Visual Arts Scotland kicks off centenary celebrations with RSA Show

On a winter’s eve in Edinburgh, 1924, Visual Arts Scotland (VAS) held their first-ever meeting, becoming early pioneers of inclusivity within Scotland’s artistic landscape. One-hundred years later, the organisation has grown into a leading platform for national and international artists and now celebrates its centenary with a year packed full of opportunities for its members.  

To kick off 2024’s celebrations, VAS are holding their biggest-ever exhibition at the Royal Scottish Academy in Edinburgh, showcasing work from the finest contemporary artists across Scotland and beyond.

Then and Now: 100 Years of Visual Arts Scotland will showcase 242 artists and over 300 artworks, with art ranging from ceramics, paintings, mixed media, photography, sculpture, and a variety of contemporary art forms.

The exhibition’s preview night takes place on Friday 16th of February 2024, from 6pm – 8pm, giving creative enthusiasts an exclusive glimpse into the contemporary Scottish art scene.

The exhibition will then run from the 17th of February until the 13th of March, launching a year of centenary celebrations for Visual Arts Scotland members. 

Tavienne Bridgwater, VAS Co-President, said: “VAS has seen a lot of growth and change over the past 100 years.

“The organisation began as The Scottish Society of Women Artists in 1924 with the aim to empower women after their contribution to the war effort. VAS provided women with the opportunity to exhibit and create applied arts, an opportunity other arts organisations in Scotland did not encourage until later in the century. 

“In the early 90s, the organisation’s name changed to Scottish Artists and Artist Craftsmen to embrace the high-quality experimental crafts taking place. Today, the organisation is known as Visual Arts Scotland and boasts a membership of over 1,000 artists across Scotland and beyond, its sole purpose to promote and provide opportunities for artists with an association to Scotland. 

“As we enter our 100th year, we want to reflect on our deep history, but also provide as many opportunities for our current membership as possible. 2024 will be packed full of exciting opportunities with a TATHA Gallery exhibition in Fife, a partnership exhibition with Scottish Ornithologists’ Club (SOC) in Aberlady, participation at the Borders Art Fair, and an exhibition and maker’s market at Dalkeith Palace.

“We will also be facilitating a number of artist residency opportunities throughout Scotland and the UK and our online platforms will continue to provide an important space for networking and the sharing of ideas, artwork, and dialogue.”  

Amanda Airey, VAS Co-President, commented: “We’re really excited to be returning to the RSA for our Centenary Show. Visual Arts Scotland’s relationship with this iconic building began in 1945, so there’s no better place to celebrate VAS’s milestone.

“We received over 1,500 applications for our Centenary Show from both members and non-members, indicating the enthusiasm for Visual Arts Scotland’s history as well as an appetite for in-person exhibitions.

“This year, we also hope to create a centenary year book that will contextualise VAS, capture our evolution as an organisation and reveal how we have stayed true to our core aims and passions. VAS members will be integral to influencing its design and purpose. 

“Despite years of growth, our organisation’s core values have remained the same. Everything we do is influenced by inclusivity and the idea that artists should and can help one another.

“VAS is a volunteer-led charity, with the core council consisting of artists themselves, helping promote and provide opportunities for our members. I hope we continue to enable artists to support artists for another 100 years.”

Christina McKelvie, Minister for Culture, Europe and International Development, said:The Scottish Government would like to congratulate Visual Arts Scotland on achieving a century of creativity and for playing such a pioneering role in the development of women earning recognition in creative arts.

“Founded as the Scottish Society of Women Artists in 1924, VAS led the way by providing women with a much-needed platform to showcase their artistic skills in Scotland. Visual Arts Scotland continues to give an important voice to the artists, practitioners, and craftsmen, who are crucial in shaping Scotland’s world-leading artistic output. We look forward to celebrating the creativity produced during VAS’s Centenary Show in 2024.”

Visual Arts Scotland 100th Anniversary, 02/10/2023: In the archive room at the National Galleries of Scotland’s Modern Art Two Gallery, Edinburgh. Photography for Visual Arts Scotland from: Colin Hattersley Photography – cphattersley@gmail.com – (+44) 7974 957 388 – www.colinhattersley.com

Colin R Greenslade, RSA Director writes: ““The Royal Scottish Academy of Art & Architecture (RSA) extends a hearty congratulations to the team and membership of Visual Art Scotland (VAS) on the celebration of the Society’s centenary.

“VAS, under the auspices of the ‘Scottish Society of Women Artists’ and ‘Scottish Artists and Artist Craftsmen’, have exhibited alongside the RSA in the Royal Scottish Academy building across much of these past 100 years and we share many artist members both past and present.

“It is wonderful to congratulate VAS on this milestone achievement and wish them the very best as they enter their second century of representing artists in this way.”

