 29 January 2024 following an application, assessment, and panel decision process.
Creative Scotland’s contract for the Open Fund states that:
No changes may be made to a project without Creative Scotland’s prior written permission
Award recipients must start, complete and carry out the project as set out in their application. If the project is varied or the timeline does not meet the dates set out in the application, or as agreed between Creative Scotland and the award recipient in writing, Creative Scotland reserves the right to withdraw the offer of funding, and;
Should an award recipient wish to issue a press release or make any public announcements regarding their or Creative Scotland’s involvement in the project, the award recipient must seek Creative Scotland’s prior written approval.
The above conditions apply to all recipients of funding through our Open Fund. Failure by an award recipient to comply with the conditions of the funding award entitles Creative Scotland to require repayment of any funding received by that recipient.
Creative Scotlandis the public body that supports culture and creativity across all parts of Scotland, distributing funding provided by the Scottish Government and The National Lottery.
Edinburgh Tradfest is delighted to announce the first of its headline acts for 2024
Opening this year’s Festival on Friday 3 May, thanks to support from the National Lottery through Creative Scotland, will be Daniel Docherty and Martyn MacDonald whose band VALTOS has taken the trad and electronic music world by storm.
Valtos’ music has been described by Folk Radio UK as “like nothing you’ve heard before,” blending influences from electronic and folk music.
Inspired by artists like Martyn Bennet, Peatbog Faeries, Odesza, Madeon, and Bicep, Valtos creates a unique and genre-defying sound. Their self-titled debut album, released in June 2022, drew inspiration from the breath-taking beauty of their home in Skye, infusing their recordings and live performances with a profound sense of place. The album achieved over 100,000 streams in its first few weeks alone.
Joining them onstage at the Queen’s Hall for an energetic and unforgettable live experience will be Lana Pheutan, Eilidh Cormack, and Euan McLaughlin, plus a host of special guests.
Valtos’ talent and innovation have garnered recognition, earning them the Up and Coming Artist of the Year award at The Scots Trad Awards 2022. Their dedication and boundary-pushing artistry continue to impress critics and fans alike.
Also playing over the Festival’s opening weekend is multi-award winning solo artist Martin Simpson (Saturday 4 May) who is renowned for his magnificent acoustic, finger-style guitar playing.
At the very top of his game, Martin is without question a true master of his art. He is universally acclaimed as one of the finest ever acoustic and slide guitar players in the world. Martin is a remarkable storyteller, and a fine banjo-picker who performs traditional English folk songs, American folk and blues and his own compositions with rare subtlety, intensity and honesty.
Martin Simpson “One of the virtuoso instrumentalists of the English music scene” ‘Sounds better than ever’ **** 4 Stars The Guardian – photo credit Geoff Trinder
Rounding off the opening weekend on Sunday 5 May will be fiddle trio The Nordic Fiddlers Bloc (Kevin Henderson (Fiddlers Bid), Olav Luksengård Mjelva and Anders Hall)– a solid gold Edinburgh Tradfest favourite, masterfully blending the traditions of Norway, Sweden and the Shetland Islandswith their unique rich sound – not to be missed!
In Traverse 2 also performing on the opening weekend will be LA-based singer-songwriter Alice Howe, and the multi-award-winning singer /harpist / composer Rachel Newton.
Finally, on Monday 13 May, one of Scotland’s best loved traditional music stars, Julie Fowlis will perform with her band at what will be the festival’s biggest ever closing concert at Edinburgh’s Assembly Rooms.
Julie Fowlis who will close this year’s festival on Monday 13 May at the Assembly Rooms. Photo credit Wild Soul Photography
Douglas Robertson and Jane-Ann Purdy, co-producers of Edinburgh Tradfest said: “Every year we look to up our game at Edinburgh Tradfest so we are very excited to share not one but two BIG venue concerts for 2024.
“With Valtos and Special Guests at the Queen’s Hall to open and Julie Fowlis at the Assembly Rooms to close this year’s festival we know we are looking forward to a bumper year. Our opening weekend is also chock-full of superstars and gives a fine taster of what lies ahead for the rest of the programme. We can’t wait for it to start.”
Creative Scotland’s Head of Music, Alan Morrison commented: ““Spring has arrived early for music fans with news that Valtos, Martin Simpson, Julie Fowlis and The Nordic Fiddlers Bloc will soon be coming to the capital’s stages.
