Coming of Age: Edinburgh’s Just Festival celebrates 21st year with Bumper Programme

Free to attend programme online and at St. John’s Church, Princes Street from 6th – 30th August

Edinburgh’s social justice and human rights festival is coming of age this summer with its biggest event yet.

Among the headline offerings are a poignant new choral work, No Alleluias: A Requiem for 2020, specially commissioned to celebrate the festival’s 21st birthday and an online appearance by former Children’s Laureate Michael Rosen (below) who spent several weeks in intensive care after contracting Covid-19.

Both reflect on the extraordinary experiences faced during the past year and Rosen – “not dead yet,” he says – considers how we can emerge from the pandemic with a more equal future.

Originally established as the Festival of Spirituality and Peace, Just Festival celebrates humanity in all its differences and encourages the exploration of new perspectives in the hope of reducing religious, political and social intolerance.

Festival director Helen Trew says: “The last year has shattered many illusions and laid bare the inequality at the heart of our society.  So, as we come of age, it is time to put our shoulder to the wheel of a better, fairer, inclusive future for us all.”

Running from 6th – 30th August, the festival features a range of innovative events and art installations presented, through a blend of digital discussion and performance plus live audience event, in St John’s Church and the surrounding area.

The No Alleluias requiem, a mix of live and virtual choir,  was inspired by preacher and theologian Rev Dr Karen George Thompson and describes her experience of last Easter Sunday.

Having lost her father to Covid and been infected with the virus herself, she also saw her community suffer and found the uplifting Easter message replaced with melancholy.

The resulting choral work, composed by Anthony Hammond with lyrics by Robert Rae, is an extraordinarily moving piece and will help close this year’s festival.

The programme also includes:

  • a live installation of Peace Cranes when 140,000 origami birds will be positioned throughout St John’s Church as symbols of hope for inter-generational justice and a call for a solution to the nuclear and climate emergencies;
  • Photography under Siege, an exhibition of photographer Mahmoud al Khurd’s images of life in Gaza today and an evening of music and conversation with Northern Irish peace activist Tommy Sands.
  • And the Cabaret of Dangerous ideas returns this year, looking at issues including children’s access to nature and outdoor play, debating whether we need to-re-wild youngsters.

With the exception of the No Alleluias performance, all events are free to attend, although a donation is suggested to support the festival whose main sponsors this year are Elephants in Action, a part of ELE Global, with support from EventScotland, Scotland’s Events Recovery Fund and the Culture & Business Fund Scotland, managed by Arts & Business Scotland. 

Helen Foord, CEO and founder of ELE Global comments: “The team is delighted to be supporting Just Festival again, helping to celebrate 21 fantastic years.

“And we’re proud to be associated with an event whose values of tolerance and encouraging new ways of looking at the world are ever more important in these challenging times.”

Paul Bush OBE, Director of Events, said: “The Just Festival is a timely event that I am sure will spark engaging debate while offering a welcome return to in-person experiences for audiences alongside its impressive virtual programme and I am delighted that EventScotland has been able to support it through Scotland’s Events Recovery Fund.”

For more information visit https://www.just-festival.org

‘Cautious but optimistic’

Fringe update from Chief Executive Shona McCarthy

Last week, we announced to Fringe participants that we’ll be opening show registration – for both online and in-person performances – on Wednesday 05 May, in advance of the Fringe taking place from 06 – 30 August.

This is an exciting moment for the Fringe Society; it means all the preparatory discussions we’ve been having – with artists, venues, government and all members of the Fringe community – can finally be translated into action, with visible results.

The positive response we had to last week’s announcement only confirms what I knew in my heart – that there are many people out there who are just as excited and eager as we are to see the Fringe return!

Of course, opening registration is only the start of this process – we are acutely aware of how difficult the last year has been for artists, and we’re doing everything we can to support them in making work this year and beyond.

We’ve reduced registration fees across all tiers by 25%, and removed the top tier entirely.

We’ve also announced the opening a Fringe Artist and Venue Recovery Fund: a £75,000 funding pot which is available to Fringe companies, creatives and venues to support projects that will enable a return to the Fringe in 2021 or 2022.

The fund will prioritise projects that seek to improve opportunities for access on the Fringe by underrepresented groups – you can find out more at edfringe.smartygrants.com.au/recoveryfund

There’s certainly a lot more still to be done, but we feel this is the first of many steps we can take to support artists returning to the Fringe.

I recognise that any eagerness to restart the Fringe must be tempered by a sense of caution and responsibility.

We continue to work closely with Scottish Government and the City of Edinburgh Council, and keep a close eye on official guidance as it emerges and develops, using it to inform every decision we make.

The most recent news indicates some easing of restrictions by the end of June, which is definitely encouraging, but if the last year has taught us anything it’s that things can change at very short notice, so for those dreaming fervently of a fun-packed summer in Edinburgh, we strongly recommend an attitude of cautious optimism at this stage. 