The VAS Centenary Show will also have an exhibit of small works (30cm x 30cm) by society members, allowing every member of VAS to have their work included in the exhibition. These small works provide a varied selection of art for sale at affordable prices.

Christmas Open Studios Weekend 

Saturday 2nd & Sunday 3rd December

  • Exciting FREE annual open studios event returns to Out of the Blue Abbeymount Studios
  • Featuring over 30 artists from paintings to photography and mosaics to fashion
  • Meet the makers, watch demonstrations and get the chance to win an original piece of art in a free raffle

Out of the Blue Abbeymount Studios are delighted to be opening their doors to the public again this Christmas for another exciting Open Studios weekend (their second of the year) on Saturday 2 & Sunday 3 December from 12 – 5pm.  

Come along to see their creative spaces, meet the makers and browse a wide range of original artworks and gifts. Everything is handmade by local designers and makers here in the heart of Edinburgh. It’s the perfect chance to get some Christmas shopping done, or perhaps to just treat yourself.

With over 30 artists and makers taking part, there really is something for everyone, from fine art, paintings and illustration to ceramics, textiles and photography.

There will be FREE art/craft/animation demonstrations and workshops taking place over the two days, plus a FREE raffle featuring exclusive prizes donated by Abbeymount Studios artists. 

Artists include Robin Paine who exhibited at The Royal Scottish Society of Painters in Watercolour’s winter exhibition, and was twice a finalist in London’s National Portrait Gallery Portrait Award. 

Her work is in National and International Collections and she has taught widely, with a specialty in drawing and painting from observation. Up-and-coming wildlife painter Kirsten Mirrey whose work for the past five years has focussed on both exotic and endangered wildlife in a highly realistic style will also be taking part of the two days. She’s also just completed her first successful solo exhibition at the Watson Gallery

Helen Miles represents the world of mosaics. Trained in Greece, Helen designs and makes mosaics for interior and exterior spaces, using a variety of materials from unglazed ceramic tiles to Venetian glass and found objects.

From ceramics, Frances Priest is represented in national collections including the National Museums of Scotland Edinburgh, the Fitzwilliam Museum Cambridge, the Victoria & Albert Museum London & the McManus Galleries Dundee. She has also been awarded The Wesley Barrell Craft Award and the Arts & Business Scotland Award.

Award-winning designer Judy R Clark is famed for her exquisite hand-tailored womenswear designs comprising of Harris Tweeds, Scottish lace and antique fabric. Judy was crowned Designer of Year at The Scottish Style Awards.

Her twin sister Christine Clark will also be taking part. She has been exhibiting internationally with group and solo shows in London, France, Washington and Edinburgh including a large commission for the Rohallion Care Clinic in Perth.

The poster for the Christmas Open Studios Weekend was designed by resident illustrator Rebecca Sheerin. She makes narrative illustrations mostly inspired by landscapes and the natural world. She starts by painting a watery base layer then adding the fine details with coloured pencils and crayons.

Out of the Blue Abbeymount Studio Manager Bob Guilianotti says: “Out of the Blue Abbeymount biannual open studios showcases the work of all 48 resident artists in an iconic building which is an arts and crafts creative hub right in the centre of Edinburgh.” 

Details of the Christmas Open Studios Weekend, as well as a list of participating artists and makers can be found on the Abbeymount Studios website.

Jupiter Artland founder honoured by Edinburgh Napier

Sculpture garden inspires next generation

The co-founder of world-renowned contemporary art attraction Jupiter Artland has spoken of her pride after being awarded an Honorary Doctorate from Edinburgh Napier University.

Nicky Wilson was given the honour during the University’s graduation ceremony at Edinburgh’s Usher Hall, in recognition of her work to inspire the next generation of artists.

An accomplished artist in her own right, Nicky set up Jupiter Artland on the outskirts of Edinburgh in 2009, with the park’s distinctive sculptured grass landscape and permanent works quickly establishing it as one of Scotland’s most significant artistic projects.

Nicky said: “It means so much to me to have the work of Jupiter Artland and the team over the last 20 years recognised by the University.

“It’s a wonderful thing to be given a graduation, when I didn’t have one right at the beginning. I did get my degree, but I didn’t go to it.

“It’s with regret that I didn’t go because I now know how much it feels like you’re at the beginning of another chapter of your life. And funnily enough, this feels like the beginning of another chapter of my life.

“The recognition from the work that’s been done so far is just spurring me on to do more.”

Born in Edinburgh, Nicky graduated with a BA, then an MA in sculpture – continuing to practice it alongside a career in marketing and PR.

Since the creation of Jupiter Artland, it was nominated for ArtFund’s Museum of the Year in 2016. It has also become a powerful learning space for young people, offering free school visits throughout the year.