“In recent years, Tradfest has transformed Edinburgh’s festival calendar with a world-class programme that celebrates the rich past and exciting future of folk and traditional music. If the opening weekend is anything to go by, the 2024 edition is going to be one of the best yet.”
The full programme for this year’s Edinburgh Tradfest will be launched in March and will include an unmissable line-up of live music, talks, new commissions, and traditional storytelling thanks to continued support from Creative Scotland and the William Grant Foundation.
Edinburgh Tradfest 2024will run from Friday 3 May – Monday 13 May.
One Scot will find a voucher for a year’s worth of books in one of this year’s free Book Week Scotland books
Book Week Scotland begins today, Monday 13 November, with this year’s theme of ‘adventure’.
Book Week Scotland is a national annual celebration of books and reading, with events taking place in libraries and community venues across the country, delivered by Scottish Book Trust – the national charity changing lives with reading and writing.
People picking up a copy of this year’s free Book Week Scotland book, Adventure, may be lucky enough to find one of seven special silver tickets, celebrating Scottish Book Trust’s 25th anniversary, tucked inside the pages.
The silver tickets are redeemable for book tokens, with six worth £100 and one valid for a year’s worth of books (to a value of £500). The tickets have been sent across Scotland, so readers far and wide are in with a chance of discovering one.
The book has been published by Scottish Book Trust, featuring true stories from people across Scotland, including four from local Edinburgh writers Hazel Knox, Joanne Deegan Kerr, Jo Higgs and Nicole Carter.
Adventure also features exclusive contributions from Len Pennie, Sumayya Usmani, current Scots Scriever Shane Strachan, Mae Diansangu, and Gaelic writers Alistair Paul and Seonaidh Charity. 70,000 copies of the book will be given out for free during Book Week Scotland through libraries and community spaces, and it is also available to order online alongside audio and ebook formats.
· Sara Sheridan: The Fair Botanists at Juniper Green Bowling Club – Tuesday 14 November, 6.30–7.30pm (free ticketed event)
· The Pleasures of Reading with Val McDermid at Portobello Bookshop – Thursday 16 November, 7–8pm (free ticketed event and online livestream)
· Football Journeys with a Bearded Genius: Nooruddean Choudry in conversation with Daniel Gray from Nutmeg Magazine at St John’s Scottish Episcopal Church – Saturday 18 November, 7–8.30pm (free ticketed event)
· An exclusive story by Ambrose Parry, told in daily email instalments
· The reading map of Scotland, where people can share what they’re reading during the week
Marc Lambert, CEO of Scottish Book Trust, said: ‘Book Week Scotland is one of the highlights of Scotland’s literary calendars, with events for all ages and interests taking place across the nation.
“Despite the fact that Book Week Scotland is now operating on a shoestring budget due to repeated funding cuts, working with and through our fantastic partners across the country we have been able, even so, to offer an exciting and accessible programme of events at a local and national level.
“We could not do this without the support of the Scottish Library and Information Council, library services and the many other community partners we collaborate with. And this is vital, because developing a love of reading is a lifelong adventure which brings much pleasure and many benefits to the individual and the communities they live in.’
Pamela Tulloch, chief executive of the Scottish Library & Information Council said: ‘Book Week Scotland is an important opportunity to bring communities together to celebrate the power of reading which is why SLIC is proud to be a partner.
“With a brilliant programme of events lined up in libraries across the country, there’s something for everyone. We hope people will take this opportunity to rediscover all that local libraries have to offer.’
Head of Literature & Publishing at Creative Scotland, Alan Bett, said: ‘Book Week Scotland is a highlight in Scotland’s literary and cultural calendar which continues to provide joy by connecting the reading public with Scotland’s authors and their books.
“Featuring some of the biggest names in our literary scene, this year’s programme showcases homegrown talent and provides the space to empower writers and readers alike, across the country and within their own communities.’
Recognised the world over as platforms of creative excellence, festivals in Edinburgh have received a total of £633,396 of additional funding from the Scottish Government through Creative Scotland to support continued strategic development activity.
diversify their year-round partnerships with the culture sector across the city and Scotland
drive transformation and creative innovation through long-term programming approaches
increase career and skills development capacity for creatives and young people
build new and lasting relationships with less engaged communities.
An independent evaluation report from BOP Consulting has found that PlaCE funding played a significant role in festival resilience through the pandemic and 97% of community partners reported high levels of satisfaction from engagement with the festivals.