It’s also important to remember that this year’s Fringe won’t be the same as it was. Even as restrictions relax, we still expect to see some form of social distancing and other safety measures in Edinburgh this August.

Again, we’ll work with venues and other partners to figure out how best to use this information as it develops, creating clear guidance for audiences and participants. We also know that it will not be possible to produce our usual printed programme this year, though we are exploring alternatives.

While it is right and appropriate that we manage our expectations about a return to live performance, I am full of positive anticipation to see how Fringe artists channel their extraordinary creative energy into digital work at this year’s festival.

As happens with any seismic change in society, artists have responded to online life in brilliant and inventive ways, and I think it entirely correct that the Fringe – with its longstanding reputation for unleashing the creative spirit – showcases the best in digital inspiration as well.

Silver linings to the past year’s events are few and far between, but the increased availability of innovative, imaginative work – work that can be accessed virtually anywhere – is surely among them.

With this in mind, we’ve put a lot of time and energy into developing our digital infrastructure for this year’s Fringe. We’ve ensured that, whichever online platforms artists and venues want to use, we can support them to do it; they’ll also have access to our own innovative Fringe Player.

In addition, we’re creating an exciting new online events programme and meeting space to help artists and industry connect and collaborate, which we’re hoping to launch in summer. 

With the seeds of carefully laid plans now blooming into life, our goal – as ever – is to support Fringe participants.

As mentioned above, registration (and the wide range of benefits and services that come with it) will open in May, and will remain open right through to the end of the Fringe with no deadlines attached.

We’re also continuing to invest in our website so that audiences can search, browse and book shows as easily as ever, helping them find the artists whose work will resonate with them for years to come.

All of our plans are being made cautiously but optimistically, and as ever, public health will be our priority. But we can take heart in the fact that the Fringe is happening. And, whether online or in a venue, I can’t wait to see you there.

Shona

Line-Up Announced For Free Fringe Festival Online

Laughing Horse Comedy has launched its 2020 Edinburgh Free Fringe programme, which will take place online next month. The spirit of the Fringe is alive and well in August with a packed programmme of comedy shows, children’s shows, cabaret and spoken word.

Shows are a performed live, and run from August 7th to 30th – with shows available each day apart from Tuesdays. These are available a streamed content for free with donations given like a free Festival show would be in Edinburgh, or held in a ‘Pay What You Want’ ticketed video conference call, set-up to allowing people to get free tickets, or offer a donation to the performers.

The shows are all from performers who have been seen before at the Free Festival, including Dave TV award winning comic Masai Graham with his 101 Jokes shows, a comedy chat show hosted by leading Scottish comic Vladimir McTavish, regular family-friendly Comedy Sportz Improv shows, the return of Peter Michael Marino’s hit kids show ‘Show Up, Kids’, worldwide Festival hit ‘Joke Thieves’, plus Comedy and Cabaret performed live from the USA, a Science Chat show, a new panel show and solo shows including new shows from comedians Meryl O’Rourke, Charmian Hughes (pictured), Singapore’s Sam See, Sasha Ellen and more.

For Fringe fans in Edinburgh there will also be the opportunity to see some of the shows at our venues – with some of the performances planned to be broadcast live on the big screens at our Three Sisters and Pear Tree venues, two of the usual big hubs of Fringe activity in August.

Laughing Horse Comedy, who run free Festival and it’s director Alex Petty think this is a great opportunity to keep the spirit of the Fringe alive in it’s first ever fallow year, support performers and keep some of the fans of the Fringe entertained both at home and in Edinburgh.

This also helps in the early planning for the 2021 Fringe which is already underway, that of course is very likely to see changes for shows of covid-19 is still with us –  especially for free shows that have until now remained predominately unticketed, something that will need to change to a ticketed or Pay What You Want model in the ‘new normal’.

The full line-up is available now on www.freefestival.co.uk

The year in pictures: August

Las Ramblas terror attack in Barcelona

Cash for Kids support for Pilton Youth & Children’s Project

Actor Robert Hardy dies

Hearts sack first team coach Ian Cathro

Yes, it’s Festival time again in Edinburgh

Botanics’ smelly plant makes annual reappearance

Twentieth anniversary of Princess Diana’s death

Community is outraged when a ten year old boy is mown down by a hit and run motorcyclist near Drylaw Police Station

Free football at West Pilton Park

North Korea and USA engage in another bout of sabre-rattling … but on a nuclear scale

Fortieth anniversary of Elvis Presley’s death

Edinburgh Mela’s back!

Racial tensions run high during white supremacist march, Charlotttesville

Dementia awareness event at The Botanics

Bruce Forsyth dies

Craig Levein lands Hearts job

Sierra Leone mudslide kills hundreds and leaves tens of thousands homeless

Mayweather stops Conor McGregor in tenth round of multi-million dollar ‘Fight of the Century’

Kezia Dugdale resigns as Scottish Labour leader

Trinity Community Gala

World of Football opens on Marine Drive