In 2017, Nicky founded Jupiter Rising, a festival of avant-garde music, art and film for young artists and performers from diverse backgrounds, and in 2018 she set up the ORBIT Youth Council, a creative collective for 16 to 18-year-olds from all over Scotland. Most recently, Jupiter+ was established as an offsite commissioning programme designed to inspire the next generation of artists. 

There have also been several examples of collaboration between Jupiter Artland and Edinburgh Napier University. 

One project involved replicating the entire park in Minecraft – which was used to connect with young people across the world during lockdown – while a recent immersive installation to a formerly vacant shop on Ayr’s high street included a learning experience put together with the help of ENU.

Giving the laureation speech to award Nicky with an Honorary Degree of Doctor of the University, Dr Tom Flint, Associate Professor in Edinburgh Napier’s School of Arts & Creative Industries, said: “It is hard to imagine anyone with more passion for art, artists and the opportunities creative practice affords than Nicky.

“Working with Nicky and her team has opened a world of radical engagement and inclusivity. The resulting knowledge generated from our collaborations has been presented at conferences around the world.

“Nicky’s generosity and outlook have augmented my own practice as well that of as numerous colleagues and students.  As a university we have immense gratitude for all she has achieved.”

Cove Park & Dundee Rep announce new musical theatre writing residency and call for applications

A new residency for musical theatre writers, composers, and lyricists from the UK, India and the United States

Presented by Cove Park and Dundee Rep Theatre in partnership with Capital Theatres, Citizens Theatre, Macrobert Arts Centre, National Centre for the Performing Arts – Mumbai, National Theatre of Scotland, Octopus Theatricals – New York City, Royal Lyceum Theatre Edinburgh, and Traverse Theatre.

Associate partners include A Play, A Pie and a Pint, Pitlochry Festival Theatre, Playwrights’ Studio Scotland and Tron Theatre.

With their rich and varied expertise, the partners will work with Cove Park and Dundee Rep and play a valuable role in this project. Providing mentoring, support and feedback as required during the residency, they will help enrich the writers’ experience. All partners are committed to developing the musical theatre landscape, both in Scotland and further afield.

The residency has been devised by Andrew Panton, Artistic Director of Dundee Rep Theatre, and will include facilitated sessions with Dramaturg Jeanie O’Hare (formerly Director of New Work Development at The Public Theater), Music Supervisor Nigel Lilley (Next to Normal at Donmar Warehouse, Caroline, or Change on Broadway), Donna Lynn Hilton, Artistic Director of Goodspeed Musicals and David Greig, Artistic Director of Royal Lyceum Theatre Edinburgh.

The programme also includes networking opportunities and workshop sessions, in-person and digital, with industry professionals including writers, composers, producers, directors, and other theatre practitioners – such as Tony® Award-winning director John Doyle, Tony® and Grammy® Award-winning producer Mara Isaacs, Tony® Award-winning producer Rashad V. Chambers, and more.

Applications to take part in this residency are being accepted from UK-based teams of up to three collaborators who have a musical theatre idea in need of development and would benefit from the residency experience to take it to the next stage in its creation.

To apply, individuals or teams must be based in the UK – Cove Park and Dundee Rep are particularly interested in receiving applications from teams based in Scotland. The participating artists from India and the United States will be selected separately through nominations via international partners.

Please visit https://www.musicaltheatrewritingresidency.uk/ for more information and how to apply.

Open letter urges: Save Lammermuir!

This festival cannot be allowed to disappear’

  • The Lammermuir Festival 2023 came to a close this week while urgently working to secure its future.
  • Nicola Benedetti and Sir James MacMillan add their support for Lammermuir Festival.
  • Open Letter to Creative Scotland signed by 362 musicians, composers, educationalists, politicians, participants, supporters, audience members and local businesses.

The Lammermuir Festival closed its 14th festival earlier this week, one of its most successful yet. The programme was met with great acclaim cited by some music critics as the best programme presented.

Audiences flocked with over 80% of tickets sold, over 30% of which were to new customers. Initial analysis indicates that a little over half of those audiences were local with the remaining travelling to East Lothian to enjoy one of the UK’s best loved classical music events.

This successful edition was set against the backdrop of the festival finding out just days before it opened that Creative Scotland was not supporting its 14th festival, having invested in the event for thirteen years.

Losing the cultural funder’s support this year leaves the festival in an urgent financial position, working hard to find a secure future.

Many of Scotland’s leading musicians have lent their support to the festival’s campaign, most recently Nicola Benedetti and Sir James MacMillan.

Nicola Benedetti said: “Being able to share the best, world-class music making with audiences not residing in our cities but in rural areas is a really important part of our nation’s cultural fabric.

“An aspect we must support and nurture. The Lammermuir Festival has done this brilliantly over the last 14 festivals creating acclaimed events that also enable young artists to develop in the industry, and engage young people in the region to give them deep and extraordinary experiences.