Culture Minister Christina McKelvie said: “The Scottish Government’s commitment to investing in arts and culture remains strong, which is why we have continued to provide support, through Creative Scotland, to Edinburgh’s festivals.
“Communities right across the city will benefit from almost £640,000 in PLaCE funding. We hope this will allow Festivals to continue their development and deliver more fantastic work in our schools and with our local communities.”
This additional funding on top of the transformative PlaCE programme will allow festivals in Edinburgh to continue delivery of this strategic development activity into the next year and beyond.
The following festivals have received this funding:
One Scot will find a voucher for a year’s worth of books in one of this year’s free Book Week Scotland books, which feature four stories from Edinburgh writers
Scottish Book Trust, the national charity changing lives with reading and writing, has launched the line-up for Book Week Scotland 2023, which will be themed around ‘adventure’. Book Week Scotland, this year taking place on 13–19 November, is Scotland’s national annual celebration of books and reading, with events taking place in libraries and community venues across the country.
People picking up a copy of this year’s free Book Week Scotland book, Adventure, may be lucky enough to find one of seven special silver tickets, celebrating Scottish Book Trust’s 25th anniversary, tucked inside the pages.
The silver tickets are redeemable for book tokens, with six worth £100 and one valid for a year’s worth of books (to a value of £500). The tickets will be sent across Scotland, so readers far and wide are in with a chance of discovering one.
The book has been published by Scottish Book Trust, featuring true stories from people across Scotland, including four from local Edinburgh writers Hazel Knox, Joanne Deegan Kerr, Jo Higgs and Nicole Carter.
Adventure also features exclusive contributions from Len Pennie, Sumayya Usmani, current Scots Scriever Shane Strachan, Mae Diansangu, and Gaelic writers Alistair Paul and Seonaidh Charity.
70,000 copies of the book will be given out for free during Book Week Scotland through libraries and community spaces, and it is also available to order online alongside audio and ebook formats.
The Book Week Scotland festivities will kick off with an exclusive midnight launch of Jenny Colgan’s new book, Midnight at the Christmas Bookshop, at John Kay’s Shop in Edinburgh. Tickets are available to win at bookweekscotland.com.
Marc Lambert, CEO of Scottish Book Trust, said: ‘Book Week Scotland is one of the highlights of Scotland’s literary calendars, with events for all ages and interests taking place across the nation.
“Despite the fact that Book Week Scotland is now operating on a shoestring budget due to repeated funding cuts, working with and through our fantastic partners across the country we have been able, even so, to offer an exciting and accessible programme of events at a local and national level.
“We could not do this without the support of the Scottish Library and Information Council, library services and the many other community partners we collaborate with. And this is vital, because developing a love of reading is a lifelong adventure which brings much pleasure and many benefits to the individual and the communities they live in.’
Pamela Tulloch, chief executive of the Scottish Library & Information Council said: ‘Book Week Scotland is an important opportunity to bring communities together to celebrate the power of reading which is why SLIC is proud to be a partner.
“With a brilliant programme of events lined up in libraries across the country, there’s something for everyone. We hope people will take this opportunity to rediscover all that local libraries have to offer.’
Head of Literature & Publishing at Creative Scotland, Alan Bett, said: ‘Book Week Scotland is a highlight in Scotland’s literary and cultural calendar which continues to provide joy by connecting the reading public with Scotland’s authors and their books.
“Featuring some of the biggest names in our literary scene, this year’s programme showcases homegrown talent and provides the space to empower writers and readers alike, across the country and within their own communities.’
Highlights from Book Week Scotland 2023 in Edinburgh will include:
· Sara Sheridan: The Fair Botanists at Juniper Green Bowling Club – Tuesday 14 November, 6.30–7.30pm (free ticketed event)
· The Pleasures of Reading with Val McDermid at Portobello Bookshop – Thursday 16 November, 7–8pm (free ticketed event)
· Football Journeys with a Bearded Genius: Nooruddean Choudry in conversation with Daniel Gray from Nutmeg Magazine at St John’s Scottish Episcopal Church – Saturday 18 November, 7–8.30pm (free ticketed event)
In that submission, we stated the following regarding our Grant in Aid budget from the Scottish Government for 2023/24:
“While we welcomed the Scottish Government’s decision in February 2023 to reverse the 10% cut to our Grant in Aid Budget which was originally announced in December 2022, it should be noted that the £6.6m this cut related to has not yet been confirmed in Creative Scotland’s budget.”