“It would be tragic for Scotland’s music scene if this festival wasn’t supported to continue this work which benefits so many.”

An Open Letter to Creative Scotland has been signed by 362 musicians, composers, education workers, participants, supporters, audience members and local businesses including Steven Obsorne, Andrea Baker, Sean Shibe, Stuart MacRae, Dinis Sousa, Ryan Corbett, Sue Baxendale, Craig Hoy MSP, Douglas Alexander, Martin Brabbins, Sian Edwards, Ruth Ellis, Monica Wilkinson and Alfonso Leal del Ojo.

James Waters, Chief Executive and Joint Artistic Director of the Lammermuir Festival said: “The support and affection for Lammermuir Festival that we have seen pouring in from musicians, education providers, local businesses, supporters and audiences across Scotland and beyond has been incredible.

“We have never been more proud of the festival and what it brings to so many and we will continue to do everything we can to secure its future.”

Letter from supporters of Lammermuir Festival

To Iain Munro, Chief Executive of Creative Scotland and its Chair, Robert Wilson,

We the undersigned appeal to you to save what one audience member has described as a ‘precious jewel of originality and joy’.

According to the panels judging Open Fund applications at Creative Scotland, Lammermuir Festival does not sufficiently align to your priorities.

This is despite having the full support of the Music Officers at Creative Scotland who approved its application and strongly recommended funding without conditions.

This is one of the most acclaimed classical music festivals in the UK, recipient of an RPS award, the highest accolade in its field, and giving work to 350 musicians a year, many of them Scottish. It has a proven record of achievement, appeals to ever-growing audiences and supports performers at all stages in their careers.

It is also a festival which returns £750,000 in economic benefits for East Lothian, on top of its social and cultural benefits, bringing visitors to a region which is underserved for arts, offering audiences international quality music performances and participation opportunities.

If the festival were to not exist, neither would its work with McOpera which engaged 1,700 children, young people and adults as participants and audience through their outreach strand over the last two years. This proved a formative part of so many young musicians’ lives in East Lothian.

This strand of the festival’s work reached out to multiple and diverse local community groups, nurturing children and young people from across 31 different schools, supporting the growth of an Instrumental Music Service and creative organisations (such as Dunbar Voices), bringing to the region international conductors and Scottish creatives, composers, singers and instrumentalists.

It has also regularly provided career placements to students from Edinburgh College, Queen Margaret University, Edinburgh and Edinburgh Napier Universities, National Youth Orchestra of Scotland and the Royal Conservatoire of Scotland.

This decision by Creative Scotland flies in the face of the expressions of support for culture in Scotland, and in particular for festivals, that the First Minister Humza Yousaf, Cabinet Secretary for Wellbeing Economy, Fair Work and Energy Neil Gray, and Cabinet Secretary for the Constitution, External Affairs and Culture Angus Robertson have made in recent days.

The Open Fund process appears to have no strategic overview of provision, and no clear artistic, quality or geographic priorities.

Your process places huge pressure on organisations. Lammermuir Festival was invited to make multiple applications for the same activity with funding decisions taking their nerves to the wire – in this case Creative Scotland passed their verdict on a third application just 16 days before the festival started.

The system needs to change. As it stands it places Scotland’s cultural ecology on a downward trajectory.

Without Creative Scotland’s support the Lammermuir Festival’s future is under threat. Your decision not to fund the 2023 festival, destabilises the organisation and undermines the festival’s ability to plan for or run a festival in 2024 and beyond. In order to secure the future of this festival beyond 2023, urgent support is needed.

As musicians, educators, audience members, supporters, participants, businesses in East Lothian, and community leaders we are utterly appalled at your decision and urgently appeal to Creative Scotland to reverse it in order to save this cultural gem.

This festival cannot be allowed to disappear.

362 signatures which can be viewed on the Lammermuir Festival website: 

https://www.lammermuirfestival.co.uk/open-letter-from-supporters-of-lammermuir-festival-to-creative-scotland/

cc’d

First Minister Humza Yousaf

Cabinet Secretary for the Constitution, External Affairs and Culture Angus Robertson

Minister of Culture Christina McKelvie

Cabinet Secretary for Wellbeing Economy, Fair Work and Energy Neil Gray

Edinburgh Multicultural Festival returns this month

Edinburgh Multicultural Festival, supported by the City of Edinburgh Council, will be held at Edinburgh College (Granton Campus) and Lauriston Castle on 30 September and 1 October 2023.

The programme features a diverse range of performers and visual artists telling their stories through creative writing and visual literacy workshops, artwork, poetry, storytelling, music, theatre, and dance.

There are also family activities, including arts and crafts, puppetry, living statues, reading sessions, and drumming workshops facilitated by Visual Literacy Matters and other artists. The festival truly has something for everyone.

This year’s musical acts include Los Chichanos, Mio Shudo, Motown Brothers, The Spinning Blowfish, Elaine Cheng, dance artists – Sam Vaherlehto and TuFlamenco as well as theatre makers – Catherine Bisset, Flavia D’Avila, Luntu Masiza and Olivier Van Den Hende.

The festival celebrates the cultural diversity of the Capital by bringing together local and international artists and creating experiences to be shared by all communities.

This year marks the 5th birthday of the festival, which has provided platforms, both on stages and digitally, for over 150 local and international artists of diverse backgrounds, and generated over 60k worldwide views since its inception.

All events are free but ticketed. For more information, please visit the Edinburgh Multicultural Festival website.

Culture and Communities Convener, Councillor Val Walker said: “It’s fantastic to see the return of the Edinburgh Multicultural Festival later this month. I’m incredibly proud that we are supporting local artists of all backgrounds to get involved with a truly unique festival. We all want to see as many of our residents as possible expressing themselves and adding to Edinburgh’s already excellent cultural sector.  

“Edinburgh’s diversity is one of our greatest strengths and this festival is just one fantastic example of our outstanding year-round cultural offerings. I want to wish the best of luck to all the organisers, performers and participants and I’m sure that this fifth year of the festival will be a great success.”

Edinburgh Multicultural Festival Director, Morgan Njobo said:We are grateful to the City of Edinburgh Council for their support, thanks to which we can create opportunities for local diverse artists to share their work and cultures. As a South African artist based in Edinburgh myself, I value how welcoming the city is to the international talent.

“The festival is a celebration of cultural diversity in Edinburgh that is representative of the increasingly more diverse population in the city. This year we feature local artists of African, Asian, Caribbean, European, and South American origin thus creating a world stage at your doorstep.

“The festival has gone from strength to strength since 2019 as we continue to attract more participation in the arts in Edinburgh. Partnering with Edinburgh College in Granton and Lauriston Castle in Cramond allows us to create unique cultural experiences for audiences and participants of all ages and backgrounds while appreciating the hidden gem locations in Edinburgh.

“Let’s enjoy being able to be back together and support diverse artists and creatives here in Scotland.”

Nicola Benedetti delivers successful first Edinburgh International Festival

The 2023 Edinburgh International Festival has ended on a high, after 24 packed days of events from 2,500 remarkable and diverse artists representing 50 nations.

The programme was characterised by a high quality of art, presenting work from 130 Grammy nominated artists, 33 Grammy Award-winners, 14 Brit Award-winners, 6 Olivier Award-winners and 3 Venice Golden Lions awards. Artists also attracted significant worldwide media attention and positive reviews, with two-thirds of International Festival performances receiving four and five-star reviews.

With an unprecedented emphasis on a deepened audience experience, the 2023 International Festival reimagined how we interact with and appreciate live performance, through audio introductions, contextual demonstrations and discussions before and during performances, and bringing audiences and artists closer together through more informal, intimate performance environments. 

Nicola Benedetti, Festival Director at Edinburgh International Festival said: ““I dreamt of a festival that felt truly open and welcoming, creating a shared ownership and pride over the future of our Festival and its profound contribution to Scotland’s culture and conversation. The response from artists and audiences has been resoundingly uplifting, filled with a tangible energy pulling us closer together.

“We asked, ‘where do we go from here?’ – and we heard from thousands of people, sharing different perspectives from around the world. Now, we are confident in forging our path and deepening next year’s conversation together.” 

In the 2023 International Festival 120,000 audience members found an in-depth and high-quality live experience across Edinburgh’s theatres, concert halls and venues. It was once again an unmissable destination for Edinburgh visitors looking to experience the highest quality arts and culture, with 13% of bookers being international, an increase of 3% on last year.

The International Festival also saw steady attendance from local audiences, with 69% of bookers coming from Scotland. 

As part of the vision to broaden audiences, over 21,000 tickets were discounted to people eligible for concessions, including D/deaf and disabled people, arts workers, students and audiences aged under 26.

Over 11,000 free tickets were issued, including over 500 tickets for NHS workers and 631 tickets through the Young Music Pass scheme, which gives free tickets to young people to experience the best classical music from around the world.

The £10 on the Day ticket, available to people eligible for concessions, saw a pick-up of over 4,000 tickets, a 46% increase on last year. 

The International Festival continued its year-round community engagement work during August, welcoming people of all ages and backgrounds to experience world-leading artists in locations across the city.

Culture Clubs returned to communities across Edinburgh, with intergenerational groups invited to enjoy a shared meal and attend a performance, including the first ever BSL Culture Club hosted by Deaf Action.

Pop-up performances brought music to audiences who otherwise might not have been able to attend, featuring the likes of the Simón Bolívar Symphony Orchestra of Venezuela, award-winning bassist and composer Endea Owens, and the London Symphony Orchestra, who performed for around 1,000 patients, hospital staff and visitors in NHS settings. 