We are extremely disappointed to report that the £6.6m budget has not been included in the Autumn Budget Revisions.
This has been confirmed in writing by the Cabinet Secretary for Culture, Angus Robertson, in a letter to our Chief Executive, Iain Munro on 20 September.
This relates to Grant-in Aid funding that we receive from the Scottish Government and that we use to support 119 cultural organisations across Scotland through Regular Funding.
Given the extensive messaging and advocacy regarding the pressures on culture budgets and risks to the culture sector that we, and many others have been making, this is a concerning development.
To address this reduction, the Creative Scotland Board agreed on 27 September, to use £6.6m of our National Lottery reserves to prevent us having to pass it on to the Regularly Funded Organisations, especially given the next payments are due in 2 weeks’ time.
Whilst the unprecedented pressures on public finances are understood, we are disappointed that the Scottish Government has taken this decision. However, Creative Scotland is acting swiftly and pragmatically to help stabilise the situation in the short term.
This step of using our National Lottery reserves in this way will only happen once. The budget for 2024/25 will not be decided by the Scottish Government for some months yet but should the Scottish Government choose to sustain this reduction, we will require to pass it on to the sector.
Creative Scotland appeared before the Culture Committee at the Scottish Parliament on yesterday (Thursday 28 September) to give evidence as part of the Committee’s ongoing inquiry into culture budgets in Scotland.
David Watt, chief executive of Culture & Business Scotland, said: “At a time when Scottish Government ministers repeatedly speak about the importance and value of culture to our society and economy, the reinstatement of the £6.6M cut to Creative Scotland’s annual budget for the current year is unfathomable.
““Just yesterday (Thursday September 28), I, alongside other cultural representatives, gave budget evidence to the Constitution, Europe, External Affairs and Culture Committee to hopefully ensure that this shortsighted budget decision does not extend into the 2024-25 budget for culture settlement.
“Investment in culture is essential for society, local communities, tourism, the economy and Scotland’s international reputation. The ongoing challenges of the legacy impact of Covid, Brexit and the cost-of-living crisis, are very real, with many arts and culture organisations operating on a knifes edge.
“These issues are exacerbated as the majority have a lack of unrestricted reserves and continue to struggle to build these up due to slow growth in ticket sales and increased overheads due to high energy prices.
“A reduction in public funding will rapidly increase the firefighting our culture organisations and venues are facing against challenge after challenge. If this budget pattern continues, with little opportunity to ensure future sustainability, there will be an inevitable shrinkage of the culture sector, and the economic and social impact of this will be significant for us all.”
As part of the Autumn budget review, the Scottish Government has re-instated a 10% cut to Creative Scotland’s 2023-24 annual budget (totaling approximately £6.6m), which following mass campaigning from the cultural sector, was overturned earlier this year (writes SMIA Interim CEO and Creative Director ROBIN KILPATRICK).
As the organisation which exists to strengthen, empower and unite Scotland’s music industry – representing a diverse membership of over 4,000 people working across all music genres and industry subsectors – we’re compelled to highlight the devastating impact of this decision; not just to music and culture, but to Scottish society at large.
The cut directly relates to the funding allocated to support Creative Scotland’s Regular Funding Network, comprising 119 cross-artform organisations (RFOs) that are structurally integral to both supporting and delivering Scotland’s cultural output. The SMIA is one of them.
In the short-term (for the rest of this financial year), Creative Scotland has had to divert to utilising National Lottery reserves to plug the gap and prevent the cuts from being passed on to members of the RFO network.
If this hadn’t been the case, in two weeks’ time when the next RFO funding payments are due, each of the 119 organisations would, in effect, have received a ~40% cut to projected funding.
In the SMIA’s case, this would have been two weeks ahead of the Scottish Album of the Year (SAY) Award Ceremony, and would have put the delivery of Scotland’s national music prize at significant risk.
The cut would have again been replicated in January at the next (and final) RFO payment for this financial year, which in the case of many organisations, would have meant the end. Whilst immediate disaster has been avoided, the use of Creative Scotland reserves at this stage means that they are now significantly depleted for what was their intended purpose.