Thousands of people attended the Opening Fanfare weekend, an incredible feat of mass music-making, which assembled a diverse community of 500 amateur and professional musicians travelling from across Scotland to participate across two days in Princes Street Gardens.

The International Festival also reached more people than ever through digital channels, with content viewed 4.8 million times over the course of the 2023 Festival, an increase of 63% from 2022. In addition, 19 concerts were recorded live for broadcast on BBC Radio 3.  

The Hub – the International Festival’s home at the top of the Royal Mile – was reimagined as a ‘festival green room, open to all’. The Hub welcomed thousands of visitors and invited them to collectively respond to the central question: ‘where do we go from here?’

An expansive programme of free talks and debates, participatory events and intimate concerts from incredible musicians spanning Scottish traditional music, jazz and classical ensembles brought artists and audiences closer than ever before. 

An audience of 600 sat in beanbags surrounded by the Budapest Festival Orchestra – a format inviting audiences to experience both the music and the orchestra from the inside out, with conductor Ivan Fischer offering conversational explanations of Dvořák’s Eighth Symphony. 

30 audio introductions were recorded by Nicola Benedetti with broadcaster Tom Service and artists from across the programme who gave insight and more context into specific performances and experiences. These reached 25,000 people, who listened as they were delivered by text message two hours before a performance. Over 32,000 people read blog articles which added further context. 

To help audiences gain a greater appreciation of visiting companies and reduce the amount of travel required for international artists, high-profile artistic residencies included the London Symphony Orchestra under the direction of departing conductor Sir Simon Rattle, the Budapest Festival Orchestra with Ivan Fischer, and the world-renowned Simón Bolívar Symphony Orchestra of Venezuela reunited with their Music Director Gustavo Dudamel. 

This year also saw a focus on opportunities for talent development and professional exchange. Twenty-two emerging dancers aged 18-25 from across Scotland had the chance of a lifetime to train with the Alvin Ailey American Dance Theater and perform in Memoria at the Festival Theatre.

Five pre-professional musicians were also invited to join the Mendelssohn Octet at the Hub, in an audition judged by Festival Director Nicola Benedetti. Plus, twelve Scotland-based dancers participated in a week-long collaboration with international peers performing in Pina Bausch’s The Rite of Spring that brought together 34 dancers from 14 African countries. 

Francesca Hegyi, Chief Executive at Edinburgh International Festival, said: “August in Edinburgh is the time when the world’s spotlight turns to the Festival City, where residents can mix with their international counterparts and see artists they wouldn’t otherwise get the chance to.

“There has been a new warmth and spirit of inquiry to the Edinburgh International Festival this year and the feedback from audiences, artists and visitors has been nothing short of exceptional.” 

Culture Secretary Angus Robertson, said: “This was a bumper year for Edinburgh’s summer festivals, distinguished by a strong contribution from home grown talent, and increased access to events through an expanded programme of community activities.

“Edinburgh’s festivals underline how important culture is to our way of life as well as underlining Scotland’s reputation on the international stage. I’d like to thank everyone involved for putting on such a fantastic line-up of performances and events this year.” 

World’s Two Biggest Arts Festivals unite in Cultural and Knowledge Exchange agreement

The Edinburgh Festival Fringe Society, the charity that supports the world’s largest performing arts festival, the Edinburgh Festival Fringe, and the biggest arts festival in the Southern Hemisphere, Adelaide Fringe are coming together to form an arrangement that will see both organisations amplify one another’s efforts for the benefit of artists and the international arts community.

Each organisation’s respective CEO will sign a Memorandum Of Understanding (MOU) that outlines the details of the arrangement on August 11 during this year’s Edinburgh Festival Fringe.  

The MOU came to fruition from a collective belief between the Edinburgh Festival Fringe Society and Adelaide Fringe that organisations who share common objectives have the potential to positively influence the personal development of the Fringe festival artists and workers and thereby increase outcomes for each organisation.  

The MOU will be signed by the South Australian Minister for Arts, Andrea Micheals MP and Scotland’s Culture Secretary Angus Robertson.

Culture Secretary Angus Robertson said: “The Edinburgh Fringe is an inspiration to many festivals around the world and this formal agreement between the Edinburgh Fringe Society and the Adelaide Fringe is a fantastic initiative that will bring many benefits to both organisations.  

“In particular the opportunity to share knowledge and skills, grow new audiences and provide platforms for performers will help the business development of both festivals.”

South Australian MInister for Arts, Andrea Micheals said: “This MOU brings together the wealth of talent, experience and creative ideas that exists in both Edinburgh and Adelaide Fringe Festivals. 

“It represents the two largest festivals in the world joining forces to harness that extraordinary skill and create exciting opportunities for artists and arts workers to work at these two internationally renowned festivals and beyond.  

“Adelaide is one of the world’s greatest festival cities and this partnership with the Edinburgh Festival cements our international reputation as the arts capital of Australia.”

The arrangement outlines details between the two festivals in the context of business, exchange and joint initiatives that will see Edinburgh and Adelaide Fringe festivals work to encourage the development of artists and their career trajectory and festival workers to the benefit of festivals internationally.  

Each organisation will recognise their positions as major tourist attractions in their respective regions for both local, national and international travellers; and the benefits of working collaboratively in the development of skills for festival workers, along with the importance of business opportunities that are created at festivals via industry programs for artists to secure future bookings for their work.

Each partner is committed to the development of their staff, which will in part see the implementation of an exchange program between the two major festivals. 

The MOU outlines a commitment from each party to promote one another’s Fringe festivals to artists while growing the audience-facing and industry-facing opportunities for artists participating in the festivals.

Director and CEO of Adelaide Fringe, Heather Croall said: ‘The establishment of this MOU is a momentous occurrence in the festival world.

“Fringe festivals are incubators for live performance and a testing ground for fresh ideas and new works, I’m sure the outcomes of this arrangement will ripple positively for artists and industry across the globe.”

Chief Executive of Edinburgh Festival Fringe Society, Shona McCarthy said, “Today is an exciting moment as we formalise a collective ambition to support each other across a range of areas. 

“Our relationship with the Adelaide Fringe has developed over the last decade into a supportive and collaborative partnership, where we learn from each other and share our mutual challenges and opportunities. 

“The signing of the MOU is just the beginning of what we know will be an extremely rewarding partnership for everyone involved in the festivals.”

The Ghosts of North Leith: Citadel Arts Group leave no stone unturned

Citadel’s Arts Group’s 12th foray into Leith Festival is an exploration of the atmospheric North Leith Burial Ground. Their playwrights workshop wondered what lies beneath Coburg Street and found a number of big characters interred in this small cemetery.

Seven members of Citadel’s group of older writers each chose to research the story behind one of the graves.

There are people whose achievements and eccentricities will be dramatized in a play, The Ghosts of North Leith. Using music, humour and poetry, the drama will raise awareness of this fascinating area of Leith history.

In the Coburg Street Burial Ground lies Lady Anne Mackintosh nicknamed the ‘Colonel’. Playwright Rhona McAdam explains she was drawn to her ‘as she seemed a strong, independent woman, taking part in the Jacobite Rebellion of 1745. 

“Her husband, Sir Angus, chief of Clan Mackintosh, was a Captain in the government troops.  Since he was unable, or unwilling, to raise the clan to fight for Bonnie Prince Charlie, Lady Anne did it instead. 

“When the Jacobites won the Battle of Prestonpans, Sir Angus surrendered to his wife.  After the Battle of Culloden, when the Jacobites were defeated, Lady Anne surrendered to her husband.’  

Jim Brown took on the poet, Robert NicolI, heralded as the next Robert Burns. Jim said: ‘I became fascinated by Robert Nicoll because he was a poet, writer and radical newspaper man born in 1814, who packed so much into his short life. He died aged 23.’

No stone marks the burial place of 12-year-old Matilda Molesworth, but burial records indicate the spot. She features in the real-life story of the Trinity poltergeist. One of the collection of unexplained happenings in Catherine Crowe’s 1848 book “The Night Side of Nature“, it has popped up in anthologies of uncanny happenings ever since.

Another member of Citadel’s playwrights’ workshop, novelist Hilary Spiers explains: ” I’ve long been interested in the history of slavery in Scotland.

“While John Gladstones (buried in North Leith graveyard) and his grandson William Gladstone are better known, I felt John’s wife Nellie (who was known to be a very capable woman) might well have held views at odds with the men in her family. Women were a strong if largely unsung force in the abolitionist movement’.

Elaine Campbell came across the North Leith gravestone of three children and told us: ‘I was intrigued. Who were these three bairns so lovingly remembered?

“In the late eighteenth and early nineteenth centuries when the Millar children lived and died, infant mortality was ferociously high. Sadly all attempts to locate the children in church records proved fruitless.

“There were Millars living in Leith at the time.  I have assumed Peter, John and Archibald were part of this extended, prosperous family of merchants. Although the “Three Cherubs” is my fictional account, I drew on historical material to describe their short lives and untimely deaths.

“By telling their story I hope to have given voice to the countless children who lie long forgotten in North Leith Graveyard’. 

Was it chance or Divine intervention that led writers Carolyn and Brian Lincoln to the gravestone of the Rev. Dr. David Johnston? Previous attempts at finding the grave of this pillar of the North Leith community had proved fruitless.