Last month, Creative Scotland highlighted that over 500 cultural organisations stated their intention to apply for Multi-year funding; a new funding scheme that will replace the current Regular Funding one. From the intentions to apply, the indicative annual request was in excess of £113m – far exceeding what Creative Scotland expects to have available.
Inevitably, this means that Creative Scotland will not be able to support as many organisations on a multi-year basis as they currently do, and the application process will be highly competitive. Causalities are expected and imminent. Cultural organisations across all art forms are worried about their future, and the reserves that Creative Scotland has had to use now means that there’s far less available transitional funding for unsuccessful applicants.
Whilst the future for Scottish culture was looking bleak, there was at least some hope that organisations that are unsuccessful in securing Multi-year Funding would have some time to remain operational, pivot their business model and potentially find an alternative way forward. With Creative Scotland’s reserves now depleted, many unsuccessful organisations will soon vanish from the fabric of our cultural landscape, and with them, many creative opportunities and a significant part of our cultural identity as we know it today.
RFOs have been on stand-still funding since 2018. In the face of high inflation, rising interest rates, cost of living challenges, issues around staff retention and recruitment, the impact of Brexit, the legacy of Covid and a whole myriad of broader problems currently facing our sector, for Creative Scotland’s budget cut to have been re-instated, the future of music and culture in Scotland is now at significant and immediate risk. The foundations upon which it supported are being eroded at an increasingly alarming rate, and unless intervention is made by the Scottish Government, it will have impacts for decades to come.
Outwith the significant economic contribution that music makes to Scotland’s economy (£581m through music tourism alone in 2022, as noted in UK Music’s ‘Here, There And Everywhere’ report – and this is only based on events with 1500+ capacity), it’s important to remember that the value generated by the sector far extends an economic one.
With the Scottish Government has stated that they’re committed to building a well-being economy – which serves and prioritises the collective well-being of current and future generations – it’s fundamental to highlight just how intrinsic music and culture are to achieving that vision.
Culture is our identity; it’s how we see ourselves, how we see our place in the world and how we relate to others. It’s the stories of life in Scotland, and it underpins mental well-being – both collectively and individually – in many different ways. The silences that echoed across 2020 as live music vanished from our lives serve as a firm reminder of this. Unless intervention is made now, we’ll be lucky if there are whispers in the years to come.
We urge the Scottish Government to recognise the desperate situation of a vitally important sector; economically, socially and culturally. It’s essential that Creative Scotland has the resources to both support and preserve it.
Robert Kilpatrick – Interim CEO and Creative Director, Scottish Music Industry Association (SMIA)
CAMPAIGN FOR THE ARTS
The Scottish Government is breaking its promise on arts funding.
In February, thousands joined our campaign against plans for a £6.6 million cut to Creative Scotland, the public body responsible for investing in Scottish arts and culture. Ministers responded by abandoning the cut and instead heralded a “£6.6 million uplift … supporting the arts and cultural sector at this challenging time”.
But seven months on, the £6.6 million pledged to Creative Scotland hasn’t been delivered. And now the Culture Secretary Angus Robertson has told them that it won’t be.
This extraordinary short-changing of Scottish culture midway through the year has forced Creative Scotland to raid its limited reserves as a one-off, emergency measure. Otherwise, regularly funded arts organisations in Scotland would have seen their funding cut by as much as 40% as soon as next month.
This is absolutely no way to treat Scotland’s arts and culture, let alone in a perfect storm of economic pressures and post-pandemic challenges. This ‘U-turn on a U-turn’ puts treasured venues and companies, thousands of jobs and access to Scottish culture at risk.
We urge the Culture Secretary Angus Robertson to:
Honour the Scottish Government’s commitment in February to provide “an uplift of £6.6 million for Creative Scotland for 2023-24″.
Scrap any proposal to cut Creative Scotland funding from the 2023-24 Autumn Budget Revision.
Commit to maintaining and increasing investment in arts and culture from 2024-5, for the benefit of everybody in Scotland.
The SNP’s 2021 manifesto said “culture is central to who we are as a nation”, and that “the pandemic has demonstrated more than ever how vital it is to our wellbeing, mental health and sense of belonging”.5
But Scotland’s cultural sector has not fully recovered from the pandemic, during which it was one of the hardest-hit sectors. For many, incomes have fallen and reserves have dried up. Now, in the middle of a cost-of-living crisis, costs are rising and uncertainty is rife. This is not the time to cut vital, core funding on which artists and organisations depend.