The Lincolns were paying one last visit to the Coburg Street churchyard, when they noticed the letters D.D. poking through the moss. D.D. Doctor of Divinity.  They scraped away some moss and there was the name. David Johnston (1735-1824) served the parish for nearly 60 years, a strong leader when Leith was seriously threatened by the ships of John Paul Jones, who supported the breakaway American colonies.

The play, which includes all these stories, and more, will be given a trial performed reading in North Leith Parish Church on 15 June. Citadel Arts Group seeks feedback from this first audience at Leith Festival with a view to staging a full performance of the play later in the year in the same venue.

North Leith Parish Church in Madeira Street welcomes Citadel Arts Group’s interest in the burial ground, and the church building which was to have been the keystone of Leith’s ‘New Town’.

Tim Bell told us: ‘I welcome the play as a chance for local and Edinburgh people to see this beautiful Georgian Church before it is released from the Church of Scotland estate in 2024’.

Venue: North Leith Parish Church, 51 Madeira Street EH6 4AU

Date: June 15th 7pm

Tickets: £5 from lizhare@blueyonder.co.uk /07770 623 924

Associated event: Hilary Spiers will lead a free guided tour of North Leith Burial Ground in Coburg Street on Monday June 12th at 2pm. Places are limited. Book from Liz Hare

Writers: Carolyn and Brian Lincoln, Jim Brown, John Lamb, Hilary Spiers, Elaine Campbell and Rhona McAdam.

Cast: Mark Kydd, Deborah Whyte, Chelsea Grace, Gregor Davidson, Dale McQueen.

Director: Liz Hare

Sound: Stewart Emm

Citadel Arts Group (SC 034687) is a Leith-based theatre company which specialises in creating new plays based on local stories, memories, and history.

Brian Eddington: 1949 – 2023

Brian Eddington died last month at the age of 74 years. A North Edinburgh man through and through, he was born in Leith but spent most of his childhood and early years in West Pilton after his family were rehoused there (writes LYNN McCABE).

Brian lived in Drylaw for a number of years and then moved down to Muirhouse where he lived for more than 2 decades. He returned to Leith a few years ago when he was unable to return to his flat in Muirhouse after having part of his leg amputated.

Brian loved his community and was involved in many different groups, classes and local initiatives over the years. He was a creative person and found a second home in Muirhouse Festival Association (MFAC) where he developed a passion for community arts.

He was a member of the local drama group and was actively involved in the annual panto and gala. Brian was also involved in the Greater Pilton Print Resource (GPPR) (later Greater Pilton Design Resource/Source) and North Edinburgh News (the NEN), which provided so much rich source material for the Never Give Up project which Brian helped to produce along with fellow activists.

Brian had a passion for photography and history and he was able to bring together his local knowledge and his skills to document the ongoing changes and developments in Muirhouse which he witnessed first hand as a local resident. His photographs tell their own story about the process of regeneration and the impact this has had on his community.

In 2009, Brian joined North Edinburgh Social History Group along with Roberta Blaikie, Anna Hutchison, Brian Robertson and Ian Moore with a mission to record the history of activism in North Edinburgh.

Brian was a great person to have on board and relished trawling through 40 years worth of back copies of the Commune and the NEN and long forgotten photos, leaflets and posters which had been stored in dusty store cupboards and filing cabinets in local projects waiting for someone to find a use for them.

During the project, Brian was sufficiently movitated to get over his aversion to computers and managed to pick up some IT skills along the way which enabled him to access photographs of the area which had been digitalised by the Scotsman.

The project was a long hard slog and took 2 years to complete but the Never Give Up publication, exhibition and film gave Brian, the group and the wider community a great deal of pride in seeing their community accurately represented for a change.

It is an important piece of work documenting the rich history of North Edinburgh and the important role played by local people in their fight for social justice – a fight which continues until this day.

Following the launch of the Never Give Up project, Brian was involved in helping to establish a new adult education class called Power to the People : an introduction to the history of Protest in Scotland.

The class ran for a number of years and brought together new activists alongside people who had been involved in local and national politics. Inevitably perhaps, the focus of the class moved from studying politics and protest to actually doing it!

The Power to the People group were involved in many local issues over the years including cuts to local services and the campaign to stop the eviction of local families from their homes.

Brian’s love of history and politics continued until the end with his daily blog on facebook about important Scottish figures and events.

I’ll finish with a wee quote from Brian from the Never Give Up publication where he is talking about his time in Muirhouse drama group:

We used to do street theatre about different issues. We did a thing about the poll tax where someone got arrested for not paying their poll tax. They got sent to a privatised jail.

We basically done it any place where we could find people standing about. Folk thought it was hilarious. We handed out leaflets about the poll tax at the same time – that was the serious part of it. It was a good way to get across a serious message”.

Brian’s funeral service takes place this morning at 11.30 at Warriston Crematorium’s small chapel.