Economic pressures have already led to the permanent closure of the Filmhouse cinemas in Edinburgh and Aberdeen, the Blue Arrow Jazz Club in Glasgow and the Nevis Ensemble, which worked across the country. We cannot afford to lose any more arts organisations – or the benefits they bring to our lives, communities and society
Creative Scotland’s 120 Regularly Funded Organisations (RFOs) directly employ 5,000 workers, support 25,500 individual artists and provide millions of opportunities for people across Scotland to engage with the arts and culture.
Of these, Edinburgh-based arts organisations include:
(Organisation – Art form– Average annual grant)
Arika – Multi – £200,000
Arts and Business Scotland – Creative Industries – £200,000
The Lammermuir Festival 2023 came to a close this week while urgently working to secure its future.
Nicola Benedetti and Sir James MacMillan add their support for Lammermuir Festival.
Open Letter to Creative Scotland signed by 362 musicians, composers, educationalists, politicians, participants, supporters, audience members and local businesses.
The Lammermuir Festival closed its 14th festival earlier this week, one of its most successful yet. The programme was met with great acclaim cited by some music critics as the best programme presented.
Audiences flocked with over 80% of tickets sold, over 30% of which were to new customers. Initial analysis indicates that a little over half of those audiences were local with the remaining travelling to East Lothian to enjoy one of the UK’s best loved classical music events.
This successful edition was set against the backdrop of the festival finding out just days before it opened that Creative Scotland was not supporting its 14th festival, having invested in the event for thirteen years.
Losing the cultural funder’s support this year leaves the festival in an urgent financial position, working hard to find a secure future.
Many of Scotland’s leading musicians have lent their support to the festival’s campaign, most recently Nicola Benedetti and Sir James MacMillan.
Nicola Benedetti said: “Being able to share the best, world-class music making with audiences not residing in our cities but in rural areas is a really important part of our nation’s cultural fabric.
“An aspect we must support and nurture. The Lammermuir Festival has done this brilliantly over the last 14 festivals creating acclaimed events that also enable young artists to develop in the industry, and engage young people in the region to give them deep and extraordinary experiences.
“It would be tragic for Scotland’s music scene if this festival wasn’t supported to continue this work which benefits so many.”
An Open Letter to Creative Scotland has been signed by 362 musicians, composers, education workers, participants, supporters, audience members and local businesses including Steven Obsorne, Andrea Baker, Sean Shibe, Stuart MacRae, Dinis Sousa, Ryan Corbett, Sue Baxendale, Craig Hoy MSP, Douglas Alexander, Martin Brabbins, Sian Edwards, Ruth Ellis, Monica Wilkinson and Alfonso Leal del Ojo.
James Waters, Chief Executive and Joint Artistic Director of the Lammermuir Festival said: “The support and affection for Lammermuir Festival that we have seen pouring in from musicians, education providers, local businesses, supporters and audiences across Scotland and beyond has been incredible.
“We have never been more proud of the festival and what it brings to so many and we will continue to do everything we can to secure its future.”
Letter from supporters of Lammermuir Festival
To Iain Munro, Chief Executive of Creative Scotland and its Chair, Robert Wilson,
We the undersigned appeal to you to save what one audience member has described as a ‘precious jewel of originality and joy’.
According to the panels judging Open Fund applications at Creative Scotland, Lammermuir Festival does not sufficiently align to your priorities.
This is despite having the full support of the Music Officers at Creative Scotland who approved its application and strongly recommended funding without conditions.
This is one of the most acclaimed classical music festivals in the UK, recipient of an RPS award, the highest accolade in its field, and giving work to 350 musicians a year, many of them Scottish. It has a proven record of achievement, appeals to ever-growing audiences and supports performers at all stages in their careers.
It is also a festival which returns £750,000 in economic benefits for East Lothian, on top of its social and cultural benefits, bringing visitors to a region which is underserved for arts, offering audiences international quality music performances and participation opportunities.
If the festival were to not exist, neither would its work with McOpera which engaged 1,700 children, young people and adults as participants and audience through their outreach strand over the last two years. This proved a formative part of so many young musicians’ lives in East Lothian.
This strand of the festival’s work reached out to multiple and diverse local community groups, nurturing children and young people from across 31 different schools, supporting the growth of an Instrumental Music Service and creative organisations (such as Dunbar Voices), bringing to the region international conductors and Scottish creatives, composers, singers and instrumentalists.
It has also regularly provided career placements to students from Edinburgh College, Queen Margaret University, Edinburgh and Edinburgh Napier Universities, National Youth Orchestra of Scotland and the Royal Conservatoire of Scotland.
This decision by Creative Scotland flies in the face of the expressions of support for culture in Scotland, and in particular for festivals, that the First Minister Humza Yousaf, Cabinet Secretary for Wellbeing Economy, Fair Work and Energy Neil Gray, and Cabinet Secretary for the Constitution, External Affairs and Culture Angus Robertson have made in recent days.
The Open Fund process appears to have no strategic overview of provision, and no clear artistic, quality or geographic priorities.
Your process places huge pressure on organisations. Lammermuir Festival was invited to make multiple applications for the same activity with funding decisions taking their nerves to the wire – in this case Creative Scotland passed their verdict on a third application just 16 days before the festival started.
The system needs to change. As it stands it places Scotland’s cultural ecology on a downward trajectory.
Without Creative Scotland’s support the Lammermuir Festival’s future is under threat. Your decision not to fund the 2023 festival, destabilises the organisation and undermines the festival’s ability to plan for or run a festival in 2024 and beyond. In order to secure the future of this festival beyond 2023, urgent support is needed.
As musicians, educators, audience members, supporters, participants, businesses in East Lothian, and community leaders we are utterly appalled at your decision and urgently appeal to Creative Scotland to reverse it in order to save this cultural gem.
This festival cannot be allowed to disappear.
362 signatures which can be viewed on the Lammermuir Festival website:
The Scottish Council for Voluntary Organisations (SCVO) has unveiled the 20 organisations who will be a part of a groundbreaking HR for Creatives project.
SCVO has partnered with Creative Scotland and Project Manager Kathryn Willens on the action research project to explore the support needed for micro and small creative organisations.
The project incorporates research into participant organisations’ learning journeys in order to share findings so that the wider arts, screen and creative industries can learn from this project.
This will allow the project partners to learn from organisations that access support and to identify where there are key and shared opportunities, challenges, strengths and weaknesses for the sector.
SCVO’s HR Service will now work with them to support them on their HR journey, including an audit of their HR policies and procedures, one-to-one advice and guidance, as well as access to webinars and a peer network.
The partners hope this will Improve people management for arts, screen and creative industries organisations, starting with legal compliance and moving beyond this to help organisations create a space and place to work where their people – staff and freelance practitioners – thrive and where fair work drives success, wellbeing and prosperity.
SCVO, Scotland’s national membership body for the voluntary sector, received over 80 applications from micro to small sized arts, screen and creative industries organisations from across Scotland. All applications were of a high standard, with only 20 places available.
The organisations represent a wide range of artistic practice including animation, digital art, theatre, film, poetry, music and dance. (1)
The number of applications highlights the demand for HR support in the sector especially from micro to small employers, with SCVO planning to offer some support to the organisations that didn’t make it to the shortlist through access to webinars and resources.
SCVO is delighted to be working with Creative Scotland, Kathryn, and research partner Tialt on the HR for Creatives action learning programme, funded by The National Lottery through Creative Scotland.
The programme will kick off in September 2023 and continue for 12 months.
Caroline Christie, SCVO’s Head of HR, said: “We are thrilled with the response to the HR for Creatives programme. This level of interest highlights arts, screen and creative industries organisations commitment to HR and to Fair Work as well as a need for this kind of support.
“HR for Creatives aims to offer support and learning to improve people management for arts, screen and creative industries organisations, support that will enable organisations to create work cultures where their staff and freelancers can thrive and where fair work drives success, wellbeing and prosperity.
“SCVO’s HR Service and the HR for Creatives project team are very excited to start working with the 20 shortlisted organisations and with the research partners, Tialt.”
Ashley Smith-Hammond, Creative Industries Officer at Creative Scotland, said: “As Creative Scotland develops its work in response to the Fair Work agenda, we’re committed to empowering organisations in the arts, screen and creative industries to best support their workforce.
“We’re pleased to partner with SCVO on this vital programme, which responds to challenges that small and micro creative businesses have in accessing appropriate, specialist support around people management.
“In this challenging economic context, it’s an investment in more competent, confident creative businesses and better experience for those in the creative workforce.”
